The Very Best of Santana (Benelux edition)

~ Veröffentlichung von Santana (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1She’s Not There
Produzent(in):
Tom Coster und Carlos Santana
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1977), RCA/Jive Label Group (holding company, not a release label) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
She’s Not There
Texter und Komponist(in):
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA und Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
44:04
2The Healer
Produzent(in):
Roy Rogers (US blues guitarist & producer)
Gitarre:
Carlos Santana
Keyboard:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
phonographisches Urheberrecht (℗) von:
Chameleon Records (late ’80s–early ’90s US rock label, imprint of Chameleon Music Group) (in 1989)
recording of:
The Healer
Verfasser(in):
John Lee Hooker (US blues singer, songwriter & guitarist), Roy Rogers (US blues guitarist & producer), Carlos Santana und Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
5:34
3Hold On
assistierende(r) Techniker(in):
Maureen Droney
Ko-Techniker(in):
Will Herold
Techniker(in) und Mix:
Jim Gaines
Produzent(in):
John Ryan (producer a/k/a “The Chicago Kid”)
assistierende(r) Mix:
Ben King (engineer)
Bassgitarre:
David Margen
Bongos:
Armando Peraza
Conga:
Armando Peraza und Raul Rekow
Gitarre:
Devadip Carlos Santana
Gitarre [rhythm guitar] und Sologesang:
Alexander J. Ligertwood
Keyboard:
Richard Baker (US keyboardist for Santana)
Schlagzeug:
Graham Lear
Timbales:
Orestes Vilató
Hintergrundgesang:
Devadip Carlos Santana, Armando Peraza, Raul Rekow und Orestes Vilató
arranger:
John Ryan (producer a/k/a “The Chicago Kid”) und Santana Band (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982)
produced for:
Chicago Kid Productions
aufgenommen bei und mixed at:
The Automatt in San Francisco, California (Kalifornien), Vereinigte Staaten
cover recording of:
Hold On
Texter und Komponist(in):
Ian Thomas (Canadian singer/songwriter)
publisher:
Chelsea Music Publishing Co., Ltd., Ole Mark-Cain Music Publ., Over the Rainbow Music Co. und フジパシフィックミュージック (Fujipacific Music, Inc.)
44:28
4Jin‐go‐lo‐ba
Techniker(in):
Bob Breault und Eric Prestidge
Produzent(in):
Brent Dangerfield und Carlos Santana
remixer:
Jim Gaines (in 1988-01)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
aufgenommen bei:
Pacific Recording Studio in San Mateo, California (Kalifornien), Vereinigte Staaten (in 1969)
remixed at:
The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1988-01)
cover recording of:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo) (in 1969)
Texter und Komponist(in):
Babatunde Olatunji
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. und EMI Songs Ltd.
4.54:17
5Carnaval
recording of:
Carnaval
Verfasser(in):
Tom Coster und Carlos Santana
publisher:
Light Music (US publishing label) und Rondor Music (London) Ltd.
