| # | Title | Artist | Rating | Length |
|---|
| 1 | Paradise by the Dashboard Light | Meat Loaf | | 5:32 |
| 2 | Too Much, Too Little, Too Late | Johnny Mathis & Deniece Williams | 4 | 3:00 |
| 3 | Used to Be My Girl | The O’Jays | 3 | 4:04 |
| 4 | Dust in the Wind- additional engineer:
- Terry Diane Becker
- engineer:
- Jeff Glixman (from 1977-06 until 1977-07)
- producer:
- Jeff Glixman (in 1977-06)
- acoustic guitar and electric guitar:
- Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (from 1977-06 until 1977-07)
- bass guitar:
- Dave Hope (from 1977-06 until 1977-07)
- celesta, organ, synthesizer, vibraphone and lead vocals:
- Steve Walsh (from 1977-06 until 1977-07)
- cello, viola and violin [violins]:
- Robby Steinhardt (from 1977-06 until 1977-07)
- chimes, drums (drum set), gong and timpani:
- Phil Ehart (from 1977-06 until 1977-07)
- clavinet and synthesizer [synthesizers]:
- Kerry Livgren (from 1977-06 until 1977-07)
- percussion [additional percussion]:
- Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- piano:
- Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- background vocals:
- Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- arranger:
- Kansas
- phonographic copyright (℗) by:
- Sony Music (in 1976), CBS, Inc. (in 1977), Epic Records (in 1977), Sony Music Entertainment Inc. (in 1977) and CBS Records Inc. (in 1978)
- recorded at:
- Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
- mixed at:
- The Village in Los Angeles, California, United States (in 1977-08)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 39)
- recording of:
- Dust in the Wind (from 1977-06 until 1977-07)
- lyricist and composer:
- Kerry Livgren
- publisher:
- Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
- sub-publisher:
- フジパシフィックミュージック SBK事業部
- adaptations:
- As the Sun Rises
| Kansas | 4.05 | 3:25 |
| 5 | Lovely Day- producer:
- Clarence McDonald and Bill Withers
- bass guitar:
- Jerry Knight (in 1977)
- drums (drum set) and shakers:
- Russell Kunkel (in 1977)
- guitar:
- Ray Parker (in 1977)
- keyboard:
- Clarence McDonald (in 1977)
- percussion:
- Ralph MacDonald (in 1977)
- lead vocals:
- Bill Withers (in 1977)
- arranger:
- Clarence McDonald
- concertmaster:
- Charles Veal (in 1977)
- phonographic copyright (℗) by:
- CBS Records Ltd. (in 1977), CBS, Inc. (in 1977) and Columbia Records (in 1977)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
- recording of:
- Lovely Day (in 1977)
- writer:
- Skip Scarborough and Bill Withers
- publisher:
- Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. , フジパシフィックミュージック , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Bill Withers | 4.6 | 4:15 |
| 6 | I Ti Amo | Umberto Tozzi | 4.5 | 4:09 |
| 7 | Baby Hold On | Eddie Money | 4.5 | 3:33 |
| 8 | Don’t Look Back | Boston | | 6:04 |
| 9 | She’s Always a Woman- engineer:
- Jim Boyer and Phil Ramone
- producer:
- Phil Ramone
- acoustic guitar:
- Steve Burgh (in 1977) and Hugh McCracken (in 1977)
- electric bass guitar:
- Doug Stegmeyer (in 1977)
- flute:
- Richie Cannata (in 1977)
- piano and lead vocals:
- Billy Joel (in 1977)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977), Columbia Records (in 1977), Sony BMG Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
- recorded at:
- A&R Recording Studio in New York, New York, United States (in 1977)
- mixed at:
- A&R Recording Studio in New York, New York, United States
- music videos:
- She’s Always a Woman by Billy Joel
- recording of:
- She’s Always a Woman (in 1977)
- lyricist and composer:
- Billy Joel
- publisher:
- April Music Inc., EMI Songs Australia Pty. Ltd., Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
- sub-publisher:
- ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Billy Joel | 4 | 3:20 |
| 10 | Black Betty | Ram Jam | 4.5 | 2:31 |
| 11 | Blame It on the Boogie- engineer:
- Don Murray
- executive producer:
- Mike Atkinson and Bobby Colomby
- mixer:
- John Luongo
- bass:
- Gary King (in 1978) and Nathan Watts (in 1978)
- congas:
- Laudir de Oliveira (in 1978) and Claudio Slon (in 1978)
- drums (drum set) and percussion:
- Rick Morotta (in 1978)
- flute, saxophone and trumpet:
- Seawind Horns
- guitar:
- Roland Bautista (in 1978), Tito Jackson (in 1978) and Mike Sembello (in 1978)
- keyboard:
- Greg Phillinganes (in 1978)
- background vocals:
- Jackie Jackson , Marlon Jackson and Randy Jackson
- lead vocals:
- Michael Jackson (in 1978)
- horn arranger:
- Jerry Hey
- arranger:
- Michael Jackson
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1978)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Dawnbreakers Studios in Los Angeles, California, United States, Filmways/Heider Recording in Hollywood, Los Angeles, California, United States, The Record Plant in Hollywood, Los Angeles, California, United States and Total Experience Recording Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Producer’s Workshop in Hollywood, Los Angeles, California, United States and Westlake Audio in Los Angeles, California, United States
- cover recording of:
- Blame It on the Boogie (in 1978)
- writer:
- Dave Jackson , Mick Jackson and Elmar Krohn
- publisher:
- Almo Music Corp. , Carlin Music Ltd. and Peterman & Co. Ltd.
- part of:
- MJ: The Musical
- recording of:
- Blame It on the Boogie
- writer:
- Dave Jackson , Mick Jackson and Elmar Krohn
- publisher:
- Almo Music Corp. , Carlin Music Ltd. and Peterman & Co. Ltd.
- part of:
- MJ: The Musical
| The Jackson 5 | 4.15 | 3:37 |
| 12 | Let Me Take You in My Arms Again | Neil Diamond | | 2:58 |
| 13 | Whenever I Call You "Friend" | Kenny Loggins | 5 | 4:00 |
| 14 | Fantasy | Earth, Wind & Fire | | 4:39 |
| 15 | Piece of the Rock | Mother’s Finest | | 3:27 |
| 16 | Just the Way You Are | Johnny Mathis & Deniece Williams | | 3:45 |
| 17 | The Eve of the War | Jeff Wayne | | 4:35 |
| 18 | She’s Not There | Santana | 4 | 4:05 |
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