The Box Set Series: ’70s Soul

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1When Will I See You Again
recording of:
When Will I See You Again
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees2:36
2Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
performer:
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Back Stabbers (in 1972)
writer:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden and John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:05
3Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:05
4Thank You (Falettinme Be Mice Elf Again)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 402)
recording of:
Thank You (Falettinme Be Mice Elf Agin) (in 1969)
lyricist and composer:
Sylvester Stewart
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
Sly & the Family Stone4.654:49
5T.S.O.P. (The Sound of Philadelphia)
producer:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) and Bobby Martin (US soul/R&B producer/arranger)
mixer:
Tom Moulton
vocals:
Sheila Ferguson, Valerie Holiday and Fayette Pinkney
arranger:
Bobby Martin (US soul/R&B producer/arranger)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
remix of:
TSOP (The Sound of Philadelphia) (Ferguson, Holiday, Pinkney) by MFSB (Mother Father Sister Brother) feat. The Three Degrees
recording of:
TSOP (The Sound of Philadelphia) (in 1973)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mighty Three Music, Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB featuring The Three Degrees5:49
6O‐o‐h Child
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 12) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 392)
recording of:
O‐o‐h Child
lyricist and composer:
Stan Vincent (1960s/70s pop songwriter)
publisher:
Flamingo Music, Kama Sutra Music Inc. (USA branch), Stan Vincent Music, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Five Stairsteps3.83:14
7Everybody Plays the Fool
recording of:
Everybody Plays the Fool
writer:
J.R. Bailey, Rudy Clark (US songwriter) and Ken Williams (songwriter)
publisher:
Trio Music Company, Alley Music Corp. (in 1991) and Trio Music Co., Inc. (in 1991)
The Main Ingredient3:24
8Rock the Boat
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation3:20
9Midnight Train to Georgia
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 432) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 470)
recording of:
Midnight Train to Georgia
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:39
10The Groove Line
recording of:
The Groove Line
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave7:27
11Strawberry Letter 23
Shuggie Otis3:58
12(If You Let Me Make Love to You Then) Why Can’t I Touch You?
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 74)
Ronnie Dyson3:24
2▼CD
#TitleArtistRatingLength
1Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 411) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
Labelle3.33:57
2The Love I Lost
producer:
Gamble & Huff
performer:
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 470)
recording of:
The Love I Lost (in 1973)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes6:23
3Shining Star
engineer:
George Massenburg
co-producer:
Charles Stepney (musician, producer, arranger and songwriter)
producer:
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire and Charles Stepney (musician, producer, arranger and songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
Shining Star
writer:
Philip Bailey, Lorenzo Dunn and Maurice White (Earth, Wind & Fire)
publisher:
EMI April Music Inc.
Earth, Wind & Fire42:51
4Love Train
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Love Train (in 1972)
lyricist and composer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:59
5Love or Let Me Be Lonely
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 63)
recording of:
Love or Let Me Be Lonely
writer:
Jerry Peters, Anita Porée and Skip Scarborough
publisher:
Porpete Music (BMI)
The Friends of Distinction3:21
6That Lady (Parts 1 & 2)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 17), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 346) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 349)
recording of:
That Lady
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd.
version of:
Who’s That Lady
The Isley Brothers45:35
7Kiss and Say Goodbye
instruments:
MFSB (Mother Father Sister Brother)
background vocals:
Carla Benson, Evette Benton, Barbara Ingram and The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
lead vocals [singing voice on 1st lead]:
Gerald Alston
spoken vocals [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
recording of:
Kiss and Say Goodbye
lyricist and composer:
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and EMI Songs Ltd.
