The Complete Warner Classics Edition

~ Release by Sir Charles Mackerras (see all versions of this release, 1 available)

Tracklist

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1▼CD: Handel: Music for the Royal Fireworks (1959) / Water Music Suite (1956) /Jacob: Fanfare for “God Save the King”
#TitleArtistRatingLength
1Music for the Royal Fireworks (original version for wind instruments): Ouverture
editor:
Charles Mackerras (Australian conductor)
orchestra:
Wind Ensemble (London Symphony Orchestra) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
performer:
London Symphony Orchestra and Sir Charles Mackerras (Australian conductor)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel10:06
2Music for the Royal Fireworks (original version for wind instruments): Bourrée
editor:
Charles Mackerras (Australian conductor)
orchestra:
Wind Ensemble (London Symphony Orchestra) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
performer:
London Symphony Orchestra and Sir Charles Mackerras (Australian conductor)
recording of:
Music for the Royal Fireworks, HWV 351: II. Bourrée (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:41
3Music for the Royal Fireworks (original version for wind instruments): La Paix (Largo Alla Siciliana)
editor:
Charles Mackerras (Australian conductor)
orchestra:
Wind Ensemble (London Symphony Orchestra) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
performer:
London Symphony Orchestra and Sir Charles Mackerras (Australian conductor)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel4:17
4Music for the Royal Fireworks (original version for wind instruments): La Réjouissance
editor:
Charles Mackerras (Australian conductor)
orchestra:
Wind Ensemble (London Symphony Orchestra) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
performer:
London Symphony Orchestra and Sir Charles Mackerras (Australian conductor)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:57
5Music for the Royal Fireworks (original version for wind instruments): Minuet I
editor:
Charles Mackerras (Australian conductor)
orchestra:
Wind Ensemble (London Symphony Orchestra) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
performer:
London Symphony Orchestra and Sir Charles Mackerras (Australian conductor)
recording of:
Music for the Royal Fireworks, HWV 351: Va. Menuet I (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
George Frideric Handel2:00
6Music for the Royal Fireworks (original version for wind instruments): Minuet II
editor:
Charles Mackerras (Australian conductor)
orchestra:
Wind Ensemble (London Symphony Orchestra) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
performer:
London Symphony Orchestra and Sir Charles Mackerras (Australian conductor)
recording of:
Music for the Royal Fireworks, HWV 351: Vb. Menuet II (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
George Frideric Handel1:10
7Music for the Royal Fireworks (original version for wind instruments): Minuets I & II (with fireworks and cannon effects)
editor:
Charles Mackerras (Australian conductor)
orchestra:
London Symphony Orchestra
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
performer:
London Symphony Orchestra and Sir Charles Mackerras (Australian conductor)
arranger:
Charles Mackerras (Australian conductor)
recording of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:11
8Concerto a due Cori in F: Pomposo
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
recording of:
Concerto a due cori no. 2 in F major, HWV 333: I. Pomposo
composer:
George Frideric Handel (German‐British baroque composer) (from 1747 until 1748)
part of:
Concerto a due cori no. 2 in F major, HWV 333
George Frideric Handel2:11
9Concerto a due Cori in F: Allegro
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
recording of:
Concerto a due cori no. 2 in F major, HWV 333: II. Allegro (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (from 1747 until 1748)
part of:
Concerto a due cori no. 2 in F major, HWV 333
George Frideric Handel2:08
10Concerto a due Cori in F: A tempo giusto
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
recording of:
Concerto a due cori no. 2 in F major, HWV 333: III. A tempo giusto (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (from 1747 until 1748)
part of:
Concerto a due cori no. 2 in F major, HWV 333
George Frideric Handel2:47
11Concerto a due Cori in F: Largo
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
recording of:
Concerto a due cori no. 2 in F major, HWV 333: IV. Largo (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (from 1747 until 1748)
part of:
Concerto a due cori no. 2 in F major, HWV 333
George Frideric Handel2:48
12Concerto a due Cori in F: Allegro ma non troppo
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
recording of:
Concerto a due cori no. 2 in F major, HWV 333: V. Allegro ma non troppo (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (from 1747 until 1748)
part of:
Concerto a due cori no. 2 in F major, HWV 333
George Frideric Handel3:50
13Concerto a due Cori in F: Allegro ma non troppo
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
