The Chronological Classics: Louis Armstrong and His Orchestra 1931-1932

~ Veröffentlichung von Louis Armstrong and His Orchestra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Lazy River
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-03)
alto saxophone und Klarinette:
Lester Boone (am 1931-11-03) und George James (US jazz saxophonist) (am 1931-11-03)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-03)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-03)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-03)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-03)
Schlagzeug:
Tubby Hall (am 1931-11-03)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-03)
Trompete:
Louis Armstrong (am 1931-11-03) und Zilner Randolph (am 1931-11-03)
Sologesang:
Louis Armstrong (am 1931-11-03)
vocals:
Louis Armstrong (am 1931-11-03)
Orchester:
Louis Armstrong & His Orchestra (am 1931-11-03)
arranger:
Zilner Randolph
recording of:
Lazy River (am 1931-11-03)
Texter:
Hoagy Carmichael
Komponist(in):
Sidney Arodin und Hoagy Carmichael
3:08
2Chinatown, My Chinatown
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-03)
alto saxophone:
Lester Boone (am 1931-11-03) und George James (US jazz saxophonist) (am 1931-11-03)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-03)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-03)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-03)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-03)
Schlagzeug:
Tubby Hall (am 1931-11-03)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-03)
Trompete:
Louis Armstrong (am 1931-11-03) und Zilner Randolph (am 1931-11-03)
vocals:
Louis Armstrong (am 1931-11-03)
recording of:
Chinatown, My Chinatown (am 1931-11-03)
Texter:
William Jerome (in 1910)
Komponist(in):
Jean Schwartz (in 1910)
publisher:
Beuscher und Sim (Related to Éditions Sim)
3:21
3Wrap Your Troubles in Dreams
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-04)
alto saxophone:
Lester Boone (am 1931-11-04)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-04)
Klarinette:
George James (US jazz saxophonist) (am 1931-11-04)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-04)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-04)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-04)
Schlagzeug:
Tubby Hall (am 1931-11-04)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-04)
Trompete:
Louis Armstrong (am 1931-11-04) und Zilner Randolph (am 1931-11-04)
vocals:
Louis Armstrong (am 1931-11-04)
recording of:
Wrap Your Troubles in Dreams (am 1931-11-04)
Texter:
Ted Koehler (in 1931) und Billy Moll (songwriter) (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Ted Koehler Music Co.
43:44
4Star Dust
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-04)
alto saxophone:
Lester Boone (am 1931-11-04) und George James (US jazz saxophonist) (am 1931-11-04)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-04)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-04)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-04)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-04)
Schlagzeug:
Tubby Hall (am 1931-11-04)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-04)
Trompete:
Louis Armstrong (am 1931-11-04) und Zilner Randolph (am 1931-11-04)
vocals:
Louis Armstrong (am 1931-11-04)
recording of:
Stardust (the jazz standard) (am 1931-11-04)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
3:35
5You Can Depend on Me
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-05)
alto saxophone:
Lester Boone (am 1931-11-05) und George James (US jazz saxophonist) (am 1931-11-05)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-05)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-05)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-05)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-05)
Schlagzeug:
Tubby Hall (am 1931-11-05)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-05)
Trompete:
Louis Armstrong (am 1931-11-05) und Zilner Randolph (am 1931-11-05)
vocals:
Louis Armstrong (am 1931-11-05)
recording of:
You Can Depend on Me (am 1931-11-05)
Komponist(in):
Charles Carpenter, Louis Dunlap und Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
3:25
6Georgia on My Mind
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-05)
alto saxophone:
Lester Boone (am 1931-11-05) und George James (US jazz saxophonist) (am 1931-11-05)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-05)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-05)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-05)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-05)
Schlagzeug:
Tubby Hall (am 1931-11-05)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-05)
Trompete:
Louis Armstrong (am 1931-11-05) und Zilner Randolph (am 1931-11-05)
Baritongesang:
Louis Armstrong
vocals:
Louis Armstrong (am 1931-11-05)
Orchester:
Louis Armstrong and His Orchestra (in 1931)
recording of:
Georgia on My Mind (am 1931-11-05)
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
3:26
7The Lonesome Road
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-06)
alto saxophone:
Lester Boone (am 1931-11-06) und George James (US jazz saxophonist) (am 1931-11-06)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-06)
Holzblock:
Joe Lindsay (US early jazz drummer) (am 1931-11-06)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-06)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-06)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-06)
Schlagzeug:
Tubby Hall (am 1931-11-06)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-06)
Trompete:
Louis Armstrong (am 1931-11-06) und Zilner Randolph (am 1931-11-06)
Sprecher:
Joe Lindsay (US early jazz drummer) (am 1931-11-06), Mike McKendrick (Jazz banjo and guitar) (am 1931-11-06) und Zilner Randolph (am 1931-11-06)
vocals:
Louis Armstrong (am 1931-11-06)
recording of:
Lonesome Road (am 1931-11-06)
Texter:
Gene Austin
Komponist(in):
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation und Spier & Coslow Inc.