The Manhattans3.54:27
8Family Affair
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 57) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 138)
recording of:
Family Affair
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.353:06
9Best of My Love
producer:
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 334)
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:41
10Ain’t No Stoppin’ Us Now
producer:
Jerry Cohen, Gene McFadden and John Whitehead
arranger:
Jack Faith
recording of:
Ain’t No Stoppin’ Us Now
writer:
Jerry Cohen, Gene McFadden and John Whitehead
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead7:02
11Cherchez la femme / Se si bon
recording of:
Cherchez la femme
writer:
Stony Browder Jr. and August Darnell (singer, songwriter)
Dr. Buzzard’s Original Savannah Band55:48
12Betcha by Golly Wow
performer:
Phyllis Hyman
cover recording of:
Betcha by Golly, Wow (fka “Keep Growing Strong”)
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Norman Connors featuring Phillis Hyman3:46
3▼CD
#TitleArtistRatingLength
1You’ll Never Find Another Love Like Mine
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976)
recording of:
You’ll Never Find Another Love Like Mine
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls4:26
2Didn’t I (Blow Your Mind This Time)
vocals:
The Delfonics (in 1969-11)
orchestra:
The Thom Bell Orchestra (in 1969-11)
mixed at:
Longwear Plating in Long Island, New York, United States (in 1969-11)
recording of:
Didn’t I (Blow Your Mind This Time) (in 1969-11)
writer:
Thom Bell (keyboards, songwriter, producer) (in 1969) and William Hart (of The Delfonics) (in 1969)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Delfonics4.353:22
3Standing in the Safety Zone
Bobby Womack & Brotherhood5:14
4Don’t Leave Me This Way
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3.56:04
5Use Me
engineer:
Bob Hughes (engineer) and Phil Sheer
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
acoustic guitar:
Benorce Blackmon (guitarist, producer, writer)
clavinet and Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger)
drums (drum set) and percussion:
James Gadson (American drummer)
electric bass guitar:
Melvin Dunlap
lead vocals:
Bill Withers
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
recorded at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Use Me
lyricist and composer:
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.353:43
6Boogie Nights
recording engineer and mixer:
James Guthrie
assistant engineer:
Nigel Adams, Peter Silver and Greg Walsh (producer and engineer)
producer:
Barry Blue (singer, producer, and songwriter)
bass guitar:
Mario Mantese
drums (drum set):
Ernest (Bilbo) Berger
guitar:
Eric Johns
keyboard:
Rod Temperton
percussion:
Ernest (Bilbo) Berger and Johnnie Wilder, Jr. (US vocalist for Heatwave)
background vocals:
Johnnie Wilder, Jr. (US vocalist for Heatwave)
lead vocals:
Keith Wilder
conductor:
John Cameron (British composer, arranger and conductor)
orchestrator:
John Cameron (British composer, arranger and conductor)
phonographic copyright (℗) by:
GTO Records Ltd. (holding company - file no releases here!) (in 1976)
produced for:
Indigo (production imprint used by Barry Blue)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Boogie Nights
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave55:04
7Me and Mrs. Jones
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
performer:
MFSB (Mother Father Sister Brother) (in 1972)
brass [horns] arranger and strings arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:46
8Shame
recording of:
Shame
writer:
Reuben Cross and John H. Fitch, Jr.
publisher:
Dunbar Music, Inc. and Mills & Mills Music
Evelyn “Champagne” King4:37
9That’s the Way of the World
engineer:
George Massenburg
co-producer:
Charles Stepney (musician, producer, arranger and songwriter)
producer:
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire and Charles Stepney (musician, producer, arranger and songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 329)
recording of:
That’s the Way of the World
writer:
Charles Stepney (musician, producer, arranger and songwriter), Maurice White (Earth, Wind & Fire) and Verdine White
publisher:
Embassy Music Corporation and EMI April Music Inc.