recording of:
Concerto a due cori no. 2 in F major, HWV 333: V. Allegro ma non troppo (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (from 1747 until 1748)
part of:
Concerto a due cori no. 2 in F major, HWV 333
George Frideric Handel3:10
14Concerto a due Cori in F: Andante larghetto
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
recording of:
Concerto a due cori no. 3 in F major, HWV 334: V. Andante larghetto (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (from 1747 until 1748)
part of:
Concerto a due cori no. 3 in F major, HWV 334
George Frideric Handel4:56
15Concerto a due Cori in F: Allegro
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (in 1959)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1959)
recording of:
Concerto a due cori no. 2 in F major, HWV 333: II. Allegro (in 1959)
composer:
George Frideric Handel (German‐British baroque composer) (from 1747 until 1748)
part of:
Concerto a due cori no. 2 in F major, HWV 333
George Frideric Handel1:58
16Water Music Suite: Allegro
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Symphony Orchestra (in 1956, on 1956-04-04)
conductor:
Charles Mackerras (Australian conductor) and Charles Mackerras (Australian conductor) (on 1956-04-04)
performer:
London Symphony Orchestra (on 1956-04-04) and Sir Charles Mackerras (Australian conductor) (on 1956-04-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-04-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-04-04)
recording of:
Water Music Suite: I. Allegro (arr. Hamilton Harty) (on 1956-04-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Water Music Suite (arr. Hamilton Harty)
George Frideric Handel2:37
17Water Music Suite: Bourrée
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Symphony Orchestra (, on 1956-04-04)
conductor:
Charles Mackerras (Australian conductor) and Charles Mackerras (Australian conductor) (on 1956-04-04)
performer:
London Symphony Orchestra (on 1956-04-04) and Sir Charles Mackerras (Australian conductor) (on 1956-04-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-04-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-04-04)
recording of:
Water Music Suite: III. Bourrée (arr. Hamilton Harty) (on 1956-04-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Water Music Suite (arr. Hamilton Harty)
George Frideric Handel0:44
18Water Music Suite: Hornpipe
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Symphony Orchestra (, on 1956-04-04)
conductor:
Charles Mackerras (Australian conductor) and Sir Charles Mackerras (Australian conductor) (on 1956-04-04)
performer:
London Symphony Orchestra (on 1956-04-04) and Sir Charles Mackerras (Australian conductor) (on 1956-04-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-04-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-04-04)
recording of:
Water Music Suite: IV. Hornpipe (arr. Hamilton Harty) (on 1956-04-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Water Music Suite (arr. Hamilton Harty)
George Frideric Handel1:12
19Water Music Suite: Allegro deciso
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Symphony Orchestra (, on 1956-04-04)
conductor:
Charles Mackerras (Australian conductor) and Charles Mackerras (Australian conductor) (on 1956-04-04)
performer:
London Symphony Orchestra (on 1956-04-04) and Sir Charles Mackerras (Australian conductor) (on 1956-04-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-04-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-04-04)
recording of:
Water Music Suite: VI. Allegro deciso (arr. Hamilton Harty) (on 1956-04-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
arranger:
Sir Hamilton Harty (Irish composer, conductor, pianist and organist; knighted in 1925)
part of:
Water Music Suite (arr. Hamilton Harty)
George Frideric Handel3:16
20Berenice Overture
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Symphony Orchestra (, on 1956-04-04)
conductor:
Charles Mackerras (Australian conductor) and Charles Mackerras (Australian conductor) (on 1956-04-04)
performer:
London Symphony Orchestra (on 1956-04-04) and Sir Charles Mackerras (Australian conductor) (on 1956-04-04)
arranger:
William Gillies Whittaker (English composer, 1876-1944)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-04-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-04-04)
recording of:
Berenice, HWV 38: Overture (on 1956-04-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Berenice, HWV 38
George Frideric Handel4:40
21Suite in D Major: IV. Prince of Denmark's March “Trumpet Voluntary” (Arr. Wood)
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Symphony Orchestra (on 1956-04-04)
conductor:
Charles Mackerras (Australian conductor) (on 1956-04-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-04-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-04-04)
recording of:
The Prince of Denmark’s March (orchestrated by H. Wood) (on 1956-04-04)
orchestrator:
Sir Henry Wood (English conductor)
composer:
Jeremiah Clarke (English baroque composer and organist)
orchestration of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Jeremiah Clarke / Sir Henry Wood?:??
