The Ultimate Singer/Songwriter Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistRatingLength
1A Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.34:10
2Cat's in the Cradle
producer:
Paul Leka
arranger:
Paul Leka
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
recorded at:
Connecticut Recording Studios in Connecticut, United States
recording of:
Cat’s in the Cradle
writer:
Sandra Campbell Chapin and Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:48
3Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.253:03
4You Belong to Me
alto saxophone:
David Sanborn
bass:
Gordon Edwards (funk/soul bassist)
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Cornell Dupree and Eric Gale
electric piano:
Richard Tee
background vocals:
Carly Simon and James Taylor (singer-songwriter and guitarist)
vocals:
Carly Simon
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and Rhino Entertainment Company (not for release label use!) (in 2015)
cover recording of:
You Belong to Me (Carly Simon/Michael McDonald song)
writer:
Michael McDonald (R&B & soul singer) and Carly Simon
publisher:
C’est Music, Kobalt Music Publishing Ltd. (UK), Snug Music and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Carly Simon3:53
5Lovers in a Dangerous Time
producer:
Kerry Crawford and Jon Goldsmith
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 18)
recording of:
Lovers in a Dangerous Time
lyricist and composer:
Bruce Cockburn (Canadian singer‐songwriter and guitarist)
Bruce Cockburn4.54:07
6Hard to Say
engineer and mixer:
Marty Lewis (engineer)
producer:
Dan Fogelberg and Marty Lewis (engineer)
acoustic guitar and electric guitar [lead & rhythm electric guitar]:
Dan Fogelberg
bass:
Norbert Putnam
congas, drums (drum set) and timbales:
Russ Kunkel (session drummer)
electric piano:
Michael Utley
tenor saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
background vocals [harmony vocals]:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
vocals:
Dan Fogelberg
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
mixed at:
Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
Hard to Say
composer:
Dan Fogelberg
publisher:
EMI April Music Inc. and Hickory Grove Music
Dan Fogelberg3:59
7Suzanne
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
lead vocals:
Leonard Cohen (Canadian singer‐songwriter and poet)
conductor:
John Simon (US producer, arranger, composer, songwriter and musician)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 284)
recording of:
Suzanne (English original song by Leonard Cohen) (in 1967)
lyricist:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. and Writers Workshop Ltd.
Leonard Cohen4.153:50
8Lay Lady Lay
producer:
Bob Johnston (US record producer and early rockebilly singer)
guitar and lead vocals:
Bob Dylan (on 1969-02-14)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969)
recording of:
Lay, Lady, Lay (on 1969-02-14)
additional lyricist:
Bob Dylan (in 1976)
lyricist and composer:
Bob Dylan (from 1968 until 1969)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Big Sky Music (publisher for Bob Dylan) (from 1969 to present)
sub-publisher:
Sonora Musikförlags AB
Bob Dylan4.13:19
9Poetry Man
assistant engineer:
Glen Berger
engineer:
Phil Ramone
co-producer:
Phil Ramone
producer:
Dino Airali
acoustic bass guitar [acoustic bass]:
Chuck Delmonico (American bassist)
acoustic guitar [ld. acoustic guiitar]:
Phoebe Snow
harp [harpist]:
Margaret Ross (harp)
organ:
Bob James (US jazz keyboardist, arranger and producer)
percussion:
Ralph MacDonald
tenor saxophone:
John "Zoot" Sims (US jazz saxophonist)
vocals:
Phoebe Snow
phonographic copyright (℗) by:
Shelter Recording Company Inc. (in 1974)
produced at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Poetry Man
lyricist and composer:
Phoebe Snow
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Phoebe Snow54:37
10Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 13)
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.36:39
11Time in a Bottle
producer:
Terry Cashman and Tommy West
vocals:
Jim Croce (on 1971-10-11)
phonographic copyright (℗) by:
R2M Music (BMI) (in 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973), Lastrada Entertainment Co., Ltd. (in 1973) and LeFrak-Moelis Records (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1971-10-11)
recording of:
Time in a Bottle (on 1971-10-11)
lyricist and composer:
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.52:27
12Chuck E's in Love
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Chuck E.’s in Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:30
13Good Time Charlie's Got the Blues
recording of:
Good Time Charlie’s Got the Blues
lyricist and composer:
Danny O’Keefe
publisher:
Burlington Music Co., Ltd., Road Canon Music, Inc., Sixteen Stars Music (BMI-affiliated) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
Danny O’Keefe3:00
14Ooh Baby Baby
recording engineer:
Val Garay
producer:
Peter Asher
alto saxophone [alto sax]:
David Sanborn
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set) [drums]:
Russell Kunkel (session drummer)
electric guitar:
Dan Dugmore
piano:
Don Grolnick
background vocals:
Jim Gilstrap and John Lehman
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1978-05)
cover recording of:
Ooo Baby Baby
writer:
Warren “Pete” Moore and Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Linda Ronstadt53:19
15Crazy Mama
recording engineer:
James Long (engineer) (from 1970-09-29 until 1970-09-30)
bass:
Carl Radle
drums (drum set):
Karl T. Himmel
guitar:
J.J. Cale
slide guitar:
Mac Gayden
background vocals:
Diane Davidson
vocals:
J.J. Cale
recorded at:
Moss Rose Studio in Nashville, Tennessee, United States (from 1970-09-29 until 1970-09-30)
recording of:
Crazy Mama (from 1970-09-29 until 1970-09-30)
lyricist and composer:
J.J. Cale
publisher:
Johnny Bienstock Music
J.J. Cale42:30
16Ol' 55
recorded in:
Hollywood, Los Angeles, California, United States (in 1972)
engineer and mixer:
Richie Moore (engineer)
producer:
Jerry Yester
cello:
Jesse Ehrlich (in 1972)
double bass:
Bill Plummer (in 1972)
