Steve Wright's All New Sunday Love Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1You're BeautifulJames Blunt4.153:35
2Don't Let the Sun Go Down on Me
tecnico:
Clive Franks
produttore:
Gus Dudgeon
batteria :
Nigel Olsson
campana e tamburello :
Ray Cooper (percussionist)
chitarra acustica e chitarra elettrica :
Davey Johnstone
chitarra basso :
Dee Murray
organo , pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
voce di accompagnamento:
Billy Hinsche, Bruce Johnston (US singer‐songwriter, member of The Beach Boys), Toni Tennille e Carl Wilson (Beach Boys)
arrangiatore corno :
Del Newman (British conductor, orchestrator, arranger)
arrangiatore voci:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys)
registrata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti
registrazione di:
Don’t Let the Sun Go Down on Me
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Big Pig Music Ltd. (publisher) (nel 1991)
Elton John3.555:37
3Mary
tecnico di registrazione:
Babydaddy
produttore:
Scissor Sisters
tecnico di missaggio:
Neil Harris e Scissor Sisters
pianoforte e tastiera [keys] aggiunto:
Paul Leschen
sassofono :
Crispin Cioe
registrata presso:
5d Studios in Brooklyn, New York, New York, Stati Uniti
registrazione di:
Mary
paroliere e compositore:
Babydaddy e Jake Shears
Scissor Sisters2.354:41
4The Day Before You Came
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music International AB (nel 1982)
registrazione di:
The Day Before You Came (nel 1982)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Union Songs AB (publisher), Universal (Sweden), EMI Waterford Music (nel 1982), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1982) e Universal/Union Songs Musikförlag AB (nel 1982)
ABBA3.55:51
5Love Is Blue
Paul Mauriat2:34
6Halfway to Paradise
registrazione cover di:
Halfway to Paradise
autore:
Gerry Goffin e Carole King
Billy Fury2:26
7Wishin' and Hopin'
produttore:
John Franz
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1964) e Mercury Records Ltd. (not for release label use!) (nel 1964)
registrazione cover di:
Wishin’ and Hopin’
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Casa David Music, New Hidden Valley Music Co. e Warner/Chappell (Warner/Chappell Music, Inc.)
Dusty Springfield4.52:54
8The One I Love
registrazione di:
The One I Love
autore:
David Gray (British singer/songwriter) e McClune
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) e Kobalt Music Publishing Ltd. (UK)
David Gray3:28
9Stuck on You
produttore:
James Anthony Carmichael e Lionel Richie
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
Stuck on You
paroliere e compositore:
Lionel Richie
editore:
Brockman Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lionel Richie43:11
10Reach Out I'll Be There
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (nel 1966)
voce di accompagnamento:
The Andantes (nel 1966), Marlene Barrow (nel 1966), Renaldo Benson (nel 1966), Louvain Demps (nel 1966), Abdul “Duke” Fakir (nel 1966), Jackie Hicks (nel 1966) e Lawrence Payton (nel 1966)
voce principale:
Levi Stubbs (nel 1966)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 78) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 206)
registrazione di:
Reach Out, I’ll Be There (nel 1966)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops42:59
11Suddenly
produttore:
Keith Diamond
tecnico di missaggio:
Keith Diamond e Bryan “Chuck” New (Engineer/ Producer)
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1984) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
registrazione di:
Suddenly
autore:
Keith Diamond e Billy Ocean
editore:
Musicpiece Publ., Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean43:49
12Shake You Down
registrazione di:
Shake You Down
paroliere e compositore:
Gregory Abbott
editore:
EMI Songs Ltd. e Grabbitt Music (publisher)
Gregory Abbott3:59
13Never Never Gonna Give You Up
produttore:
Barry White
arrangiatore:
Gene Page e Barry White
registrazione di:
Never, Never Gonna Give Ya Up
paroliere e compositore:
Barry White
Barry White57:57
14If You're Lookin' for a Way OutOdyssey34:29
15Keep on Loving You
assistente tecnico:
Tom Cummings (engineer) e Jeff Eccles
tecnico:
Kevin Beamish
co-produttore:
Alan Gratzer
produttore:
Kevin Beamish, Kevin Cronin e Gary Richrath
basso :
Bruce Hall (US bassist for REO Speedwagon)
batteria :
Alan Gratzer
chitarra :
Gary Richrath
chitarra acustica :
Kevin Cronin
organo Hammond :
Neal Doughty
voce di accompagnamento:
Kevin Cronin, Tom Kelly (songwriter) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arrangiatore:
Kevin Cronin
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980, nel 1981) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 67)
registrazione di:
Keep On Loving You (il 1980-09-03)
paroliere e compositore:
Kevin Cronin
editore:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Taiyō Music
REO Speedwagon3.73:21
16You Are My LadyFreddie Jackson54:39
17Every Day Hurts
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1979) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1979)
registrazione di:
Every Day Hurts
autore:
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter), John Stimpson e Paul Young (Sad Café, Mike + The Mechanics)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e St. Anne’s Music Ltd.
