Cannonbal Adderley: Los Angeles

~ Veröffentlichung von Cannonball Adderley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Printed in E.E.C

Not for sale. Enclosed with "Jazz & Dintorni " magazine

Issued in a jewel case with clear tray and 6-page booklet including liner notes.

Other Identifiers
Rights Society: S.I.A.E.
Matrix / Runout: 534 942-2 50734778 01 +
Other (In the Mould SID Area): MADE IN GERMANY BY PMDC C

Anmerkung zuletzt geändert am 2024-07-30 10:36 UTC.

Titelliste

1CD
Nr.TitelBewertungLänge
1Work Song
engineered in:
Tokyo, Japan (in 1963-07)
alto saxophone:
Cannonball Adderley (in 1963-07)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (in 1963-07)
Kontrabass [bass]:
Sam Jones (US jazz bassist) (in 1963-07)
Kornett:
Nat Adderley (in 1963-07)
Schlagzeug:
Louis Hayes (in 1963-07)
Tenorsaxophon:
Yusef Lateef (in 1963-07)
recording of:
Work Song (original instrumental) (in 1963-07)
Verfasser(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Komponist(in):
Nat Adderley
9:05
2Tengo Tango
alto saxophone:
Cannonball Adderley (am 1963-07-15)
flute, Oboe und Tenorsaxophon:
Yusef Lateef (am 1963-07-15)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1963-07-15)
Kontrabass:
Sam Jones (US jazz bassist) (am 1963-07-15)
Kornett:
Nat Adderley (am 1963-07-15)
Schlagzeug:
Louis Hayes (am 1963-07-15)
aufgenommen bei:
Sankei Hall in Kōjimachi, Chiyoda (Chiyoda-ku), Tokyo, Japan (am 1963-07-15)
instrumental recording of:
Tengo Tango (am 1963-07-15)
Komponist(in):
Cannonball Adderley und Nat Adderley
2:38
3Falling in Love With Love
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (am 1955-10-27)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, Volume I)
2:34
4Jump for Joy
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-20)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-20)
Bass und Kontrabass [bass]:
Milt Hinton (am 1958-08-20)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-20)
Cello:
George Ricci (am 1958-08-20)
Geige / Violine:
Leo Kruczek (am 1958-08-20) und Gene Orloff (am 1958-08-20)
Gitarre:
Barry Galbraith (am 1958-08-20)
Klavier:
Bill Evans (pianist) (am 1958-08-20)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-20)
Trompete:
Emmett Berry (am 1958-08-20)
conductor:
William Russo (am 1958-08-20)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
instrumental recording of:
Jump for Joy (am 1958-08-20)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller und Paul Francis Webster
cover recording of:
Jump for Joy (am 1958-08-20)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller und Paul Francis Webster
3:22
5Just Squeeze Me (But Don't Tease Me)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-21)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-21)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-21)
Cello:
George Ricci (am 1958-08-21)
Geige / Violine:
Leo Kruczek (am 1958-08-21) und Gene Orloff (am 1958-08-21)
Gitarre:
Barry Galbraith (am 1958-08-21)
Klavier:
Bill Evans (pianist) (am 1958-08-21)
Kontrabass [bass]:
Milt Hinton (am 1958-08-21)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-21)
Trompete:
Emmett Berry (am 1958-08-21)
conductor:
William Russo (am 1958-08-21)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Just Squeeze Me (but Don’t Tease Me) (am 1958-08-21)
Texter:
Lee Gaines (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
3:18
6I Cover the Waterfront
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Cover the Waterfront (am 1955-10-28)
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) und Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music, Inc.
2:28
7A Foggy Day
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-07)
Klavier:
Julian Mance (am 1957-02-07)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-07)
Kornett:
Nat Adderley (am 1957-02-07)
Schlagzeug:
Jim Cobb (Jimmy Cobb, US jazz drummer) (am 1957-02-07)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-07)
recording of:
A Foggy Day (in London Town) (am 1957-02-07)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
3:50
8Lover Man
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-07)
Klavier:
Julian Mance (am 1957-02-07)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-07)
Kornett:
Nat Adderley (am 1957-02-07)
Schlagzeug:
Jim Cobb (Jimmy Cobb, US jazz drummer) (am 1957-02-07)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995, in 2001)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-07)
3:57
9What's New?
recorded in:
New York, New York, Vereinigte Staaten (am 1958-03-04)
alto saxophone:
Cannonball Adderley (am 1958-03-04)
Bass:
Sam Jones (US jazz bassist) (am 1958-03-04)
Klavier:
Junior Mance (am 1958-03-04)
Kornett:
Nat Adderley (am 1958-03-04)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-03-04)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999)
recording of:
What’s New?
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
5:05
10Straight, No Chaser
recorded in:
New York, New York, Vereinigte Staaten (am 1958-03-04)
alto saxophone:
Cannonball Adderley (am 1958-03-04)
Bass:
Sam Jones (US jazz bassist) (am 1958-03-04)
Klavier:
Junior Mance (am 1958-03-04)
Kornett:
Nat Adderley (am 1958-03-04)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-03-04)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Gralin Music (in 2012)
recording of:
Straight, No Chaser (am 1958-03-04)
Komponist(in):
Thelonious Monk
publisher:
Thelonious Music
8:30
11Yesterdays
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
2:55
12The Fat Man
3:32
13Grand Central
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1959-02-03)
Klavier:
Wynton Kelly (am 1959-02-03)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-02-03)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-02-03)
Tenorsaxophon:
John Coltrane (am 1959-02-03)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) und Count Records (in 2013)
aufgenommen bei:
Universal Recording: Studio B in Chicago, Illinois, Vereinigte Staaten (am 1959-02-03)
recording of:
Grand Central (am 1959-02-03)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
4:33
14Stars Fell on Alabama
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1959-02-03)
Klavier:
Wynton Kelly (am 1959-02-03)
Kontrabass [bass]:
Paul Chambers (US jazz bassist) (am 1959-02-03)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-02-03)
Tenorsaxophon:
John Coltrane (am 1959-02-03)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999, in 2001)
aufgenommen bei:
Universal Recording: Studio B in Chicago, Illinois, Vereinigte Staaten (am 1959-02-03)
instrumental cover recording of:
Stars Fell on Alabama (am 1959-02-03)
Texter:
Mitchell Parish
Komponist(in):
Frank S. Perkins und Mark Roswell (jazz musician)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music
6:13
15Waltz for Debby
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1961-03-13)
Klavier:
Bill Evans (pianist) (am 1961-03-13)
Kontrabass:
Percy Heath (am 1961-03-13)
Schlagzeug:
Connie Kay (am 1961-03-13)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 2006), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2011), Dobre Records (in 2009), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) und Count Records (in 2013)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-03-13)
recording of:
Waltz for Debby (instrumental) (am 1961-03-13)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. und Kensington Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
45:14
16Nancy (with the Laughing Face)
instrumental recording of:
Nancy (With the Laughing Face) (am 1961-01-27)
Texter:
Phil Silvers (actor)
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
4:06

Nennungen

Veröffentlichung

hergestellt von:PMDC (Germany)
urheberrechtlich geschützt (©) von:RCS Libri S.p.A.
lizenziert an:PolyGram Italia s.r.l. (company credits only; not for release label use!)
Discogs:https://www.discogs.com/release/12867318 [Info]

Veröffentlichungsgruppe

Teil von:Jazz & dintorni (late 1990s Fabbri Editori jazz compilations) (Nummer: 34) (Reihenfolge: 31)