Gold – Soft Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Daniel
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Akustikgitarre:
Davey Johnstone
Bassgitarre:
Dee Murray
Hybrid-Piano und mellotron und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug und Maracas / Rumba-Rasseln:
Nigel Olsson
Synthesizer:
Ken Scott (UK record producer & engineer)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1973)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
recording of:
Daniel
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Songs of PolyGram International, Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal–Songs of PolyGram International, Inc.
Elton John3.93:52
2Wild World
Produzent(in):
Paul Samwell-Smith
Bassgitarre:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
Gitarre und Keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Gitarre [2nd]:
Alun Davies (in 1970-07)
Schlagzeug:
Harvey Burns (in 1970-07)
Solo-Geige / Violine:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
Saiteninstrumente arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) und Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
recording of:
Wild World (in 1970-07)
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (beendet), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Cat Stevens3.93:20
3Operator (That’s Not the Way It Feels)
Produzent(in):
Terry Cashman und Tommy West
vocals:
Jim Croce (am 1971-10-11)
phonographisches Urheberrecht (℗) von:
R2M Music (BMI) (in 1972)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1971-10-11)
recording of:
Operator (That’s Not the Way It Feels) (am 1971-10-11)
Texter und Komponist(in):
Jim Croce
publisher:
DenJac Music Company und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.753:47
4Summer Breeze
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 10)
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.353:24
5Melissa (album version)
Techniker(in):
Howard Albert und Ron Albert
Produzent(in):
Tom Dowd
Akustikgitarre, Klavier und Orgel:
Gregg Allman (von 1971-09 bis 1971-12)
Bass:
Berry Oakley (US bassist, The Allman Brothers Band) (von 1971-09 bis 1971-12)
Gitarre:
Dickey Betts (von 1971-09 bis 1971-12)
Schlagzeug:
Jai Johanny Johanson (von 1971-09 bis 1971-12) und Butch Trucks (von 1971-09 bis 1971-12)
vocals:
Gregg Allman (von 1971-09 bis 1971-12)
arranger:
The Allman Brothers Band
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1971-09 bis 1971-12)
Remaster:
Melissa von The Allman Brothers Band
recording of:
Melissa (von 1971-09 bis 1971-12)
Texter:
Steve Alaimo und Gregg Allman
Komponist(in):
Gregg Allman
publisher:
Elijah Blue Music, EMI Longitude Music, Longitude Music Co., No Exit Music Co., Inc., Sherlyn Publishing, Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Allman Brothers Band43:55
6Reason to Believe (album version)
Produzent(in):
Rod Stewart
Akustikgitarre:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) und Rod Stewart (in 1971-01)
Bass:
Andy Pyle (in 1971-01)
Bassgitarre, Gitarre und Pedal-Steel-Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
Geige / Violine:
Dick Powell (Violinist and double-bass player) (in 1971-01)
Klavier:
Pete Sears (in 1971-01)
Kontrabass:
Danny Thompson (English double bass player) (in 1971-01)
Orgel:
Ian McLagan (in 1971-01)
Schlagzeug:
Micky Waller (in 1971-01)
Slide-Gitarre:
Sam Mitchell (in 1971-01)
Sologesang:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971)
cover recording of:
Reason to Believe (in 1971-01)
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. und Trio Music Co., Inc.
Rod Stewart3.154:09
7Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:24
8Drift Away
recording engineer:
Gene Eichelberger
Produzent(in):
Mentor Williams (songwriter & producer)
Akustikgitarre und E-Gitarre [Gibson Les Paul]:
Reggie Young (guitarist and songwriter)
Bass:
Mike Leech
E-Gitarre [Fender Telecaster]:
Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
Händeklatschen, Schlagzeug und Tamburin:
Kenny Malone (session drummer/percussion)
Klavier:
David Briggs (US producer and musician)
Saiteninstrumente arranger:
Mike Leech
Orchestrator(in):
Mike Leech
aufgenommen bei und mixed at:
Quadraphonic Sound Studios in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Drift Away
Texter und Komponist(in):
Mentor Williams (songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray4.653:55
9Someone to Lay Down Beside Me
assistierende(r) Techniker(in):
Michael McGinnis (engineer) und Sergio Reyes
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
Bassgitarre:
