The Best Rock ’n’ Roll Lovesongs in the World… Ever!

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Livin’ Doll
produttore:
Norrie Paramor
voce:
Cliff Richard
esecutore:
The Drifters (London group, pre-Shadows)
registrazione di:
Living Doll
paroliere e compositore:
Lionel Bart
editore:
J. Albert & Son Pty. Ltd.
Cliff Richard2:37
2Heartbeat
produttore:
Norman Petty
basso :
George Atwood (dal 1958-05-25 al 1958-05-26)
batteria :
Jerry Allison (dal 1958-05-25 al 1958-05-26)
chitarra :
Tommy Allsup (dal 1958-05-25 al 1958-05-26) e Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1958-05-25 al 1958-05-26)
registrazione di:
Heartbeat (dal 1958-05-25 al 1958-05-26)
autore:
Bob Montgomery e Norman Petty
editore:
Melody Lane Publications Inc. e Peermusic (UK) Limited
Buddy Holly4.652:09
3Bye Bye Love
registrata a:
Nashville, Tennessee, Stati Uniti (il 1957-03-01)
basso :
Floyd D. 'Lightnin'' Chance (il 1957-03-01)
batteria :
Murrey Harman (Session drummer and songwriter) (il 1957-03-01)
chitarra :
Don Everly (il 1957-03-01), Phil Everly (il 1957-03-01) e Hank Garland (il 1957-03-01)
chitarra elettrica :
Chet Atkins (il 1957-03-01)
pianoforte :
Floyd Cramer (il 1957-03-01)
voce:
Don Everly (il 1957-03-01) e Phil Everly (il 1957-03-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 33) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 207)
registrazione di:
Bye Bye Love (il 1957-03-01)
autore:
Boudleaux Bryant e Felice Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers4.352:21
4Hello Mary Lou
produttore:
Jimmie Haskell, Ozzie Nelson e Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
diritti fonografici (℗) detenuti da:
Polydor GmbH (do not use as a release label, for company-type relationships only) e Liberty (a division of UMG Recordings, Inc.) (nel 1961)
registrazione cover di:
Hello Mary Lou
autore:
Cayet Mangiaracina e Gene Pitney
editore:
Champion Music, Champion Music Corp., Intersong Music Ltd., January Music, January Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Unichappell Music, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ricky Nelson2.52:19
5Take Good Care of My Baby
registrazione di:
Take Good Care of My Baby
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner/Chappell Music Ltd. (1996–2019)
Bobby Vee42:38
6Three Steps to Heaven
registrazione di:
Three Steps to Heaven (il 1960-01-08)
autore:
Bob Cochran e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
Belsize Music Ltd.
Eddie Cochran42:24
7Under the Moon of Love
tecnico:
William McMeekin
produttore:
Phil Spector
arrangiatore:
Arnold Goland e Phil Spector
registrata presso:
Mirasound Studios in New York, New York, Stati Uniti (dal 1961-08 al 1961-09)
registrazione di:
Under the Moon of Love (dal 1961-08 al 1961-09)
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Curtis Lee (US rock & roll singer, had single "Pretty Little Angel Eyes")
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Curtis Lee32:52
8You’re Sixteen
Johnny Burnette1:56
9Oh! Carol
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
Oh! Carol (nel 1959)
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal Music Careers
versione tradotta di:
Karel (Oh Carol)
Neil Sedaka32:18
10Halfway to Paradise
registrazione cover di:
Halfway to Paradise
autore:
Gerry Goffin e Carole King
Billy Fury2:27
11Will You Still Love Me Tomorrow
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:38
12The Great Pretender
registrazione di:
The Great Pretender
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
The Platters3:36
13Sealed With a Kiss
voce:
Brian Hyland
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1962)
registrazione cover di:
Sealed With a Kiss
autore:
Gary Geld e Peter Udell
eseguita per la prima volta da:
The Four Voices (nel 1960-05)
editore:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) e Pogo Music Corp. (nel 1962)
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland42:42
14Blue Velvet
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
registrazione cover di:
Blue Velvet
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:50
15Earth Angel
The Crew-Cuts3:01
16I Only Have Eyes for You
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 157) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 175)
registrazione cover di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
registrazione di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
The Flamingos4.253:24
17Tears on My Pillow
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 30) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 478)
registrazione di:
Tears on My Pillow
paroliere:
Al Lewis (Tin Pan Alley era lyricist)
compositore:
Sylvester Bradford
editore:
Gladys Music (nel 1958), Sovereign Music Co. (nel 1958) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1989)
Little Anthony & the Imperials2.52:19
18Blue Moon
produttore:
Danny e Stu (US TV/film composer, conductor & producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961, nel 2004)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
The Marcels32:15
19A Teenager in Love
esecutore:
Dion & The Belmonts
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 7)
registrazione di:
A Teenager in Love (nel 1959)
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
registrazione cover di:
A Teenager in Love
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts4.52:35
20Girl of My Best Friend
Ral Donner2:16
21More Than I Can Say
registrazione cover di:
More Than I Can Say
autore:
Jerry Allison e Sonny Curtis
editore:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
registrazione di:
More Than I Can Say
autore:
Jerry Allison e Sonny Curtis
editore:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
Bobby Vee2:33
22Don’t Ever Change
registrazione di:
Don’t Ever Change
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–Columbia Music e Screen Gems–EMI Music Ltd.