Earth, Wind & Fire3.355:45
10Jack and Jill
Raydio4:34
11Dream Merchant
cover recording of:
Mr. Dream Merchant
writer:
Jerry Ross (Philadelphia soul composer/producer) and Larry Weiss (American singer-songwriter)
The New Birth4:25
4▼CD
#TitleArtistRatingLength
1Close the Door
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
recording of:
Close the Door
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass5:26
2Dazz
assistant engineer:
Phil Benton
engineer:
Johnny Duncan (producer)
producer:
Brick (US soul funk disco quintet), Johnny Duncan (producer), Jim Healy and Robert E. Lee
strings:
David Arenz, Larry LeMaster (cellist), Heidi Nitchie (violist), Benjamin Picone, Patricio Salvatierra (Strings) and Willard Shull
orchestra:
Atlanta Symphony Players
strings arranger:
Skip Lane
produced for:
Brickhouse Productions (music production company in the mid 1970s)
recorded at:
The Sound Pit in Atlanta, Georgia, United States, Trolley Tracks in College Park, Georgia, United States and Webb IV Recording Studio in Atlanta, Georgia, United States
recording of:
Dazz
writer:
Reginald J. Hargis (funk guitarist, bass player and singer), Eddie Irons and Ray Ransom
publisher:
BMG Gold Songs, H&R Lastrada Music and Silver Cloud Music LLC
part of:
10 Things I Hate About You
Brick45:37
3You Little Trustmaker
recording of:
You Little Trustmaker
lyricist and composer:
Christopher Mark Jackson (funk/soul songwriter, active in the ’60s and ’70s)
The Tymes2:48
4I’ll Always Love My Mama
producer:
Gamble-Huff
performer:
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
recording of:
I’ll Always Love My Mama (in 1973)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden and John Whitehead
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Intruders6:38
5Lean on Me
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
drums (drum set) and percussion:
James Gadson (American drummer) (in 1972)
electric bass guitar:
Melvin Dunlap (in 1972)
electric guitar:
Benorce Blackmon (guitarist, producer, writer) (in 1972)
piano and lead vocals:
Bill Withers (in 1972)
Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger) (in 1972)
strings arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 236)
recording of:
Lean on Me (in 1972)
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.34:17
6Shining Star
recording of:
Shining Star
writer:
Leo Graham Jr. (producer / composer / lyricist) and Paul Richmond (producer - songwriter - bassist)
The Manhattans54:41
7Always and Forever
recording engineer and mixer:
James Guthrie
assistant engineer:
Nigel Adams, Peter Silver and Greg Walsh (producer and engineer)
producer:
Barry Blue (singer, producer, and songwriter)
bass guitar:
Mario Mantese
drums (drum set):
Ernest (Bilbo) Berger
guitar:
Eric Johns
keyboard:
Rod Temperton
percussion:
Ernest (Bilbo) Berger and Johnnie Wilder, Jr. (US vocalist for Heatwave)
background vocals and lead vocals:
Johnnie Wilder, Jr. (US vocalist for Heatwave)
conductor:
John Cameron (British composer, arranger and conductor)
orchestrator:
John Cameron (British composer, arranger and conductor)
phonographic copyright (℗) by:
GTO Records Ltd. (holding company - file no releases here!) (in 1976)
produced for:
Indigo (production imprint used by Barry Blue)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Always and Forever
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.356:15
8Stand!
bass guitar:
Larry Graham (US bassist & singer) (on 1969-02-27)
drums (drum set):
Greg Errico (on 1969-02-27)
guitar:
Freddie Stone (on 1969-02-27)
guitar and keyboard:
Sly Stone (on 1969-02-27)
keyboard:
Rose Stone (on 1969-02-27)
saxophone:
Jerry Martini (on 1969-02-27)
trumpet:
Cynthia Robinson (on 1969-02-27)
vocals:
Larry Graham (US bassist & singer) (on 1969-02-27), Jerry Martini (on 1969-02-27), Freddie Stone (on 1969-02-27), Rose Stone (on 1969-02-27) and Sly Stone (on 1969-02-27)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 241)
recording of:
Stand! (on 1969-02-27)
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone3.53:08
9Got to Be Real
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
edit of:
Got to Be Real (LP / 12" version) by Cheryl Lynn (1970s disco singer)
recording of:
Got to Be Real
writer:
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) and David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. and On Board Music (publisher)
Cheryl Lynn4.53:45
10You Are My Starship
recording of:
You Are My Starship
lyricist and composer:
Michael Henderson (US jazz/funk bassist)
Norman Connors featuring Michael Henderson4:31
11I’ve Got to Use My Imagination
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 9)
recording of:
I’ve Got to Use My Imagination
writer:
Gerry Goffin and Barry Goldberg (blues rock keyboardist and producer)
Gladys Knight & the Pips3.83:30
12Lady Love
recording of:
Lady Love
writer:
Yvonne Gray (Songwriter) and Sherman Marshall
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls4:02