More One Hit Classics of the 70’s & 80’s: Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD: More One Hit Classics of the 70's & 80's: Volume 2 (disc 1)
Nr.TitelKünstlerBewertungLänge
1Boom Boom (Let’s Go Back to My Room)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 83)
recording of:
Boom Boom (Let’s Go Back to My Room)
Verfasser(in):
Riccardo Ballerini, Michele Chieregato, Tom Hooker (American singer, songwriter and photographer), Stefano Montin und Roberto Turatti
Paul Lekakis3:52
2Instant Replay
assistierende(r) Techniker(in):
Darrell Rogers
Techniker(in) und Produzent(in):
Dan Hartman
Mix:
Arthur Stoppe
andere Instrumente [all instruments] und Sologesang:
Dan Hartman
Conga:
Larry Washington (percussionist)
membranophone und Perkussion:
Hilly Michaels
Solo-Saxophon:
Edgar Winter
Hintergrundgesang:
Dan Hartman und Edgar Winter
conductor:
Gene Page
arranger:
Gene Page
aufgenommen bei:
The Schoolhouse (Westport, Connecticut) in Westport, Connecticut, Vereinigte Staaten
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
recording of:
Instant Replay
Texter und Komponist(in):
Dan Hartman
publisher:
EMI Blackwood Music Inc.
Dan Hartman55:20
3Centrefold
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band3:10
4Cool for Cats
recording of:
Cool for Cats
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3:11
5Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.754:08
6Queen of Hearts
cover recording of:
Queen of Hearts
Texter und Komponist(in):
Hank DeVito
publisher:
Bug Music (music publishing) und Drunk Monkey Music (in 1979)
Juice Newton3:25
7Harden My Heart
Produzent(in):
John Boylan
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1981)
recording of:
Harden My Heart
Texter und Komponist(in):
Marv Ross (guitarist, songwriter)
publisher:
Bonnie Bee Good Music (publisher) (in 1981), Geffen/Kaye Music (in 1981) und Narrow Dude Music (publisher) (in 1981)
Quarterflash43:38
8Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonanno und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Volcano Entertainment III, L.L.C. (in 1985)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Survivor4.73:48
9Dance Hall Days
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Geffen Records
recording of:
Dance Hall Days
Verfasser(in):
Darren Costin, Nick Feldman und Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:59
10Turn Me Loose
recording of:
Turn Me Loose
Verfasser(in):
Paul Dean (Canadian guitarist) und Mike Reno
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dean of Music und EMI Songs
Loverboy5:38
11Dancing in the City
recording of:
Dancing in the City
Verfasser(in):
Kit Hain und Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) und Rondor Music (London) Ltd.
Marshall Hain3:38
12The Way You Do It
phonographisches Urheberrecht (℗) von:
Mick Flinn (in 1976)
recording of:
The Way That You Do It
Verfasser(in):
Mick Flinn
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Pussyfoot3:06
13Everytime I Think of You
recording engineer und Produzent(in):
Ron Nevison
assistierende(r) Techniker(in):
Mike Clink
Bass:
Jack Conrad
Gitarre:
Wally Stocker
Klavier:
Kevin Kelly (piano, organ, accordion player)
Perkussion und Schlagzeug:
Tony Brock
Hintergrundgesang:
Diana Lee (credited mostly for backing vocals, does soprano too), Myrna Matthews und Marti McCall (session vocalist)
Sologesang:
John Waite
conductor:
Jimmy Haskell
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Jimmy Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978, in 1979) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979)
recording of:
Every Time I Think of You
Verfasser(in):
Jack Conrad (in 1978) und Ray Kennedy (singer, songwriter, and record producer based in L.A.) (in 1978)
publisher:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music und X‐Ray Music
The Babys4.354:00
14Yes Sir, I Can Boogie
Produzent(in):
Rolf Soja
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1977) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
Texter:
Frank Dostal
Komponist(in):
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music und Peermusic (UK) Ltd.
Baccara4.754:35
15January
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
January
Orchestrator(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Texter und Komponist(in):
David Paton (of Pilot)
publisher:
EMI Music Publishing (do not use as a release label!) und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:30
2▼CD: More One Hit Classics of the 70's & 80's: Volume 2 (disc 2)
Nr.TitelKünstlerBewertungLänge
1You Little Thief
recording of:
You Little Thief
Texter und Komponist(in):
Benmont Tench
Feargal Sharkey5:06
2Teardrops
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack5:04
3In Zaire
recording of:
In Zaire
Verfasser(in):
Johnny Wakelin
Johnny Wakelin23:19
4Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:31
5A Beat for You
Koproduzent(in):
Ross Fraser
Produzent(in) und Mix:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) und Brian Canham (Australian singer ex. Pseudo Echo)
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!) (in 1984)
recording of:
A Beat for You (Pseudo Echo)
publisher:
Brian Canham (Australian singer ex. Pseudo Echo)
Texter und Komponist(in):
Brian Canham (Australian singer ex. Pseudo Echo)
Pseudo Echo53:42
6Baby Come Back
phonographisches Urheberrecht (℗) von:
PolyGram International Music B.V. (not for release label use!) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 7) und Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 24)
recording of:
Baby Come Back (Player song)
Verfasser(in):
Peter Beckett (lead singer of Player) und J.C. Crowley
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
Player4.354:12
7Kiss You All Over
Exile3:36
8Stars on 45
phonographisches Urheberrecht (℗) von:
Red Bullet Productions B.V. (in 1981)
recording of:
Stars on 45 (the song itself)
Verfasser(in):
Martin Duiser und Jaap Eggermont
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Nada International C.V.
Medley von:
Video Killed the Radio Star
Medley von:
Funkytown
Stars on 4544:50
9Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
Texter und Komponist(in):
Carl Douglas
publisher:
Carren Music (publisher) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
basiert auf:
[Oriental Riff]
Carl Douglas4.23:15
10I Eat Cannibals
recording of:
I Eat Cannibals
Verfasser(in):
Barry Blue (singer, producer, and songwriter), Paul Greedus und Roy Lachlan Nicolson
Toto Coelo2.653:30
119 to 5 (Morning Train)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
9 to 5
Texter und Komponist(in):
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:22
12Rock the Boat
recording of:
Rock the Boat
Texter und Komponist(in):
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation3:09
13Barbados
recording of:
Barbados
Verfasser(in):
Jeffrey Calvert und Max West
publisher:
Castle (publisher)
Typically Tropical3:31
14Pillow Talk
recording of:
Pillow Talk
Verfasser(in):
Michael Burton (American songwriter and producer) und Sylvia Robinson
Sylvia34:19
15Agadoo
Produzent(in):
Black Lace (1980s British pop band) und Neil Ferguson (Chumbawamba)
aufgenommen bei:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich
recording of:
Agadoo
Komponist(in):
Michel Delancray, Gilles Péram und Mya Simille (Micheline Helyett)
übersetzte Version von:
Agadou-dou-dou (original French version)
Black Lace3:07

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