Ultimate Sixties: The Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Last Train to Clarksville
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
acoustic guitar:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-07-25)
bass:
Larry Taylor (US bassist) (on 1966-07-25)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-25)
electric guitar:
Wayne Erwin (on 1966-07-25), Gerry McGee (on 1966-07-25) and Louie Shelton (on 1966-07-25)
percussion:
Gene Estes (on 1966-07-25) and David Walters (session musician for The Monkees) (on 1966-07-25)
tambourine:
Gene Estes (on 1966-07-25)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1966-07-25)
lead vocals:
Micky Dolenz (on 1966-07-25)
recorded at:
RCA Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-25)
recording of:
Last Train to Clarksville (on 1966-07-25)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.62:46
2What Do You Want
producer:
John Barry (English score composer) and John Burgess (British record producer)
vocals:
Adam Faith (on 1959-09-25)
conductor and performer:
John Barry (English score composer) (on 1959-09-25)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1959-09-25)
recording of:
What Do You Want? (on 1959-09-25)
lyricist and composer:
Les Vandyke
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:37
3Downtown
vocals:
Petula Clark (English singer & actress) (in 1964)
arranger:
Tony Hatch
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1964)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 227)
recording of:
Downtown (in 1964)
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:05
4We’ve Gotta Get Out of This Place
recording of:
We Gotta Get Out of This Place
writer:
Barry Mann and Cynthia Weil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Francis, Day & Hunter (publisher) (in 1979) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Animals3:13
5A House Is Not a Motel
engineer:
Bruce Botnick
producer:
Bruce Botnick and Arthur Lee
bass guitar:
Ken Forssi
drums (drum set):
Michael Stuart-Ware (US drummer for Love)
lead vocals:
Arthur Lee
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1967-08-11, on 1967-09-10)
recording of:
A House Is Not a Motel (from 1967-08-11 until 1967-09-10)
lyricist and composer:
Arthur Lee
Love4.353:28
6He Ain’t Heavy, He’s My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
live cover recording of:
He Ain’t Heavy, He’s My Brother
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
recording of:
He Ain’t Heavy, He’s My Brother
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:16
7Bad to Me
recording of:
Bad to Me
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
Billy J. Kramer2:20
8La Mer (Beyond the Sea)
Bobby Darin2:49
9Colours
recording of:
Colours
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. and Songs of Peer, Ltd. (ASCAP)
Donovan2:45
10I Can’t Let Maggie Go
producer:
P. Blumsom
bass guitar:
Ray Cane
drums (drum set):
Peter Kircher (English rock/pop drummer)
guitar:
Colin Hare
lead vocals:
Pete Dello
recording of:
I Can’t Let Maggie Go
lyricist and composer:
Pete Dello
publisher:
Ambassador Music Ltd.
Honeybus2:56
11A Picture of You
Joe Brown & the Bruvvers2:20
12One Way Love
cover recording of:
One Way Love
writer:
Bert Russell Berns and Norman Meade
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Robert Mellin Ltd.
Cliff Bennett & the Rebel Rousers2:20
13Release Me
cover recording of:
Release Me
additional writer:
W.S. Stevenson
writer:
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) and Robert Yount (songwriter)
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing and Sony/ATV Music Publishing Ltd.
