Blues Classics 1927-1969

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: 1927-1940
2▶CD: 1940-1960
3▼CD: 1960-1969
Nr.TitelKünstlerBewertungLänge
1Got My Mojo Working (live)
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-07-03)
Bass:
Andrew Stephens (Blues bass player)
Gitarre:
Pat Hare und Muddy Waters (blues musician)
Klavier:
Otis Spann
Mundharmonika:
James Cotton (US blues harmonica player, singer & songwriter)
Schlagzeug:
Francis Clay
Sologesang:
Muddy Waters (blues musician)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live cover recording of:
Got My Mojo Working (original version)
Texter und Komponist(in):
Preston Foster
publisher:
Dare Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Muddy Waters4:22
2Drivin' Wheel
Junior Parker2:40
3I Pity the Fool
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1960-11-12)
recording of:
I Pity the Fool (am 1960-11-12)
Texter und Komponist(in):
Deadric Malone
Bobby “Blue” Bland2:44
4The Red Rooster
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1961-05)
früheste Veröffentlichung:
The Red Rooster von Howlin’ Wolf
recording of:
The Red Rooster (in 1961-05)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Hoochie Coochie Music
Howlin’ Wolf2:29
5I Ain't Superstitious
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1961-12)
Gitarre:
Howlin’ Wolf (in 1961-12), Jimmy Rogers (blues artist) (in 1961-12) und Hubert Sumlin (Chicago blues guitarist and singer) (in 1961-12)
Klavier:
Henry Gray (in 1961-12)
Kontrabass:
Willie Dixon (in 1961-12)
Mundharmonika und Sologesang:
Howlin’ Wolf (in 1961-12)
Schlagzeug:
Sam Lay (in 1961-12)
vocals:
Howlin’ Wolf (in 1961-12)
recording of:
I Ain’t Superstitious (in 1961-12)
Texter und Komponist(in):
Willie Dixon
publisher:
Hoochie Coochie Music
Howlin’ Wolf52:55
6Turn on Your Love Light
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 16) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Turn On Your Love Light
Verfasser(in):
Deadric Malone und Joe Scott (40s–60s US blues artist)
publisher:
Don Music, Duchess Music Corporation (BMI-affiliated), Songs of Universal, Inc. (BMI) und Universal Duchess Music Corporation
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby “Blue” Bland52:38
7Stormy Monday Blues
Bobby “Blue” Bland4:09
8Frosty
Produzent(in):
Bill Hall
recording of:
Frosty
Texter und Komponist(in):
Albert Collins (US blues guitarist/vocalist/harmonica)
publisher:
Big Bopper Music und Big Bopper Music Company
Albert Collins33:05
9Homework
Otis Rush2:39
10Bring It on Home
Sonny Boy Williamson2:40
11How Blue Can You Get
recording of:
How Blue Can You Get?
Verfasser(in):
Jane Feather
Komponist(in):
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. und Modern Age Music
B.B. King2:43
12Killing Floor
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1964-08)
baritone saxophone und bass saxophone:
Donald Hankins (Saxophonist) (in 1964-08)
Bass:
Andrew McMahon (Andrew "Blueblood" McMahon) (in 1964-08)
E-Bass:
Andrew Palmer (Blues bassist) (in 1964-08)
Gitarre:
Hubert Sumlin (Chicago blues guitarist and singer) (in 1964-08)
guitar family:
Buddy Guy (in 1964-08) und Hubert Sumlin (Chicago blues guitarist and singer) (in 1964-08)
Klavier:
Lafayette Leake (in 1964-08)
Kontrabass:
Willie Dixon (in 1964-08)
Mundharmonika und Sologesang:
Howlin’ Wolf (in 1964-08)
Schlagzeug:
Sam Lay (in 1964-08)
Tenorsaxophon:
Arnold Rogers (Saxophonist) (in 1964-08)
vocals:
Howlin’ Wolf (in 1964-08)
recording of:
Killing Floor (in 1964-08)
Texter und Komponist(in):
Chester Arthur Burnett
Howlin’ Wolf2:51
13It Serves You Right to Suffer
John Lee Hooker5:10
14Wang Dang Doodle
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1965-12-07)
Produzent(in):
Willie Dixon
Bass:
Jack Meyers (US blues bassist) (am 1965-12-07)
Gitarre:
Buddy Guy (am 1965-12-07) und Johnny "Twist" Williams (Side-man blues guitar player, Big Boy Spires associate) (am 1965-12-07)
Klavier:
Lafayette Leake (am 1965-12-07)
Saxophon [sax]:
Gene Barge (am 1965-12-07) und Donald Hankins (Saxophonist) (am 1965-12-07)
Schlagzeug:
Fred Below
Tenorsaxophon:
Gene Barge
Hintergrundgesang:
Willie Dixon (am 1965-12-07)
Sologesang:
Koko Taylor
vocals:
Koko Taylor (am 1965-12-07)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1995)
cover recording of:
Wang Dang Doodle (am 1965-12-07)
Texter:
Willie Dixon (in 1960-06)
Komponist(in):
Willie Dixon
publisher:
Hoochie Coochie Music
Koko Taylor43:02
15Don't Answer the Door
recording of:
Don’t Answer the Door
Verfasser(in):
Jimmy Johnson (Chicago blues guitarist)
publisher:
Fordyce Publishing Co und Mercedes Music
B.B. King5:11
16I'm in the Mood
John Lee Hooker2:45
17Tell Mama
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
E-Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1967-08-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-08-24) und Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1967-08-24)
Klavier:
Dewey Oldham (am 1967-08-24)
Orgel:
Carl Banks (am 1967-08-24) und Dewey Oldham (am 1967-08-24)
Saxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-08-24), Floyd Newman (am 1967-08-24) und Aaron Varnell (am 1967-08-24)
Schlagzeug:
Roger Hawkins (am 1967-08-24)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (am 1967-08-24)
Sologesang:
Etta James (am 1967-08-24)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-08-24)
cover recording of:
Tell Mama (am 1967-08-24)
Verfasser(in):
Clarence Carter, Marcus Daniel und Wilbur Terrell
publisher:
Lowery Music Corp.
Etta James42:23
18I'd Rather Go Blind
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
E-Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) und Albert Lowe Jr. (American guitarist, bassist, and songwriter)
Klavier:
Dewey Oldham
Orgel:
Carl Banks und Dewey Oldham
Saxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Floyd Newman und Aaron Varnell
Schlagzeug:
Roger Hawkins
Trompete:
Gene “Bowlegs” Miller (American trumpeter)
Sologesang:
Etta James
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-08-23)
recording of:
I’d Rather Go Blind (am 1967-08-23)
Texter:
Billy Foster (American singer, member of The Medallions and songwriter)
Komponist(in):
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Etta James42:36
19Paying the Cost to Be the Boss
recording of:
Paying the Cost to Be the Boss
Texter und Komponist(in):
B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), Songs of Universal, Inc. (BMI) und Universal Music Careers
B.B. King2:35
20The Thrill Is Gone
recording of:
The Thrill Is Gone (1951 blues song)
Verfasser(in):
Roy Hawkins (in 1951) und Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. und Universal Music Careers
B.B. King5:26

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