3:39
8I Got Rhythm
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-06)
alto saxophone:
Lester Boone (am 1931-11-06)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-06)
Klarinette und Sopransaxophon:
George James (US jazz saxophonist) (am 1931-11-06)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-06)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-06)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-06)
Schlagzeug:
Tubby Hall (am 1931-11-06)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-06)
Trompete:
Louis Armstrong (am 1931-11-06) und Zilner Randolph (am 1931-11-06)
vocals:
Louis Armstrong (am 1931-11-06)
recording of:
I Got Rhythm (am 1931-11-06)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:11
9Between the Devil and the Deep Blue Sea
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-01-25)
alto saxophone:
Lester Boone (am 1932-01-25) und George James (US jazz saxophonist) (am 1932-01-25)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-01-25)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-01-25)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-01-25)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-01-25)
Schlagzeug:
Tubby Hall (am 1932-01-25)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-01-25)
Trompete:
Louis Armstrong (am 1932-01-25) und Zilner Randolph (am 1932-01-25)
vocals:
Louis Armstrong (am 1932-01-25)
recording of:
Between the Devil and the Deep Blue Sea (am 1932-01-25)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
3:07
10Kickin' the Gong Around
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-01-25)
alto saxophone:
Lester Boone (am 1932-01-25) und George James (US jazz saxophonist) (am 1932-01-25)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-01-25)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-01-25)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-01-25)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-01-25)
Schlagzeug:
Tubby Hall (am 1932-01-25)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-01-25)
Trompete:
Louis Armstrong (am 1932-01-25) und Zilner Randolph (am 1932-01-25)
vocals:
Louis Armstrong (am 1932-01-25)
recording of:
Kickin’ the Gong Around (am 1932-01-25)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
3:18
11Home
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-01-27)
alto saxophone:
Lester Boone (am 1932-01-27) und George James (US jazz saxophonist) (am 1932-01-27)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-01-27)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-01-27)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-01-27)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-01-27)
Schlagzeug:
Tubby Hall (am 1932-01-27)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-01-27)
Trompete:
Louis Armstrong (am 1932-01-27) und Zilner Randolph (am 1932-01-27)
vocals:
Louis Armstrong (am 1932-01-27)
recording of:
Home (When Shadows Fall) (am 1932-01-27)
Verfasser(in):
Geoffrey Clarkson und Harry Clarkson
3:12
12All of Me
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-01-27)
alto saxophone:
Lester Boone (am 1932-01-27) und George James (US jazz saxophonist) (am 1932-01-27)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-01-27)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-01-27)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-01-27)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-01-27)
Schlagzeug:
Tubby Hall (am 1932-01-27)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-01-27)
Trompete:
Louis Armstrong (am 1932-01-27) und Zilner Randolph (am 1932-01-27)
vocals:
Louis Armstrong (am 1932-01-27)
recording of:
All of Me (am 1932-01-27)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
3:04
13Love, You Funny Thing
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-02)
alto saxophone:
Lester Boone (am 1932-03-02) und George James (US jazz saxophonist) (am 1932-03-02)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-03-02)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-03-02)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-03-02)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-03-02)
Schlagzeug:
Tubby Hall (am 1932-03-02)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-03-02)
Trompete:
Louis Armstrong (am 1932-03-02) und Zilner Randolph (am 1932-03-02)
vocals:
Louis Armstrong (am 1932-03-02)
recording of:
Love, You Funny Thing (am 1932-03-02)
Verfasser(in):
Fred Ahlert und Roy Turk
3:47
14The New Tiger Rag
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-11)
alto saxophone:
Lester Boone (am 1932-03-11)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-03-11)
Klarinette:
George James (US jazz saxophonist) (am 1932-03-11)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-03-11)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-03-11)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-03-11)
Schlagzeug:
Tubby Hall (am 1932-03-11)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-03-11)
Trompete:
Louis Armstrong (am 1932-03-11) und Zilner Randolph (am 1932-03-11)
vocals:
Louis Armstrong (am 1932-03-11)
recording of:
Tiger Rag (original 1917 instrumental version) (am 1932-03-11)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
3:30
15Keepin' Out of Mischief Now
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-11)
alto saxophone:
Lester Boone (am 1932-03-11) und George James (US jazz saxophonist) (am 1932-03-11)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-03-11)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-03-11)
Kontrabass [bass]:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-03-11)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-03-11)
Schlagzeug:
Tubby Hall (am 1932-03-11)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-03-11)
Trompete:
Louis Armstrong (am 1932-03-11) und Zilner Randolph (am 1932-03-11)
vocals:
Louis Armstrong (am 1932-03-11)
cover recording of:
Keepin’ Out of Mischief Now (am 1932-03-11)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Razaf Music
3:38
16Lawd, You Made the Night Too Long
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-11)
alto saxophone:
Lester Boone und George James (US jazz saxophonist)
Gitarre:
Mike McKendrick (Jazz banjo and guitar)
Klavier:
Charlie Alexander (US jazz pianist)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton)
Posaune:
Preston Jackson (jazz trombonist)
Schlagzeug:
Tubby Hall
Tenorsaxophon:
Albert Washington (jazz tenor sax)
Trompete:
Louis Armstrong und Zilner Randolph
vocals:
Louis Armstrong
recording of:
Lord, You Made the Night Too Long (am 1932-03-11)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
3:31
17That's My Home
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-08, am 1932-12-28)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08) und Edgar Sampson (am 1932-12-08)
Geige / Violine:
Edgar Sampson (am 1932-12-08)
Gitarre:
John Trueheart (am 1932-12-08)
Klarinette:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08)
Klavier:
Don Kirkpatrick (jazz pianist) (am 1932-12-08)
Kontrabass [bass] und Tuba:
Elmer James (am 1932-12-08)
Posaune:
Charlie Green (Trombonist) (am 1932-12-08)
Schlagzeug:
Chick Webb (am 1932-12-08)
Tenorsaxophon:
Elmer Williams (am 1932-12-08)
Trompete:
Louis Armstrong (am 1932-12-08, am 1932-12-28), Louis Bacon (am 1932-12-08), Billy Hicks (US jazz trumpeter) (am 1932-12-08) und Louis Hunt (am 1932-12-08)
vocals:
Louis Armstrong (am 1932-12-08, am 1932-12-28)
Orchester:
Louis Armstrong and His Orchestra (am 1932-12-28)
recording of:
That’s My Home (am 1932-12-08)
Komponist(in):
Ben Ellison, Leon René und Otis René
43:11
18Hobo, You Can't Ride This Train
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08) und Edgar Sampson (am 1932-12-08)
