Mass in B minor

~ Release by Johann Sebastian Bach; Arleen Auger, Ann Murray, Marjana Lipovsek, Anton Scharinger, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Peter Schreier (see all versions of this release, 2 available)

Tracklist

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1Mass in B minor, BWV 232: Kyrie: I. Kyrie eleison
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach9:04
2Mass in B minor, BWV 232: Kyrie: II. Christe eleison
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:17
3Mass in B minor, BWV 232: Kyrie: III. Kyrie eleison
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:14
4Mass in B minor, BWV 232: Gloria: IV. Gloria in excelsis Deo
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:37
5Mass in B minor, BWV 232: Gloria: V. Et in terra pax
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:30
6Mass in B minor, BWV 232: Gloria: VI. Laudamus te
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:47
7Mass in B minor, BWV 232: Gloria: VII. Gratias agimus tibi
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:41
8Mass in B minor, BWV 232: Gloria: VIII. Domine Deus
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1991-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:55
9Mass in B minor, BWV 232: Gloria: IX. Qui tollis peccata mundi
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:20
10Mass in B minor, BWV 232: Gloria: X. Qui sedes ad dexteram Patris
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:58
11Mass in B minor, BWV 232: Gloria: XI. Quoniam tu solus sanctus
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:06
12Mass in B minor, BWV 232: Gloria: XII. Cum Sancto Spiritu
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:58
13Mass in B minor, BWV 232: Credo: XIII. Credo in unum Deum
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:47
14Mass in B minor, BWV 232: Credo: XIV. Patrem omnipotentem
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:50
15Mass in B minor, BWV 232: Credo: XV. Et in unum Dominum
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:38
16Mass in B minor, BWV 232: Credo: XVI. Et incarnatus est
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:59
17Mass in B minor, BWV 232: Credo: XVII. Crucifixus
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:52
18Mass in B minor, BWV 232: Credo: XVIII. Et resurrexit
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:09
19Mass in B minor, BWV 232: Credo: XIX. Et in Spiritum Sanctum
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:19
20Mass in B minor, BWV 232: Credo: XX. Confiteor unum baptisma
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:36
21Mass in B minor, BWV 232: Credo: XXI. Et expecto resurrectionem
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:57
22Mass in B minor, BWV 232: Sanctus: XXII. Sanctus
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:45
23Mass in B minor, BWV 232: Sanctus: XXIII. Osanna in excelsis
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:45
24Mass in B minor, BWV 232: Sanctus: XXIV. Benedictus
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:06
25Mass in B minor, BWV 232: Sanctus: XXV. Osanna in excelsis
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:45
26Mass in B minor, BWV 232: Agnus Dei: XXVI. Agnus Dei
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:10
27Mass in B minor, BWV 232: Agnus Dei: XXVII. Dona nobis pacem
bass-baritone vocals:
Anton Scharinger (bass-baritone)
choir vocals:
Rundfunkchor Leipzig
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano) and Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1991-01)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:53