22Fanfare For God Save The Queen
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Symphony Orchestra (on 1956-04-04)
conductor:
Charles Mackerras (Australian conductor) (on 1956-04-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-04-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-04-04)
Gordon Jacob?:??
23The National Anthem God Save The Queen
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Symphony Orchestra (on 1956-04-04)
conductor:
Charles Mackerras (Australian conductor) (on 1956-04-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-04-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-04-04)
recording of:
God Save the Queen (arranged by Jacob) (on 1956-04-04)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
arranger:
Gordon Jacob (composer)
arrangement of:
God Save the King (national anthem of several countries in the British Commonwealth)
[anonymous]?:??
2▼CD: Handel: Messiah (1)
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1Messiah, HWV 56: Part The First: Sinfony: Grave – Allegro Moderato
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:02
2Messiah, HWV 56: Part The First: 1. Accompanied Recitative: “Comfort Ye, My People” (Tenor)
tenor vocals:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:30
3Messiah, HWV 56: Part The First: 2. Aria: “Ev’ry Valley Shall Be Exalted” (Tenor)
tenor vocals:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:42
4Messiah, HWV 56: Part The First: 3. Chorus: “And The Glory Of The Lord”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:03
5Messiah, HWV 56: Part The First: 4. Accompanied Recitative: “Thus Saith The Lord Of Hosts” (Bass)
bass vocals:
Raimund Herincx (bass-baritone)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:39
6Messiah, HWV 56: Part The First: 5. Aria: “But Who May Abide“ (Countertenor)
alto vocals:
Paul Esswood (countertenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:22
7Messiah, HWV 56: Part The First: 6. Chorus: “And He Shall Purify”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:46
8Messiah, HWV 56: Part The First: 7. Recitative: “Behold, A Virgin Shall Conceive” (Contralto)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:31
9Messiah, HWV 56: Part The First: 8.-9. Aria & Chorus: “O Thou That Tellest” (Contralto, Chorus)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:41
10Messiah, HWV 56: Part The First: 10. Accompanied Recitative: “For Behold, Darkness Shall Cover The Earth” (Bass)
bass vocals:
Raimund Herincx (bass-baritone)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:28
11Messiah, HWV 56: Part The First: 11. Aria: “The People That Walked In Darkness” (Bass)
bass vocals:
Raimund Herincx (bass-baritone)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:05
12Messiah, HWV 56: Part The First: 12. Chorus: “For Unto Us A Child Is Born”
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06-29 until 1966-08-09)
orchestra:
English Chamber Orchestra (from 1966-06-29 until 1966-08-09)
conductor:
Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
arranger:
Basil Lam (English producer, harpsichordist)
balance engineer:
Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06-29 until 1966-08-09)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 1966-06-29 until 1966-08-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:17
13Messiah, HWV 56: Part The First: 13. Pifa (Sinfonia Pastorale): Larghetto E Mezzo Piano
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:39
14Messiah, HWV 56: Part The First: 14. Recitative: “There Were Shepherds Abiding In The Field” (Soprano)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:26
15Messiah, HWV 56: Part The First: Accompanied Recitative: “And Lo, The Angel Of The Lord Came Upon Them” (Soprano)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:23
