100 Best Film Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

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1▼CD: The Great Blockbusters
Nr.TitelKünstlerBewertungLänge
120th Century Fox Fanfare
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Paul Bateman (conductor)
Alfred Newman0:21
2Also sprach Zarathustra (2001: A Space Odyssey)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Also sprach Zarathustra, op. 30: Einleitung, Sonnenaufgang)
Komponist(in):
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
Teil von:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:51
3Main Theme (Star Wars)
Interpret(in):
Geoff Love & His Orchestra
recording of:
Main Title (Star Wars)
Komponist(in):
John Williams (American score composer) (beendet)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teil von:
Star Wars Holiday Special (television soundtrack)
Teil von:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
Teil von:
Star Wars, Episode II: Attack of the Clones (2002 film score)
Teil von:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
Teil von:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
Teil von:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
Teil von:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
Teil von:
Star Wars, Episode VII: The Force Awakens (2015 film score)
Teil von:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
Teil von:
Star Wars: Shadows of the Empire
John Williams3:15
4The Ride of the Valkyries (Apocalypse Now)
Produzent(in):
John Fraser (UK producer)
Orchester:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (von 1991-08-14 bis 1991-08-24)
conductor:
Mariss Jansons (Latvian conductor) (von 1991-08-14 bis 1991-08-24)
Tonmeister(in):
Mark Vigars (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
aufgenommen bei:
Oslo Konserthus (The Oslo Concert Hall) in Oslo, Norwegen (von 1991-08-14 bis 1991-08-24)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt) (von 1991-08-14 bis 1991-08-24)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:46
5Requiem (Amadeus)
Chorgesang:
Chorus of Royal Northern Sinfonia
Orchester:
Royal Northern Sinfonia
conductor:
Richard Hickox (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:06
6My Heart Will Go On (Titanic)
Geige / Violine:
David Abel (violinist/violist)
Orchester:
Shearman Orchestra
conductor:
David Abel (conductor)
arranger:
James Shearman (conductor, orchestrator, composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
instrumental recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1997 winner)
Teil von:
Titanic
James Horner4:20
7Main Theme (You Only Live Twice)
Techniker(in):
Mike Ross‐Trevor (engineer)
leitende(r) Produzent(in):
Reynold da Silva
Produzent(in):
Nic Raine und Mike Ross‐Trevor (engineer)
alto saxophone:
Jindřich Němeček
Geige / Violine:
Michael Metelka
Gitarre:
Peter Binder (guitarist)
Klavier:
Jaroslava Eleasova
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Nic Raine
arranger:
Nic Raine
zusätzlich arranger:
Christopher Tin
instrumental cover recording of:
You Only Live Twice
Texter:
Leslie Bricusse
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
You Only Live Twice (from the James Bond Film)
recording of:
You Only Live Twice
Texter:
Leslie Bricusse
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
You Only Live Twice (from the James Bond Film)
John Barry2:54
8Gladiator Theme (Gladiator)
Chorgesang:
Crouch End Festival Chorus
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Nic Raine
chorus master:
David Temple
teilweise recording of:
Gladiator
Komponist(in):
Hans Zimmer (German score composer)
teilweise recording of:
Gladiator: Symphonic Suite
Komponist(in):
Hans Zimmer (German score composer)
Arrangement von:
Honor Him (Gladiator)
Arrangement von:
The Battle (Gladiator)
Arrangement von:
The Might of Rome (Gladiator)
Hans Zimmer, Lisa Gerrard & Klaus Badelt2:20
9Temple Duet (Gallipoli)
Techniker(in):
Walther Ruhlmann
Produzent(in):
René Challan (French composer)
Baritongesang [Zurga]:
Ernest Blanc (baritone) (in 1961)
Tenor-Gesang [Nadir]:
Nicolai Gedda (tenor) (in 1961)
Orchester:
Paris Opéra-Comique Orchestra (in 1961)
conductor:
Pierre Dervaux (French conductor and composer) (in 1961)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (in 1961)
Komponist(in):
Georges Bizet (French composer) (von 1863-04 bis 1863-08)
Librettist:
Michel Carré (librettist) und Eugène Cormon
Teil von:
Les Pêcheurs de perles : Acte I
Georges Bizet5:22
10Intermezzo (The Godfather III)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
Cavalleria rusticana: Intermezzo (in 1979)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:41
11The Fellowship (The Lord of the Rings: Fellowship of the Ring)
Produzent(in):
James Fitzpatrick
Chorgesang:
Crouch End Festival Chorus
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker) (in 2002)
conductor:
Nic Raine (in 2002)
chorus master:
David Temple
cover recording of:
Main Theme (The Lord of the Rings)
Komponist(in):
Howard Shore (Canadian score composer)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
teilweise recording of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore5:51
12Fawkes the Phoenix (Harry Potter and the Chamber of Secrets)
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Nic Raine
arranger:
Christopher Tin
cover recording of:
Fawkes the Phoenix (Harry Potter and the Chamber of Secrets)
Komponist(in):
