100 Hits: 70s Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Queen of Clubs
producer:
Harry Wayne Casey and Richard Finch
recording of:
Queen of Clubs
writer:
Harry Wayne Casey and Richard Finch
KC and the Sunshine Band53:20
2Right Back Where We Started From
recording of:
Right Back Where We Started From
writer:
J. Vincent Edwards and Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Sony/ATV Songs LLC
Maxine Nightingale3:13
3Get It Right Next Time
engineer:
Nick Patrick
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Get It Right Next Time
lyricist and composer:
Gerry Rafferty
publisher:
Stage Three Music Ltd.
Gerry Rafferty34:42
4Street Life
engineer:
John Punter
producer:
Chris Thomas (UK record producer / remixer)
electric bass guitar:
Chris Thomas (UK record producer / remixer) (in 1973-09)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1973), Virgin EG Records Ltd. (in 1973) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1973-09)
recording of:
Street Life (in 1973-09)
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher)
Roxy Music43:28
5Let’s Work Together
engineer:
David Weichman
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
International Sound Studios in Los Angeles, California, United States (on 1969-12-03)
engineered at:
Annex Studios (aka Music Annex or Annex Digital) in San Mateo, California, United States
cover recording of:
Let’s Work Together (on 1969-12-03)
lyricist:
Wilbert Harrison
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. and United Artists Musik GmbH
Canned Heat2.653:13
6Roxette
recording of:
Roxette
composer:
Wilko Johnson
publisher:
EMI United Partnership Ltd.
Dr. Feelgood4.52:56
7I Love Rock ’n’ Roll
bass and lead vocals:
Alan Merrill
drums (drum set):
Paul Varley
guitar:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
recording of:
I Love Rock ’n’ Roll
writer:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows) and Alan Merrill
publisher:
Finchley Music Corp.
The Arrows3:04
848 Crash
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
48 Crash
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music
Suzi Quatro4.53:54
9No More Heroes (radio edit)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
No More Heroes
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers52:57
10Sunday Girl
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Sunday Girl (from 1978-06 until 1978-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
Blondie3.83:04
11Malt and Barley Blues
miscellaneous support:
Chris Kimsey
engineer and producer:
Glyn Johns
bass and guitar:
Benny Gallagher, Graham Lyle and Tom McGuinness
keyboard [keyboards]:
Dennis Coulson and Benny Gallagher
mandolin:
Graham Lyle
percussion:
Hughie Flint
lead vocals [vocals]:
Dennis Coulson, Benny Gallagher and Graham Lyle
phonographic copyright (℗) by:
Capitol Recording (imprint of Capitol Records, Inc.) (in 1971)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Malt and Barley Blues
writer:
Benny Gallagher and Graham Lyle
publisher:
Gallagher & Lyle Music (publisher; do NOT use as release label)
McGuinness Flint2:14
12Oh Boy
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
cover recording of:
Oh, Boy!
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
Mud22:53
13Boy Oh Boy
producer:
Mickie Most (English record producer)
recording of:
Boy Oh Boy
writer:
Roger D. Ferris and Gloria Macari
Racey2:54
14Oh You Pretty Things
recording of:
Oh! You Pretty Things
lyricist and composer:
David Bowie (English singer‐songwriter)
Peter Noone3:06
15I’d Love to Change the World (single edit)
recording of:
I’d Love to Change the World
lyricist and composer:
Alvin Lee
Ten Years After3:14
16Fog on the Tyne
producer:
Bob Johnston (US record producer and early rockebilly singer)
bass and fiddle:
Rod Clements
drums (drum set) and percussion:
Ray Laidlaw
guitar:
Rod Clements, Alan Hull and Si Cowe
harmonica:
Ray Jackson
vocals:
Alan Hull, Ray Jackson and Si Cowe
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1971)
recording of:
Fog on the Tyne
lyricist and composer:
Alan Hull
publisher:
Charisma Music (generic publishing entity, relating to Charisma Music Publishing Co. Ltd. or Charisma Music Publishing USA, Inc.) and Hazy Music
Lindisfarne53:24
17Freedom Come, Freedom Go.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Freedom Come, Freedom Go
writer:
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) and Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and PolyGram Music Publishing
The Fortunes3:21
18Goodbye Sam Hello Samantha
producer:
Norrie Paramor
vocals:
Cliff Richard
recording of:
Goodbye Sam, Hello Samantha
writer:
Peter Callander, Mitch Murray and Geoff Stephens
Cliff Richard2:49
19Just a Smile
recording of:
Just a Smile
writer:
Billy Lyall and David Paton (of Pilot)
Pilot3:07
20Who Was It?
