B.G. in Hi-Fi

~ Release by Benny Goodman (see all versions of this release, 2 available)

Annotation

TOTAL TIME: 63:64 (on back cover)

© ℗ 1989 Capitol Records, Inc.
Printed in Canada (on back cover)
Printed in USA (on CD)

Tracks 3, 5 13 and 18 are previously unissued on CD.

Matrix / Runout (Variant 1): C2 92864 L0214F CAPITOL JAX 4 30
Matrix / Runout (Variant 2): C2 92864 L0214F 1-1-1 CAPITOL JAX 1C

Annotation last modified on 2024-01-03 20:01 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Let's Dance
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (guitar) (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (from 1954-11-08 until 1954-11-17), Chris Griffin (Gordon Claude Griffin, trumpeter) (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Let’s Dance (Benny Goodman’s theme song) (from 1954-11-08 until 1954-11-17)
lyricist:
Fanny May Baldridge
composer:
Joseph Bonime, Gregory Stone and Carl Maria von Weber (composer)
Benny Goodman and His Orchestra2:16
2Airmail Special
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Jo Jones (US jazz drummer) (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
trumpet:
Charlie Shavers (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Quartet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Good Enough to Keep (Air Mail Special) (in 1954-11)
composer:
Charlie Christian, Benny Goodman (clarinetist and bandleader) and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc. (ASCAP)
The Benny Goodman Quartet3:38
3Ain't Misbehavin'
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Jo Jones (US jazz drummer) (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
trumpet:
Charlie Shavers (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Quartet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Ain’t Misbehavin’ (in 1954-11)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
The Benny Goodman Quartet3:27
4Get Happy
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Jo Jones (US jazz drummer) (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
trumpet:
Charlie Shavers (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Sextet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Get Happy (in 1954-11)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
The Benny Goodman Sextet3:05
5Slipped Disc
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Jo Jones (US jazz drummer) (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
trumpet:
Charlie Shavers (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Sextet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Slipped Disc (in 1954-11)
composer:
Benny Goodman (clarinetist and bandleader)
The Benny Goodman Sextet3:00
6Jersey Bounce
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (guitar) (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (from 1954-11-08 until 1954-11-17), Chris Griffin (Gordon Claude Griffin, trumpeter) (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Jersey Bounce (in 1954-11)
lyricist:
Robert B. Wright
composer:
Tiny Bradshaw, Edward Johnson (US songwriter) and Bobby Plater
Benny Goodman and His Orchestra3:08
7When I Grow Too Old to Dream
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (guitar) (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (from 1954-11-08 until 1954-11-17), Chris Griffin (Gordon Claude Griffin, trumpeter) (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
When I Grow Too Old to Dream (in 1954-11)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1934)
composer:
Sigmund Romberg (in 1934)
publisher:
EMI United Partnership Ltd. and Robbins Music
translated version of:
Altijd zal het zomer zijn
Benny Goodman and His Orchestra3:25
8You Brought a New Kind of Love to Me
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (guitar) (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (from 1954-11-08 until 1954-11-17), Chris Griffin (Gordon Claude Griffin, trumpeter) (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
You Brought a New Kind of Love to Me (in 1954-11)
lyricist:
Irving Kahal (in 1930)
composer:
Pierre Norman Connor (in 1930) and Sammy Fain (in 1930)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Sony/ATV Harmony (in 1930)
part of:
New York, New York (1977 musical film soundtrack)
part of:
The Real Book (compilation of jazz standards, Volume I)
Benny Goodman and His Orchestra2:52
9Blue Lou
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (guitar) (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (from 1954-11-08 until 1954-11-17), Chris Griffin (Gordon Claude Griffin, trumpeter) (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Blue Lou (in 1954-11)
composer:
Irving Mills and Edgar Sampson
Benny Goodman and His Orchestra2:51
10Jumpin' at the Woodside
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (guitar) (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (from 1954-11-08 until 1954-11-17), Chris Griffin (Gordon Claude Griffin, trumpeter) (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Jumpin’ at the Woodside (original instrumental) (in 1954-11)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Benny Goodman and His Orchestra3:30
11Stompin' at the Savoy