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
Teil von:
Harry Potter and the Chamber of Secrets (2002 film score)
recording of:
Fawkes the Phoenix (Harry Potter and the Chamber of Secrets)
Komponist(in):
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
Teil von:
Harry Potter and the Chamber of Secrets (2002 film score)
John Williams3:36
13Hymn to the Fallen (Saving Private Ryan)
Chorgesang:
Crouch End Festival Chorus
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Paul Bateman (conductor)
arranger:
Paul Bateman (conductor)
phonographisches Urheberrecht (℗) von:
BMG Music, Cherry Lane und Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1999)
cover recording of:
Hymn to the Fallen (Saving Private Ryan)
Komponist(in):
John Williams (American score composer)
publisher:
Cherry Lane Music Ltd. und Universal Music Publishing MGB
Teil von:
Saving Private Ryan (1998 film score)
recording of:
Hymn to the Fallen (Saving Private Ryan)
Komponist(in):
John Williams (American score composer)
publisher:
Cherry Lane Music Ltd. und Universal Music Publishing MGB
Teil von:
Saving Private Ryan (1998 film score)
John Williams6:01
14String Trio Divertimento (Mission Impossible)
Bratsche / Viola:
Gérard Caussé (violist)
Cello:
Gary Hoffman (Canadian cellist)
Geige / Violine:
Augustin Dumay (violinist)
recording of:
Divertimento for Violin, Viola & Cello in E-flat major, K. 563: III. Minuetto
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-09-27)
Teil von:
Divertimento for Violin, Viola & Cello in E-flat major, K. 563
Wolfgang Amadeus Mozart5:18
15Unfinished Symphony (Minority Report)
Orchester:
Orchestra of the Age of Enlightenment
conductor:
Charles Mackerras (Australian conductor)
Franz Schubert4:07
16The Sorcerer's Apprentice (Fantasia)
Orchester:
Oslo‐Filharmonien (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
teilweise recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
Komponist(in):
Paul Dukas (French composer) (von 1896 bis 1897)
enthalten in:
Fantasia (Disney soundtrack)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
Komponist(in):
Paul Dukas (French composer) (von 1896 bis 1897)
enthalten in:
Fantasia (Disney soundtrack)
Paul Dukas6:37
17Theme (Jurassic Park)
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Paul Bateman (conductor)
cover recording of:
Suite from Jurassic Park
Komponist(in):
John Williams (American score composer)
basiert auf:
Jurassic Park (1993 film score)
John Williams5:57
18End Credits (Raiders of the lost Ark)
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Nic Raine
cover recording of:
The Raiders March (Raiders of the Lost Ark)
Komponist(in):
John Williams (American score composer)
publisher:
BMG Music
Teil von:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams5:25
2▼CD: The Classic Movies
Nr.TitelKünstlerBewertungLänge
1Piano Concerto No. 2 (Somewhere in Time)
Klavier:
Cécile Ousset (French pianist)
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
teilweise recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Premiere in:
Moscow (Moskau), Russland (am 1900-12-15)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1900 bis 1901-04)
Teil von:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов4:29
2Miserere (Chariots of Fire)
Baritongesang, bass-baritone vocals [cantor], Bass-Gesang [Cantor] und sonstiger Gesang [cantor]:
Gerald Finley (bass-baritone)
Chorgesang:
Choir of King’s College, Cambridge (in 1984)
Diskantstimme:
Timothy Beasley-Murray (treble vocalist) (in 1984)
vocals:
Gerald Finley (bass-baritone) (in 1984)
conductor:
Stephen Cleobury (organist, conductor)
chorus master:
Stephen Cleobury (organist, conductor) (in 1984)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
teilweise recording of:
Miserere mei, Deus
Komponist(in):
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri5:44
3Cavatina (The Deer Hunter)
instrumental cover recording of:
Cavatina (catch-all for arrangements)
Komponist(in):
Stanley Myers
Arrangement von:
Cavatina (theme from The Deer Hunter, for guitar)
Stanley Myers2:58
4Adagio for Strings (Platoon)
Orchester:
The Philadelphia Orchestra (in 1957, in 1985)
conductor:
Eugene Ormandy (conductor) (in 1957, in 1985)
recording of:
Adagio for Strings (in 1957)
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
teilweise recording of:
Adagio for Strings
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber36:19
5Symphony No. 5: IV. Adagietto (Death in Venice)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
teilweise recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
Komponist(in):
Gustav Mahler (composer) (von 1901 bis 1902)
Teil von:
Symphony no. 5 (5. Sinfonie)
Gustav Mahler3:05
6Any Other Name (American Beauty)
recording engineer:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Tom Hardisty (film score engineer) und David Marquette
Produzent(in):
Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) und Thomas Newman (American score composer)
Mix:
Tom Hardisty (film score engineer) und Dennis Sands (American sound engineer)
assistierendes Editing:
Jordan Corngold
Editing:
Bill Bernstein
Interpret(in):
Nikolaj Bloch und Sally Herbert (violinist, composer, and conductor)
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999, in 2000)
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Any Other Name
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
publisher:
Cherry Lane Music und Cherry Lane Music Publishing Company Inc.
