Listen: Third Brief Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

ISBN 1-57259-068-8

Annotation last modified on 2014-05-15 12:38 UTC.

Tracklist

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1▼CD: A 26260
#	Title	Artist	Rating	Length
1	The Bartered Bride: Overture, Part 1 partial recording of: Prodaná nevěsta: Overture (The Bartered Bride: Overture) composer: Bedřich Smetana (composer) part of: Die verkaufte Braut (The Bartered Bride) part of: Prodaná nevěsta (The Bartered Bride)	Bedřich Smetana		1:19
2	The Bartered Bride: Overture, Part 2 partial recording of: Prodaná nevěsta: Overture (The Bartered Bride: Overture) composer: Bedřich Smetana (composer) part of: Die verkaufte Braut (The Bartered Bride) part of: Prodaná nevěsta (The Bartered Bride)	Bedřich Smetana		1:11
3	The Bartered Bride: Overture, Part 3 partial recording of: Prodaná nevěsta: Overture (The Bartered Bride: Overture) composer: Bedřich Smetana (composer) part of: Die verkaufte Braut (The Bartered Bride) part of: Prodaná nevěsta (The Bartered Bride)	Bedřich Smetana		0:30
4	The Bartered Bride: Overture, Part 4 partial recording of: Prodaná nevěsta: Overture (The Bartered Bride: Overture) composer: Bedřich Smetana (composer) part of: Die verkaufte Braut (The Bartered Bride) part of: Prodaná nevěsta (The Bartered Bride)	Bedřich Smetana		1:58
5	The Bartered Bride: Overture, Part 5 partial recording of: Prodaná nevěsta: Overture (The Bartered Bride: Overture) composer: Bedřich Smetana (composer) part of: Die verkaufte Braut (The Bartered Bride) part of: Prodaná nevěsta (The Bartered Bride)	Bedřich Smetana		1:29
6	The Bartered Bride: Furiant recording of: Die verkaufte Braut: II. Furiant (The Bartered Bride: II. Furiant) composer: Bedřich Smetana (composer) (from 1863 until 1870) part of: Three Dances from "The Bartered Bride"	Bedřich Smetana		2:11
7	In Paradisum	[anonymous]		1:22
8	Columba aspexit choir vocals: Gothic Voices (UK vocal group specialising in 11th–15th c. repertoire) soprano vocals: Emma Kirkby (soprano) conductor: Christopher Page (conductor and medieval music scholar) recording of: Symphonia armonie celestium revelationem: Columba aspexit composer: Hildegard von Bingen (German medieval saint) part of: Symphonia armonie celestium revelationum	Hildegard von Bingen		3:51
9	La dousa votz performer: Martin Best recording of: La dousa votz ai auzida lyricist and composer: Bernart de Ventadorn (French poet-composer troubadour, fl. 12th century)	Bernart de Ventadorn		2:07
10	Organum: Alleluia/Nativitas recording of: Alleluia. Nativitas composer: Pérotin (European composer, fl. c. 1200 CE)	Pérotin		2:26
11	Motet: Quant en moy recording of: Quant en moy / Amour et biaute / Amara valde composer: Guillaume de Machaut (French medieval poet & composer)	Guillaume de Machaut		2:19
12	Ave Maris Stella recording of: Ave maris stella composer: Guillaume Dufay (French 15th century composer)	Guillaume Dufay		3:50
13	Pange lingua Mass: Kyrie recording of: Missa Pange lingua: I. Kyrie composer: Josquin des Prez (Franco-Flemish renaissance composer) part of: Missa Pange lingua	Josquin des Prez		3:03
14	Pange lingua Mass: Gloria, Qui tollis recording of: Missa Pange lingua: II. Gloria composer: Josquin des Prez (Franco-Flemish renaissance composer) part of: Missa Pange lingua	Josquin des Prez		2:13
15	Pope Marcellus Mass: Gloria, Qui tollis recording of: Missa Papae Marcelli: II. Gloria composer: Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594) part of: Missa Papae Marcelli	Giovanni Pierluigi da Palestrina		3:34
16	As Vesta Was from Latmos Hill Descending recording of: As Vesta Was From Latmos Hill Descending composer: Thomas Weelkes (English composer & organist, c. 1576–1623) part of: The Triumphs of Oriana (number: 18)	Thomas Weelkes		3:11
17	Galliard: Daphne	[anonymous]		3:12
18	Kemp's Jig	[anonymous]		1:41