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (guitar) (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (from 1954-11-08 until 1954-11-17), Chris Griffin (Gordon Claude Griffin, trumpeter) (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Stompin’ at the Savoy (in 1954-11)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Benny Goodman and His Orchestra3:16
12Sent for You Yesterday and Here You Come Today
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (guitar) (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (from 1954-11-08 until 1954-11-17), Chris Griffin (Gordon Claude Griffin, trumpeter) (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Sent for You Yesterday (in 1954-11)
lyricist:
Jimmy Rushing
composer:
Count Basie (pianist) and Eddie Durham (American guitarist, trombonist, composer and arranger.)
Benny Goodman and His Orchestra3:05
13Rose Room
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Rose Room (in 1954-11)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
The Benny Goodman Sextet3:54
14What Can I Say After I Say I'm Sorry
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Trio (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
What Can I Say After I Say I’m Sorry? (in 1954-11)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
The Benny Goodman Trio3:11
15Rock Rimmon
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Quartet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
recording of:
Rock Rimmon (in 1954-11)
writer:
Benny Goodman (clarinetist and bandleader) and Mel Powell (American composer and jazz pianist)
The Benny Goodman Quartet3:28
16You're a Sweetheart
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (from 1954-11-08 until 1954-11-17)
performer:
The Benny Goodman Quartet (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
You’re a Sweetheart (in 1954-11)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
The Benny Goodman Quartet3:01
17Somebody Stole My Gal
alto saxophone:
Paul Ricci (from 1954-11-08 until 1954-11-17) and Hymie Shertzer (from 1954-11-08 until 1954-11-17)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (from 1954-11-08 until 1954-11-17)
bass:
George Duvivier (from 1954-11-08 until 1954-11-17)
clarinet:
Benny Goodman (clarinetist and bandleader) (from 1954-11-08 until 1954-11-17)
drums (drum set):
Bobby Donaldson (from 1954-11-08 until 1954-11-17)
guitar:
Steve Jordan (guitar) (from 1954-11-08 until 1954-11-17)
piano:
Mel Powell (American composer and jazz pianist) (from 1954-11-08 until 1954-11-17)
tenor saxophone:
Boomie Richman (from 1954-11-08 until 1954-11-17) and Al Klink (from 1954-11-08 until 1954-11-17)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (from 1954-11-08 until 1954-11-17), Vernon Brown (from 1954-11-08 until 1954-11-17) and Cutty Cutshall (from 1954-11-08 until 1954-11-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (from 1954-11-08 until 1954-11-17), Chris Griffin (Gordon Claude Griffin, trumpeter) (from 1954-11-08 until 1954-11-17), Carl Poole (from 1954-11-08 until 1954-11-17) and Bernie Privin (from 1954-11-08 until 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (from 1954-11-08 until 1954-11-17)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1954-11-08 until 1954-11-17)
instrumental recording of:
Somebody Stole My Gal (in 1954-11)
lyricist and composer:
Leo Wood (American songwriter & lyricist; 1882—1929) (in 1918)
publisher:
Francis, Day & Hunter
sub-publisher:
Carl Gehrmans Musikförlag
Benny Goodman and His Orchestra3:27
18(I Would Do) Anything for You
orchestra:
Benny Goodman and His Orchestra
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States
recording of:
I Would Do Anything for You (in 1954-11)
composer:
Alexander Hill (Alex Hill, 20th century US jazz pianist), Claude Hopkins and Bobby Williams (jazz composer)
recording of:
I Would Do Anything for You
composer:
Alexander Hill (Alex Hill, 20th century US jazz pianist), Claude Hopkins and Bobby Williams (jazz composer)
Benny Goodman and His Orchestra3:44
19Big John's Special
orchestra:
Benny Goodman and His Orchestra
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States
recording of:
Big John’s Special (in 1954-11)
writer:
Horace Henderson
Benny Goodman and His Orchestra3:09
20Let's Dance
orchestra:
Benny Goodman and His Orchestra
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Plaza Sound Studios in New York, New York, United States
recording of:
Let’s Dance (Benny Goodman’s theme song) (in 1954-11)
lyricist:
Fanny May Baldridge
composer:
Joseph Bonime, Gregory Stone and Carl Maria von Weber (composer)
Benny Goodman and His Orchestra2:56

Credits

Release

producer:Michael Cuscuna (task: reissue producer)
manufactured by:Capitol Jax (Pressing plant, not for use as release label)
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
copyrighted (©) by and phonographic copyright (℗) by:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
miscellaneous support:Capitol-EMI Music, Inc. (not for release label use!) (task: record company)
recorded at:Plaza Sound Studios in New York, New York, United States
Discogs:https://www.discogs.com/release/8380695 [info]
ASIN:US: B000005HFB [info]