Teil von:
American Beauty (1999)
Thomas Newman3.44:04
7Mambo (West Side Story)
Produzent(in):
David R. Murray
Orchester:
City of Birmingham Symphony Orchestra (von 1997-06-08 bis 1997-06-10)
conductor:
Paavo Järvi (conductor) (von 1997-06-08 bis 1997-06-10)
Tonmeister(in):
Mike Hatch (engineer/editor)
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
aufgenommen bei:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, Vereinigtes Königreich (von 1997-06-08 bis 1997-06-10)
recording of:
Symphonic Dances from West Side Story: IV. Mambo. Presto (von 1997-06-08 bis 1997-06-10)
Orchestrator(in) und Komponist(in):
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
zusätzliche(r) Orchestrator(in):
Irwin Kostal (in 1960) und Sid Ramin (in 1960)
Teil von:
Symphonic Dances from West Side Story
Leonard Bernstein2:26
8Main Theme (E.T.)
Orchester:
Ron Goodwin and His Concert Orchestra
recording of:
E.T.: Main Theme
Komponist(in):
John Williams (American score composer) (in 1982)
Teil von:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams3:55
9Main Theme (Schindler's List)
Geige / Violine:
Tasmin Little (violinist) (in 1994)
Orchester:
New World Philharmonic (in 1994)
conductor:
Iain Sutherland (British conductor) (in 1994)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Main Theme (Schindler’s List) (in 1994)
Komponist(in):
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
John Williams4:59
10Symphony No. 25 (William Shakespeare's Romeo + Juliet)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
teilweise recording of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1773 bis 1773-10-05)
Teil von:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
Wolfgang Amadeus Mozart4:41
11Main Theme (Jean de Florette)
Orchester:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
teilweise recording of:
La forza del destino: Sinfonia
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
La forza del destino
recording of:
La forza del destino: Sinfonia
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
La forza del destino
Giuseppe Verdi2:53
12Eine kleine Nachtmusik: II. Romance (Alien)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (am 1976-01-29)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (am 1976-10-26)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:42
13Love Theme (Cinema Paradiso)
Klavier:
Paul Bateman (conductor)
Solo Soprangesang:
Anna Thomas (soprano)
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Paul Bateman (conductor)
Orchestrator(in):
Rachel Berlin
phonographisches Urheberrecht (℗) von:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1996)
recording of:
Nuovo cinema Paradiso: Tema d’amore
Komponist(in):
Andrea Morricone (composer) und Ennio Morricone (Italian classical and score composer)
Teil von:
Nuovo Cinema Paradiso (soundtrack)
Ennio Morricone33:33
14Waltz No. 2 (Eyes Wide Shut)
Orchester:
The Philadelphia Orchestra
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer)
Teil von:
Suite for Variety Orchestra
Дмитрий Дмитриевич Шостакович3:44
15Lohengrin, Prelude (The Great Dictator)
Orchester:
Orchestre philharmonique de Radio France
conductor:
Marek Janowski (conductor)
Richard Wagner7:47
16Ode to Joy (A Clockwork Orange)
bass-baritone vocals:
James Morris (operatic bass-baritone)
Chorgesang:
Westminster Choir (Princeton, USA)
Orchester:
The Philadelphia Orchestra
conductor:
Sir Adrian Boult (conductor) und Riccardo Muti (conductor)
chorus master:
Joseph Flummerfelt (choir master) und James Morris (operatic bass-baritone)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
teilweise recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1822 bis 1824)
Librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
Teil von:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven3:18
3▼CD: Favourite Movies
Nr.TitelKünstlerBewertungLänge
1Piano Concerto No. 5: II. Adagio (The King's Speech)
Klavier:
Christian Zacharias (pianist and conductor)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
Komponist(in):
Ludwig van Beethoven (German composer) (in 1809)
Teil von:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
teilweise recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
Komponist(in):
Ludwig van Beethoven (German composer) (in 1809)
Teil von:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven46:56
2Clarinet Concerto in A major, K. 622: II. Adagio (Out of Africa)
Bassettklarinette:
Sabine Meyer (clarinetist) (von 1990-06-06 bis 1990-06-08)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (von 1990-06-06 bis 1990-06-08)
conductor:
Hans Vonk (conductor) (von 1990-06-06 bis 1990-06-08)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1990)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1990-06-06 bis 1990-06-08)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Konzert für Klarinette und Orchester A-Dur, KV 622: II. Adagio) (von 1990-06-06 bis 1990-06-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1791-09-28 bis 1791-10-07)
Teil von:
Concerto for Clarinet in A major, K. 622 (Konzert für Klarinette und Orchester A-Dur, KV 622)