2:16
6Nowhere to Run
assistierende(r) Techniker(in):
Maureen Droney
Ko-Techniker(in):
Will Herold
Techniker(in):
Jim Gaines
Produzent(in):
John Ryan (producer a/k/a “The Chicago Kid”)
assistierende(r) Mix:
Ben King (engineer)
Mix:
Bill Szymczyk
Bassgitarre:
David Margen
Bongos:
Armando Peraza
Conga:
Armando Peraza und Raul Rekow
Gitarre:
Devadip Carlos Santana
Gitarre [rhythm guitar] und Sologesang:
Alexander J. Ligertwood
Keyboard:
Richard Baker (US keyboardist for Santana)
Schlagzeug:
Graham Lear
Timbales:
Orestes Vilató
Hintergrundgesang:
Devadip Carlos Santana, Armando Peraza, Raul Rekow und Orestes Vilató
arranger:
John Ryan (producer a/k/a “The Chicago Kid”) und Santana Band (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982)
produced for:
Chicago Kid Productions
aufgenommen bei:
The Automatt in San Francisco, California (Kalifornien), Vereinigte Staaten
mixed at:
Bayshore Studios in Coconut Grove, Miami, Florida, Vereinigte Staaten
recording of:
Nowhere to Run
Texter und Komponist(in):
Russ Ballard
publisher:
Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
4:00
7I Love You Much Too Much
recording of:
I Love You Much Too Much
Texter:
Chaim Tauber
Komponist(in):
Alexander Olshanetsky
Übersetzer:
Don Raye
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal Music Corp. (USA, affiliated with ASCAP) und Universal‐MCA Music Publishing (US)
4:44
8Oye como va
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-08)
Conga und Perkussion:
Michael Carabello (am 1970-07-08)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-08)
Gitarre:
Carlos Santana (am 1970-07-08)
Keyboard und Sologesang:
Gregg Rolie (am 1970-07-08)
Perkussion:
Rico Reyes (am 1970-07-08)
Schlagzeug:
Michael Shrieve (am 1970-07-08)
tabla:
Steven Saphore (am 1970-07-08)
Hintergrundgesang:
Rico Reyes (am 1970-07-08) und Carlos Santana (am 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-08)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 479)
cover recording of:
Oye como va (am 1970-07-08)
Texter und Komponist(in):
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) und Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Chanchullo
basiert auf:
Te enseñaré
44:17
9Lightnin’
recording of:
Lightnin’
Komponist(in):
Booker T. Jones und Carlos Santana
publisher:
House of Jones Music und Light Music (US publishing label)
3:51
10Let the Children Play
recording of:
Let the Children Play
Verfasser(in):
Leon Patillo und Carlos Santana
publisher:
Light Music (US publishing label) und Rondor Music (London) Ltd.
3:29
11Life Is a Lady / Holiday
medley including a recording of:
Holiday
Verfasser(in):
D.C. Santana
medley including a recording of:
Life Is a Lady
Verfasser(in):
Dennis Lambert
publisher:
Lambert & Potter Music Co.
3:46
12Say It Again
cover recording of:
Say It Again
Verfasser(in):
Val Garay, Steve Goldstein und Anthony La Peau
publisher:
Black Mountain Road Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:21
13Let It Shine
assistierende(r) Techniker(in):
Susan Foot (recording engineer)
Techniker(in):
Fred Catero und David Rubinson
Produzent(in):
David Rubinson & Friends, Inc.
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
Let It Shine
Verfasser(in):
David Brown (US bassist for Santana/Allman Brothers/31st of February)
publisher:
Light Music (US publishing label)
15:41
14No One to Depend On
recording engineer:
Mike Larner (am 1971-06-16)
Techniker(in):
Glen Kolotkin
Produzent(in):
Santana (US Latin, blues, & rock band)
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1971-06-16)
Conga:
Michael Carabello (am 1971-06-16)
Gitarre:
Carlos Santana (am 1971-06-16) und Neal Schon (am 1971-06-16)
Keyboard:
Gregg Rolie (am 1971-06-16)
membranophone:
Michael Shrieve (am 1971-06-16)
Perkussion [percussion assistance]:
Coke Escovedo (am 1971-06-16)
Tamburin:
Greg Errico (am 1971-06-16)
Timbales:
Jose Chepito Áreas (am 1971-06-16)
Hintergrundgesang:
Coke Escovedo (am 1971-06-16) und Rico Reyes (am 1971-06-16)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1971) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
aufgenommen bei:
Columbia Studios in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1971-06-16)
recording of:
No One to Depend On (am 1971-06-16)
Verfasser(in):
Michael Carabello, Coke Escovedo und Gregg Rolie
publisher:
Careers–BMG Music Publishing, Inc., Petra Music, Universal Music (plain logo: “Universal Music”) und Universal Music Careers
3.55:31
15The Sensitive Kind
cover recording of:
The Sensitive Kind
Texter und Komponist(in):
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Warner Chappell Music, Inc. und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
3:30

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