Pop & Wave, Volume 5: The Neverending 80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
2Personal Jesus
produttore:
Depeche Mode e Flood (British producer Mark Ellis)
tecnico di missaggio:
François Kevorkian
voce principale:
Dave Gahan
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 13), Pitchfork: The Story of Goth in 33 Songs e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 369)
registrazione di:
Personal Jesus
paroliere e compositore:
Martin L. Gore
editore:
EMI Music Publishing (do not use as a release label!)
Depeche Mode4.254:55
3Dr. Mabuse
registrazione di:
Dr. Mabuse
paroliere:
Ralf Dörper
compositore:
Ralf Dörper, Michael Mertens (German musician & producer) e Andreas Thein
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Propaganda4:16
4Johnny Come Home
produttore:
Andy Cox (Composer) e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
diritti fonografici (℗) detenuti da:
London Records (UK, 1947–1999, re-launched 2011–present) (nel 1985)
video musicali:
Johnny Come Home di Fine Young Cannibals
registrazione di:
Johnny Come Home
autore:
Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
editore:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (nel 1985)
Fine Young Cannibals3.73:33
5Running Up That Hill
assistente tecnico:
Pearse Dunne
tecnico:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench e Nigel Walker (UK producer/engineer/guitarist)
produttore:
Kate Bush
tecnico di missaggio:
Brian Tench
balalaika :
Paddy Bush
basso :
Del Palmer
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra :
Alan Murphy (UK session guitarist)
voce:
Kate Bush
diritti fonografici (℗) detenuti da:
EMI America Records (holding – file NO releases here!) (nel 1985), EMI Korea (nel 1985), EMI Records (not for release label use!) (nel 1985), EMI Records Group N.A. (nel 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Noble & Brite Ltd. (nel 1985), Novercia Ltd. (nel 1985), Oasis (nel 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (nel 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (nel 2006), Noble and Brite (nel 2011) e Noble & Brite Ltd (nel 2018)
registrata presso:
Wickham Farm Home Studio in Welling, Bexley, London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
video musicali:
Running Up That Hill (music video) di Kate Bush
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 7), Billboard Year-End Hot 100 singles of 2022 (numero: 23), Billboard Hot 100: 2026-01-17 (numero: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 60), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 279)
registrazione di:
Running Up That Hill
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.954:57
6What’s the Colour of Money
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1986)
registrazione di:
What's the Colour of Money?
autore:
Mark Rogers (Hollywood Beyond) e Jamie B. Rose
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Hollywood Beyond43:26
7If I Was
produttore:
Midge Ure
esecutore ospite:
Mark King
arrangiatore:
Midge Ure
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1985)
registrazione di:
If I Was
autore:
Danny Mitchell (Scottish songwriter and member of Messengers) e Midge Ure
Midge Ure45:19
8Mad World
programmazione:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
produttore:
Ross Cullum e Chris Hughes (producer, aka “Merrick”)
batteria :
Manny Elias
chitarra :
Roland Orzabal (UK musician, songwriter and producer)
chitarra basso :
Curt Smith
percussione :
Chris Hughes (producer, aka “Merrick”)
tastiera :
Roland Orzabal (UK musician, songwriter and producer), Curt Smith e Ian Stanley
voce:
Curt Smith
direttore d'orchestra:
Chris Hughes (producer, aka “Merrick”)
esecutore:
Ross Cullum e Phil Palmer (guitarist)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1985)
video musicali:
Mad World di Tears for Fears
registrazione di:
Mad World
paroliere e compositore:
Roland Orzabal (UK musician, songwriter and producer)
editore:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing e Virgin Music Ltd.
Tears for Fears3.953:34
9It Ain’t Necessarily
registrazione cover di:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
paroliere:
Ira Gershwin, Dorothy Heyward (playwright) e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
è stata commissionata da:
Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Bronski Beat4:43
10They All Run After the Carving Knife
registrazione di:
They All Run After the Carving Knife
paroliere e compositore:
Tony Mansfield (producer & songwriter)
New Musik4:53
11My Soul Unwraps Tonight
registrazione di:
My Soul Unwraps Tonight
paroliere e compositore:
Richard Kenton
Savage Progress3:20
12Lessons in Love
tecnico e tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
assistente produttore:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Wally Badarou e Level 42
sassofono ospite :
Gary Barnacle
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1986) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1986)
registrazione di:
Lessons in Love
paroliere:
Boon Gould
autore:
Wally Badarou e Mark King
editore:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Island Visual Arts Ltd., Level 42 Music Ltd. e Ruby Ruby Ltd.
Level 423.63:59
13The Politics of Dancing
registrazione di:
The Politics of Dancing
paroliere e compositore:
Paul Fishman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited e Metric Music Ltd.