recording of:
Who Was It?
lyricist and composer:
Gilbert O’Sullivan
publisher:
Grand Upright Music Ltd.
sub-publisher:
渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Hurricane Smith3:04
2▼CD
#TitleArtistRatingLength
1Silver Machine (original single version)
producer:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) and Hawkwind
additional bass guitar and additional guitar:
Guy Pratt (on 1972-02-13)
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (on 1972-02-13)
drums (drum set):
Simon King (drummer) (on 1972-02-13)
flute and saxophone:
Nik Turner (on 1972-02-13)
guitar:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13)
synthesizer:
Dik Mik Davies (on 1972-02-13) and Del Dettmar (on 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13), Robert Calvert (on 1972-02-13) and Nik Turner (on 1972-02-13)
remixer:
The Scourge of the Earth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
edit of:
Silver Machine (12″ mix) by Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (on 1972-02-13)
lyricist:
Robert Calvert
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd. and United Partnership Ltd.
recording of:
Silver Machine
lyricist:
Robert Calvert
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd. and United Partnership Ltd.
Hawkwind3.654:40
2Apache Drop Out
producer:
Peter Jenner
phonographic copyright (℗) by:
Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (from 1970 until 2001) and EMI Records (not for release label use!) (from 2001 to present)
produced for:
Blackhill Enterprises
cover recording of:
Apache
composer:
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
cover recording of:
Dropout Boogie
lyricist:
Herb Bermann
writer:
Don van Vliet
publisher:
EMI United Partnership Ltd. and Kama Sutra Music Inc. (USA branch)
Edgar Broughton Band2:44
3Rock’n’Roll Music to the World
recording of:
Rock & Roll Music to the World
lyricist and composer:
Alvin Lee
Ten Years After3:48
4Teacher
engineer:
Andy Johns
bass guitar:
Glenn Cornick
drums (drum set) and percussion:
Clive Bunker
Hammond organ, piano, piano accordion and synthesizer:
John Evan
vocals:
Ian Anderson (of Jethro Tull)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Teacher
lyricist and composer:
Ian Anderson (of Jethro Tull)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Jethro Tull3:50
5I Can’t Tell the Bottom From the Top
recording of:
I Can't Tell the Bottom From the Top
composer:
Guy Fletcher (keyboardist) and Doug Flett (songwriter)
The Hollies3:52
6Tap Turns on the Water
producer:
Mickie Most (English record producer)
recording of:
Tap Turns on the Water
writer:
John Cameron (British composer, arranger and conductor) and Alexis Korner
CCS23:43
7Ball Park Incident
recording of:
Ball Park Incident
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Wizzard3:41
8The Wild One (7″ single version)
recording of:
The Wild One
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal Music–MGB Songs and シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Suzi Quatro2:53
9Rocket
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
Rocket
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Mud4:08
10Julie Anne
recording of:
Julie Anne
writer:
Phil Coulter and Bill Martin (Scottish songwriter & producer)
Kenny3:01
11Touch Too Much
producer:
Mickie Most (English record producer)
bass and lead vocals:
Alan Merrill
drums (drum set):
Paul Varley
guitar:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
recording of:
Touch Too Much (in 1974)
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
Chinnichap (production company and publisher) and RAK Publishing Ltd.