16Messiah, HWV 56: Part The First: Recitative: “And The Angel Said Unto Them” (Soprano)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:49
17Messiah, HWV 56: Part The First: Accompanied Recitative: “And Suddenly There Was With The Angel A Multitude” (Soprano)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:19
18Messiah, HWV 56: Part The First: 15. Chorus: “Glory To God In The Highest”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:49
19Messiah, HWV 56: Part The First: 16. Aria: “Rejoice Greatly, O Daugher Of Zion” (Soprano)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:33
20Messiah, HWV 56: Part The First: 17. Recitative: “Then Shall The Eyes Of The Blind Be Open’d” (Soprano)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:33
21Messiah, HWV 56: Part The First: 18. Aria: “He Shall Feed His Flock” (Soprano)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:12
22Messiah, HWV 56: Part The First: 19. Chorus: “His Yoke Is Easy”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:45
23Messiah, HWV 56: Part The Second: 20. Chorus: “Behold, The Lamb Of God”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:23
24Messiah, HWV 56: Part The Second: 21. Aria: “He Was Despised” (Contralto)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel12:34
25Messiah, HWV 56: Part The Second: 22. Chorus: “Surely He Hath Borne Our Griefs”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:59
3▼CD: Handel: Messiah (2)
#TitleArtistRatingLength
1Messiah, HWV 56: Part The Second: 23. Chorus “And With His Stripes”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:07
2Messiah, HWV 56: Part The Second: 24. Chorus “All We, Like Sheep”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:22
3Messiah, HWV 56: Part The Second: 25. Accompanied Recitative “All They That See Him, Laugh Him To Scorn” (Tenor)
tenor vocals:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:51
4Messiah, HWV 56: Part The Second: 26. Chorus “He Trusted In God”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:22
5Messiah, HWV 56: Part The Second: 27. Accompanied Recitative “Thy Rebuke Hath Broken His Heart” (Tenor)
tenor vocals:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:00
6Messiah, HWV 56: Part The Second: 28. Arioso “Behold, And See” (Tenor)
tenor vocals:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:46
7Messiah, HWV 56: Part The Second: 29. Accompanied Recitative “He Was Cut Off” (Tenor)
tenor vocals:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:17
8Messiah, HWV 56: Part The Second: 30. Air “But Thou Didst Not Leave His Soul” (Tenor)
tenor vocals:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:31
9Messiah, HWV 56: Part The Second: 31. Chorus “Lift Up Your Heads”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:02
10Messiah, HWV 56: Part The Second: 32. Recitative “Unto Which Of The Angels” (Tenor)
tenor vocals:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:16
11Messiah, HWV 56: Part The Second: 33. Chorus “Let All The Angels Of God Worship Him”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:40
12Messiah, HWV 56: Part The Second: 34. Air “Thou Art Gone Up On High” (Countertenor)
alto vocals:
Paul Esswood (countertenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:20
13Messiah, HWV 56: Part The Second: 35. Chorus “The Lord Gave The Word”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:23
14Messiah, HWV 56: Part The Second: 36. Duet “How Beautiful Are The Feet” (Countertenor, Soprano)
alto vocals:
Paul Esswood (countertenor)
tenor vocals:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:32
15Messiah, HWV 56: Part The Second: 37. Chorus “Their Sound Is Gone Out”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:13
16Messiah, HWV 56: Part The Second: 38. Air “Why Do The Nations” (Bass)
bass vocals:
Raimund Herincx (bass-baritone)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:54