Re‐Flex4:14
14Imagination
registrazione di:
Imagination
paroliere e compositore:
Neville Keighley
Belouis Some33:32
15The Night
registrazione di:
The Night
paroliere:
Barbara Addoms
compositore:
Giuseppe Nicolosi
editore:
Sangy Publishing
Valerie Dore6:17
16Ship of Fools
tecnico:
David Jacob
co-produttore:
David Jacob
produttore:
Stephen Hague
registrazione di:
Ship of Fools
autore:
Andy Bell (singer / songwriter for Erasure) e Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
Erasure3:58
17I Won’t Let You Down
registrazione di:
I Won’t Let You Down
autore:
Jim Diamond (Scottish singer/songwriter/guitarist) e Tony Hymas
Ph.D.44:15
18Cry
produttore:
Godley & Creme e Trevor Horn
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1985) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1985)
registrazione di:
Cry
autore:
Lol Creme e Kevin Godley
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e St. Anne’s Music Ltd. (nel 1985)
Godley & Creme43:54
2▼CD
#TitoloArtistaValutazioneDurata
1Sunglasses at Night
tecnico:
Jon Astley, Phil Chapman (engineer) e Andy MacPherson
produttore:
Jon Astley e Phil Chapman (engineer)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 30)
registrazione di:
Sunglasses at Night
paroliere e compositore:
Corey Hart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edition Meridian
Corey Hart3.65:16
2Love Is a Batterfield
produttore:
Neil Geraldo, Peter Coleman e Peter Coleman (British engineer & producer)
tecnico di missaggio:
Neil Giraldo e Peter Coleman (British engineer & producer)
batteria :
Myron Grombacher
chitarra basso :
Roger Capps
chitarra elettrica :
Neil Giraldo
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce:
Pat Benatar
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1983) e Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1984)
registrata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti (nel 1983)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
registrazione di:
Love Is a Battlefield
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
Pat Benatar4.14:02
3You Might Think
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
You Might Think
editore:
Ric Ocasek (nel 1983)
paroliere e compositore:
Ric Ocasek
editore:
Lido Music, Inc.
The Cars4.73:04
4Talking in Your Sleep
tecnico:
Hal Hansford e Jim Sessody
produttore:
Peter Solley (English pianist, songwriter and producer)
tecnico di missaggio:
Neil Kernon e Peter Solley (English pianist, songwriter and producer)
diritti fonografici (℗) detenuti da:
Nemperor Records, Inc. (nel 1983)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti
registrazione di:
Talking in Your Sleep
autore:
Coz Canler (Guitarist, vocals, songwriter), Jimmy Marinos (American drummer), Wally Palmar (Guitarist and songwriter), Mike Skill (Singer, bassist, guitarist, songwriter) e Peter Solley (English pianist, songwriter and producer)
editore:
ForeverEndeavor Music, Inc. (publisher) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Romantics43:50
5Midnight Man
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
registrazione di:
Midnight Man
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son Pty. Ltd.
Flash and the Pan3.654:52
6Rain in May
diritti fonografici (℗) detenuti da:
Nada International C.V. (nel 1981)
registrazione di:
Rain in May
autore:
Chris Meldon e Chris Pilgram (singer, songwriter, arranger, producer)
editore:
Nada Music GmbH e Roba Music (publisher)
Max Werner3:31
7In the Dutch Mountains
tecnico:
Paul Telman
diritti fonografici (℗) detenuti da:
CBS Grammofoonplaten B.V. (not for release label use! NL subsidiary of CBS Records, Inc.) (nel 1987)
registrata presso:
Werf Studio (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
registrazione di:
In the Dutch Mountains
paroliere:
Henk Hofstede
compositore:
Henk Hofstede, Rob Kloet e Robert Jan Stips
editore:
Soss Music (nel 1987)
Nits53:25
8The Riddle
assistente tecnico:
Dave Meegan (producer)
tecnico:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Peter Collins (producer)
voce principale:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984, nel 1985)
video musicali:
The Riddle di Nik Kershaw
registrazione di:
The Riddle
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. e Rondor Musikverlag GmbH
Nik Kershaw3.253:50
9Always
registrazione di:
Always
autore:
David Sterry e Richard Zatorski
editore:
Wheatley Music Pty Ltd.
