100 Mp3 Vintage Legends

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Daten-CD
Nr.TitelKünstlerBewertungLänge
1Memories Are Made of This
cover recording of:
Memories Are Made of This
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
Dean Martin2:15
2Unforgettable
Bratsche / Viola:
Paul Robyn (am 1951-08-17) und Dave Sterkin (am 1951-08-17)
Celesta und Klavier:
Buddy Cole (am 1951-08-17)
Cello:
Cy Bernard (am 1951-08-17) und Eleanor Slatkin (US cellist, b. Aller) (am 1951-08-17)
Conga:
Joe Costanzo (am 1951-08-17)
Geige / Violine:
Alex Beller (am 1951-08-17), Harry Bluestone (am 1951-08-17), Walter Edelstein (am 1951-08-17), Henry Hill (Violin player) (am 1951-08-17), Dan Lube (am 1951-08-17), Erno Neufeld (am 1951-08-17), Mischa Russell (violinist) (am 1951-08-17) und Marshall Sosson (am 1951-08-17)
Gitarre:
Bob Bain (guitarist) (am 1951-08-17)
Harfe:
Ann Mason Stockton (American harpist) (am 1951-08-17)
Kontrabass:
Joe Comfort (am 1951-08-17)
Schlagzeug:
Nick Fatool (am 1951-08-17)
vocals:
Nat King Cole (am 1951-08-17)
Orchester:
Nelson Riddle and His Orchestra (am 1951-08-17)
conductor:
Nelson Riddle (am 1951-08-17)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-08-17)
recording of:
Unforgettable (am 1951-08-17)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
Nat King Cole43:10
3South of the Border
Frank Sinatra2:47
4I Love You but I Don’t Like You
recording of:
I Love You but I Don’t Like You
Verfasser(in):
Heinie Beau und Peggy Lee (jazz vocalist)
Peggy Lee2:30
5It’s a Lovely Day Today
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1950) und The Fontane Sisters (in 1950)
Interpret(in):
Mitchell Ayres and His Orchestra (in 1950)
recording of:
It’s a Lovely Day Today
Texter und Komponist(in):
Irving Berlin (in 1950)
Perry Como2:42
6Please Don’t Talk About Me When I’m Gone
cover recording of:
Please Don’t Talk About Me When I’m Gone
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
Sammy Davis Jr.2:38
7Blueberry Hill
recording of:
Blueberry Hill
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino2:18
8I Was the One
recording of:
I Was the One
Verfasser(in):
Hal Blair, Claude Demetrius, Bill Peppers und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. und Rachel’s Own Music
Elvis Presley2:34
9Only You
recording of:
Only You
Texter, Verfasser(in) und Komponist(in):
Buck Ram und Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:37
10Sous le ciel de Paris
vocals:
Édith Piaf
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor)
cover recording of:
Sous le ciel de Paris (Under Paris Skies, original French version) (am 1954-10-20)
Texter:
Jean Dréjac und Hubert Giraud
Komponist(in):
Hubert Giraud
publisher:
Éditions Choudens und Première Music Group
Édith Piaf3:32
11Under the Bridges of Paris
cover recording of:
Under the Bridges of Paris
Texter:
Jean Rodor
Komponist(in):
Vincent Scotto
Übersetzer:
Dorcas Cochran
publisher:
Fortin Euromusic, Unichappell Music und Zodiac Music Corp.
übersetzte Version von:
Sous les ponts de Paris
Dean Martin2:45
12Ain’t We Got Fun?
