This Is the 80s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Part 1 / Part 2
2▼CD: Part 3 / Part 4
Nr.TitelKünstlerBewertungLänge
1Money’s Too Tight (to Mention)
cover recording of:
Money’s Too Tight (to Mention)
Verfasser(in):
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) und Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red4:15
2Who’s That Girl
Techniker(in):
Jon Bavin
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
Appalachian dulcimer [dulcimer], Gitarre, Keyboard, Synthesizer und xylophone:
Dave Stewart (UK guitarist/singer for Eurythmics)
Bassgitarre:
Dean Garcia (English multi-instrumentalist; Curve)
Flügelhorn, Horn, Kornett und Trompete:
Dick Cuthell
Hintergrundgesang:
Ann Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Sologesang:
Ann Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
conductor:
Michael Kayman (American score composer) (Saiteninstrumente)
Saiteninstrumente arranger:
Michael Kayman (American score composer)
phonographisches Urheberrecht (℗) von:
RCA Ltd. (UK arm of RCA) und BMG Records (UK) Limited (1987–1996) (in 1983)
Remaster:
Who’s That Girl? von Eurythmics
recording of:
Who’s That Girl?
Texter und Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Universal Music Publishing MGB Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!)
Eurythmics44:47
3I Don’t Want to Talk About It
Produzent(in):
Ben Watt (von 1987-09 bis 1987-12)
aufgenommen bei:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Vereinigtes Königreich (von 1987-09 bis 1987-12)
cover recording of:
I Don’t Want to Talk About It (von 1987-09 bis 1987-12)
Texter und Komponist(in):
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music und Rondor Music
Everything but the Girl44:16
4Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.43:30
5Geno
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:28
6Our House
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 13) und VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 29)
recording of:
Our House
Texter:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.93:22
7Ghost Town
Techniker(in):
John A. Rivers
Posaune:
Rico Rodriguez (Jamaican trombonist)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 217)
recording of:
Ghost Town
Texter und Komponist(in):
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:41
8Perfect
Produzent(in):
Fairground Attraction und Kevin Moloney
assistierende(r) Mix:
Alistair Johnson (engineering)
Mix:
Kevin Moloney
Sologesang:
Eddi Reader
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
aufgenommen bei:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Musikvideos:
Perfect von Fairground Attraction
recording of:
Perfect
Texter und Komponist(in):
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:37
9Favourite Shirts (Boy Meets Girl)
Produzent(in):
Bob Sargeant
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1981) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 31)
recording of:
Favourite Shirts (Boy Meets Girl)
Texter und Komponist(in):
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred53:06
10The Look of Love
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Keyboard:
Mark White (ABC/Vice Versa)
Sologesang:
Martin Fry
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 43)
teilweise recording of:
The Look of Love
Verfasser(in):
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Teil von:
Mantrap (ABC long-form film)
ABC3.93:30
11Fairytale of New York
Techniker(in):
Chris Dickie, Nick Lacey (engineer) und Roy Spong
Produzent(in):
Steve Lillywhite
vocals:
Kirsty MacColl
Interpret(in):
The Pogues (Irish‐British Celtic punk band)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1987)
aufgenommen bei und mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Fairytale of New York
Komponist(in):
Jeremy Fax Miner und Shane MacGowan
publisher:
BMG Music Publishing Ltd. und Perfect Songs Ltd. (UK publisher, affiliated with PRS)
The Pogues44:34
12Each & Every One
Techniker(in):
Mike Pela
Produzent(in):
Robin Millar
Bass:
Chucho Merchán (in 1984-01)
guitar family:
Ben Watt (in 1984-01)
Horn [horns]:
Nigel Nash (saxophonist) (in 1984-01), Dick Pearce (trumpet) (in 1984-01) und Pete King (English alto saxophonist) (in 1984-01)
Perkussion:
Bosco d'Olivera (in 1984-01)
Sologesang:
Tracey Thorn (of Everything but the Girl) (in 1984-01)
vocals:
Tracey Thorn (of Everything but the Girl) (in 1984-01) und Ben Watt (in 1984-01)
Gast-Interpret(in):
Peter King (English alto saxophonist) (in 1984-01)
Horn arranger:
Ben Watt
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1984)
aufgenommen bei:
Power Plant in London (Greater London), England, Vereinigtes Königreich (in 1984-01)
recording of:
Each and Every One (in 1984-01)
Verfasser(in):
Tracey Thorn (of Everything but the Girl) und Ben Watt
publisher:
Cherry Red Music (publisher) und Complete Music Ltd.
Everything but the Girl42:48
13Oblivious
Techniker(in):
John Brand (engineer)
Produzent(in):
John Brand (engineer) und Bernie Clarke (keyboard / producer)
Bassgitarre:
Campbell Owens
Gitarre:
Roddy Frame
Keyboard:
Bernie Clarke (keyboard / producer)
Schlagzeug und Perkussion:
Dave Ruffy
vocals:
Roddy Frame
arranger:
Roddy Frame
recording of:
Oblivious
Texter und Komponist(in):
Roddy Frame
Aztec Camera53:12
14The Killing Moon
recording engineer und Produzent(in):
David Lord (British composer, engineer and producer)
Mix:
Echo & the Bunnymen und Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
Echo & the Bunnymen4.655:48
15Reward
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
recording of:
Reward
Komponist(in):
Julian Cope und Alan Gill
The Teardrop Explodes4.52:45
16Since Yesterday
Techniker(in):
David Motion und Trig
Produzent(in):
David Motion
Gitarre:
Jill Bryson und Rose McDowall
Hintergrundgesang und Sologesang:
Rose McDowall
vocals:
Jill Bryson
arranger:
David Motion
phonographisches Urheberrecht (℗) von:
A Korova Recording und WEA Records Ltd. (holding company based in the UK)
recording of:
Since Yesterday
Verfasser(in):
Jill Bryson und Rose McDowall
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Zoo Music Publishing
Version von:
Dance
Strawberry Switchblade4.652:59
17How Soon Is Now?
Techniker(in):
Stephen Street (famous producer, songwriter)
Produzent(in):
John Porter (producer and musician US and UK)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1984) und Warner Music UK Ltd. (not for release label use!) (in 1984)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 3), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 421) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 486)
recording of:
How Soon Is Now? (in 1984-07)
Texter:
Morrissey (English singer‐songwriter)
Verfasser(in):
Johnny Marr und Morrissey (English singer‐songwriter)
Komponist(in):
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths4.756:47
18Imperial
Primal Scream3:37
19Fools Gold
Produzent(in) und Mix:
John Leckie
phonographisches Urheberrecht (℗) von:
Silvertone Records Ltd. (company credits only; file NO releases here!) (in 1989, in 1990)
Musikvideos:
Fools Gold (Music video) von The Stone Roses
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 32) und Indie 88: Top 500 Indie Rock Songs (Nummer: 145)
recording of:
Fools Gold
Verfasser(in):
Ian Brown (UK singer, member of Stone Roses) und John Squire
publisher:
Universal Music Publishers MGB Australia Pty Ltd
The Stone Roses4.44:16

Nennungen