drums (drum set) and background vocals:
John Seiter (in 1972)
guitar:
Shep Cooke (in 1972) and Peter Klimes (in 1972)
piano:
Tom Waits (in 1972)
trumpet:
Delbert Bennett (in 1972)
vocals:
Tom Waits (in 1972)
recorded at:
Sunset Hills Studio in Hollywood, Los Angeles, California, United States (in 1972)
mixed at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Ol’ ’55 (in 1972)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
Tom Waits44:00
2CD
#TitleArtistRatingLength
1Goodbye Yellow Brick Road
engineer:
David Hentschel
producer:
Gus Dudgeon
bass guitar:
Dee Murray (in 1973-05)
drums (drum set):
Nigel Olsson (in 1973-05)
electric guitar:
Davey Johnstone (in 1973-05)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
background vocals:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) and Nigel Olsson (in 1973-05)
orchestrator:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder) (in 1973)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 380)
recording of:
Goodbye Yellow Brick Road (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.853:16
2Everybody's Talkin'
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Nilsson3.92:45
3It's Too Late
engineer:
Hank Cicalo
producer:
Lou Adler
congas and electric guitar:
Danny Kortchmar (Danny Kootch)
drums (drum set):
Joel O'Brien
electric bass guitar:
Charles Larkey
electric piano:
Ralph Schuckett (keyboard, composer, producer)
piano:
Carole King
soprano saxophone:
Curtis Amy
vocals:
Carole King
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 219), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 345) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 469)
recording of:
It’s Too Late
lyricist:
Toni Stern
composer:
Carole King
dedicated to:
James Taylor (singer-songwriter and guitarist)
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Carole King43:54
4Walking in Memphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) and Warner Music H.K. Ltd. (in 1997)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 415)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn44:17
5Please Come to Boston
edit of:
Please Come to Boston by Dave Loggins
recording of:
Please Come to Boston
lyricist and composer:
Dave Loggins
Dave Loggins4:09
6If You Could Read My Mind
recording engineer:
Gary Brandt and Lee Herschberg
producer:
Lenny Waronker and Joe Wissert
mixer:
Lee Herschberg
vocals:
Gordon Lightfoot
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 8)
recording of:
If You Could Read My Mind
lyricist and composer:
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Gordon Lightfoot4.63:50
7WildfireMichael Martin Murphey53:15
8I Shot the Sheriff
assistant engineer:
Steve Klein (Engineer)
engineer:
Karl Richardson
producer:
Tom Dowd
drums (drum set):
Jamie Oldaker (from 1974-04-18 until 1974-05-10)
electric bass guitar [Bass]:
Carl Radle (from 1974-04-18 until 1974-05-10)
electronic organ:
Dick Sims (from 1974-04-18 until 1974-05-10)
guitar:
Eric Clapton (from 1974-04-18 until 1974-05-10) and George Terry (guitar player with Clapton in 70's) (from 1974-04-18 until 1974-05-10)
piano:
Albhy Galuten (from 1974-04-18 until 1974-05-10)
background vocals:
Yvonne Elliman (from 1974-04-18 until 1974-05-10) and George Terry (guitar player with Clapton in 70's) (from 1974-04-18 until 1974-05-10)
lead vocals:
Eric Clapton (from 1974-04-18 until 1974-05-10)
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1974) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1974)
recorded at:
Criteria Studios in Miami, Florida, United States (from 1974-04-18 until 1974-05-10)
cover recording of:
I Shot the Sheriff (from 1974-04-18 until 1974-05-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton44:24
9Get Closer
engineer:
Joe Bogan (Recording- and mixing engineer)
producer:
Louie Shelton
background vocals:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews and Carolyn Willis
solo soprano vocals:
Carolyn Willis
performer:
Seals & Crofts
strings arranger:
David Paich
arranger:
Gene Page
recording of:
Get Closer (in 1976)
writer:
Dash Crofts and Jim Seals
Seals & Crofts53:58
10Where Do You Go to My Lovely
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Where Do You Go To (My Lovely)?
lyricist and composer:
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:43
11The Pretender
recording of:
The Pretender
lyricist and composer:
Jackson Browne (American singer-songwriter)
publisher:
Swallow Turn Music and WB Music Corp. (1929–2019)
Jackson Browne4:49
12You Can Leave Your Hat On
engineer and mixer:
Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
piano:
Randy Newman (American singer‐songwriter and score composer)
horn arranger:
Jerry Jumonville
arranger:
Randy Newman (American singer‐songwriter and score composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
Randy Newman3:18
13Try
engineer:
Mike Jones (recording engineer)
producer:
Terry Brown (producer)
lead vocals:
Jim Cuddy
recording of:
Try
writer:
Jim Cuddy and Greg Keelor
Blue Rodeo3.654:05
14Fool (If You Think It's Over)
engineer:
Justin Shirley‐Smith
producer:
Jon Kelly (engineer at Air London Studios) and Chris Rea
phonographic copyright (℗) by:
Magnet Records Ltd. (in 1988)
recorded at:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, United Kingdom (in 2007)
recording of:
Fool (If You Think It’s Over) (in 2007)
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea54:06
15Love and Affection
recording of:
Love and Affection
lyricist and composer:
Joan Armatrading
publisher:
Irving Music (BMI)
Joan Armatrading4:27
16American Pie (Full Length version)
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
electric guitar:
David Spinozza (from 1971-05 until 1971-06)
piano:
Paul Griffin (American pianist, session musician) (from 1971-05 until 1971-06)
vocals:
Don McLean (from 1971-05 until 1971-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971, in 2000)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 131)
recording of:
American Pie (from 1971-05 until 1971-06)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.38:34