Wolfgang Amadeus Mozart6:35
3Concerto for Two Pianos: III. Rondo, allegro (Amadeus)
Produzent(in):
Christopher Bishop (conductor/producer)
Klavier:
Radu Lupu (Romanian concert pianist) (am 1975-12-08) und André Previn (pianist, conductor, composer, arranger) (am 1975-12-08)
Orchester:
London Symphony Orchestra (am 1975-12-08)
conductor:
André Previn (pianist, conductor, composer, arranger) (am 1975-12-08)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1975-12-08)
recording of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro (am 1975-12-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1779)
Teil von:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365
Wolfgang Amadeus Mozart6:42
4Swan Lake: Dances of the Little Swans (Black Swan)
Orchester:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
Пётр Ильич Чайковский1:27
5Flute & Harp Concerto (The Joy Luck Club)
flute:
Jean‐Pierre Rampal (flautist)
Harfe:
Lily Laskine (harpist)
conductor:
Jean‐François Paillard (French conductor)
Wolfgang Amadeus Mozart4:00
6Stabat Mater (The Talented Mr. Ripley)
Produzent(in):
Tolga Kaşif (Tolga Kashif, composer and conductor)
Countertenorgesang:
Robin Blaze (countertenor)
Soprangesang:
Lesley Garrett (soprano)
Orchester:
The London Session Orchestra
conductor:
Paul Daniel (conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:54
7Ave verum corpus (Lorenzo's Oil)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Stockholmer Kammerchor (Stockholm Chamber Choir) (von 1987-02-14 bis 1987-02-15) und Swedish Radio Choir (Swedischer Rundfunkchor) (von 1987-02-14 bis 1987-02-15)
Orchester:
Berliner Philharmoniker (von 1987-02-14 bis 1987-02-15)
conductor:
Riccardo Muti (conductor) (von 1987-02-14 bis 1987-02-15)
chorus master:
Eric Ericson (von 1987-02-14 bis 1987-02-15)
Tonmeister(in):
John Kurlander (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (von 1987-02-14 bis 1987-02-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (von 1987-02-14 bis 1987-02-15)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (bis 1791-06-18)
Teil von:
Köchelverzeichnis (first edition, 1862, K¹) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (Nummer: K. 618), Köchelverzeichnis (original numbering) (Nummer: 618) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 618)
Wolfgang Amadeus Mozart3:23
8Horn Concerto No. 2 (JFK)
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Horn:
Barry Tuckwell (hornist / conductor) (in 1971-05)
Orchester:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1971-05-17 bis 1971-05-21)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro (in 1971-05)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart3:12
9String Quintet (Carrington)
Cello:
Laszlo Varga (cellist)
Interpret(in):
Hungarian Quartet (1935-1972)
teilweise recording of:
String Quintet in C major, D. 956: II. Adagio
Komponist(in):
Franz Schubert (composer) (in 1828)
Teil von:
String Quintet in C major, D. 956
Franz Schubert4:35
10Le nozze di Figaro: Overture (The Runaway Bride)
Orchester:
Royal Philharmonic Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Le nozze di Figaro, K. 492: Sinfonia
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Die Hochzeit des Figaro (German translation)
Teil von:
Le nozze di Figaro, K. 492 (Die Hochzeit des Figaro, K 492)
Wolfgang Amadeus Mozart4:18
11Cello Concerto: I. Adagio (Hilary and Jackie)
Cello:
Robert Cohen (cellist)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Norman Del Mar (conductor)
teilweise recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Sir Edward Elgar3:42
12Symphony No. 40: I. Molto allegro (The Living Daylights)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart5:31
13Nimrod (Elizabeth)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Symphony Orchestra (von 1970-08-04 bis 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (von 1970-08-04 bis 1970-08-06)
Tonmeister(in):
Michael Gray (UK classical recording engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) und Warner Classics (in 2002)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-04 bis 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (von 1970-08-04 bis 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Augustus J. Jaeger
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:54
14Eine kleine Nachtmusik: IV. Rondo (There's Something About Mary)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (am 1976-01-29)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (am 1976-10-26)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:03
15Swan Lake: Act II, 10. Scene (Billy Elliot)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Symphony Orchestra (von 1976-05-26 bis 1976-05-28, von 1976-06-08 bis 1976-06-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (von 1976-05-26 bis 1976-05-28, von 1976-06-08 bis 1976-06-10)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1976-05-26 bis 1976-05-28, von 1976-06-08 bis 1976-06-10)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (von 1976-05-26 bis 1976-06-10)