The Arrows53:01
12Dancing the Night Away (edit)
recording of:
Dancing the Night Away
writer:
Nick Garvey and Andy McMaster
publisher:
Ackee Music Inc. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
The Motors3:15
13Since You’ve Been Gone (edit)
Cherie Currie3:42
14Maid in Heaven
producer:
Roy Thomas Baker (producer)
bass and percussion and background vocals:
Charles Tumahai
guitar, keyboard and percussion and lead vocals:
Bill Nelson (English experimental musician)
membranophone and percussion:
Simon Fox (Be Bop Deluxe)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (from 1975-01 until 1975-02)
recording of:
Maid in Heaven (from 1975-01 until 1975-02)
lyricist and composer:
Bill Nelson (English experimental musician)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
Be Bop Deluxe52:27
15She’s No Angel
recording of:
She's No Angel
lyricist and composer:
Ronnie Thomas
Heavy Metal Kids3:39
16She’s a Wind Up
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1977)
recording of:
She's a Windup
writer:
Lee Brilleaux, John Martin (of Dr. Feelgood), Gypie Mayo and John B. Sparks
Dr. Feelgood2:02
17Into the Valley
producer:
David Batchelor
recording of:
Into the Valley
lyricist:
Richard Jobson
composer:
Stuart Adamson
Skids43:12
18Up Against the Wall
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Up Against the Wall
writer:
Roy Butterfield and Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson Band53:35
19Roxy Roller
recording of:
Roxy Roller
writer:
Nick Gilder and James McCulloch
Nick Gilder2:48
20New Girl in the Neighbourhood
Chris Spedding2:33
3▼CD
#TitleArtistRatingLength
1The Man With the Child in His Eyes
engineer:
Jon Kelly (engineer at Air London Studios)
executive producer:
David Gilmour (Pink Floyd)
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
piano, background vocals and lead vocals:
Kate Bush (in 1975-06)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978) and EMI France (in 1995)
recorded at:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (from 1977-07 until 1977-08)
recording of:
The Man With the Child in His Eyes (in 1975-06)
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush
arranger:
Stefan Lievestro (Dutch jazz bassist)
premiered at:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, from 1978 to present) and Kate Bush Music Ltd.
Kate Bush3.652:41
2The Air That I Breathe
engineer:
Mike Jarratt (Recording, mixing and lacquer cutting engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies) (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
The Air That I Breathe
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:03
3Lady Eleanor
producer:
John Anthony (British producer and record executive)
recording of:
Lady Eleanor
lyricist and composer:
Alan Hull
publisher:
Hazy Music
Lindisfarne44:13
4Year of the Cat (edit)
phonographic copyright (℗) by:
Al Stewart (UK folk singer/songwriter) (in 1976)
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4:56
5Night Owl (edit)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1979)
recording of:
Night Owl
lyricist and composer:
Gerry Rafferty
Gerry Rafferty24:25
6All Around My Hat
recording of:
All Around My Hat
writer:
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member), Rick Kemp, Peter Knight (Steeleye Span fiddler) and Maddy Prior
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Peermusic (UK) Limited and Steeleye Span Music Ltd.
is based on:
Farewell He (Farewell She / Fare Thee Well, Cold Winter / All Smiles Tonight)
is based on:
The Nobleman’s Wedding
Steeleye Span4:09
7Oh, Babe What Would You Say
recording of:
Oh Babe, What Would You Say
lyricist and composer:
Eileen Smith (wrote “Oh Babe, What Would you Say”)
publisher:
Beechwood Music Corp., Chappell & Co., Inc. (USA) and Warner/Chappell Music Ltd. (1996–2019)
Hurricane Smith3:28
8Something
recording engineer:
John Kurlander (engineer) (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Tony Colton, Johnny Harris (Scottish composer, conductor) and Norman Newell (in 1984)
vocals:
Shirley Bassey (Welsh singer) (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Johnny Harris (Scottish composer, conductor) and Carl Davis (conductor and composer) (from 1984-07 until 1984-08)
arranger:
Johnny Harris (Scottish composer, conductor)
phonographic copyright (℗) by:
Capitol Records, LLC. (not for release label use! fka Capitol Records, Inc. until 2007) (in 1970) and Towerbell Records (in 1984)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1984-07 until 1984-08)
cover recording of:
Something (from 1984-07 until 1984-08)
lyricist and composer:
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. and Nichion Synch Division (NICHION, INC. Synch Division)
Shirley Bassey33:35
9I’ll Put You Together Again
recording of:
I’ll Put You Together Again
writer:
Don Black (English lyricist) and Geoff Stephens
Hot Chocolate3:53
10You Can Have It All
George McCrae2:54
11Whodunit
recording of:
Whodunit
writer:
Freddie Perren and Keni St. Lewis
Tavares3.53:36
12More Like the Movies
producer:
Ron Haffkine
recording of:
More Like the Movies
composer:
Shel Silverstein
publisher:
Evil Eye Music Inc.