Doris Day2:35
13Whatever Lola Wants
vocals:
Sarah Vaughan (am 1955-03-17)
conductor:
Hugo Peretti (am 1955-03-17)
arranger:
Hugo Peretti
cover recording of:
Whatever Lola Wants (Damn Yankees) (am 1955-03-17)
Texter und Komponist(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
Teil von:
Damn Yankees (1955 musical)
Sarah Vaughan2:34
14If I May
conductor:
Ralph Carmichael (am 1961-04-03)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-04-03)
recording of:
If I May (am 1961-04-03)
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
Nat King Cole3:02
15Three Coins in a Fountain
recording of:
Three Coins in the Fountain
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1954 winner)
Frank Sinatra3:03
16Hey Good Lookin’
cover recording of:
Hey, Good Lookin’
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Acuff-Rose Publications, Inc. (BMI) (am 1951-03-16)
Tennessee Ernie Ford & Helen O’Connell2:04
17Jambalaya (On the Bayou)
recording of:
Jambalaya (On the Bayou) (am 1952-06-13)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Fred Rose Music, Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1952-07-28)
Hank Williams42:52
18Mexican Joe
live recording of:
Mexican Joe (in 1959)
Texter und Komponist(in):
Mitchell Torok
recording of:
Mexican Joe
Texter und Komponist(in):
Mitchell Torok
Jim Reeves42:37
19Mambo Italiano
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1954-11-26)
Orchester:
Dick Stabile and His Orchestra (am 1954-11-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Mambo Italiano (original english version) (am 1954-11-26)
Texter und Komponist(in):
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Dean Martin2:16
20I Found Out My Troubles
Johnny Otis2:41
21The Lady Is a Tramp
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
Rosemary Clooney2:06
22I Get a Kick Out of You
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Frank Sinatra2:53
23Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald3:04
24Une enfant
vocals:
Édith Piaf
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor)
recording of:
Une enfant (de 16 ans) (am 1951-07-04)
Texter:
Charles Aznavour
Komponist(in):
Charles Aznavour und Robert Chauvigny (French composer, orchestra leader and conductor)
Édith Piaf3:21
25Sway
vocals:
Dean Martin (American singer/actor) (in 1954)
Orchester:
Dick Stabile and His Orchestra (in 1954)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Sway (in 1954)
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
Dean Martin2:41
26I Can’t Go On (Rosalie)
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
recording of:
I Can't Go On (am 1955-10-15)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino42:04
27I’m Just a Dancing Partner
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
The Platters2:13
28Stranger in Paradise
cover recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
Texter:
George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
Komponist(in):
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Frank Music Co. Ltd. (vom 1953 bis heute)
basiert auf:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
Teil von:
Kismet (full musical)
Tony Bennett3:04
29April in Paris
Gitarre:
Barney Kessel (am 1956-08-18)
Klavier:
Jimmy Rowles (am 1956-08-18)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-08-18)
Schlagzeug:
Alvin Stoller (am 1956-08-18)
Tenorsaxophon:
Ben Webster (am 1956-08-18)
Trompete:
Harry “Sweets” Edison (am 1956-08-18)
vocals:
Billie Holiday (am 1956-08-18)
recording of:
April in Paris (am 1956-08-18)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Billie Holiday3:02
30Ça
vocals:
Charles Aznavour (in 1955)
conductor:
Jo Moutet (in 1955)
recording of:
Ça ! (C’est formidable) (in 1955)
Texter:
Charles Aznavour
Komponist(in):
Gilbert Bécaud
Charles Aznavour3:01
31A Guy Is a Guy
vocals:
Doris Day (am 1952-02-07)
Orchester:
Paul Weston Orchestra (am 1952-02-07)
conductor:
Paul Weston (am 1952-02-07)
recording of:
A Guy Is a Guy (am 1952-02-07)
Texter und Komponist(in):
Oscar Brand
publisher:
Ludlow Music
Doris Day2:41
32Tina Marie
Perry Como2:32
33Because I Love My Baby So
Johnny Otis3:05
34Candy Lips
vocals:
