Cold Feet

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Long Hot Summer
recording of:
Long Hot Summer
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Stylist Music Ltd.
The Style Council3:49
2While You See a Chance
recording of:
While You See a Chance
lyricist and composer:
Will Jennings and Steve Winwood
publisher:
Blue Sky Rider Songs, F.S. Music Ltd., Fantasy Songs Ltd., Irving Music, Inc., Rondor Music Ltd. (publisher), Warner Bros. Music Co., Ltd. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood5:09
3Nothing's Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
Starship3.754:26
4The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.354:23
5Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto (US rock group)
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:56
6Born to Be Wild
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:27
7Is She Really Going Out with Him
recording of:
Is She Really Going Out With Him?
lyricist and composer:
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) and Pokazuka Limited
Joe Jackson3:37
8Up in the Junction
producer:
Squeeze (UK new wave band) and John Wood (UK producer)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1979)
music videos:
Up the Junction by Squeeze (UK new wave band)
recording of:
Up the Junction
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Deptford Songs
Squeeze4.53:08
9Poison Arrow
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
lead vocals:
Martin Fry
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
The Downloader’s Music Source Book (number: 76)
recording of:
Poison Arrow
writer:
Martin Fry, Mark Lickley, Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. and Virgin Music (Publishing) Ltd.
part of:
Mantrap (ABC long-form film)
ABC4.43:23
10Teardrops
producer:
Chris Blackwell (Island Records), Lee Hamblin and The Gypsy Wave Power Co.
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:51
11Get a Life
producer:
Nellee Hooper and Jazzie B
recording of:
Get a Life
writer:
Hayden MacLaren Browne and Beresford Romeo
Soul II Soul33:41
12Help Yourself
recording of:
Help Yourself
lyricist:
Mogul (Italian lyricist)
writer:
Jack Fishman
composer:
Carlo Donida
is based on:
Gli Occhi Miei
Tom Jones2:51
13Can't Get Enough of Your Love
phonographic copyright (℗) by:
PolyGram Records (in 1974)
recording of:
Can’t Get Enough of Your Love Babe
lyricist and composer:
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:02
14The Tracks of My Tears
producer:
Bill “Smokey” Robinson
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 50) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 54)
recording of:
The Tracks of My Tears (on 1965-05-19)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
recording of:
The Tracks of My Tears (on 1971-05-06)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
Smokey Robinson4.252:59
15Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.653:57
16Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:52
17May You Never
engineer:
John Wood (UK producer)
producer:
John Wood (UK producer) and John Martyn (British singer‐songwriter and guitarist) (from 1972-11 until 1972-12)
acoustic guitar and electric guitar:
John Martyn (British singer‐songwriter and guitarist) (from 1972-11 until 1972-12)
bass:
Dave Pegg (from 1972-11 until 1972-12)
clavinet, organ and piano:
John “Rabbit” Bundrick (from 1972-11 until 1972-12)
congas:
Neemoi Acquaye (from 1972-11 until 1972-12)
double bass:
Danny Thompson (English double bass player) (from 1972-11 until 1972-12)
drums (drum set):
Dave Mattacks (from 1972-11 until 1972-12)
vocals:
John Martyn (British singer‐songwriter and guitarist) (from 1972-11 until 1972-12)
recording of:
May You Never
lyricist and composer:
Iain David McGeachy (British singer‐songwriter and guitarist)
publisher:
Intersong Music Ltd. and Intersong U.S.A. (publisher)
John Martyn4.253:41
18Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
The Mamas & the Papas4.153:11