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Swan Lake, op. 20: Act II
Teil von:
Swan Lake, op. 20: Act II (ed. Drigo)
Пётр Ильич Чайковский2:47
16The Planets: IV. Jupiter (The Right Stuff)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Simon Rattle (conductor)
teilweise recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst4:46
4▼CD: The Piano at the Cinema
Nr.TitelKünstlerBewertungLänge
1Piano Concerto No. 21: II. Andante (Elvira Madigan)
Klavier:
Stephen Hough (pianist) (in 1987-05)
Orchester:
Hallé Orchestra (in 1987-05)
conductor:
Bryden Thomson (conductor) (in 1987-05)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (in 1987-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1987-05)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:45
2'Raindrop' Prelude (Face/Off)
Klavier:
Dmitri Alexeev (pianist)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1836 bis 1839)
Teil von:
24 Préludes pour le piano, op. 28
Frédéric Chopin6:06
3Piano Concerto No. 20: II. Romance (Amadeus)
Klavier:
Annie Fischer (pianist)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Adrian Boult (conductor)
teilweise recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1785)
Teil von:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart6:13
4Piano Sonata No. 11: III. Rondo alla turca (The Truman Show)
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (Klaviersonate Nr. 11 A-Dur "Alla Turca", KV 300i (KV 331): III. Alla turca. Allegretto)
komponiert in:
Paris, Île-de-France, Frankreich (in 1778)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Classic 100: Piano (2025) (Nummer: 32)
Teil von:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:25
5Piano Concerto No. 25 (The Associate)
Klavier:
Christian Zacharias (pianist and conductor)
Orchester:
Symphonieorchester des Bayerischen Rundfunks (Symphonie-Orchester des Bayerischen Rundfunks)
conductor:
David Zinman (conductor)
recording of:
Concerto for Piano and Orchestra no. 25 in C major, K. 503: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1786 bis 1786-12-04)
Teil von:
Concerto for Piano and Orchestra no. 25 in C major, K. 503
Wolfgang Amadeus Mozart7:06
6Piano Sonata No. 11: I. Andante (A Beautiful Mind)
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist)
teilweise recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso
komponiert in:
Paris, Île-de-France, Frankreich (in 1778)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart1:56
7Moonlight Sonata (Immortal Beloved)
Klavier:
Dame Moura Lympany (British pianist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
teilweise recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Ludwig van Beethoven3:53
8Nocturne in C-sharp minor (The Pianist)
Klavier:
Alexandre Tharaud (pianist) (von 2009-05-06 bis 2009-05-10)
aufgenommen bei:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankreich (von 2009-05-06 bis 2009-05-10)
recording of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16 (von 2009-05-06 bis 2009-05-10)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
Frédéric Chopin4:04
9Piano Concerto No. 1: I. Allegro maestoso (The Music Lovers)
Klavier:
Horacio Gutiérrez (pianist)
Orchester:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
teilweise recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский3:23
10Gymnopédie No. 1 (What Lies Beneath)
Klavier:
Anne Queffélec (pianist)
Orchester:
London Symphony Orchestra
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Komponist(in):
Erik Satie (French composer) (von 1888-02 bis 1888-04)
Teil von:
Classic 100: Piano (2004) (Nummer: 4)
Teil von:
Gymnopédies
Erik Satie3:20
11'Minute' Waltz (Paycheck)
Klavier:
Dmitri Alexeev (pianist)
Interpret(in):
Dimitri Alexeev (Dmitri Alexeev, pianist)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (Walzer Nr. 6 Des-Dur "Minutenwalter", op. 64 Nr.1, BI. 164 Nr. 1)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1846 bis 1847)
Teil von:
Waltzes, op. 64
Frédéric Chopin1:48
12Für Elise (Rosemary's Baby)
Klavier:
Dame Moura Lympany (British pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1808 bis 1810)
Teil von:
Classic 100: Piano (2004) (Nummer: 15), Classic 100: Piano (2025) (Nummer: 17) und Kinsky catalogue (Beethoven WoO works) (Nummer: WoO 59)
Ludwig van Beethoven3:19
13Piano Concerto No. 1: II. Romance: Larghetto (The Truman Show)
Klavier:
Martha Argerich (Argentine pianist)
Orchester:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
teilweise recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830-04 bis 1830-09)
Teil von:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11 (Klavierkonzert Nr. 1 e-Moll, op. 11)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830-04 bis 1830-09)
Teil von:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11 (Klavierkonzert Nr. 1 e-Moll, op. 11)
Frédéric Chopin3:51
14Clair de lune (Ocean's Eleven)
Produzent(in):
Tim Handley (engineer/editor/producer)
Klavier:
Kun Woo Paik (pianist) (in 1990-01)
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1990-01)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1990-01)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Teil von:
Classic 100: Piano (2004) (Nummer: 3)
Teil von:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:44
15Polonaise No. 6 (Shine)
Produzent(in):
Eric Macleod (producer)
Klavier:
Samson François (pianist) (von 1968-12-03 bis 1968-12-04, am 1968-12-06, am 1968-12-09, am 1968-12-11, am 1968-12-13, am 1969-01-27, am 1969-01-31)
Tonmeister(in):
Paul Vavasseur (engineer)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1968-12-03 bis 1968-12-04, am 1968-12-06, am 1968-12-09, am 1968-12-11, am 1968-12-13, am 1969-01-27, am 1969-01-31)
recording of:
Polonaise in A‐flat major, op. 53 “Heroique” (von 1968-12-03 bis 1969-01-31)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1842)
gewidmet:
Auguste Léo
Teil von:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (Nummer: 6), Classic 100: Piano (2004) (Nummer: 16) und Works of Fryderyk Chopin by opus number (Nummer: op. 53)
Frédéric Chopin7:09
5▼CD: Opera at the Cinema
Nr.TitelKünstlerBewertungLänge
1Norma - Casta Diva (The Bridges of Madison County)
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Editing:
Jennifer Howells
Chorgesang:
Coro del Teatro alla Scala di Milano (von 1960-09-05 bis 1960-09-12)
Soprangesang [Norma]:
Maria Callas (soprano) (von 1960-09-05 bis 1960-09-12)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1960-09-05 bis 1960-09-12)
conductor:
Tullio Serafin (conductor) (von 1960-09-05 bis 1960-09-12)
chorus master:
Norberto Mola (chorus master) (von 1960-09-05 bis 1960-09-12)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1960-09-05 bis 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (von 1960-09-05 bis 1960-09-12)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
Vincenzo Bellini5:35
2Rigoletto - La donna è mobile (Captain Correlli's Mandolin)
Tenor-Gesang [Duca]:
Alfredo Kraus (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Julius Rudel (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi2:15
3Così fan tutte - Soave sia il vento (Closer)
bass-baritone vocals [Don Alfonso]:
José van Dam (Belgian operatic bass-baritone)
Mezzosoprangesang [Dorabella]:
Agnes Baltsa (mezzo-soprano)
Soprangesang [Fiordiligi]:
Margaret Marshall (Scots soprano active in late 20th century)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:19
4Le nozze di Figaro - Non più andrai (Trading Places)
Baritongesang [Figaro]:
Claudio Desderi (baritone and conductor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:38
5Tosca - Vissi d'arte (Copycat)
Soprangesang:
Renata Scotto (operatic soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
James Levine (US conductor and pianist)
Giacomo Puccini3:44
6Così fan tutte - Un'aura amorosa (My Left Foot)
Produzent(in):
John Fraser (UK producer)
Tenor-Gesang [Ferrando]:
John Aler (tenor) (in 1986-02)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1986-02)
conductor:
Bernard Haitink (conductor) (in 1986-02)
Tonmeister(in):
Stuart Eltham (engineer) (in 1986-02)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1986-02)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1986-02)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:42
7Die Zauberflöte - Der Hölle Rache (Miss Congeniality)
Produzent(in):
Étienne Collard
Soprangesang [Pamina]:
Natalie Dessay (soprano) (von 2000-08-26 bis 2000-09-01)
Orchester:
Orchestra of the Age of Enlightenment (von 2000-08-26 bis 2000-09-01)
conductor:
Louis Langrée (conductor) (von 2000-08-26 bis 2000-09-01)
Tonmeister(in):
Arne Akselberg (von 2000-08-26 bis 2000-09-01)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 2000-08-26 bis 2000-09-01)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (von 2000-08-26 bis 2000-09-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:56
8Le nozze di Figaro - Canzonnetta sull'aria (The Shawshank Redemption)
Soprangesang:
Felicity Lott (soprano) und Gianna Rolandi (American soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:04
9Andrea Chénier - La mamma morta (Philadelphia)
Produzent(in):
Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
conductor:
Tullio Serafin (conductor) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (von 1954-09-17 bis 1954-09-18)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Andrea Chénier: Atto III
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (von 1954-09-20 bis 1954-09-21)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Andrea Chénier: Atto III
Umberto Giordano4:53
10Don Giovanni - Là ci darem la mano (Babette's Feast)
Produzent(in):
Walter Legge (British classical producer)
Baritongesang [Don Giovanni]:
Eberhard Wächter (baritone) (von 1959-10-07 bis 1959-11-24)
Soprangesang [Zerlina]:
Graziella Sciutti (soprano) (von 1959-10-07 bis 1959-11-24)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1959-10-07 bis 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (von 1959-10-07 bis 1959-11-24)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (von 1959-10-07 bis 1959-11-24)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1959-10-07 bis 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (von 1959-10-07 bis 1959-11-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:14