Dr. Hook3:41
13Rock Me Gently
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 1992)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 91)
recording of:
Rock Me Gently
lyricist and composer:
Andy Kim (pop singer & songwriter)
Andy Kim53:29
14Mississippi
phonographic copyright (℗) by:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
lyricist and composer:
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:36
15What I’ve Got in Mind
recording of:
What I’ve Got in Mind
lyricist and composer:
Kenny O’Dell
Billie Jo Spears2:45
16The Secrets That You Keep
recording of:
The Secrets That You Keep
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Mud3:12
17My Last Night With You
bass and lead vocals:
Alan Merrill
drums (drum set):
Paul Varley
guitar:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
recording of:
My Last Night With You
lyricist and composer:
Roger D. Ferris
The Arrows2:35
18Call Me Round
producer:
Alan Parsons (of The Alan Parsons Project)
recording of:
Call Me Round
writer:
Ian Bairnson and David Paton (of Pilot)
Pilot3:03
19Power to All Our Friends
producer:
David Mackay (Australian producer, arranger, musical director)
vocals:
Cliff Richard
part of:
United Kingdom in the Eurovision Song Contest (number: 1973)
recording of:
Power to All Our Friends (1973 song)
lyricist:
Doug Flett (songwriter)
composer:
Guy Fletcher (keyboardist)
Cliff Richard3:02
20No Chance
recording of:
No Chance
lyricist and composer:
Moon Martin
Moon Martin2:41
4▼CD
#TitleArtistRatingLength
1Pyjamarama
recording of:
Pyjamarama
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd. and E.G. Music Ltd. (publisher)
Roxy Music2:54
2Wow
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
lead vocals:
Kate Bush
phonographic copyright (℗) by:
EMI Records (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
recording of:
Wow
lyricist and composer:
Kate Bush
publisher:
Ed. Itaipu, EMI Music Publishing Ltd. (PRS‐affiliated) and Kate Bush Music Ltd.
Kate Bush3.53:44
3Tonight
producer:
Jeff Lynne and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
bass:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (on 1971-04-07)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (on 1971-04-07)
guitar and lead vocals:
Jeff Lynne (on 1971-04-07) and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (on 1971-04-07)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971, in 2005)
recording of:
Tonight (on 1971-04-07)
writer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
The Move53:19
4Urban Guerilla
engineer:
Anton Matthews
producer:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind), Del Dettmar and Hawkwind
12 string guitar:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
drums (drum set):
Simon King (drummer)
electric bass guitar:
Lemmy (“Lemmy” from Motörhead)
flute and saxophone:
Nik Turner
synthesizer:
Del Dettmar and Dik Mik
lead vocals:
Robert Calvert
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) and Nik Turner
phonographic copyright (℗) by:
United Artists (in 1973)
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Urban Guerrilla
lyricist:
Robert Calvert
composer:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
Hawkwind53:40
5Out Demons Out
producer:
Peter Jenner
phonographic copyright (℗) by:
Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (from 1970 until 2001) and EMI Records (not for release label use!) (from 2001 to present)
produced for:
Blackhill Enterprises
recording of:
Out Demons Out
writer:
A. Grant, R. E. Broughton and S. A. Broughton (drummer, with Edgar Broughton Band & Mike Oldfield)
publisher:
Westminster Music Ltd.