The Crickets2:15
23I Can Help
registrazione di:
I Can Help (nel 1974)
paroliere e compositore:
Billy Swan
editore:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Billy Swan52:57
24A Walking Miracle
The Essex2:19
25Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (vocals, Drifters) (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), TM Music Ltd. e Trio Music Company
The Drifters4.352:41
2▼CD
#TitoloArtistaValutazioneDurata
1Brown Eyed Handsome Man
registrazione di:
Brown Eyed Handsome Man
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Paul McCartney1:53
2Reet Petite
registrazione di:
Reet Petite (The Sweetest Girl in Town) (nel 1957)
autore:
Tyran Carlo e Berry Gordy
editore:
Burlington Music Ltd.
Jackie Wilson42:43
3Runaway
claviolino [musitron] solista :
Max Crook
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 100) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 466)
registrazione di:
Runaway (il 1961-01-24)
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Del Shannon4.42:19
4Runaround Sue
registrazione di:
Runaround Sue
paroliere:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
compositore:
Ernie Maresca
editore:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. e Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:45
5Poetry in Motion
registrazione cover di:
Poetry in Motion
autore:
Mike Anthony (US songwriter) e Paul Kaufman (songwriter)
Johnny Tillotson42:28
6Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon & The Teenagers4.52:20
7Pretty Little Angel Eyes
tecnico:
Bill McGuire
produttore:
Phil Spector
arrangiatore:
Phil Spector
registrata presso:
Mirasound Studios in New York, New York, Stati Uniti (dal 1961-05 al 1961-06)
registrazione di:
Pretty Little Angel Eyes (dal 1961-05 al 1961-06)
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Curtis Lee (US rock & roll singer, had single "Pretty Little Angel Eyes")
Curtis Lee52:47
8Little Bitty Pretty One – 1957
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 22)
registrazione di:
Little Bitty Pretty One
paroliere e compositore:
Bobby Day
editore:
Ivan Mogull Music Ltd., Painted Desert Music, シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Thurston Harris2:24
9Tower of Strength
registrazione di:
Tower of Strength
paroliere:
Bob Hilliard
compositore:
Burt Bacharach
Gene McDaniels2:17
10I Don’t Know Why I Love You but I Do
Clarence “Frogman” Henry2:21
11You Got What It Takes
registrazione cover di:
You Got What It Takes
autore:
Roquel Davis, Berry Gordy e Gwen Gordy (US songwriter/composer, née Gwendolyn Gordy)
editore:
Universal/MCA Music Publishing Pty Ltd e Fidelity Music (nel 1959)
Marv Johnson2:41
12Ain’t That a Shame
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
F. D. & Hunter (publisher) (nel 1955) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Stati Uniti
registrazione di:
Ain’t That a Shame (il 1955-03-15)
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino4.52:21
13Mocking Bird
registrazione di:
Mockingbird
autore:
Charlie Foxx e Inez Foxx
editore:
EMI Unart Catalog Inc.