11Tosca - E lucevan le stelle (Heavenly Creatures)
Tenor-Gesang [Mario Cavaradossi]:
Carlo Bergonzi (tenor) (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
vocals:
Carlo Bergonzi (tenor)
Orchester:
Orchestre de la Société des Concerts du Conservatoire (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
conductor:
Georges Prêtre (French conductor) (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1964-12-03 bis 1964-12-04, von 1964-12-07 bis 1964-12-12, am 1964-12-14, am 1965-01-19)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (von 1964-12-03 bis 1964-12-04)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (von 1964-12-07 bis 1964-12-12)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (am 1964-12-14)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (am 1965-01-19)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:02
12Carmen - Habanera (Callas Forever)
Produzent(in):
Michel Glotz
Editing:
Jennifer Howells
Chorgesang:
Chœurs René Duclos (von 1964-07-06 bis 1964-07-20)
Mezzosoprangesang [Carmen]:
Maria Callas (soprano) (von 1964-07-06 bis 1964-07-20)
Soprangesang:
Maria Callas (soprano)
vocals:
Maria Callas (soprano)
Orchester:
Orchestre du Théâtre National de l’Opéra (von 1964-07-06 bis 1964-07-20)
conductor:
Georges Prêtre (French conductor) (von 1964-07-06 bis 1964-07-20)
Tonmeister(in):
Paul Vavasseur (engineer) (von 1964-07-06 bis 1964-07-20)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1964-07-06 bis 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (von 1964-07-06 bis 1964-07-20)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
basiert auf:
El arreglito
Teil von:
Carmen : Acte I
Georges Bizet4:18
13La Bohème - Che gelida manina (Moonstruck)
Tenor-Gesang [Rodolfo]:
Alfredo Kraus (tenor) (in 1979-08)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-08)
conductor:
James Levine (US conductor and pianist) (in 1979-08)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1979-08)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:58
14Rusalka - Song to the Moon (Driving Miss Daisy)
Soprangesang:
Lesley Garrett (soprano) und Lucia Popp (soprano)
Soprangesang [Rusalka]:
Lucia Popp (soprano)
Orchester:
Munich Radio Symphony Orchestra (The Munich Radio Orchestra) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Andrew Greenwood (conductor) und Stefan Soltész (conductor)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
Komponist(in):
Antonín Dvořák (composer) (von 1900-04-21 bis 1900-11-27)
Teil von:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák35:51
15La Wally - Ebben? ne andrò lontana (Diva)
Soprangesang:
Ghena Dimitrova (soprano) (in 1984)
Orchester:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1984)
conductor:
Lamberto Gardelli (conductor) (in 1984)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1984)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
Alfredo Catalani3:26
16Les Contes d'Offenbach - Barcarolle (Life is Beautiful)
Produzent(in):
David R. Murray
Chorgesang:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06)
Mezzosoprangesang [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
Soprangesang [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
Orchester:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
Tonmeister(in):
Michael Gray (UK classical recording engineer)
aufgenommen bei:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Region Brüssel-Hauptstadt), Belgien (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1988-06)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:20
17Turandot - Nessun dorma (The Witches of Eastwick)
Chorgesang:
Chœur de l'Opéra national du Rhin (Rhine Opera Chorus)
Tenor-Gesang [Calaf]:
José Carreras (Spanish tenor)
Orchester:
Orchestre philharmonique de Strasbourg (Philharmonieorchester Straßburg)
conductor:
Alain Lombard (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini4:09
6▼CD: Baroque Goes to the Cinema
Nr.TitelKünstlerBewertungLänge
1Solomon - The Arrival of the Queen of Sheba (Four Weddings and a Funeral)
Produzent(in):
John Fraser (UK producer)
Cembalo:
Ian Watson (conductor and keyboardist) (von 1983-06-27 bis 1983-06-28)
Orchester:
Academy of St Martin in the Fields (von 1983-06-27 bis 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (von 1983-06-27 bis 1983-06-28)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-06-27 bis 1983-06-28)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (von 1983-06-27 bis 1983-06-28)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft und Public Domain (refers to works that are in the public domain)
Teil von:
Solomon, HWV 67: Act III
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (catch all for arrangements)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
Georg Friedrich Händel42:46
2Fugue in D minor (The Aviator)
Orgel:
Wayne Marshall (British pianist, organist and conductor)
aufgenommen bei:
Coventry Cathedral in Coventry, West Midlands, England, Vereinigtes Königreich