Edgar Broughton Band44:48
6Sugar Bee
cover recording of:
Sugar Bee
writer:
Eddie Shuler (Musician, recording engineer, record label owner and songwriter)
publisher:
Fort Knox Music Inc., Intersong Musikverlag GmbH (publisher), Kaymar Publishing, Lark Music Ltd. and Tek Publishing
Canned Heat2:38
7Down at the Doctors
recording of:
Down at the Doctors
lyricist and composer:
Mickey Jupp
publisher:
Bluebeard Music Ltd. and Chrysalis Music (music publisher, ASCAP-affiliated)
Dr. Feelgood3:16
8Na Na Na
recording of:
Na Na Na
lyricist and composer:
John Cameron (British composer, arranger and conductor)
Cozy Powell3:28
9Don’t Take No for an Answer
recording of:
Don’t Take No for an Answer
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson Band4:35
10Dreaming
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 4) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 414)
recording of:
Dreaming (from 1979-05 until 1979-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
Blondie3.753:07
11Something Better Change
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1977-07)
recording of:
Something Better Change (in 1977-07)
lyricist and composer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Albion Music Ltd., Complete Music Ltd. and Irving Music, Inc.
The Stranglers33:37
12Masquerade
recording of:
Masquerade
lyricist and composer:
Richard Jobson
Skids2:48
13Delirious
recording of:
Delirious
Heavy Metal Kids3:43
14My Teenage Queen
Harpo2:53
15Video Life
Chris Spedding3:15
16Ships in the Night (single edit)
recording of:
Ships in the Night
lyricist and composer:
Bill Nelson (English experimental musician)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Beechwood Music Corp., EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated) and Henrees Music co.
Be Bop Deluxe4:03
17I’m on Fire
recording of:
I’m on Fire
lyricist and composer:
Dwight Twilley
Dwight Twilley Band53:17
18Here Comes the Night
Nick Gilder3:04
19We’re an American Band
assistant recording engineer:
Seth Snyder
engineer and producer:
Todd Rundgren
acoustic guitar, congas, electric piano and guitar:
Mark Farner
bass:
Mel Schacher
clavinet, Moog, organ and piano:
Craig Frost
drums (drum set) and percussion:
Don Brewer (drummer for Grand Funk Railroad)
vocals:
Don Brewer (drummer for Grand Funk Railroad) and Mark Farner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1987, in 1991)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 99) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
We’re an American Band
lyricist and composer:
Don Brewer (drummer for Grand Funk Railroad)
publisher:
Brew Music Company
Grand Funk Railroad4.153:27
20Softly Whispering I Love You
engineer:
Peter Vince (engineer, producer)
performer:
Brian Keith and Alan Parker (guitarist & composer)
arranger:
Ken Woodman (British trumpeter, music director, arranger and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom
cover recording of:
Softly Whispering I Love You
writer:
Roger Frederick Cook (US‐based British singer, songwriter and producer) and Roger John Reginald Greenaway
publisher:
Cookaway Music Ltd. (publisher, likely UK-based), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Congregation23:01
5▼CD
#TitleArtistRatingLength
1Lovin’ You
producer:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Stevie Wonder
bass guitar:
Reggie McBride
congas:
Kwasi "Rocki" Dzidzornu
cymbal, drums (drum set), harmonica and piano:
El Toro Negro
drums (drum set) [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) and El Toro Negro
guitar:
Marlo Henderson and Michael Sembello
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:20
2I Don’t Wanna Lose You
recording of:
I Don’t Wanna Lose You
writer:
Mike Burns (songwriter Michael Gerard Burns), Steve Glen and David Most
Kandidate4:26
3Uptown Top Ranking
recording of:
Uptown Top Ranking
writer:
Althea Forrest, Joe Gibbs, Donna Reid and Errol Thompson (Jamaican reggae/dub producer & engineer)
publisher:
Carlin Music and EMI Virgin Music Ltd. (do not use this as a release label!)
