Tag “opera”

Recordings tagged as “opera”

11,847 recordings found

• 2 - 'O sole mio by Russell Watson (tenor), Royal Philharmonic Orchestra, Nicholas Dodd (conductor)
• 2 - 'O sole mio by The Three Tenors, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta (conductor)
• 2 - ’A vucchella by Andrea Bocelli (tenor)
• 2 - A Bit of Earth by Charlotte Church
• 2 - A Lullaby by Charlotte Church, Orchestra of the Welsh National Opera, Sian Edwards (English conductor)
• 2 - A Question of Honour by Sarah Brightman
• 2 - A Whiter Shade of Pale by Sarah Brightman
• 2 - Absence by Katherine Jenkins (mezzo-soprano)
• 2 - Ach, ich fühl’s (Die Zauberflöte) by Kiri Te Kanawa (soprano)
• 2 - Act 1: Scene 1: A Garden in Vienna 1765 by Roger Waters
• 2 - Act 1: Scene 1: Madame Antoine, Madame Antoine by Roger Waters
• 2 - Act 1: Scene 2: I Want to Be King by Roger Waters
• 2 - Act 1: Scene 2: Kings, Sticks and Birds by Roger Waters
• 2 - Act 1: Scene 2: Let Us Break All the Shields by Roger Waters
• 2 - Act 1: Scene 3: The Grievances of the People by Roger Waters
• 2 - Act 1: Scene 4: France in Disarray by Roger Waters
• 2 - Act 1: Scene 4: Slavers, Landlords, Bigots at Your Door by Roger Waters
• 2 - Act 1: Scene 4: To Laugh Is to Know How to Live by Roger Waters
• 2 - Act 1: Scene 5: So to the Streets in the Pouring Rain by Roger Waters
• 2 - Act 1: Scene 5: The Fall of the Bastille by Roger Waters
• 2 - Act 1: Scene 5: To Freeze in the Dead of Night by Roger Waters
• 2 - Act 2: Scene 1: Dances and Marches by Roger Waters
• 2 - Act 2: Scene 1: Flushed With Wine by Roger Waters
• 2 - Act 2: Scene 1: Now Hear Ye! by Roger Waters
• 2 - Act 2: Scene 2: My Dear Cousin Bourbon of Spain by Roger Waters
• 2 - Act 2: Scene 2: The Ship of State Is All at Sea by Roger Waters
• 2 - Act 2: Scene 3: Silver, Sugar and Indigo by Roger Waters
• 2 - Act 2: Scene 3: To the Windward Isles by Roger Waters
• 2 - Act 2: Scene 4: In Paris There’s a Rumble Under the Ground by Roger Waters
• 2 - Act 3: Scene 1: But the Marquis of Boulli Has a Trump Card Up His Sleeve by Roger Waters
• 2 - Act 3: Scene 1: The Echoes Never Fade From That Fusillade by Roger Waters
• 2 - Act 3: Scene 1: The Fugitive King by Roger Waters
• 2 - Act 3: Scene 1: To Take Your Hat Off by Roger Waters
• 2 - Act 3: Scene 2: The Commune de Paris by Roger Waters
• 2 - Act 3: Scene 2: The National Assembly Is Confused by Roger Waters
• 2 - Act 3: Scene 2: Vive la Commune de Paris by Roger Waters
• 2 - Act 3: Scene 3: Adieu Louis for You It’s Over by Roger Waters
• 2 - Act 3: Scene 4: Adieu My Good and Tender Sister by Roger Waters
• 2 - Act 3: Scene 4: Marie Antoinette – The Last Night on Earth by Roger Waters
• 2 - Act 3: Scene 5: And in the Bushes Where They Survive by Roger Waters
• 2 - Act 3: Scene 5: Liberty by Roger Waters
• 2 - Adeste fideles (O come, all ye faithful) by Andrea Bocelli (tenor)
• 2 - Adriana Lecouvreur: Atto I. “Ecco: respiro appena” … “Io son l’umile ancella” (mono) by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
• 2 - Adriana Lecouvreur: Atto IV. “Poveri fiori” (Adriana) by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
• 2 - Agnus Dei by Katherine Jenkins (mezzo-soprano)
• 2 - Ah, La Paterna Mano by Andrea Bocelli (tenor)
• 2 - Aida: “Se quel guerrier io fossi!” … “Celeste Aida” by Plácido Domingo (tenor), Los Angeles Philharmonic, Carlo Maria Giulini (conductor)
• 2 - Aida: Atto I, scena 1. “Ritorna vincitor!” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 1. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès) by Carlo Bergonzi (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 1. “Se quel guerrier io fossi!” (Radamès) by Giulio Bertola (conductor and chorus master), Luciano Pavarotti (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Lorin Maazel (conductor)
• 2 - Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” (Amneris, Radamès) / Terzetto: “Vieni, o diletta, appressati” (Amneris, Aida, Radamès) by Carlo Bergonzi (tenor), Renata Tebaldi (soprano), Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès) by Arnold van Mill (Dutch operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) by Plácido Domingo (tenor), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Riccardo Muti (conductor)
• 2 - Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Su! del Nilo al sacro lido” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) by Fernando Corena (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 2. “Mortal, diletto ai Numi” (Ramfis) by Arnold van Mill (Dutch operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 2. “Possente, possente Fthà … Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 1. “Fu la sorte dell'armi a' tuoi funesta” (Amneris) by Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 1. “Su! del Nilo al sacro lido” (Coro, Amneris, Aida) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 1. Introduzione – Scena e coro di donne "Chi mai fra gl'inni e i plausi" (Schiave, Amneris) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Che veggo! ... Egli? ... Mio padre!” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Gloria all'Egitto” (Il re, popolo) by Singverein der Gesellschaft der Musikfreunde Wien, Fernando Corena (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Gloria all'Egitto” (Popolo) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Ma tu, Re, tu signore possente” (Amonastro) by Cornell MacNeil (American baritone), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “O re: pei sacri numi!” (Radamès, il Re, Amneris, coro, Ramfis) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Quest'assisa ch'io vesto vi dica” (Amonasro) by Cornell MacNeil (American baritone), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Salvator della patria” (Il Re, Radamès, Ramfis, Sacerdoti) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. Marcia e ballabile (Grand March & Ballet) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Ciel! mio padre! ... Rivedrai le foreste imbalsamete” (Aida, Amonasro) by Cornell MacNeil (American baritone), Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Fuggiam gli ardori inospiti” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “O tu che sei d'Osiride madre immortale” (Sacerdotesse, Sacerdoti) by Eugenia Ratti (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Pur ti riveggo, mia dolce Aida” (Radamès) by Carlo Bergonzi (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Qui Radamès verrà! ... O patria mia” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Tu!... Amonasro!... tu!... il Re?” (Radamès) by Carlo Bergonzi (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 1. “Già i Sacerdoti adunansi” (Amneris) by Carlo Bergonzi (tenor), Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 1. “L'aborrita rivale a me sfuggia” (Amneris) by Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 1. “Ohimè!... morir mi sento!” (Amneris) by Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Ramfis) by Arnold van Mill (Dutch operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 2. “La fatal pietra sovra me si chiuse” (Radamès, Aida) by Carlo Bergonzi (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 2. “O terra addio – addio valle di pianti” (Aida, Radamès, coro, Amneris) by Carlo Bergonzi (tenor), Giulietta Simionato (mezzo-soprano), Singverein der Gesellschaft der Musikfreunde Wien, Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 2. “Presago il core della tua condanna” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Alceste : Acte I. « Divinités du Styx » by Maria Callas (soprano), Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France), Georges Prêtre (French conductor)
• 2 - Aléjate by Josh Groban
• 2 - All Love Can Be by Charlotte Church
• 2 - Alla luce del sole by Josh Groban
• 2 - Alleluja by Sarah Brightman
• 2 - Amapola by Paul Potts
• 2 - Amazing Grace by Julian Smith (Welsh National Opera conductor), Chorus of the Welsh National Opera, Charlotte Church, Orchestra of the Welsh National Opera, Sian Edwards (English conductor)
• 2 - Amazing Grace by Charlotte Church
• 2 - Amelia ovvero otto anni di constanza: "Scorrete, o lagrime" (Amelia) by Cecilia Bartoli (mezzo‐soprano), Orchestra La Scintilla, Ádám Fischer (Hungarian conductor)
• 2 - Amore e musica by Russell Watson (tenor), Simon Hale & Royal Philharmonic Orchestra
• 2 - Andrea Chénier: Atto III. “La mamma morta” by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
• 2 - Apollo et Hyacinthus, K. 38: Act I, Prologus. Recitativo "Heu me! perimus!" (Melia, Oebalus, Hyacinthus, Zephyrus) by Arleen Augér (soprano), Edith Mathis (soprano), Anthony Rolfe Johnson (tenor), Hanna Schwarz (mezzo soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - Apollo et Hyacinthus, K. 38: Act II, Chorus I. Recitativo "Amare numquid filia" (Oebalus, Melia) by Arleen Augér (soprano), Anthony Rolfe Johnson (tenor), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - Aprile by Luciano Pavarotti (tenor)
• 2 - Ariadne auf Naxos: »Es gibt ein Reich, wo alles rein ist« by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 2 - Ariadne auf Naxos: Oper. Ach, so versuchet doch ein kleines Lied! [Zerbinetta, Harlekin] by Rita Streich (soprano), Hermann Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 2 - Ariadne auf Naxos: Oper. Ach!... Ach!... Wo war ich? [Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin] by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anny Felbermayer (soprano), Hermann Prey (baritone), Rita Streich (soprano), Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 2 - Ariadne auf Naxos: Oper. Bin ich ein Gott, schuf mich ein Gott by Rudolf Schock (tenor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 2 - Ariadne auf Naxos: Oper. Circe, Circe, kannst du mich hören? [Bacchus, Ariadne, Najade, Dryade, Echo] by Rudolf Schock (tenor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Lisa Otto (soprano), Grace Hoffman (mezzo-soprano), Anny Felbermayer (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)