Sad Café44:02
18If You Don't Know Me by Now
assistente tecnico:
Clark Germain e Karl Lever
tecnico e tecnico di missaggio:
Daren Klein
produttore:
Stewart Levine (record producer and saxophonist)
produttore aggiunto:
Mick Hucknall (lead singer of Simply Red)
basso :
Tony Bowers
batteria :
Chris Joyce (drummer for Simply Red)
chitarra :
Heitor T. P.
percussione :
Lennie Castro
sassofono :
Ian Kirkham
tastiera :
Tim Kellett e Fritz McIntyre
tromba :
Tim Kellett
voce di accompagnamento:
Fritz McIntyre e Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
voce principale:
Mick Hucknall (lead singer of Simply Red)
esecutore:
Simply Red (English soul and pop band)
diritti fonografici (℗) detenuti da:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (nel 1989), Warner Music UK Ltd. (not for release label use!) (nel 1989) e WEA Records Ltd. (holding company based in the UK) (nel 1989)
è stato produttore per:
Oliverea Productions Ltd
registrazione cover di:
If You Don’t Know Me by Now
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:25
19Everlasting LoveJamie Cullum3:21
20My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.853:38
2CD
#TitoloArtistaValutazioneDurata
1God Only Knows
tecnico:
Chuck Britz (il 1966-03-10) e Ralph Valentin (dal 1966-03 al 1966-04)
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico :
Ray Pohlman (il 1966-03-10)
batteria e campana :
Hal Blaine (U.S. studio drummer and percussionist) (il 1966-03-10)
chitarra :
Carol Kaye (il 1966-03-10)
clarinetto :
Leonard Hartman (il 1966-03-10) e Jay Migliori (il 1966-03-10)
clarinetto basso :
Leonard Hartman (il 1966-03-10)
clavicembalo :
Larry Knechtel (il 1966-03-10)
contrabbasso :
Lyle Ritz (il 1966-03-10)
corno francese :
Alan Robinson (il 1966-03-10)
fisarmonica :
Carl Fortina (il 1966-03-10) e Frank Marocco (il 1966-03-10)
flauto :
Bill Green (woodwind) (il 1966-03-10) e Jim Horn (saxophonist, hornist, flutist and oboist) (il 1966-03-10)
percussione :
Jim Gordon (US drummer with Derek and the Dominos) (il 1966-03-10)
pianoforte tack :
Don Randi (il 1966-03-10)
tamburello :
Terry Melcher (il 1966-03-10)
viola :
Darrel Terwilliger (il 1966-03-10)
violino :
Leonard Malarsky (il 1966-03-10) e Sid Sharp (il 1966-03-10)
violoncello :
Jesse Erlich (il 1966-03-10)
voce:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (dal 1966-03 al 1966-04) e Brian Wilson (Beach Boys co‐founder) (dal 1966-03 al 1966-04)
voce principale:
Carl Wilson (Beach Boys) (dal 1966-03 al 1966-04)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1966-03-10) e Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-03 al 1966-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 11), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 130)
registrazione di:
God Only Knows (dal 1966-03 al 1966-04)
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
The Beach Boys4.152:51
2Romeo and Juliet
assistente tecnico:
Jeff Hendrickson (sound engineer) e Jon Mathias (engineer)
tecnico:
Shelly Yakus
produttore:
Jimmy Iovine e Mark Knopfler
batteria :
Pick Withers
chitarra e voce principale:
Mark Knopfler
chitarra basso :
John Illsley
tastiera :
Roy Bittan
voce di accompagnamento:
John Illsley e Pick Withers
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1980, nel 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1988, nel 2022), Mercury Records Ltd. (London) (for copyrights use only) (nel 1996) e Warner Music Group – X5 Music Group (nel 2019)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1980-06-20 al 1980-08-25)
video musicali:
Romeo and Juliet di Dire Straits
registrazione di:
Romeo and Juliet
paroliere e compositore:
Mark Knopfler
editore:
Rondor Music (London) Ltd. e Straitjacket Songs Ltd. (nel 1980)
Dire Straits3.755:59
39 Million Bicycles
tecnico:
Steve Sale
produttore:
Mike Batt
basso :
Tim Harries
batteria [drums] :
Henry Spinetti
chitarra :
Jim Cregan (producer & member of Family), Katie Melua e Chris Spedding
flauto :
Adrian Brett
pianoforte :
Mike Batt
strumenti:
The Irish Film Orchestra
tromba :
Dominic Glover (composer, writer, trumpet, flugelhorn and brass)
violino :
Mike Darcy
voce:
Katie Melua
direttore d'orchestra:
Mike Batt
arrangiatore:
Mike Batt
diritti fonografici (℗) detenuti da:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (nel 2015)
registrazione di:
Nine Million Bicycles
paroliere e compositore:
Mike Batt
editore:
Dramatico
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Katie Melua3.23:15
4My Cherie Amour
produttore:
Henry Cosby
voce principale:
Stevie Wonder (dal 1967 al 1968)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1967 al 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 399)
registrazione di:
My Cherie Amour (dal 1967 al 1968)
autore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.352:53
5Bad Day
tecnico di registrazione:
David Boucher e Jeff Dawson
programmazione:
Jeff Dawson
produttore:
Jeff Dawson e Mitchell Froom
tecnico di missaggio:
David Boucher
basso :
Davey Faragher e Darren Parris
batteria [drums] :
Matt Chamberlain (American drummer), Brendan Ostrander e Pete Thomas (drummer)
chitarra [guitars] :