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach6:20
3Zadok the Priest (The Madness of King George)
Chorgesang:
Royal Choral Society (The Royal Choral Society)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1727)
Premiere bei:
Westminster Abbey in London (Greater London), England, Vereinigtes Königreich (am 1727-10-11)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 258)
Teil von:
The Four Coronation Anthems
Georg Friedrich Händel6:00
4Concerto for two violins in D minor (Children of a Lesser God)
Geige / Violine:
Christian Ferras (violinist) und Yehudi Menuhin (violinist)
Orchester:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
teilweise recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach2:33
5Viola da Gamba Sonata in G minor (Truly, Madly, Deeply)
Cembalo:
Ton Koopman (conductor, organist and harpsichordist)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
Bearbeitung von:
Viola da Gamba Sonata no. 3 in G minor, BWV 1029: II. Adagio von Jordi Savall (viol player, conductor and composer), Ton Koopman (conductor, organist and harpsichordist)
teilweise recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach2:30
6Adagio in G minor (Gallipoli)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
teilweise recording of:
Adagio for Strings and Organ in G minor
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni5:48
7Mandolin Concerto in C (Kramer vs. Kramer)
Mandoline:
Duilio Galfetti
Orchester:
Il Giardino Armonico (Italian baroque ensemble)
conductor:
Giovanni Antonini (conductor and flautist)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro (Mandolinenkonzert C-Dur, RV 425: I. Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Mandolin in C major, RV 425 (Mandolinenkonzert C-Dur, RV 425)
Antonio Vivaldi2:44
8Goldberg Variations (Silence of the Lambs)
leitende(r) Produzent(in):
Alain Lanceron
Klavier:
Nicholas Angelich (pianist) (von 2011-02-23 bis 2011-02-26)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011) und Virgin Classics (absorbed into Erato since 2013-07-19) (in 2011)
aufgenommen bei:
Curtis Auditorium (CIT Cork School of Music) (von 2011-02-23 bis 2011-02-26)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (von 2011-02-23 bis 2011-02-26)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach5:19
9Concerto Grosso No. 12: III. Larghetto (Pirates of the Carribean: The Curse of the Black Pearl)
Orchester:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
Georg Friedrich Händel4:12
10Air 'on the G string' (Runaway Bride)
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:29
11Canon in D (Ordinary People)
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel4:56
12The Four Seasons - Winter: II. Largo (The Other Sister)
Cembalo:
Paul Crocker (harpsichord) (in 1979-12)
Geige / Violine:
Yehudi Menuhin (violinist) (in 1979-12)
Orchester:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1979-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1979-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:08
13Jesu, Joy of Man's Desiring (Meet the Parents)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
King’s College Choir, Cambridge
Orchester:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) und Sir David Willcocks (UK composer, organist, choral conductor)
Tonmeister(in):
Neville Boyling (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich
recording of:
Jesu, Joy of Man’s Desiring
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:27
14Sarabande (Barry Lyndon)
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist)
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
Komponist(in):
George Frideric Handel (German‐British baroque composer)
basiert auf:
Folia
Teil von:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
Georg Friedrich Händel2:57
15Keyboard Concerto No. 5: II. Largo (Lara Croft: Tomb Raider)
Produzent(in):
John Fraser (UK producer)
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist) (in 1986-04)
Orchester:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
Tonmeister(in):
Mark Vigars (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:24
16Rinaldo - Lascia ch'io pianga
Soprangesang [Almirena]:
Jane Gilchrist
Orchester:
Slovak Radio Orchestra (Slowakisches Radio Symphonie Orchester Bratislava)
conductor:
Kirk Trevor (cellist/conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1711)
Librettist:
Giacomo Rossi
Teil von:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel4:20
17Brandenburg Concerto No. 3: I. Allegro (Hannibal)
Orchester:
Concentus Musicus Wien (in 1981-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1981-12)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (in 1981-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:18
18Messiah - Hallelujah Chorus (Bridget Jones's Diary)
Chorgesang:
Choir of King’s College, Cambridge
Orchester:
Academy of St Martin in the Fields
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:23

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Teil von:100 Best (EMI Classics) (Reihenfolge: 5)
Discogs:https://www.discogs.com/master/1225566 [Info]