Esther Phillips3:18
14My Love and Devotion
recording of:
My Love and Devotion (by “Milton Carson”)
writer:
Howard Barnes, Harold Fields and Joe Roncoroni (songwriter, aka Dominic John)
Matt Monro3:00
15What a Man
cover recording of:
What a Man
lyricist and composer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Laura Lee2:55
16I Can’t See You
recording of:
I Can’t See You
writer:
Larry Beckett and Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
Tim Buckley2:40
17Lovin’ Things
Marmalade3:04
18Take a Heart
recording of:
Take a Heart
writer:
Miki Dallon
The Sorrows3:14
1959th Street Bridge Song (Feelin’ Groovy)
producer:
Lenny Waronker
cover recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:37
20Apache
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Apache
composer:
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
The Shadows4.652:53
2▼CD
#TitleArtistRatingLength
1Think
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass guitar:
Jerry Jemmott (on 1968-04-15)
drums (drum set):
Roger Hawkins (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-15)
organ:
Spooner Oldham (on 1968-04-15)
piano and lead vocals:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 10)
recording of:
Think (on 1968-04-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Aretha Franklin3.652:18
2Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s4.152:54
3Everybody Needs Somebody to Love
recording of:
Everybody Needs Somebody to Love
writer:
Bert Russell Berns, Solomon Burke and Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC and Musical Lights Tokyo
Solomon Burke2:44
4Liquidator
recording of:
Liquidator (Ain't No-One Greater)
composer:
Harry Johnson
publisher:
Cari-Blue Music
Harry J. All Stars3:07
5In‐a‐Gadda‐da‐Vida
phonographic copyright (℗) by:
ATCO Records (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
In‐A‐Gadda‐Da‐Vida
lyricist and composer:
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly42:54
61969
recording of:
1969
writer:
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton and Iggy Pop
The Stooges4:04
7I Had Too Much to Dream (Last Night)
producer:
Dave Hassinger
recording of:
I Had Too Much to Dream (Last Night)
writer:
Nancie Mantz and Annette Tucker
The Electric Prunes42:58
8The Tide Is High
producer:
Duke Reid (Jamaican producer and label owner)
background vocals:
Howard Barrett and Tyrone Evans
vocals:
John Holt
performer:
Tommy McCook & The Supersonics and The Paragons (Jamaican rocksteady band)
recording of:
The Tide Is High
additional writer:
Howard Barrett and Tyrone Evans
writer:
John Holt
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
The Paragons52:41
9Train to Skaville
recording of:
Train to Skaville
lyricist and composer:
Clement “Coxsone” Dodd
The Ethiopians52:51
10Everlasting Love
Love Affair3:02
11Do You Want to Know a Secret?
cover recording of:
Do You Want to Know a Secret
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Unart Catalog Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Metric Music Co (publisher), Northern Songs Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
Billy J. Kramer and The Dakotas32:03
12Lovers of the World Unite
recording of:
Lovers of the World Unite (on 1966-05-25)
writer:
Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
David & Jonathan32:34
13Let’s Go to San Francisco
recording of:
Let’s Go to San Francisco (in 1967)
writer:
John Carter (songwriter & producer, b. 1942) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flower Pot Men53:37
14Make Me an Island
recording of:
Make Me an Island
writer:
Albert Hammond and Mike Hazlewood
Joe Dolan2:59
15Don’t Sleep in the Subway
recording of:
Don’t Sleep in the Subway
lyricist:
Jackie Trent (English singer‐songwriter and actress)
composer:
Tony Hatch
publisher:
ATV Music, Duchess Music Corporation (BMI-affiliated) and Welbeck Music Ltd.
Petula Clark2:54
16Saved
recording of:
Saved
writer:
Jerry Leiber and Mike Stoller
publisher:
Hill and Range Songs, Inc. (publisher) and Sony/ATV Songs LLC
LaVern Baker3:02
17Just One Look
recorded in:
New York, New York, United States (on 1963-03-05)
producer:
Artie Ripp
bass:
Barney Richmond (on 1963-03-05)
drums (drum set):
Bruno Carr (on 1963-03-05)
guitar:
Napoleon "Snags" Allen (on 1963-03-05)
piano:
Horace Ott (on 1963-03-05)
background vocals [harmony vocals] and lead vocals:
Doris Troy (on 1963-03-05)
vocals:
Doris Troy (on 1963-03-05)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 7) and Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 29)
recording of:
Just One Look (on 1963-03-05)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:29
18Windy
producer:
Bones Howe
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 310)
recording of:
Windy
lyricist and composer:
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:55
19Jennifer Eccles
The Hollies2:54
20That’s What Love Will Do
Joe Brown & the Bruvvers2:23
3▼CD
#TitleArtistRatingLength
1I Got You Babe
vocals:
Sonny Bono (in 1965) and Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 331) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 444)
recording of:
I Got You Babe (in 1965)
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:12
2Sweets for My Sweet
recording of:
Sweets for My Sweet
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Pomus Songs Inc. and Trio Music Company
The Searchers2:27
3Crimson and Clover
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Crimson and Clover
writer:
Tommy James (American musician, singer, songwriter and record producer) and Pete Lucia Jr.