17Messiah, HWV 56: Part The Second: 39. Chorus “Let Us Break Their Bonds”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:53
18Messiah, HWV 56: Part The Second: 40. Recitative “He That Dwelleth In Heaven” (Tenor)
tenor vocals:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:15
19Messiah, HWV 56: Part The Second: 41. Air “Thou Shalt Break Them” (Tenor)
tenor vocals:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:12
20Messiah, HWV 56: Part The Second: 42. Chorus “Hallelujah”
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06-29 until 1966-08-09)
solo vocals:
Dame Janet Baker (mezzo‐soprano and alto), Paul Esswood (countertenor), Elizabeth Harwood (soprano), Raimund Herincx (bass-baritone) and Robert Tear (tenor)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra (from 1966-06-29 until 1966-08-09)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09)
arranger:
Basil Lam (English producer, harpsichordist)
balance engineer:
Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06-29 until 1966-08-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (from 1966-06-29 until 1966-08-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:07
21Messiah, HWV 56: Part The Third: 43. Air “I Know That My Redeemer Liveth” (Soprano)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Elizabeth Harwood (soprano) (from 1966-06-29 until 1966-08-09)
orchestra:
English Chamber Orchestra (from 1966-06-29 until 1966-08-09)
conductor:
Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09)
balance engineer:
Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06-29 until 1966-08-09)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 1966-06-29 until 1966-08-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:38
22Messiah, HWV 56: Part The Third: 44. Chorus “Since By Man Came Death”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:42
23Messiah, HWV 56: Part The Third: Chorus “Since By Man Came Also The Resurrection”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
George Frideric Handel0:24
24Messiah, HWV 56: Part The Third: Chorus “For As In Adam All Die”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
George Frideric Handel0:47
25Messiah, HWV 56: Part The Third: Chorus “Even So In Christ”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
George Frideric Handel0:33
26Messiah, HWV 56: Part The Third: 45. Accompanied Recitative “Behold, I Tell You A Mystery” (Bass)
bass vocals:
Raimund Herincx (bass-baritone)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:32
27Messiah, HWV 56: Part The Third: 46. Air “The Trumpet Shall Sound” (Bass)
bass vocals:
Raimund Herincx (bass-baritone)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel9:30
28Messiah, HWV 56: Part The Third: 47. Recitative “Then Shall Be Brought To Pass” (Soprano)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:17
29Messiah, HWV 56: Part The Third: 48. Duet “O Death, Where Is Thy Sting?” (Countertenor, Tenor)
alto vocals:
Paul Esswood (countertenor)
tenor vocals:
Robert Tear (tenor)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:18
30Messiah, HWV 56: Part The Third: 49. Chorus “But Thanks Be To God”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:44
31Messiah, HWV 56: Part The Third: 50. Aria “If God Be For Us” (Soprano)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:55
32Messiah, HWV 56: Part The Third: 51. Chorus “Worthy Is The Lamb”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel3:53
33Messiah, HWV 56: Part The Third: 52. Chorus “Amen”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel3:21
4▼CD: Handel: Music for the Royal Fireworks (1976)
#TitleArtistRatingLength
1Music for the Royal Fireworks, HWV 351: I. Overture
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel12:48
2Music for the Royal Fireworks, HWV 351: II. Bourrée
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Music for the Royal Fireworks, HWV 351: II. Bourrée