Doris Day (in 1953) und Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (in 1953)
Orchester:
Paul Weston and His Orchestra (in 1953)
recording of:
Candy Lips
Texter und Komponist(in):
Fred Rose (songwriter)
Doris Day2:03
35Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Louis Armstrong3:59
36I’m in Love Again
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 6)
recording of:
I’m in Love Again (am 1955-10-15)
Verfasser(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino51:51
37I Walk the Line
recording of:
I Walk the Line
Texter und Komponist(in):
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) und House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash2:42
38Everytime
vocals:
Peggy Lee (jazz vocalist)
Peggy Lee2:59
39Standing on the Corner
Produzent(in):
Lee Gillette und Voyle Gilmore
vocals:
Dean Martin (American singer/actor) (in 1956)
Orchester:
Dick Stabile and His Orchestra (in 1956)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
cover recording of:
Standing on the Corner (The Most Happy Fella) (in 1956)
Texter und Komponist(in):
Frank Loesser
Teil von:
The Most Happy Fella (full musical)
Dean Martin2:48
40Papa Loves Mambo
Produzent(in):
Joe Carlton
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1954-08-31) und The Ray Charles Singers (am 1954-08-31)
Orchester:
Mitchell Ayres and His Orchestra (am 1954-08-31)
recording of:
Papa Loves Mambo (am 1954-08-31)
Verfasser(in):
Al Hoffman, Dick Manning (American songwriter) und Bickley Reichner
Perry Como2.52:39
41In the Cool, Cool, Cool of the Evening
recording of:
In the Cool, Cool, Cool of the Evening (from “Here Comes the Groom”)
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1951 winner)
Rosemary Clooney3:00
42Love & Marriage
recording of:
Love and Marriage
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und WB Music Corp. (1929–2019)
Frank Sinatra2:37
43I Ain’t Got Nobody
Sammy Davis Jr.2:23
44Let’s Do It
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass [bass]:
Joe Mondragon (am 1956-02-09)
Schlagzeug [drums]:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
Ella Fitzgerald3.53:32
45All of Me
recording of:
All of Me
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
Billie Holiday3:50
46Cold Cold Heart
cover recording of:
Cold, Cold Heart
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1951-02-16)
Dinah Washington3:18
47La Valse de l’amour
vocals:
Édith Piaf
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor)
recording of:
La Valse de l’amour (am 1951-04-13)
Texter:
Marcel Achard, Mitty Goldin und Édith Piaf
Komponist(in):
Marguerite Monnot
Édith Piaf2:21
48The Great Pretender
recording of:
The Great Pretender
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters2:39
49Love Me Tender
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
Jon Dodson (von 1956-08-24 bis 1956-09-04, am 1956-09-01), Charles Prescott (von 1956-08-24 bis 1956-09-04, am 1956-09-01) und Rad Robinson (von 1956-08-24 bis 1956-09-04, am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 437)
recording of:
Love Me Tender (von 1956-08-24 bis 1956-09-04)
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
Elvis Presley42:40
50Roll Over Beethoven
recording of:
Roll Over Beethoven
Texter und Komponist(in):
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. und Rock ’n’ Roll Music
Chuck Berry2:22
51I Want You to Be My Baby
Louis Jordan2:55
52I’ll Remember April
Count Basie3:17
53A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) und Bert Kalmar (in 1935)
Komponist(in):
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Strip (1951 film)
Louis Armstrong3:00
54Waiting for the Train to Come In
recording of:
Waiting for the Train to Come In
Verfasser(in):
Martin Block (composer) und Sunny Skylar
Peggy Lee3:04
55Rags to Riches
recording of:
Rags to Riches
Verfasser(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (von 1953 bis 2010), J & J Ross Co. (vom 2011 bis heute) und Lakshmi Puja Music Ltd. (vom 2011 bis heute)
Tony Bennett2:48
56At Sundown
recording of:
At Sundown
Texter und Komponist(in):
Walter Donaldson (in 1927)
publisher:
Donaldson Publishing Co. und Leo Feist, Inc.