Althea & Donna3.53:49
4The Tears of a Clown
producer:
Bob Sargeant
cover recording of:
The Tears of a Clown
lyricist:
Smokey Robinson
composer:
Henry Cosby, Smokey Robinson and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd and Jobette Music (UK) Ltd.
The Beat32:42
5Baby Get It On
Ike & Tina Turner3:11
6Brother
CCS3:26
7Do What You Wanna Do (edit)
T-Connection33:33
8Movin’ (single edit)
producer:
Jeff Lane (soul funk singer, songwriter, arranger, producer)
bass guitar:
Wade Williamston (bassist)
congas:
Sandy Billups (percussionist)
flute, keyboard and timbales:
Randy Muller
guitar:
Joseph Arthur Wong (guitarist)
membranophone:
Larry Payton (drummer)
percussion:
Randy Muller and Morris Price (trumpeter)
saxophone:
Michael Grudge (saxophonist) and Jesse Ward, Jr. (saxophonist)
strings:
Irving Spice (violinist, concertmaster and strings)
trumpet:
Wayne Parris (trumpeter) and Morris Price (trumpeter)
vocals:
Sandy Billups (percussionist), Michael Grudge (saxophonist), Randy Muller, Wayne Parris (trumpeter), Larry Payton (drummer), Morris Price (trumpeter) and Jesse Ward, Jr. (saxophonist)
arranger:
Randy Muller
recording of:
Movin’
lyricist and composer:
Randy Muller and Wade Williamston (bassist)
publisher:
Bravo and Encore Music, Music in Three and State Music Ltd. (publisher) (from 1985 to present)
Brass Construction8:40
9Love Hit Me
recording of:
Love Hit Me
lyricist and composer:
J. Vincent Edwards
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Maxine Nightingale32:48
10Spanish Stroll
bass:
Rubén Sigüenza
guitar:
Willy DeVille and Louis X. Erlanger
membranophone:
Thomas R. "Manfred" Allen, Jr.
piano:
Bobby Leonards
lead vocals:
Willy DeVille
phonographic copyright (℗) by:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2015)
recording of:
Spanish Stroll
lyricist and composer:
Willy DeVille
Mink DeVille53:41
11Storm in a Teacup
recording of:
Storm in a Teacup
writer:
Lynsey Rubin and Ron Roker
publisher:
ATV Kirshner (publisher) (in 1972)
The Fortunes3:15
12Boogie Shoes
producer:
Harry Wayne Casey and Richard Finch
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2004)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 324)
recording of:
Boogie Shoes
writer:
Harry Wayne Casey and Richard Finch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
KC and the Sunshine Band4.352:12
13Don’t Take Away the Music (edit)
recording of:
Don’t Take Away the Music
writer:
Freddie Perren, Keni St. Lewis and Christine Yarian
publisher:
Songs of PolyGram International, Inc. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Tavares3:39
14Boogie Oogie Oogie (single version)
producer:
Fonce Mizell and Larry Mizell
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2002)
recording of:
Boogie Oogie Oogie
writer:
Janice Marie Johnson (Member of "A Taste of Honey") and Perry L. Kibble
publisher:
Conducive Music, Inc. and On Time Music, Inc.
A Taste of Honey2.653:36
15I Can’t Leave You Alone
recording of:
I Can’t Leave You Alone
writer:
Harry Wayne Casey and Richard Finch
publisher:
Peer Music
George McCrae3:09
16Every 1’s a Winner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and Infinity Records Inc. (in 1978)
recording of:
Every 1’s a Winner
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated) and RAK Music Publishing Ltd.
Hot Chocolate4.154:02
17You’re My Everything
recording of:
You’re My Everything
writer:
Lee Garrett and Robert Taylor (Robert Percy Taylor, composer)
Lee Garrett32:59
18This Will Be (An Everlasting Love)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 316)
recording of:
This Will Be (an Everlasting Love)
writer:
Chuck Jackson (songwriter/producer) and Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) and Jay’s Enterprises Inc.
Natalie Cole3.52:51
19Dancin’ Easy
Danny Williams33:18
20Never My Love
Blue Swede2:27

Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 101) (order: 97)