Jeff Dawson e Val McCallum (guitarist & singer-songwriter)
tastiera [keyboards] :
Daniel Powter (Canadian singer-songwriter and pianist)
tastiera [keyboards] aggiunto:
Mitchell Froom
voce:
Daniel Powter (Canadian singer-songwriter and pianist)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2005) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2005)
registrata presso:
Area A. in Los Angeles, California, Stati Uniti e Mushroom Studios in Vancouver, British Columbia (Columbia Britannica), Canada
mixata presso:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Bad Day
paroliere e compositore:
Daniel Powter (Canadian singer-songwriter and pianist)
editore:
Song 6 Music
Daniel Powter3.33:56
6She Will Be Loved
programmazione:
Sam Farrar
assistente tecnico:
Posie Muliadi e Danny Wright (US engineer)
tecnico:
Mike Landolt
produttore e tecnico di missaggio:
Matt Wallace (US producer & engineer)
registrazione di:
She Will Be Loved
paroliere e compositore:
Adam Levine (Maroon 5’s lead vocalist) e James Valentine (Maroon 5)
editore:
February Twenty Second Music Inc., Universal Music Careers, Universal Music–MGB Songs e Valentine, Valentine
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Maroon 53.554:18
7Nobody Does It Better
registrazione di:
Nobody Does It Better (from “The Spy Who Loved Me”)
paroliere:
Carole Bayer Sager
compositore:
Marvin Hamlisch
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., EMI United Partnership Ltd. e United Artists Music Ltd.
parte di:
The 50th Academy Award for Best Original Song (numero: 2) e James Bond themes
parte di:
The Spy Who Loved Me
Carly Simon3:39
8Can't Take My Eyes Off You
voce:
Andy Williams (US pop/jazz vocalist)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Andy Williams43:11
9Waiting for a Star to Fall
registrazione di:
Waiting for a Star to Fall
autore:
George Merrill e Shannon Rubicam
editore:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (dal 1987 a oggi) e Irving Music (BMI) (dal 1987 a oggi)
Boy Meets Girl4:23
10She Believes (in Me)
registrazione cover di:
She Believes in Me
paroliere e compositore:
Steve Gibb (Stephen Mathias Gibb, singer-songwriter)
editore:
Angel Wing Music e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
registrazione di:
She Believes in Me
paroliere e compositore:
Steve Gibb (Stephen Mathias Gibb, singer-songwriter)
editore:
Angel Wing Music e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Ronan Keating24:07
11Lady
voce principale:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
diritti fonografici (℗) detenuti da:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1980) e Liberty Records, Inc. (nel 1980)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 67)
registrazione di:
Lady (nel 1980)
paroliere e compositore:
Lionel Richie, Jr.
editore:
Brockman Music
Kenny Rogers3.43:54
12Breathe In
produttore:
Mike Peden (member of The Chimes)
registrazione di:
Breathe In
autore:
Graham Kearns, Mike Peden (member of The Chimes), Lucie Silverman e Judie Tzuke
Lucie Silvas33:50
13Could It Be I'm Falling in Love
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 221)
registrazione di:
Could It Be I’m Falling in Love (nel 1973)
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:15
14More Than a WomenTavares4.53:17
15Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.553:49
16Waiting for a Girl Like You
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981) e Warner Music International (trademark of Warner Music International the company) (nel 1981)
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3.54:43
17Walk on By
voce:
Dionne Warwick
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 129)
registrazione di:
Walk On By
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:53
18Bye Bye Love
registrata a:
Nashville, Tennessee, Stati Uniti (il 1957-03-01)
basso :
Floyd D. 'Lightnin'' Chance (il 1957-03-01)
batteria :
Murrey Harman (Session drummer and songwriter) (il 1957-03-01)
chitarra :
Don Everly (il 1957-03-01), Phil Everly (il 1957-03-01) e Hank Garland (il 1957-03-01)
chitarra elettrica :
Chet Atkins (il 1957-03-01)
pianoforte :
Floyd Cramer (il 1957-03-01)
voce:
Don Everly (il 1957-03-01) e Phil Everly (il 1957-03-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 33) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 207)
registrazione di:
Bye Bye Love (il 1957-03-01)
autore:
Boudleaux Bryant e Felice Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers4.352:24
19Love Is All Around
diritti fonografici (℗) detenuti da:
Mercury Ltd (London) (for copyrights use only) (nel 1967)
registrazione di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Troggs4.53:00
20Nights in White Satin
produttore:
Tony Clark (engineer, Abbey Road)
produttore esecutivo:
Hugh Mendl
diritti fonografici (℗) detenuti da:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (nel 1967)
registrazione di:
Nights in White Satin (nel 1967)
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4.554:25

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Pubblicazione

ASIN:UK: B000BIOGWO [info]

Gruppo di pubblicazioni

parte di:Steve Wright's Sunday Love Songs (ordine: 5)