Doris Day1:32
57I Don’t Care If the Sun Don’t Shine
cover recording of:
I Don’t Care If the Sun Don’t Shine
Texter und Komponist(in):
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Dean Martin1:52
58When You’re Smiling
recording of:
When You’re Smiling (the Whole World Smiles With You)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
Perry Como2:13
59Mixed Emotions
recording of:
Mixed Emotions
Texter und Komponist(in):
Stuart F. Louchheim (Stuart Fleischer Louchheim)
Rosemary Clooney3:06
60In the Wee Small Hours of the Morning
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra (am 1955-02-17)
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (am 1955-02-17)
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Frank Sinatra2:59
61I Cried
Patti Page2:44
62I Don’t Want to Take a Chance
Ella Fitzgerald3:12
63So Long
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
recording of:
So Long (am 1955-11-30)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino42:07
64Voo Vee Ah Vee
The Platters2:10
65All of Me
Klarinette:
Edmond Hall (American jazz clarinetist, bandleader)
Klavier:
Billy Kyle
Kontrabass [bass]:
Arvell Shaw
Posaune:
Trummy Young
Schlagzeug:
Barrett Deems
vocals:
Louis Armstrong
recording of:
All of Me
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
Louis Armstrong3:48
66It’s a Good Day
cover recording of:
It’s a Good Day
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
publisher:
Denslow Music, Inc. und Michael H. Goldsen Inc.
Peggy Lee2:51
67Shake, Rattle and Roll
Bill Haley and His Comets2:27
68Cry Cry Cry
recording of:
Cry! Cry! Cry!
Texter und Komponist(in):
Johnny Cash (country music legend)
publisher:
Carlin Music Corporation und Hill & Range Songs, Inc. (publisher)
Johnny Cash2:24
69(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-13)
Rohrblattinstrumente:
Plas Johnson (am 1955-09-13)
Trompete:
Harry “Sweets” Edison (am 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-09-13)
Orchester:
The Nelson Riddle Orchestra (am 1955-09-13)
conductor:
Nelson Riddle (am 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (am 1955-09-13)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und Maraville Music Corp.
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
Frank Sinatra2:56
70Moments to Remember
Mezzosoprangesang [singing voice on 1st lead and harmony]:
Lois Winters
Sprecher [poetic spoken voice]:
Pat Kirby (American jazz singer)
vocals:
The Four Lads
Orchester:
Ray Ellis and His Orchestra & Chorus
conductor:
Ray Ellis (US producer, arranger and conductor)
recording of:
Moments to Remember (1955 song)
Texter:
Al Stillman
Komponist(in):
Robert Allen (US songwriter/arranger/pianist)
publisher:
Adaken Music Holding LLC, Charlie Deitcher Productions, Inc., Memory Lane Music Ltd. und フジパシフィックミュージック (Fujipacific Music, Inc.)
The Four Lads3:17
71Kiss
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1957)
Orchester:
Gus Levene and His Orchestra (in 1957)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957)
cover recording of:
Kiss (Niagara) (in 1957)
Texter:
Haven Gillespie
Komponist(in):
Lionel Newman
Dean Martin52:22
72Night Lights
recording of:
Night Lights
Texter:
Sammy Gallop
Nat King Cole2:48
73Ain’t That a Shame
recording of:
Ain’t That a Shame
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Fats Domino2:24
74There You Go
recording of:
There You Go
Texter und Komponist(in):
Johnny Cash (country music legend)
publisher:
Carlin Music
Johnny Cash2:15
75Bimbo
recording of:
Bimbo (1953 song) (am 1953-10-08)
Texter und Komponist(in):
Rod Morris
publisher:
EMI Unart Catalog Inc.
