Sounds of the Seventies: Pop Nuggets: Late '70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Pop MuzikM3.53:23
2Saturday Night
Produzent(in):
Phil Coulter und Bill Martin (Scottish songwriter & producer)
arranger:
Phil Coulter
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) und Arista Records, LLC (holding company - file NO releases here!) (in 1975)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 382)
recording of:
Saturday Night
Verfasser(in):
Phil Coulter und Bill Martin (Scottish songwriter & producer)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mews Music Ltd.
Bay City Rollers52:57
3Undercover Angel
recording of:
Undercover Angel
Texter und Komponist(in):
Alan O’Day
Alan O’Day3:29
4Escape (The Pina Colada Song)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1979) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 89)
recording of:
Escape (The Piña Colada Song)
Texter und Komponist(in):
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes23:56
5Love Rollercoaster
recording of:
Love Rollercoaster
Verfasser(in):
Billy Beck, Leroy Bonner (funk guitarist, aka Sugarfoot), Marshall Jones (US bassist & songwriter, member of Ohio Players), Ralph "Pee Wee" Middlebrooks, Mervin Pierce (Ohio Players), Clarence Satchell und James "Diamond" Williams (US drummer for Ohio Players)
publisher:
Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc. und Segundo Sueños LLC
Ohio Players2:55
6Do That To Me One More Time
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979)
recording of:
Do That to Me One More Time
Texter und Komponist(in):
Toni Tennille
publisher:
Fujipacific Music, Inc. und Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille4.653:56
7Thunder Island
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 50)
recording of:
Thunder Island
Texter und Komponist(in):
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
publisher:
Painless Music
Jay Ferguson3:32
8When You're in Love With a Beautiful Woman
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
Texter und Komponist(in):
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook43:00
9Sad Eyes
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1979) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1979)
recording of:
Sad Eyes
Texter und Komponist(in):
Robert John (US singer‐songwriter)
publisher:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:33
10How Much I Feel
Produzent(in):
Freddie Piro
Bass:
Joe Puerta
Gitarre, Keyboard und Sologesang:
David Pack
Perkussion, Schlagzeug und Hintergrundgesang:
Burleigh Drummond
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) und Warner Music H.K. Ltd. (in 1997)
recording of:
How Much I Feel
Texter und Komponist(in):
David Pack
publisher:
EMI Longitude Music und Longitude Music Co.
Ambrosia54:50
11Boogie Fever
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recording of:
Boogie Fever
Verfasser(in):
Freddie Perren und Keni St. Lewis
publisher:
PolyGram Music Publishing und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Sylvers43:31
12Fly Robin Fly
phonographisches Urheberrecht (℗) von:
Edition Butterfly Roswitha Kunze (in 1975)
recording of:
Fly, Robin, Fly
Verfasser(in):
Sylvester Levay und Stephan Prager (songwriter, aka Michael Kunze)
publisher:
Sounds of Jupiter Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Silver Convention3:20
13You Don't Have to Be a Star (To Be in My Show)
Marilyn McCoo & Billy Davis Jr.4:01
14I'd Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:40
15Lonely Boy
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Lonely Boy
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold4.54:03
16Wild Fire
recording of:
Wildfire
Verfasser(in):
Larry Cansler und Michael Martin Murphey
Michael Martin Murphey53:20
17Rhinestone Cowboy
phonographisches Urheberrecht (℗) von:
Nashville Records (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (in 1975) und Capitol Records Nashville (in 2003)
recording of:
Rhinestone Cowboy (am 1975-02-24)
Texter und Komponist(in):
Larry Weiss (American singer-songwriter)
publisher:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Glen Campbell43:14
18Amie
phonographisches Urheberrecht (℗) von:
BMG Music (in 1975)
recording of:
Amie
Texter und Komponist(in):
Craig Fuller
publisher:
Unichappell Music, Inc.
Pure Prairie League44:22
19Right Time Of The Night
Jennifer Warnes2:54
20Just When I Needed You Most
Produzent(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1979) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
Texter und Komponist(in):
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Randy VanWarmer4:02

Nennungen

Veröffentlichungsgruppe

Teil von:Sounds of the Seventies (Time-Life Music) (Nummer: R840-01) (Reihenfolge: 42)