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) and Big Seven Music Corp. (in 1987)
Tommy James & the Shondells3:28
4Bye Bye Baby (Baby Goodbye)
recording of:
Bye, Bye, Baby (Baby Goodbye)
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. and Seasons’ Four Music Inc.
Frankie Valli & The Four Seasons2:32
5The Loco‐Motion
Little Eva2:17
6Sweet Soul Music
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 351)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) and Otis Redding
publisher:
ABKCO Music and Rondor
is based on:
Yeah Man
Arthur Conley42:22
7Knock on Wood
recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptation of:
Potkraj na les
Eddie Floyd3:04
8(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
composer:
Steve Cropper and Otis Redding
arranger:
Oliver Lake
arrangement of:
(Sittin’ on) the Dock of the Bay
Otis Redding4.452:45
9Take a Letter Maria
recording of:
Take a Letter Maria
lyricist and composer:
R.B. Greaves
publisher:
PolyGram Music Publishing
R.B. Greaves2:42
10Where Are You Now (My Love)
recording of:
Where Are You Now (My Love)
composer:
Tony Hatch and Jackie Trent (English singer‐songwriter and actress)
Jackie Trent2:46
11Warpaint
recording of:
War Paint
writer:
Howard Greenfield and Barry Mann
The Brook Brothers41:58
12Ain’t Gonna Wash for a Week
The Brook Brothers2:00
13Lucille
cover recording of:
Lucille (on 1960-07-08)
writer:
Albert Collins (US blues guitarist/vocalist/harmonica), Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) and Richard Wayne Penniman
publisher:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) and Venice Music
The Everly Brothers2:31
14Good Morning Freedom
recording of:
Good Morning Freedom
lyricist:
Mike Hazlewood
composer:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway and Albert Hammond
publisher:
PolyGram Music Publishing
Blue Mink2:50
15Silver Machine
producer:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) and Hawkwind
additional bass guitar and additional guitar:
Guy Pratt (on 1972-02-13)
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (on 1972-02-13)
drums (drum set):
Simon King (drummer) (on 1972-02-13)
flute and saxophone:
Nik Turner (on 1972-02-13)
guitar:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13)
synthesizer:
Dik Mik Davies (on 1972-02-13) and Del Dettmar (on 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13), Robert Calvert (on 1972-02-13) and Nik Turner (on 1972-02-13)
remixer:
The Scourge of the Earth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
edit of:
Silver Machine (12″ mix) by Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (on 1972-02-13)
lyricist:
Robert Calvert
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd. and United Partnership Ltd.
recording of:
Silver Machine
lyricist:
Robert Calvert
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd. and United Partnership Ltd.
Hawkwind3.654:39
16Both Sides Now
recording of:
Both Sides Now
lyricist and composer:
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins3:14
17A Day Without Love
recording of:
A Day Without Love
lyricist and composer:
Phillip Goodhand-Tait
Love Affair3:14
18The Israelites
producer:
Leslie Kong
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recording of:
Israelites
writer:
Desmond Dacres and Leslie Kong
publisher:
Ackee Music Inc., Gambi Music, Twenty Nine Black Music (BMI) and Sparta Music (publisher) (in 1978)
Desmond Dekker & the Aces42:34
19Tossing and Turning
recording of:
Tossing and Turning
composer:
John Carter (songwriter & producer, b. 1942), Perry Ford (English pop singer) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
EMI Virgin Music Publishing Australia P/L
The Ivy League2:26
20Telstar
producer:
Joe Meek
recording of:
Telstar (in 1962)
composer:
Joe Meek
publisher:
Ivy Music Ltd.
The Tornados3.353:14
4▼CD
#TitleArtistRatingLength
1Walk On By
recording of:
Walk On By
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick2:53
2Stand by Me
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
recording of:
Stand by Me
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King2:59
3Saturday Night at the Movies
recording of:
Saturday Night at the Movies
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music Ltd.
