Ken Burns Jazz: The Story of America’s Music

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

A very decent overview of what Jazz was.
Dig it if you want that kind of Listener Digest "first contact" with jazz.

Annotation last modified on 2013-08-21 20:08 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Stardust
recorded in:
Chicago, Illinois, United States (on 1931-11-04)
alto saxophone:
Lester Boone (on 1931-11-04) and George James (US jazz saxophonist) (on 1931-11-04)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-04)
drums (drum set):
Tubby Hall (on 1931-11-04)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-04)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-04)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-04)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-04)
trumpet:
Louis Armstrong (on 1931-11-04) and Zilner Randolph (on 1931-11-04)
vocals:
Louis Armstrong (on 1931-11-04)
recording of:
Stardust (the jazz standard) (on 1931-11-04)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Louis Armstrong & His Orchestra3:35
2Soon One Mornin’ (Death Come A‐Creepin’ in My Room)
guitar:
Mississippi Fred McDowell
vocals:
Mississippi Fred McDowell
recording of:
Soon One Mornin' (Death Come A-Creepin' in My Room)
writer:
Mississippi Fred McDowell
Mississippi Fred McDowell3:14
3Memphis Blues
recording of:
The Memphis Blues (on 1919-03-07)
lyricist:
George A. Norton (in 1913)
composer:
William Christopher Handy (in 1912)
Lieut. Jim Europe’s 369th Infantry ‘Hell Fighters’ Band2:38
4Livery Stable Blues
recording of:
Livery Stable Blues
composer:
Ray Lopez (New Orleans jazz trumpeter) and Alcide Nunez (American jazz clarinetist)
Original Dixieland Jazz Band3:07
5Charleston
James P. Johnson1:49
6Chimes Blues
recording of:
Chimes Blues (jazz standard)
composer:
King Oliver (jazz cornetist) (in 1923)
instruments arranger:
Lil Hardin Armstrong (in 1923)
King Oliver’s Creole Jazz Band2:52
7Back Water Blues
recorded in:
New York, New York, United States (on 1927-02-17)
piano:
James P. Johnson (on 1927-02-17)
vocals:
Bessie Smith (Tennessee blues singer) (on 1927-02-17)
recording of:
Backwater Blues (on 1927-02-17)
lyricist and composer:
Bessie Smith (Tennessee blues singer) (in 1927)
piano arranger:
James P. Johnson (in 1927)
Bessie Smith3:19
8The Pearls
recording of:
The Pearls
composer:
Ferdinand Joseph LaMothe
Jelly Roll Morton2:51
9Dead Man Blues
banjo:
Johnny St. Cyr (on 1926-09-21)
clarinet:
Barney Bigard (on 1926-09-21), Darnell Howard (on 1926-09-21) and Omer Simeon (on 1926-09-21)
cornet:
George Mitchell (US jazz trumpeter and cornet player) (on 1926-09-21)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1926-09-21)
drums (drum set):
Andrew Hilaire (on 1926-09-21)
other instruments:
Marty Bloom (on 1926-09-21)
piano:
Jelly Roll Morton (on 1926-09-21)
trombone:
Kid Ory (on 1926-09-21)
vocals:
Johnny St. Cyr (on 1926-09-21) and Jelly Roll Morton (on 1926-09-21)
conductor:
Jelly Roll Morton (on 1926-09-21)
remasters:
Dead Man Blues (take 1) by Jelly Roll Morton’s Red Hot Peppers
recording of:
Dead Man Blues (on 1926-09-21)
composer:
Ferdinand Joseph LaMothe
Jelly Roll Morton’s Red Hot Peppers43:15
10Wild Cat Blues
Clarence Williams’ Blue Five3:02
11Cake Walkin’ Babies (From Home)
recorded in:
New York, New York, United States (on 1925-01-08)
banjo:
Buddy Christian (on 1925-01-08)
cornet:
Louis Armstrong (on 1925-01-08)
piano:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (on 1925-01-08)
soprano saxophone:
Sidney Bechet (on 1925-01-08)
trombone:
Charlie Irvis (on 1925-01-08)
vocals:
Eva Taylor (on 1925-01-08)
recording of:
Cake Walking Babies from Home (on 1925-01-08)
writer:
Chris Smith (Ragtime composer), Henry Troy and Clarence Williams (US jazz pianist, composer, singer and bandleader)
Clarence Williams’ Blue Five2:57
12Sugar Foot Stomp
recording of:
Sugar Foot Stomp
composer:
Louis Armstrong and King Oliver (jazz cornetist)
version of:
Dippermouth Blues
Fletcher Henderson and His Orchestra2:50
13Heebie Jeebies
recorded in:
Chicago, Illinois, United States (on 1926-02-26)
banjo:
Johnny St. Cyr (on 1926-02-26)
clarinet:
Johnny Dodds (on 1926-02-26)
cornet and lead vocals:
Louis Armstrong (on 1926-02-26)
piano:
Lil Hardin Armstrong (on 1926-02-26)
trombone:
Kid Ory (on 1926-02-26)
recording of:
Heebie Jeebies (on 1926-02-26)
lyricist and composer:
Boyd Atkins
Louis Armstrong and His Hot Five2:53
14Potato Head Blues
recorded in:
Chicago, Illinois, United States (on 1927-05-10)
banjo:
Johnny St. Cyr (on 1927-05-10)
clarinet:
Johnny Dodds (on 1927-05-10)
cornet:
Louis Armstrong (on 1927-05-10)
drums (drum set):
Baby Dodds (on 1927-05-10)
piano:
Lil Hardin Armstrong (on 1927-05-10)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-10)
tuba:
Pete Briggs (on 1927-05-10)
vocals:
Louis Armstrong (on 1927-05-10)
orchestra:
Louis Armstrong and His Hot Seven (on 1927-05-10)
