Classical Themes and Dreams

~ Parution par Various Artists (afficher toutes les versions de cette parution, 1 proposée)

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1▼CD
noTitreArtisteÉvaluationDurée
1Brandenburg Concerto no. 1, BWV 1046: II. Adagio
violon :
Otto Büchner (violinist) et J. Brezina (violinist)
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) et Gabor Ötvös
recording of :
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:12
2Symphony no. 5 in C minor, op. 67: II. Andante con moto
orchestre :
Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) et Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra)
conductor :
Anton Nanut (conductor) et Anton Nanut (Alfred Scholz pseudonym)
recording of :
Symphony no. 5 in C minor, op. 67: II. Andante con moto
compositeur :
Ludwig van Beethoven (German composer) (du 1804 au 1808)
partie de :
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven411:03
3Impromptu in G-flat major, op. 90 no. 3
piano :
Silvia Čápová (pianist) et Hélène Gàl (pianist, an Alfred Scholz pseudonym)
recording of :
Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante
compositeur :
Franz Schubert (composer) (le 1827)
partie de :
Classic 100: Piano (2004) (numéro : 6)
partie de :
4 Impromptus, op. 90, D. 899
Franz Schubert6:39
4Prélude à l’après-midi d’un faune
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), Philharmonisches Festspielorchester (an Alfred Scholz pseudonym), Süddeutsche Philharmonie (an Alfred Scholz pseudonym) et Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor :
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) et Alfred Scholz
recording of :
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
compositeur :
Claude Debussy (French composer) (du 1891 au 1894-09)
dédié à :
Raymond Bonheur (composer, 1861-1939)
première à :
[concert] (1894-12-22)
éditeur :
Eugène Fromont (le 1895-10)
partie de :
Classic 100: Music of France (2012) (numéro : 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (numéro : L. 86) et Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (numéro : CD 87)
Claude Debussy10:13
5Piano Concerto no. 1 in E-flat major: I. Allegro maestoso
piano :
Josef Bulva (pianist) (le 1986-03)
orchestre :
RTL–Symphonieorchester Luxemburg (Orchestre philharmonique du Luxembourg, Luxembourg Philharmonic Orchestra) (le 1986-03)
conductor :
Daniel Nazareth (conductor and composer) (le 1986-03)
recording of :
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso (le 1986-03)
compositeur :
Franz Liszt (Hungarian composer, pianist and conductor) (du 1830 au 1856)
partie de :
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
Franz Liszt5:27
6Serenade for String Orchestra in E major, op. 22: I. Moderato
orchestre :
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor :
Martin Sieghart (Austrian conductor and cellist)
recording of :
Serenade for Strings in E major, op. 22, B. 52: I. Moderato
compositeur :
Antonín Dvořák (composer) (du 1875-05-03 au 1875-05-14)
révisé par :
Antonín Dvořák (composer) (le 1878)
partie de :
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák4:31
7Serenade for String Orchestra in E major, op. 22: II. Tempo di Valse
orchestre :
Hungarian State Orchestra (probably fictitious, or Alfred Scholz related), Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) et Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor :
Milan Horvat (Croatian conductor, 1919-2014), Reinhardt Lutz et Martin Sieghart (Austrian conductor and cellist)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1993)
recording of :
Serenade for Strings in E major, op. 22, B. 52: II. Tempo di valse
compositeur :
Antonín Dvořák (composer) (du 1875-05-03 au 1875-05-14)
révisé par :
Antonín Dvořák (composer) (le 1878)
partie de :
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák6:45
8Brandenburg Concerto no. 2, BWV 1047: Adagio
violon :
J. Brezina (violinist)
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) et Gabor Ötvös
recording of :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
compositeur :
Johann Sebastian Bach (Jean-Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:28
9Symphony no. 1 in C major: II. Adagio
orchestre :
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), London Philharmonic Orchestra (Orchestre philharmonique de Londres, LPO; The Philharmonic Promenade Orchestra) et Philharmonisches Festspielorchester (an Alfred Scholz pseudonym)
conductor :
Louis Ablazzo, Alfred Scholz et Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of :
Symphonie no. 1 en ut majeur : II. Andante (Adagio) (Symphony No. 1 in C major: II. Adagio)
compositeur :
Georges Bizet (French composer) (du 1855-10 au 1855-11)
partie de :
Symphonie no. 1 en ut majeur
Georges Bizet9:56
10Sinfonia from "The Messiah I"
orchestre :
Stuttgart Radio Symphony (Stuttgart Radio Symphony Orchestra)
conductor :
Garcia Navarro (conductor)
recording of :
Messiah, HWV 56: Part I, no. 1. Symphony
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
partie de :
Messiah, HWV 56: Part I
Georg Friedrich Händel3:15