The Drifters2:28
4Build Me Up Buttercup
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) and Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. and Welbeck Music (publisher)
The Foundations2:56
5Michelle
phonographic copyright (℗) by:
Northern Songs Ltd. (in 1965)
cover recording of:
Michelle (in 1965-12)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
adaptations:
Michelle
The Overlanders2:22
6Spanish Harlem
cover recording of:
Spanish Harlem
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Jimmy Justice2:50
7You Were Made for Me
recording of:
You Were Made for Me
lyricist and composer:
Mitch Murray
Freddie & the Dreamers2:19
8Melting Pot
recording of:
Melting Pot (Blue Mink Song)
writer:
Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Polygram Island Music Publishing
Blue Mink3:49
9B‐A‐B‐Y
recording of:
B-A-B-Y
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell North America
Carla Thomas4.252:55
10Walkin’ Back to Happiness
recording of:
Walking Back to Happiness
writer:
Mike Hawker and John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro2:31
11Twist and Shout
The Tremeloes2:04
12Up on the Roof
recording of:
Up on the Roof
lyricist:
Gerry Goffin and Carole King
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Julie Grant2:15
13Let the Heartaches Begin
recording of:
Let the Heartaches Begin
composer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
Long John Baldry3:14
14Walking the Dog
recording of:
Walking the Dog
lyricist and composer:
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and East/Memphis Music
Rufus Thomas2:33
15Love Potion No. 9
The Searchers2:04
16Ice in the Sun
Status Quo2:12
17Venus in Blue Jeans
Mark Wynter2:10
18On a Slow Boat to China
recording of:
On a Slow Boat to China
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Emile Ford & the Checkmates2:34
19Funny How Love Can Be
recording of:
Funny How Love Can Be
writer:
John Carter (songwriter & producer, b. 1942) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
The Ivy League2:08
20My White Bicycle
producer:
Mark Wirtz
keyboard:
Mark Wirtz
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1967)
recording of:
My White Bicycle
writer:
Ken Burgess and Keith Hopkins
publisher:
Getaway Songs Ltd., Intersong Music and Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
Tomorrow43:15
5▼CD
#TitleArtistRatingLength
1Anyone Who Had a Heart
cover recording of:
Anyone Who Had a Heart
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) and U.S. Songs, Inc. (in 1963)
Cilla Black2:49
2The Last Waltz
Engelbert Humperdinck3:02
3How Do You Do It?
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
How Do You Do It (in 1963-03)
lyricist and composer:
Mitch Murray
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), PolyGram Music Publishing, Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.51:54
4I’m Into Something Good
cover recording of:
I’m Into Something Good
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Herman’s Hermits2:34
5Show Me Around
Joe Brown1:57
6Harlem Shuffle
Bob & Earl2:45
7Soul Man
recorded in:
Memphis, Tennessee, United States (on 1967-08-10)
producer:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) and Jim Stewart (US producer, founder for Stax & Volt Records)
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (singer, ex "Sam and Dave") (in 1967) and David Prater (soul artist) (in 1967)
phonographic copyright (℗) by:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 458)
recording of:
Soul Man (on 1967-08-10)
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:37
8Baby, Now That I’ve Found You
recording of:
Baby Now That I’ve Found You
lyricist and composer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Pub. Ltd.
The Foundations2:36
9Land of a 1000 Dances
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
Wilson Pickett42:25
10Friday on My Mind
producer:
Shel Talmy
phonographic copyright (℗) by:
Albert Productions (in 1966, in 1967)
produced for:
Albert Productions
recording of:
Friday on My Mind
writer:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. and Unart Music Corporation (in 1973)
The Easybeats3.52:44
11Ob‐La‐Di Ob‐La‐Da
cover recording of:
Ob‐La‐Di, Ob‐La‐Da
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
Marmalade3:02
12Groovy Kind of Love
Patti LaBelle & The Bluebelles2:11
13Wait for Me
Long John Baldry3:40
14Pictures of Matchstick Men
recording of:
Pictures of Matchstick Men
lyricist and composer:
Francis Rossi
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Valley Music Ltd (publisher)
Status Quo3:16
15Needles and Pins
The Searchers2:13
16Pop‐Eye Stroll
The Mar‐Keys2:44
17Angie
producer:
Bill Leader
cover recording of:
Angi
composer:
Davey Graham (British folk guitarist)
Bert Jansch3:10
18Catch the Wind
recording of:
Catch the Wind
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music, Peer Music UK Ltd and Southern Music (publisher)
Donovan2:54
19Even the Bad Times Are Good
The Tremeloes2:36
20Midnight in Moscow
Kenny Ball & His Jazzmen2:57