The Way We Were

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Love Me Tender
recording of:
Love Me Tender
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
Elvis Presley2:39
2Magic Moments
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1957) und The Ray Charles Singers (in 1957)
Orchester:
Mitchell Ayres and His Orchestra (in 1957)
Interpret(in):
Mitchell Ayres and His Orchestra (in 1957) und Perry Como (US pop singer & TV personality, 1912–2001) (in 1957)
arranger:
Joe Reisman
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1958)
recording of:
Magic Moments (in 1957)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Music Publishing Ltd. und MCA Music Ltd.
Perry Como3.152:40
3Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Frank Sinatra3:35
4Mambo Italiano
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-23)
vocals:
Rosemary Clooney (am 1954-09-23) und The Mellomen (American singing quartet) (am 1954-09-23)
Orchester:
Buddy Cole and His Orchestra (am 1954-09-23)
conductor:
Paul Weston (am 1954-09-23)
recording of:
Mambo Italiano (original english version) (am 1954-09-23)
Texter und Komponist(in):
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Rosemary Clooney4.352:29
5Whatever Will Be, Will Be
vocals:
Doris Day (am 1956-02-24)
Orchester:
Frank De Vol and His Orchestra (am 1956-02-24)
conductor:
Frank De Vol (am 1956-02-24)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (vom 1956 bis heute)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (am 1956-02-24)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (publisher as Warner/Chappell Music)
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1956 winner)
Doris Day2:03
6Sway
cover recording of:
Sway
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
Dean Martin2:22
7A Woman in Love
recording of:
A Woman in Love (1955 film "Guys and Dolls")
Texter und Komponist(in):
Frank Loesser
Teil von:
Guys and Dolls (1955 musical film)
Frankie Laine42:20
8Rags to Riches
recording of:
Rags to Riches
Verfasser(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (von 1953 bis 2010), J & J Ross Co. (vom 2011 bis heute) und Lakshmi Puja Music Ltd. (vom 2011 bis heute)
Tony Bennett2:47
9On the Street Where You Live
recording of:
On the Street Where You Live (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
My Fair Lady (full musical)
Vic Damone2:39
10Who’s Sorry Now
vocals:
Connie Francis (American former actress and chart-topping singer)
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1958)
cover recording of:
Who’s Sorry Now? (1923 song)
Texter:
Bert Kalmar (in 1923) und Harry Ruby (in 1923)
Komponist(in):
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (am 1923-03-07) und Mills Music Corporation (in 1929)
Connie Francis42:17
11Mack the Knife
Bobby Darin1:56
12The Very Thought of You
recording of:
The Very Thought of You
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
Billie Holiday2:44
13It’s Over
recording of:
It’s Over
Verfasser(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Kobalt Music Publishing Ltd. (UK), Rondor Music (London) Ltd., Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1964-04-07)
Roy Orbison2:46
14Love Letters in the Sand
Pat Boone2:13
15Smoke Gets in Your Eyes
Vic Damone3:30
16Oh! Carol
recording of:
Oh! Carol
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Universal Music Careers
übersetzte Version von:
Karel (Oh Carol)
Neil Sedaka2:15
17A Thing Called Love
recording of:
A Thing Called Love
Texter und Komponist(in):
Jerry Reed
publisher:
Sixteen Stars Music (BMI-affiliated)
Johnny Cash2:43
18’s Wonderful
recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
Ray Conniff2:25
19A Fine Romance
Sologesang:
Marilyn Monroe (US actress, model & singer)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Marilyn Monroe2:18
20Cabaret
live recording of:
Cabaret (title song from the Kander & Ebb musical)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Carlin Music Corp.
Teil von:
Cabaret (musical)
Liza Minnelli3:29
21Minnie the Moocher
recording of:
Minnie the Moocher
Texter und Komponist(in):
Cab Calloway und Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und J. Albert & Son Pty. Ltd.
basiert auf:
Willie the Weeper
Cab Calloway2:55
22Take the "A" Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Duke Ellington Orchestra3:26
23In the Mood
recording of:
In the Mood
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Glenn Miller2:51
24Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Louis Armstrong1:58
25Just Walkin’ in the Rain
vocals:
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (am 1956-06-29)
Orchester:
Ray Conniff, His Orchestra & Chorus (am 1956-06-29)
cover recording of:
Just Walkin’ in the Rain (am 1956-06-29)
Verfasser(in):
Johnny Bragg, Buddy Killen und Robert Riley
Johnnie Ray42:37
26Mr. Sandman
recording of:
Mr. Sandman
Texter und Komponist(in):
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
The Chordettes2:20
27Goodnight, My Love
Shirley Temple1:25
28The Man That Got Away
recording of:
The Man That Got Away (A Star Is Born)
Texter:
Ira Gershwin (in 1953)
Komponist(in):
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 2)
Judy Garland3:28
29Let’s Do It
Eartha Kitt2:53
30I’ve Got You Under My Skin
Mel Tormé2:33
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