Real Life3:52
10We Need Protection
registrazione di:
We Need Protection
paroliere:
Geoff Bastow, Eckart Debusmann e Edwin Hind
compositore:
Eckart Debusmann e Edwin Hind
Picnic at the Whitehouse6:24
11Colours of Ever
registrazione di:
Colours of Ever
paroliere:
Marc Berry (Austrian songwriter), Mario Bottazzi e Hans David Bronner (Austrian producer and pianist)
compositore:
Marc Berry (Austrian songwriter) e Hans David Bronner (Austrian producer and pianist)
The Form3:47
12Stand and Deliver
tecnico:
Alan Douglas (Scottish born engineer)
produttore:
Chris Hughes (producer, aka “Merrick”)
batteria :
Chris Hughes (producer, aka “Merrick”) e Terry Lee Miall
chitarra :
Marco Pirroni (British musician and producer)
chitarra basso e voce principale:
Adam Ant (English new wave singer and actor)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1981) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981)
parte di:
The Downloader’s Music Source Book (numero: 145)
registrazione di:
Stand and Deliver
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:05
13Cool for Cats
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1979)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 81)
registrazione di:
Cool for Cats
paroliere:
Chris Difford
compositore:
Glenn Tilbrook
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3.53:07
14John Wayne Is Big Leggy
registrazione di:
John Wayne Is Big Leggy
autore:
Paul Caplin, Kate Garner e Jeremy Healy
editore:
Carlin Music Corporation, Chrysalis Music Ltd. (music publisher, affiliated with PRS) e EMI Music Publishing Ltd. (PRS‐affiliated)
Haysi Fantayzee3:19
15Our Lips Are Sealed
tecnico:
Jeremy Green
produttore:
David Byrne (Talking Heads)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984)
registrazione cover di:
Our Lips Are Sealed
autore:
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall e Jane Wiedlin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music e Plangent Visions Music
Fun Boy Three3:34
16Heaven
tecnico:
Steve Hodge (engineer and producer)
tecnico aggiunto:
Dave Wittman
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Dave Wittman
basso :
Tim Butler (co‐founder of The Psychedelic Furs)
batteria e percussione :
Keith Forsey (drummer, producer and songwriter) e Tommy Price
chitarra :
John Ashton
sassofono :
Mars Williams (US jazz and rock saxophonist)
voce:
Richard Butler (singer)
remixer:
Dave Wittman
arrangiatore:
The Psychedelic Furs
registrazione di:
Heaven
paroliere:
Richard Butler (singer)
autore:
Tim Butler (co‐founder of The Psychedelic Furs)
editore:
EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
The Psychedelic Furs53:21
17Name and Number
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1989)
registrazione di:
Name and Number
autore:
Julian Godfrey Brookhouse, Michael John McEvoy, Migi Drummond, Glenn Skinner, Nick Thorpe e Ben Volpeliere-Pierrot (singer from Curiosity Killed the Cat)
editore:
Chelsea Music Publishing Co., Ltd., Curio Sounds Ltd., Universal–Songs of PolyGram International, Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Curiosity Killed the Cat4:01
18Kids in America
tecnico di registrazione:
Jeo (dal 1980 al 1981)
programmazione:
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tecnico:
Steve Stewart (engineer, guitarist of The Enid)
produttore:
Ricky Wilde
batteria :
Bernhard Hahn (dal 1980 al 1981), Chris North (UK drummer of The Enid) (dal 1980 al 1981) e Tobias Wörner (dal 1980 al 1981)
chitarra :
Thomas Hahn (dal 1980 al 1981), Charlotte Hatherley (dal 1980 al 1981), Francis Lickerish (dal 1980 al 1981), Steve Stewart (engineer, guitarist of The Enid) (dal 1980 al 1981), James Stevenson (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
chitarra basso :
Martin Russell (recording engineer, producer, composer & musician) (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981), Robert John Godfrey (member of The Enid) (dal 1980 al 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (dal 1980 al 1981), Derek von Krogh (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
tastiera aggiunto:
Nick Priessnitz (dal 1980 al 1981)
voce:
Kim Wilde (dal 1980 al 1981)
voce di accompagnamento:
D. Janz (dal 1980 al 1981), M. Janz (dal 1980 al 1981), N. Janz (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
voce principale:
Charlotte Hatherley (dal 1980 al 1981) e Kim Wilde (dal 1980 al 1981)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1996, nel 2001), EMI France (nel 1993) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrata presso:
Amira Studio (dal 1980 al 1981), RAK Studios in London (Greater London), England, Regno Unito (dal 1980 al 1981), Soundmastaz Studios (dal 1980 al 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germania (dal 1980 al 1981) e The Lodge Recording Studio in Northampton, Northamptonshire, England, Regno Unito (dal 1980 al 1981)
mixata presso:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germania, RAK Studios in London (Greater London), England, Regno Unito e Studio 77 in Stuttgart, Baden-Württemberg, Germania
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 55)
registrazione di:
Kids in America (dal 1980 al 1981)
autore:
Marty Wilde e Ricky Wilde
editore:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Rickim Music Ltd.
Kim Wilde4.353:23

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ASIN:DE: B00000IB4M [info]

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parte di:Pop & Wave (numero: 5) (ordine: 19)