alto saxophone und Klarinette und Klarinette:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08)
Banjo und Klavier und Gitarre:
John Trueheart (am 1932-12-08)
Geige / Violine:
Edgar Sampson (am 1932-12-08)
Glocken:
Mezz Mezzrow (am 1932-12-08)
Klavier:
Don Kirkpatrick (jazz pianist) (am 1932-12-08)
Kontrabass [bass], Kontrabass und Tuba und Tuba:
Elmer James (am 1932-12-08)
Posaune:
Charlie Green (Trombonist) (am 1932-12-08)
Schlagzeug:
Chick Webb (am 1932-12-08)
Tenorsaxophon:
Elmer Williams (am 1932-12-08)
Trompete:
Louis Armstrong (am 1932-12-08), Louis Bacon (am 1932-12-08), Bill Hicks (US jazz trumpeter) (am 1932-12-08) und Louis Hunt (am 1932-12-08)
vocals:
Louis Armstrong (am 1932-12-08)
recording of:
Hobo, You Can’t Ride This Train (am 1932-12-08)
Verfasser(in):
Louis Armstrong
3:02
19I Hate to Leave You Now
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08) und Edgar Sampson (am 1932-12-08)
Geige / Violine:
Edgar Sampson (am 1932-12-08)
Gitarre:
John Trueheart (am 1932-12-08)
Klarinette:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08)
Klavier:
Don Kirkpatrick (jazz pianist) (am 1932-12-08)
Kontrabass [bass] und Tuba:
Elmer James (am 1932-12-08)
Posaune:
Charlie Green (Trombonist) (am 1932-12-08)
Schlagzeug:
Chick Webb (am 1932-12-08)
Tenorsaxophon:
Elmer Williams (am 1932-12-08)
Trompete:
Louis Armstrong (am 1932-12-08), Louis Bacon (am 1932-12-08), Billy Hicks (US jazz trumpeter) (am 1932-12-08) und Louis Hunt (am 1932-12-08)
vocals:
Louis Armstrong (am 1932-12-08)
3:11
20You'll Wish You'd Never Been Born
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08) und Edgar Sampson (am 1932-12-08)
Geige / Violine:
Edgar Sampson (am 1932-12-08)
Gitarre:
John Trueheart (am 1932-12-08)
Klarinette:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08)
Klavier:
Don Kirkpatrick (jazz pianist) (am 1932-12-08)
Kontrabass [bass] und Tuba:
Elmer James (am 1932-12-08)
Posaune:
Charlie Green (Trombonist) (am 1932-12-08)
Schlagzeug:
Chick Webb (am 1932-12-08)
Tenorsaxophon:
Elmer Williams (am 1932-12-08)
Trompete:
Louis Armstrong (am 1932-12-08), Louis Bacon (am 1932-12-08), Billy Hicks (US jazz trumpeter) (am 1932-12-08) und Louis Hunt (am 1932-12-08)
vocals:
Louis Armstrong (am 1932-12-08)
recording of:
You’ll Wish You’d Never Been Born (am 1932-12-08)
Komponist(in):
Louis Armstrong
3:17
21Medley of Armstrong Hits, Part 2: When You're Smiling / Saint James Infirmary / Dinah
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-21)
alto saxophone:
Arthur Davey (US jazz saxophonist) (am 1932-12-21) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1932-12-21)
Banjo, Gitarre und Posaune:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1932-12-21)
Klavier:
Wesley Robinson (US jazz pianist) (am 1932-12-21)
Schlagzeug:
Benny Hill (US jazz drummer, active 1930s) (am 1932-12-21)
Tenorsaxophon:
Ellsworth Blake (US jazz saxophonist) (am 1932-12-21)
Trompete:
Louis Armstrong (am 1932-12-21) und Charlie Gaines (US jazz trumpeter) (am 1932-12-21)
Tuba [brass bass]:
Ed Hayes (US jazz bassist/tuba player) (am 1932-12-21)
vocals:
Louis Armstrong (am 1932-12-21)
medley including a recording of:
Dinah (am 1932-12-21)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
medley including a recording of:
St. James Infirmary (Joe Primrose’s arrangement) (am 1932-12-21)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
Arrangement von:
St. James Infirmary
Version von:
The Unfortunate Lass (Bad Girl's Lament)
medley including a recording of:
When You’re Smiling (the Whole World Smiles With You) (am 1932-12-21)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
4:32

Nennungen

Veröffentlichungsgruppe

Teil von:The Chronological Classics (Nummer: 536) (Reihenfolge: 45)
Allmusic:https://www.allmusic.com/album/mw0000049663 [Info]
Wikidata:Q56322324 [Info]