First Blood: Complete Original Motion Picture Soundtrack

~ Release by Jerry Goldsmith (see all versions of this release, 16 available)

Tracklist

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1▼CD: Complete Original Soundtrack
#TitleArtistRatingLength
1Theme From “First Blood” (pop orchestra version)
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith4:10
2Home Coming
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith2:25
3My Town
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith1:03
4Under Arrest
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith0:48
5The Razor
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith2:40
6A Head Start
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith1:06
7Hanging On
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith2:06
8Over the Cliff
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith1:29
9A Stitch in Time
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith1:03
10Mountain Hunt
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith4:56
11No Truce
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith0:43
12First Blood
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith4:49
13The Tunnel
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith3:29
14Escape Route
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith2:41
15The Truck
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith1:03
16No Power / Night Attack
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith2:52
17Hide and Seek
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith1:00
18It’s a Long Road (instrumental version)
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith3:27
19It’s a Long Road (theme from First Blood)
recording engineer:
Bruce Botnick and Alan Snelling
engineer:
Greg Ladanyi
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
lead vocals:
Dan Hill (Canadian singer/songwriter)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
It's a Long Road (Theme) (First Blood)
orchestrator and arranger:
Arthur Morton
lyricist:
Hal Shaper
composer:
Jerry Goldsmith (American score composer)
Dan Hill33:25
2▼CD: Original 1982 Soundtrack Album
#TitleArtistRatingLength
1It’s a Long Road (theme from First Blood)
recording engineer:
Bruce Botnick and Alan Snelling
engineer:
Greg Ladanyi
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
lead vocals:
Dan Hill (Canadian singer/songwriter)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
It's a Long Road (Theme) (First Blood)
orchestrator and arranger:
Arthur Morton
lyricist:
Hal Shaper
composer:
Jerry Goldsmith (American score composer)
Dan Hill33:25
2Escape Route
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Escape Route (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:41
3First Blood
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
First Blood (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith4:40
4The Tunnel
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
The Tunnel (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith4:05
5Hanging On
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Hanging On (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:30
6Home Coming
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Home Coming (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:25
7Mountain Hunt
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Mountain Hunt (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith6:05
8My Town
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
My Town (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith1:59
9The Razor
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
The Razor (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:11
10Over the Cliff
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Over the Cliff (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:06
11It’s a Long Road (instrumental version)
recording engineer:
Bruce Botnick and Alan Snelling
producer:
Jerry Goldsmith (American score composer)
mixer:
Alan Snelling and Randy Tominaga
editor:
Douglass Fake and Randy Tominaga
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) (in 1982)
remixer:
Douglass Fake
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1982)
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
It's a Long Road (instrumental) (First Blood)
orchestrator and arranger:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:01
12It’s a Long Road (recording session piano / vocal demo)
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
remixer:
Douglass Fake
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith3:21
13Carolco Logo
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
remixer:
Douglass Fake
edited at and remixed at:
Intrada in Oakland, California, United States
recording of:
Carolco Logo
writer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith0:21
14Rambo (special summer 1984 trailer)
recording engineer and mixer:
Alan Snelling
editor:
Douglass Fake
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
remixer:
Douglass Fake
edited at and remixed at:
Intrada in Oakland, California, United States
Jerry Goldsmith1:17

Credits

Release

art direction:Joe Sikoryak (art director)
liner notes, producer and mastering:Douglass Fake
executive producer:Roger Feigelson
performer:National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
artwork:Drew Struzan
manufactured by:Intrada Inc.
copyrighted (©) by and phonographic copyright (℗) by:StudioCanal
pressed by:Disc Makers (manufacturers)
miscellaneous support:designWELL (design agency) (task: designed at)
mixed at:EMI Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mastered at:Intrada in Oakland, California, United States
part of:Mary Ann Fake (Intrada) (number: 7111) (order: 4)
Discogs:https://www.discogs.com/release/2572403 [info]
ASIN:US: B004H1XYV0 [info]
purchase for mail-order:http://store.intrada.com/s.nl/it.A/id.6859/.f?sc=7&category=2003 [info]
other databases:https://rateyourmusic.com/release/album/jerry_goldsmith/first_blood_f3/ [info]