19	Motet: O magnum mysterium recording of: O magnum mysterium à 8, Ch. 3 lyricist and composer: Giovanni Gabrieli (composer) part of: Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 3) part of: Concerti di Andrea et di Giovanni Gabrieli	Giovanni Gabrieli		3:14
20	The Coronation of Poppea: Act I: Tornerai? partial recording of: L’ Incoronazione di Poppea: Act 1 composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi		2:25
21	The Coronation of Poppea: Act I: Speranza, tu mi vai? recording of: L' Incoronazione di Poppea: Act 1, Scene 4 Speranza, Tu Mi Vai composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) part of: L’ Incoronazione di Poppea: Act 1	Claudio Monteverdi		1:29
22	Dido and Aeneas: Act III, final scene: Thy hand Belinda, When I am laid recording of: Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) composer: Henry Purcell (Baroque composer) (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell		4:06
23	Dido and Aeneas: Act III, final scene: With drooping wings recording of: Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) composer: Henry Purcell (Baroque composer) (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell		4:12
24	Sonata da Chiesa (Trio Sonata) in F, Op. 3 No.1: I instruments: The Purcell Quartet (UK Baroque quartet) recording of: Sonate da chiesa a trè in F major, op. 3 no. 1: I. Grave composer: Arcangelo Corelli (Italian baroque composer and violinist) (in 1689) part of: Sonate da chiesa a trè in F major, op. 3 no. 1	Arcangelo Corelli		1:37
25	Sonata da Chiesa (Trio Sonata) in F, Op. 3 No.1: II instruments: The Purcell Quartet (UK Baroque quartet) recording of: Sonate da chiesa a trè in F major, op. 3 no. 1: II. Allegro composer: Arcangelo Corelli (Italian baroque composer and violinist) (in 1689) part of: Sonate da chiesa a trè in F major, op. 3 no. 1	Arcangelo Corelli		1:12
26	Sonata da Chiesa (Trio Sonata) in F, Op. 3 No.1: III instruments: The Purcell Quartet (UK Baroque quartet) recording of: Sonate da chiesa a trè in F major, op. 3 no. 1: III. Vivace composer: Arcangelo Corelli (Italian baroque composer and violinist) (in 1689) part of: Sonate da chiesa a trè in F major, op. 3 no. 1	Arcangelo Corelli		2:31
27	Sonata da Chiesa (Trio Sonata) in F, Op. 3 No.1: IV instruments: The Purcell Quartet (UK Baroque quartet) recording of: Sonate da chiesa a trè in F major, op. 3 no. 1: IV. Allegro composer: Arcangelo Corelli (Italian baroque composer and violinist) (in 1689) part of: Sonate da chiesa a trè in F major, op. 3 no. 1	Arcangelo Corelli		0:58
28	Concerto in G, Op. 4 No. 12: I recording of: Violin Concerto in G major, op. 4 no. 12, RV 298: I. Spirituoso e non presto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1716) part of: Violin Concerto in G major, op. 4 no. 12, RV 298	Antonio Vivaldi		2:46
29	Concerto in G, Op. 4 No. 12: II recording of: Violin Concerto in G major, op. 4 no. 12, RV 298: II. Largo composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1716) part of: Violin Concerto in G major, op. 4 no. 12, RV 298	Antonio Vivaldi		2:59
30	Concerto in G, Op. 4 No. 12: III recording of: Violin Concerto in G major, op. 4 no. 12, RV 298: III. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1716) part of: Violin Concerto in G major, op. 4 no. 12, RV 298	Antonio Vivaldi		4:03
31	The Well-Tempered Clavier, Book 1: Fugue No. 4 in C-sharp minor, BWV 849 recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 4 in C-sharp minor, BWV 849: Fugue composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1722) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 4 in C-sharp minor, BWV 849	Johann Sebastian Bach		2:37
32	Etude in C minor, Op. 10 No. 12 "Revolutionary" recording of: Étude in C minor, op. 10 no. 12 “Revolutionary”: Allegro con fuoco composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1831) part of: Études, op. 10	Frédéric Chopin		2:35