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:40
3Music for the Royal Fireworks, HWV 351: III. La Paix (Largo alla siciliana)
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel4:05
4Music for the Royal Fireworks, HWV 351: IV. La Rejouissance (Allegro)
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:07
5Music for the Royal Fireworks, HWV 351: V. Menuet I
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
recording of:
Music for the Royal Fireworks, HWV 351: Va. Menuet I
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
George Frideric Handel1:23
6Music for the Royal Fireworks, HWV 351: VI. Menuet II
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
recording of:
Music for the Royal Fireworks, HWV 351: Vb. Menuet II
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
George Frideric Handel2:47
7Concerto A Due Cori no. 2 In F major Hwv 333 I Pomposo
Sir Charles Mackerras / George Frideric Handel1:53
8Concerto A Due Cori no. 2 In F major Hwv 333 Ii Allegro
Sir Charles Mackerras / George Frideric Handel2:10
9Concerto A Due Cori no. 2 In F major Hwv 333 Iii A Tempo Giusto
Sir Charles Mackerras / George Frideric Handel2:43
10Concerto A Due Cori no. 2 In F major Hwv 333 Iv Largo
Sir Charles Mackerras / George Frideric Handel2:30
11Concerto A Due Cori no. 2 In F major Hwv 333 V Allegro Ma Non Troppo
Sir Charles Mackerras / George Frideric Handel4:01
12Concerto A Due Cori no. 2 In F major Hwv 333 Vi A Tempo Ordinario
Sir Charles Mackerras / George Frideric Handel3:42
13Concerto no. 1 in F: Largo
orchestra:
London Symphony Orchestra (in 1977)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1977)
performer:
London Symphony Orchestra and Sir Charles Mackerras (Australian conductor)
partial recording of:
Concerto in F major, HWV 335b (in 1977)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Händel-Werke-Verzeichnis (number: HWV 335b)
George Frideric Handel2:54
14Concerto no. 1 in F: Allegro
orchestra:
London Symphony Orchestra (in 1977)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1977)
performer:
London Symphony Orchestra and Sir Charles Mackerras (Australian conductor)
partial recording of:
Concerto in F major, HWV 335b (in 1977)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Händel-Werke-Verzeichnis (number: HWV 335b)
George Frideric Handel1:47
15Concerto no. 3 in D: Largo
orchestra:
London Symphony Orchestra (in 1977)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1977)
performer:
London Symphony Orchestra and Sir Charles Mackerras (Australian conductor)
partial recording of:
Concerto in D major, HWV 335a: 1. Largo - Adagio - Allegro (in 1977)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto in D major, HWV 335a
George Frideric Handel2:54
16Concerto no. 3 in D: Allegro
orchestra:
London Symphony Orchestra (in 1977)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1977)
performer:
London Symphony Orchestra and Sir Charles Mackerras (Australian conductor)
partial recording of:
Concerto in D major, HWV 335a: 1. Largo - Adagio - Allegro (in 1977)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto in D major, HWV 335a
George Frideric Handel2:50
17Concerto no. 3 in D: Air
orchestra:
London Symphony Orchestra (in 1977)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1977)
performer:
London Symphony Orchestra and Sir Charles Mackerras (Australian conductor)
recording of:
Concerto in D major, HWV 335a: 2. Organo ad libitum (in 1977)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto in D major, HWV 335a
George Frideric Handel1:26
18Concerto no. 3 in D: Allegro ma non troppo
orchestra:
London Symphony Orchestra (in 1977)
conductor:
Sir Charles Mackerras (Australian conductor) (in 1977)
performer:
London Symphony Orchestra and Sir Charles Mackerras (Australian conductor)
recording of:
Concerto in D major, HWV 335a: 3. Allegro ma non troppo (in 1977)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto in D major, HWV 335a
George Frideric Handel2:12
5▶CD: Handel: Water Music Suites (1978)
6▶CD: Handel: Concerti Grossi, Op. 3
7▶CD: Handel, Albinoni, Telemann, Hertel: Trumpet Concertos
8▶CD: A Mozart Concert
9▶CD: Mozart: Piano Concertos nos. 20 & 23
10▶CD: Mozart: Symphonies nos. 36 “Linz” & 36 “Prague”
11▶CD: Mozart: Symphonies nos. 40 & 41 “Jupiter”
12▶CD: Mozart: Flute Concerto / Sinfonia Concertante
13▶CD: Mozart Arias: Barbara Frittoli
14▶CD: Mozart: Idomeneo (1)
15▶CD: Mozart: Idomeneo (2)
16▶CD: Mozart: Idomeneo (3)
17▶CD: Beethoven: Symphonies nos. 1 & 3
18▶CD: Beethoven: Symphonies nos. 2 & 8
19▶CD: Beethoven: Symphonies nos. 4 & 6
20▶CD: Beethoven: Symphonies nos. 5 & 7
21▶CD: Beethoven: Symphony no. 9
22▶CD: Beethoven, Mendelssohn: Violin Concertos
23▶CD: Schubert: Symphonies nos. 5 & 8
24▶CD: Schubert: Symphony no. 9
25▶CD: Ballet Music
26▶CD: Berlioz: Overtures & Orchestral Excerpts / Russian Overtures & Orchestral Excerpts
27▶CD: Mendelssohn: Symphony no. 4 / A Midsummer Night’s Dream
28▶CD: Chopin: Les Sylphides / Ponchielli: Dance Of The Hours / Meyerbeer: Les Patineurs / Tchaikovsky: Walzes
29▶CD: Verdi‐Mackerras: The Lady And The Fool ( Complete Ballet )
30▶CD: Verdi: Opera Overtures & Ballet Music / Delibes: Lakmé Ballet Music
31▶CD: Great Opera Duets: Montserrat Caballé / Bernabé Marti
32▶CD: Wagner: Götterdämmerung (Highlights)
33▶CD: Offenbach: Gaite Parisienne / J. Strauss II: Graduation Ball / Perpetuum mobile / Unter Donner und Blitz / Tritsch‐Tratsch‐Polka
34▶CD: Delibes: La Source / Messager: Les deux pigeons / Gounod: Faust, ballet / Chabrier: Espana / Polonaise
35▶CD: Mussorgsky: Pictures From an Exhibition / A Night on the Bare Mountain
36▶CD: Tchaikovsky: Piano Concerto no. 3 / Litolff / Weber / Saint‐Saëns / Turina / Piano Concertante Works
37▶CD: Tchaikovsky: 1812 Overture / Glinka: Russlan and Ludmilla: Overture / Wagner: Lohengrin: Prelude to Act 3 / Mussorgsky: A Night on the Bare Mountain / Strauss: Till Eulenspiegel / Don Juan
38▶CD: Dvořák: Symphony no. 8 / Symphonic Variations
39▶CD: Dvořák: Symphony no. 9 “From the New World” / Symphony no. 7
40▶CD: Dvořák: Legends nos. 1–10, op. 59 / Romance / Nocturne op. 40
41▶CD: Dvořák: Serenade for Strings in E major, op. 22 / Janáček: Capriccio / Concertino
42▶CD: Sullivan: Pineapple Poll / Savoy Opera Overtures
43▶CD: Sullivan: Pineapple Poll [1960]
44▶CD: Sullivan: Pineapple Poll / Verdi: The Lady and the Fool
45▶CD: Janáček: Sinfonietta / Four Preludes
46▶CD: Elgar: Enigma Variations / Falstaff Symphonic Study
47▶CD: Dvorák: Slavonic Dances / Smetana: The Bartered Bride Polka & Furiant / Brahms: Hungarian Dances 5 & 6 / Bartok: Romanian Folk Dances / Enescu: Romanian Rhapsody no. 1
48▶CD: Sullivan: Cello Concerto in D / Herbert: Cello Concerto no. 2 / Elgar: Romance
49▶CD: Puccini Arias: Monsterrat Caballé
50▶CD: Mahler: Symphony no. 1 “Titan”
51▶CD: Mahler: Symphony no. 5
52▶CD: Mahler: Des Knaben Wunderhorn / Reger: An die Hoffnung / Berg: 7 Frühe Lieder
53▶CD: Delius: Paris / Double Concerto / Cello Concerto
54▶CD: Rachmaninoff: Symphony no. 3 / Symphonic Dances
55▶CD: Holst: The Planets
56▶CD: Wolf‐Ferrari / Donizetti / Falla / Smetana / Weinberger: Overtures & Orchestral Excerpts
57▶CD: Brian: Symphony no. 7 / Symphony no. 31 / The Tinker’s Wedding (Comedy Overture)
58▶CD: Stravinsky: The Rite of Spring / Fireworks, op. 4 / Circus Polka / Greeting Prelude “Happy Birthday”
59▶CD: Favourite Music of Eric Coates / Burkhard, Reznicek: Overtures / Copland / Wirén: Serenade
60▶CD: Walton: Symphonies Nos. 1 & 2 / Siesta
61▶CD: Elisabeth Schwarzkopf: More Songs You Love (The Christmas Album)
62▶CD: Folk Songs of the British Isles ( Richard Lewis) / Peter Dawson Sings
63▶CD: A Little Nonsense (Owen Brannigan) / Sing the Songs of Britain (Elizabeth Harwood & Owen Brannigan)