Leland Sklar (bassist, session musician)
Gitarre:
Waddy
Klavier:
Karla Bonoff (singer-songwriter)
Perkussion:
Steve Forman (US percussionist)
Schlagzeug:
Russell Kunkel (session drummer)
vocals:
Karla Bonoff (singer-songwriter)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Someone to Lay Down Beside Me
Texter und Komponist(in):
Karla Bonoff (singer-songwriter)
publisher:
Sky Harbor Music und 大洋音楽 (Taiyō Music)
Karla Bonoff4:01
10Sentimental LadyBob Welch3:09
11Longer (album version)
Techniker(in):
Jeff Guercio und Marty Lewis (engineer)
Produzent(in):
Dan Fogelberg, Marty Lewis (engineer) und Norbert Putnam
Mix:
Marty Lewis (engineer)
Akustikgitarre:
Dan Fogelberg
Harfe:
Gayle Levant (American studio musician, harpist)
Solo-Flügelhorn:
Jerry Hey
vocals:
Dan Fogelberg
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) und Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1980)
mixed at:
Quadrafonic Sound Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Longer
Texter und Komponist(in):
Dan Fogelberg
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Hickory Grove Music
Dan Fogelberg3.153:15
12We Just Disagree
recorded in:
Washington, D.C., Vereinigte Staaten (in 2003-05)
assistierende(r) Techniker(in):
Michael Beiriger und Rick Smith (engineer)
Produzent(in):
Dave Mason (co‐founder of Traffic) und Ron Nevison
Bassgitarre [bass]:
Gerald Johnson
Keyboard:
Mike Finnigan (keyboardist)
Perkussion:
Bobbye Hall
Schlagzeug:
Rick Jaeger (drummer)
vocals:
Mike Finnigan (keyboardist)
Saiteninstrumente arranger:
Alan MacMillan
arranger:
Dave Mason (co‐founder of Traffic)
concertmaster:
James Getzoff (American concertmaster and violinist)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977)
produced for:
Gadget Productions Inc.
aufgenommen bei und mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
live recording of:
We Just Disagree (in 2003-05)
Texter und Komponist(in):
Jim Krueger
publisher:
Bruiser Music, EMI Blackwood Music Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
recording of:
We Just Disagree
Texter und Komponist(in):
Jim Krueger
publisher:
Bruiser Music, EMI Blackwood Music Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Dave Mason3.653:00
13You Are So Beautiful (album version)
assistierende(r) Techniker(in):
David Gallo (engineer) und David Roberts (engineer)
Techniker(in):
Guy Charbonneau
Produzent(in):
Michael Lang (Producer)
Mix:
Chris Lord‐Alge
Bass:
Dave McDaniel (bass)
Klavier:
Nicky Hopkins (pianist and organist)
Sologesang:
Joe Cocker
Interpret(in):
Joe Cocker
arranger:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1973)
aufgenommen bei:
Memorial Auditorium in Lowell, Massachusetts, Vereinigte Staaten (am 1989-10-05)
cover recording of:
You Are So Beautiful
Verfasser(in):
Bruce Fisher und Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) und Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.952:42
14More Than Words
assistierende(r) Techniker(in):
Craig Doubet (recording engineer)
Techniker(in):
Bob St. John
Produzent(in) und Mix:
Michael Wagener
Bassgitarre:
Pat Badger
Gitarre, Keyboard, Perkussion und Klavier und Hintergrundgesang:
Nuno Bettencourt
Schlagzeug und Perkussion:
Paul Geary
Hintergrundgesang und Sologesang:
Gary Cherone
phonographisches Urheberrecht (℗) von:
A&M Records (in 1990)
recording of:
More Than Words
Verfasser(in):
Nuno Bettencourt und Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Funky Metal Publishing
Extreme3.755:34
15One of Us (short version)
recording of:
One of Us
Texter und Komponist(in):
Eric Bazilian
Joan Osborne5:03
16Sara Smile
Produzent(in):
Chris Bond (producer, active circa 1970s) und Daryl Hall & John Oates
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1975)
recording of:
Sara Smile
Texter:
Daryl Hall und John Oates
Komponist(in):
Daryl Hall
publisher:
Unichappell Music, Inc.
Daryl Hall & John Oates4.253:09
17Tempted
Produzent(in):
Roger Bechirian und Elvis Costello
Bass:
John Bentley (UK bassist, member of Squeeze)
Gitarre:
Chris Difford und Glenn Tilbrook
Keyboard und Sologesang:
Paul Carrack
Schlagzeug:
Gilson Lavis
Hintergrundgesang:
Elvis Costello und Glenn Tilbrook
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 82)
recording of:
Tempted
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
Illegal Songs Inc.
Squeeze4.153:59
18Lotta Love
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Akustikgitarre:
Herb Pedersen
Bass:
Bob Glaub
flute:
Plas Johnson
Gitarre:
Dave Kalish
Keyboard:
Mark T. Jordan
Saxophon:
Andrew Love
Schlagzeug:
Rick Schlosser (drummer)
Tamburin:
Nicolette Larson