2▼CD: A 26261
#	Title	Artist	Rating	Length
1	Brandenburg Concerto No. 5: I, Part 1 partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		2:56
2	Brandenburg Concerto No. 5: I, Part 2 partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		1:16
3	Brandenburg Concerto No. 5: I, Part 3 orchestra: Boston Baroque partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		2:14
4	Brandenburg Concerto No. 5: I, Part 4 orchestra: Boston Baroque partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		3:07
5	Brandenburg Concerto No. 5: I, Part 5 orchestra: Boston Baroque partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		0:27
6	Orchestral Suite No. 3 in D: Air violin [violon concertant]: Fabio Biondi (conductor/violinist) (in 1990-08) choir vocals: La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble) (in 1990-08) orchestra: Le Concert des Nations (in 1990-08) conductor: Jordi Savall (viol player, conductor and composer) (in 1990-08) recorded at: Grande Salle (Arsenal de Metz) in Metz, Moselle, Grand Est (Great East), France (in 1990-08) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1990-08) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		5:58
7	Orchestral Suite No. 3 in D: Gavotte I and II recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		3:49
8	Rodelinda: Massime cosi indegne, Tirannia recording of: Rodelinda, regina de' Longobardi, HWV 19: Atto II, Aria: "Tirannia Gli Diede Il Regno" composer: George Frideric Handel (German‐British baroque composer) librettist: Nicola Francesco Haym part of: Rodelinda, regina de' Longobardi, HWV 19: Atto II recording of: Rodelinda, regina de' Longobardi, HWV 19: Atto II, Recitativo: "Massime Così Indegne" composer: George Frideric Handel (German‐British baroque composer) librettist: Nicola Francesco Haym part of: Rodelinda, regina de' Longobardi, HWV 19: Atto II	Georg Friedrich Händel		3:56
9	Messiah: There were shepherds recording of: Messiah, HWV 56: Part I, no. 14a. Recitative “There were shepherds, abiding in the field” (Soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)	Georg Friedrich Händel		3:06
10	Messiah: Hallelujah Chorus engineer: Martin Atkinson (engineer) and John Dunkerley (engineer) instruments and orchestra: Academy of Ancient Music (in 1979) choir vocals: Christ Church Cathedral Choir, Oxford (in 1979) soprano vocals: Judith Nelson (soprano) conductor: Christopher Hogwood (conductor, harpsichordist) (in 1979) chorus master: Simon Preston (organist, conductor, composer) (in 1979) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1979) composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	5	3:48
11	Cantata No. 4: Christ lag in Todesbanden, Stanza 3 tenor vocals: Charles Daniels (tenor) (in 1993-04) orchestra: The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04) conductor: Andrew Parrott (conductor) (in 1993-04) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-04) recording of: Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (in 1993-04) composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) librettist: Martin Luther (German theologian of the Reformation) (in 1524) part of: Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)	Johann Sebastian Bach		1:59
12	Cantata No. 4: Christ lag in Todesbanden, Stanza 4 choir vocals: Taverner Choir (in 1993-04) orchestra: The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04) conductor: Andrew Parrott (conductor) (in 1993-04) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-04) recording of: Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (in 1993-04) composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) librettist: Martin Luther (German theologian of the Reformation) (in 1524) part of: Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)	Johann Sebastian Bach		2:30
13	Cantata No. 4: Christ lag in Todesbanden, Stanza 7 choir vocals: Taverner Choir (in 1993-04) orchestra: The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04) conductor: Andrew Parrott (conductor) (in 1993-04) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1993-04) recording of: Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (in 1993-04) composed in: Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708) revised in: Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) librettist: Martin Luther (German theologian of the Reformation) (in 1524) part of: Breitkopf 389 Choralgesänge (number: 41) part of: Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)	Johann Sebastian Bach		1:10
14	Choral Prelude: Christ lag in Todesbanden organ: Hans Helmut Tillmanns (German organist) recording of: Choralvorspiele für Orgel in a-Moll, BWV 625 "Christ lag in Todesbanden" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Das Orgel-Büchlein (number: 27) and Bach-Werke-Verzeichnis (number: BWV 625)	Johann Sebastian Bach		1:30
15	Symphony No. 40 in G Minor, K. 550: I, Part 1 orchestra: Bamberger Symphoniker (Bamberg Symphony) conductor: Eugen Jochum (conductor) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		0:53
16	Symphony No. 40 in G Minor, K. 550: I, Part 2 orchestra: Bamberger Symphoniker (Bamberg Symphony) conductor: Eugen Jochum (conductor) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		3:18
17	Symphony No. 40 in G Minor, K. 550: I, Part 3 orchestra: Bamberger Symphoniker (Bamberg Symphony) conductor: Eugen Jochum (conductor) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		1:12