si basa su:
Hush, Little Baby (lullaby, popularized as "Mockingbird")
Inez & Charlie Foxx42:37
14Please Mr. Postman
registrazione di:
Please Mr. Postman
autore:
Robert Bateman (R&B singer/songwriter/record producer) (nel 1961), Georgia Dobbins (nel 1961), William Garrett (nel 1961), Freddie Gorman (nel 1961) e Brian Holland (Motown producer & songwriter) (nel 1961)
editore:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
Margo & The Marvelettes2:28
15Remember (Walking in the Sand)
edit di:
Remember (Walkin' in the Sand) di The Shangri‐Las
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 30) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 395)
registrazione di:
Remember (Walkin’ in the Sand) (nel 1964-07)
paroliere e compositore:
George “Shadow” Morton
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Shangri‐Las4.42:19
16Hey Paula
voce:
Ray Hildebrand e Jill Jackson
registrazione di:
Hey Paula (nel 1962)
paroliere e compositore:
Ray Hildebrand
editore:
Speckle Music
Paul & Paula2:36
17The Crying Game
esecutore:
Dave Berry
registrazione cover di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
registrazione di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Dave Berry32:43
18Only the Lonely
registrata a:
Nashville, Tennessee, Stati Uniti (il 1960-03-26)
produttore:
Fred Foster
batteria [drums] :
Buddy Harman (Session drummer and songwriter) (il 1960-03-26)
chitarra :
Hank Garland (il 1960-03-26) e Harold Bradley (il 1960-03-26)
contrabbasso [bass] :
Bob Moore (U.S. bassist and bandleader) (il 1960-03-26)
pianoforte :
Floyd Cramer (il 1960-03-26)
voce:
Roy Orbison (il 1960-03-26)
voce di accompagnamento:
Joe Melson (il 1960-03-26) e The Anita Kerr Singers (mixed vocal group) (il 1960-03-26)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 2) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Only the Lonely (Know the Way I Feel) (il 1960-03-26)
autore:
Joe Melson e Roy Orbison
editore:
Acuff-Rose Music Limited (UK) e Acuff-Rose Publications, Inc. (BMI) (il 1960-05-04)
è stata commissionata da:
Rondor Music (London) Ltd.
Roy Orbison4.72:27
19When Will I Be Loved
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione di:
When Will I Be Loved? (il 1960-02-18)
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:01
20Hold Me
registrazione cover di:
Hold Me
autore:
Little Jack Little, David Oppenheim (songwriter, composer) e Ira Schuster
editore:
Campbell Connelly & Co. Ltd.
P.J. Proby2:40
21Help Me Rhonda
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1965-02-24)
chitarra :
Carl Wilson (Beach Boys) (il 1965-02-24)
chitarra basso :
Carol Kaye (il 1965-02-24)
organo Hammond [Hammond B3 organ] e pianoforte [acoustic piano] :
Brian Wilson (Beach Boys co‐founder) (il 1965-02-24)
voce di accompagnamento:
Mike Love (Beach Boys) (il 1965-02-24), Brian Wilson (Beach Boys co‐founder) (il 1965-02-24), Carl Wilson (Beach Boys) (il 1965-02-24) e Dennis Wilson (Beach Boys) (il 1965-02-24)
voce principale:
Al Jardine (il 1965-02-24)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1965-02-24) e Universal Recording Studios (unidentified, possibly a mix of different studios) (il 1965-02-24)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 16)
registrazione di:
Help Me, Rhonda (il 1965-02-24)
paroliere e compositore:
Brian Wilson (Beach Boys co‐founder)
paroliere aggiunto:
Mike Love (Beach Boys)
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
The Beach Boys42:47
22Do You Love Me
produttore:
Berry Gordy Jr.
chitarra :
Huey Davis (guitarist) (il 1962-06-03)
strumenti:
The Funk Brothers (il 1962-06-03)
voce di accompagnamento:
Billy Hoggs (nel 1962), Joe Billingslea (soul vocalist, songwriter) (il 1962-06-03), Hubert Johnson (singer) (il 1962-06-03) e Sylvester Potts (il 1962-06-03)
voce principale:
Billy Gordon (The Contours) (il 1962-06-03)
voce principale aggiuntiva:
Billy Hoggs (il 1962-06-03)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1962-06-03)
video musicali:
Do You Love Me (music video) di The Contours (60s soul)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 9)
registrazione di:
Do You Love Me (il 1962-06-03)
paroliere e compositore:
Berry Gordy
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
The Contours4.352:54
23The Night Has a Thousand Eyes
registrazione di:
The Night Has a Thousand Eyes
autore:
Marilyn Garrett, Dottie Wayne e Ben Weisman
editore:
Blen Music, Mabs Music Co. (ASCAP-affiliated), Music Publishing Company of America e Shelby Music
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bobby Vee2:33
24What Do You Want
produttore:
John Barry (English score composer) e John Burgess (British record producer)
voce:
Adam Faith (il 1959-09-25)
direttore d'orchestra e esecutore:
John Barry (English score composer) (il 1959-09-25)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1959-09-25)
registrazione di:
What Do You Want? (il 1959-09-25)
paroliere e compositore:
Les Vandyke
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:35
25Please Don’t Tease
produttore:
Norrie Paramor
voce:
Cliff Richard
esecutore:
The Shadows (British pop/rock band that once backed Cliff Richard)
registrazione di:
Please Don’t Tease
compositore:
Pete Chester e Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard2:58
26I’ll Never Get Over You
registrazione cover di:
I’ll Never Get Over You
paroliere e compositore:
Gordon Mills (60s/70s UK producer and songwriter)
editore:
Valley Music Ltd (publisher)
Johnny Kidd and the Pirates2:07
27Be‐Bop‐A‐Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent4.352:34