Hintergrundgesang:
Nicolette Larson und Ted Templeman
conductor:
Jimmie Haskell
Saiteninstrumente arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
cover recording of:
Lotta Love
Texter:
Neil Young (Canadian singer, songwriter & musician)
Komponist(in):
Frank Sampedro und Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
recording of:
Lotta Love
Texter:
Neil Young (Canadian singer, songwriter & musician)
Komponist(in):
Frank Sampedro und Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:09
19Nassau/Baby I Love Your Way (album version)
Kompilation von:
Baby, I Love Your Way (1975 studio version - subtrack of "Nassau / Baby, I Love Your Way") von Peter Frampton und Nassau von Peter Frampton
recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Peter Frampton5:51
20Magnet & Steel
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978)
recording of:
Magnet and Steel
Verfasser(in):
Walter Egan
publisher:
EMI April Music Inc.
Walter Egan3:26
21Into the Night
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
recording of:
Into the Night
sonstige Unterstützung:
Kinny Landrum, Bobby Messano und Barry Mraz
Verfasser(in):
Benny Mardones und Robert Tepper
publisher:
Papa Jack Publishing und Spirit Two Music Crescendo
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Benny Mardones4:31
22Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Bill Withers4.52:04
23So Into You (album version)
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1976), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1976)
recording of:
So in to You
Verfasser(in):
Buddy Buie, Dean Daughtry und Robert Nix
publisher:
Low-Sal, Inc.
Atlanta Rhythm Section54:20
24Fooled Around and Fell in Love
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1975)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 22) und Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 32)
recording of:
Fooled Around and Fell in Love
Texter und Komponist(in):
Elvin Bishop
Elvin Bishop3.654:35
25Baby Come Back (album version)
phonographisches Urheberrecht (℗) von:
PolyGram International Music B.V. (not for release label use!) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 7) und Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 24)
recording of:
Baby Come Back (Player song)
Verfasser(in):
Peter Beckett (lead singer of Player) und J.C. Crowley
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
Player4.354:12
26The Things We Do for Love
assistierende(r) Techniker(in) und assistierende(r) Mix:
Tony Spath
Techniker(in), Mix und Editing:
Eric Stewart
Produzent(in):
10cc, Graham Gouldman, Mastermix Music Limited und Eric Stewart
Akustikgitarre, Bassgitarre, E-Gitarre, Händeklatschen und Tamburin:
Graham Gouldman (in 1976)
Gitarre, Orgel und Klavier und Hintergrundgesang und Sologesang:
Eric Stewart (in 1976)
Schlagzeug, gong, Händeklatschen und Tamburin:
Paul Burgess (UK rock drummer) (in 1976)
Hintergrundgesang:
Graham (in 1976)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1976, in 1977, in 1997), Mercury Records Ltd. (London) (for copyrights use only) (in 1976), Phonogram Ltd. (not for release label use!) (in 1976, in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1977)
aufgenommen bei:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1976)
Musikvideos:
The Things We Do for Love von 10cc und The Things We Do for Love von 10cc
recording of:
The Things We Do for Love (in 1976)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. und Man-Ken Music Ltd. (in 1977)
10cc4.553:31
27Biggest Part of Me
Produzent(in):
Ambrosia (L.A. prog rock band) und Freddie Piro
Bass:
Joe Puerta
Chamberlin, Clavinet, elektronische Orgel und Minimoog:
Christopher North
Gitarre:
David Pack
Perkussion:
Burleigh Drummond und Royce Jones
Schlagzeug:
Burleigh Drummond
vocals:
Burleigh Drummond, Royce Jones, David Pack und Joe Puerta
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 16)
recording of:
Biggest Part of Me
Texter und Komponist(in):
David Pack
publisher:
David Pack Music, EMI Longitude Music, Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Ambrosia5:25
28Your Wildest Dreams
recording engineer und Produzent(in):
Tony Visconti
aufgenommen bei:
Good Earth Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Your Wildest Dreams
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
The Moody Blues4.54:49
29In the House of Stone and Light
Martin Page5:00

Nennungen

Veröffentlichung

kostenlos streamen:https://www.deezer.com/album/8719557 [Info]

Veröffentlichungsgruppe

Teil von:Gold (UMG compilation series) (Reihenfolge: 29)