Jim Reeves2:46
76Sixteen Tons
cover recording of:
Sixteen Tons
Texter und Komponist(in):
Merle Travis
publisher:
American Music, Inc. und Campbell Connelly & Co. Ltd.
adaptations:
16 Tons
Tennessee Ernie Ford2:37
77Blue Moon
cover recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Elvis Presley2:37
78Rock Around the Clock
E-Gitarre [lead guitar]:
Danny Cedrone (am 1954-04-12)
E-Gitarre [rhythm guitar] und Sologesang:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
phonographisches Urheberrecht (℗) von:
Sonet Music AB (in 1954) und MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets4.352:08
79I Got a Woman
recording of:
I Got a Woman
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles2:52
80Again
recording of:
Again
Texter:
Dorcas Cochran
Komponist(in):
Lionel Newman
Doris Day2:46
81What a Little Moonlight Can Do
recording of:
What a Little Moonlight Can Do
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) und Warner Brothers Music Inc.
Billie Holiday3:11
82From Here to Eternity
recording of:
From Here to Eternity
Texter:
Robert Wells (songwriter)
Komponist(in):
Freddie Karger
publisher:
Barton Music Corp.
Frank Sinatra2:58
83Walking My Baby Back Home
recording of:
Walkin’ My Baby Back Home
Texter:
Roy Turk (in 1930)
Komponist(in):
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Nat King Cole2:38
84Bye Bye Blackbird
recording of:
Bye Bye Blackbird
Texter:
Mort Dixon (in 1926)
Komponist(in):
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Dean Martin3:03
85Rambling Rose
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1947) und The Satisfiers (in 1947)
Interpret(in):
Russ Case and His Orchestra (in 1947)
recording of:
Rambling Rose
Texter:
Joseph McCarthy (lyricist, 1885–1943) (in 1947)
Komponist(in):
Joe Burke (American composer) (in 1947)
Perry Como2:35
86Quand on n’a que l’amour
vocals:
Jacques Brel (am 1956-09-18)
conductor:
André Popp (am 1956-09-18)
recording of:
Quand on n’a que l’amour (am 1956-09-18)
Texter und Komponist(in):
Jacques Brel
Jacques Brel52:24
87Padam… padam
vocals:
Édith Piaf (am 1951-10-15)
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor) (am 1951-10-15)
recording of:
Padam… padam (am 1951-10-15)
Texter:
Henri Contet
Komponist(in):
Norbert Glanzberg
publisher:
Éditions Salabert
Édith Piaf3:16
88À t’regarder
vocals:
Charles Aznavour (in 1955)
conductor:
Jo Moutet (in 1955)
recording of:
À t’regarder (in 1955)
Texter:
Charles Aznavour
Komponist(in):
Jean Constantin
Charles Aznavour2:41
89What Is This Thing Called Love?
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1956, am 1956-02-09)
conductor:
Buddy Bregman (in 1956, am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1956)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
Ella Fitzgerald2:02
90Too Marvellous for Words
recording of:
Too Marvelous for Words
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson2:48
91Mad About the Boy
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1961-12-04)
Klavier:
Jack Wilson (jazz pianist) (am 1961-12-04)
Posaune:
Billy Byers (am 1961-12-04)
Trompete:
Joe Newman (US jazz trumpeter) (am 1961-12-04)
vocals:
Dinah Washington
Orchester:
Quincy Jones and His Orchestra (am 1961-12-04)
arranger:
Quincy Jones (am 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co. und Chappell Music Ltd.
Teil von:
Words and Music
Dinah Washington52:47
92My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker2:17
93Love Me or Leave Me
vocals:
Doris Day
recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Doris Day2:15
94I Wish I Had a Record
Perry Como2:15
95Love Is a Many Splendoured Thing
The Four Aces2:53
96I’ve Got the World on a String
cover recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Ella Fitzgerald3:16
97What a Difference a Day Made
cover recording of:
What a Diff’rence a Day Made
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Sarah Vaughan2:47
98My Baby Just Cares for Me
cover recording of:
My Baby Just Cares for Me
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Tony Bennett2:19
99Pennies From Heaven
Dave Brubeck6:27
100Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:22