18	Symphony No. 40 in G Minor, K. 550: I, Part 4 orchestra: Bamberger Symphoniker (Bamberg Symphony) conductor: Eugen Jochum (conductor) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		1:14
19	Symphony No. 40 in G Minor, K. 550: I, Part 5 orchestra: Bamberger Symphoniker (Bamberg Symphony) conductor: Eugen Jochum (conductor) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		1:12
20	Symphony No. 40 in G Minor, K. 550: I, Part 6 orchestra: Bamberger Symphoniker (Bamberg Symphony) conductor: Eugen Jochum (conductor) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) orchestrator: Neal Desby and Edward Trybek composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		0:22
21	Symphony No. 88 in G: I, Part 1 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:18
22	Symphony No. 88 in G: I, Part 2 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:43
23	Symphony No. 88 in G: I, Part 3 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		2:05
24	Symphony No. 88 in G: I, Part 4 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:14
25	Symphony No. 88 in G: I, Part 5 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:13
26	Symphony No. 88 in G: I, Part 6 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:19
27	Symphony No. 88 in G: II, Part 1 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: II. Largo composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		2:25
28	Symphony No. 88 in G: II, Part 2 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: II. Largo composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:07
29	Symphony No. 88 in G: II, Part 3 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: II. Largo composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:53
30	Symphony No. 88 in G: II, Part 4 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: II. Largo composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:03
31	Symphony No. 88 in G: III, Part 1 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:44
32	Symphony No. 88 in G: III, Part 2 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:26
33	Symphony No. 88 in G: III, Part 3 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:29
34	Symphony No. 88 in G: III, Part 4 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: III. Menuetto e Trio composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:55
35	Symphony No. 88 in G: IV, Part 1 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:59
36	Symphony No. 88 in G: IV, Part 2 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		0:50
37	Symphony No. 88 in G: IV, Part 3 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:08
38	Symphony No. 88 in G: IV, Part 4 orchestra: Orchestra of the Eighteenth Century conductor: Frans Brüggen (recorder player, baroque flautist, conductor) partial recording of: Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		1:08
39	Piano Concerto: I (excerpt) partial recording of: Concerto for Piano and Orchestra, op. 42 composer: Arnold Schönberg (Arnold Schoenberg, composer) (from 1942-06-27 until 1942-12-30) part of: Works of Arnold Schönberg by opus number (number: op. 42)	Arnold Schönberg		2:05
40	Pierrot lunaire: 18. The Moonfleck, Part 1 partial recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 18. „Der Mondfleck“ lyricist: Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh) composer: Arnold Schönberg (Arnold Schoenberg, composer) (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg		0:15
41	Pierrot lunaire: 18. The Moonfleck, Part 2 partial recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 18. „Der Mondfleck“ lyricist: Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh) composer: Arnold Schönberg (Arnold Schoenberg, composer) (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg		0:58
42	Pierrot lunaire: 19. Serenade recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 19. „Serenade“ lyricist: Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh) composer: Arnold Schönberg (Arnold Schoenberg, composer) (in 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg		2:18
43	Pierrot lunaire: 20. Journey Home recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 20. „Heimfahrt (Barcarole)“ lyricist: Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh) composer: Arnold Schönberg (Arnold Schoenberg, composer) (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg		2:03
44	Pierrot lunaire: 21. O Ancient Scent recording of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 21. „O alter Duft“ lyricist: Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh) composer: Arnold Schönberg (Arnold Schoenberg, composer) (until 1912) translator: Otto Erich Hartleben part of: Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil	Arnold Schönberg		1:51

3▶CD: A 26262

4▶CD: B 26263

5▶CD: B 26264

6▶CD: B 26265

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compiler:	Joseph Kerman

Discogs:	https://www.discogs.com/release/8200579 [info]
ASIN:	US: 1572590688 [info]
other databases:	https://www.worldcat.org/oclc/34061264 [info]
discography entry:	https://catalog.princeton.edu/catalog/2189290 [info]

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part of:	Listen (accompanying discs for the books by Kerman and Kerman/Tomlinson) (number: 3) (order: 2)

Listen: Third Brief Edition

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