recording of:
Potato Head Blues (on 1927-05-10)
composer:
Louis Armstrong
Louis Armstrong and His Hot Seven2:57
15West End Blues
recorded in:
Chicago, Illinois, United States (on 1928-06-28)
banjo:
Mancy Cara (on 1928-06-28)
clarinet:
Jimmy Strong (on 1928-06-28)
cymbal:
Zutty Singleton (on 1928-06-28)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-28)
trombone:
Fred Robinson (American trombonist) (on 1928-06-28)
trumpet:
Louis Armstrong (on 1928-06-28)
vocals:
Louis Armstrong (on 1928-06-28)
recording of:
West End Blues (Armstrong recording) (on 1928-06-28)
composer:
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
arrangement of:
West End Blues (original instrumental)
Louis Armstrong and His Hot Five33:20
16The Mooche
recorded in:
New York, New York, United States (on 1928-10-01)
alto saxophone:
Harry Carney (on 1928-10-01) and Johnny Hodges (on 1928-10-01)
banjo:
Fred Guy (on 1928-10-01)
baritone saxophone:
Harry Carney (on 1928-10-01)
clarinet:
Barney Bigard (on 1928-10-01), Harry Carney (on 1928-10-01) and Johnny Hodges (on 1928-10-01)
double bass:
Wellman Braud (on 1928-10-01)
drums (drum set):
Sonny Greer (on 1928-10-01)
guitar:
Lonnie Johnson (American blues and jazz musician) (on 1928-10-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1928-10-01)
soprano saxophone:
Johnny Hodges (on 1928-10-01)
tenor saxophone:
Barney Bigard (on 1928-10-01)
trombone:
Joe Nanton (on 1928-10-01)
trumpet:
Bubber Miley (on 1928-10-01) and Arthur Whetsel (on 1928-10-01)
vocals:
Baby Cox (on 1928-10-01)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader)
recording of:
The Mooche (on 1928-10-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
Duke Ellington & His Orchestra3:14
17East St. Louis Toodle‐Oo
alto saxophone:
Edgar Sampson (on 1926-11-29)
banjo:
Fred Guy (on 1926-11-29)
drums (drum set):
Sonny Greer (on 1926-11-29)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1926-11-29)
reeds:
Otto Hardwick (on 1926-11-26) and Prince Robinson (on 1926-11-29)
saxophone:
Otto Hardwick (on 1926-11-29)
trombone:
Joe Nanton (on 1926-11-29)
trumpet:
Louis Metcalf (on 1926-11-29) and Bubber Miley (on 1926-11-29)
tuba [brass bass]:
Mack Shaw (on 1926-11-29)
recording of:
East St. Louis Toodle‐oo (on 1926-11-29)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
publisher:
Mills Music, Inc.
Duke Ellington & His Orchestra2:54
18Black Beauty
recording of:
Black Beauty
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington3:03
19Mood Indigo
The Jungle Band3:09
20There Ain’t No Sweet Man (Worth the Salt of My Tears)
performer:
Bix Beiderbecke (American jazz cornettist, pianist and composer)
recording of:
There Ain’t No Sweet Man That’s Worth the Salt of My Tears (on 1928-02-08)
lyricist and composer:
Fred Fisher
publisher:
Sony/ATV Tunes LLC (ASCAP)
Paul Whiteman & His Orchestra feat. Bix Beiderbecke3:31
21Singin’ the Blues
recorded in:
New York, New York, United States (on 1927-02-04)
alto saxophone:
Jimmy Dorsey (on 1927-02-04) and Doc Ryker (on 1927-02-04)
clarinet and reeds:
Jimmy Dorsey (on 1927-02-04)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1927-02-04)
drums (drum set):
Chauncey Morehouse (on 1927-02-04)
guitar:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (on 1927-02-04)
piano:
Paul Mertz (Paul Madeira Mertz) (on 1927-02-04)
saxophone [C-melody saxophone]:
Frankie Trumbauer (on 1927-02-04)
trombone:
Miff Mole (on 1927-02-04)
performer:
Bix Beiderbecke (American jazz cornettist, pianist and composer)
arranger:
Fud Livingston
instrumental recording of:
Singin’ the Blues (on 1927-02-04)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Con Conrad and J. Russel Robinson
recording of:
Singin’ the Blues (on 1927-02-04)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Con Conrad and J. Russel Robinson
Frankie Trumbauer and His Orchestra feat. Bix Beiderbecke3:02
22Riverboat Shuffle
performer:
Bix Beiderbecke (American jazz cornettist, pianist and composer)
Frankie Trumbauer and His Orchestra feat. Bix Beiderbecke3:09
23Hotter Than ’Ell
recording of:
Hotter Than 'Ell
composer:
Fletcher Henderson
Fletcher Henderson and His Orchestra2:57
24I Got Rhythm
vocals:
Ethel Waters (on 1930-11-18)
recording of:
I Got Rhythm (on 1930-11-18)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Ethel Waters3:04
2▼CD
#TitleArtistRatingLength
1It Don’t Mean a Thing (If It Ain’t Got That Swing)
alto saxophone:
Harry Carney and Johnny Hodges
banjo:
Fred Guy
baritone saxophone:
Harry Carney
clarinet:
Barney Bigard, Harry Carney and Johnny Hodges
double bass:
Wellman Braud
drums (drum set):
Sonny Greer
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
soprano saxophone:
Johnny Hodges
tenor saxophone:
Barney Bigard
trombone:
Lawrence Brown (jazz trombonist) and Joe "Tricky Sam" Nanton
trumpet:
Freddie Jenkins, Arthur Whetsel and Cootie Williams
valve trombone:
Juan Tizol
lead vocals:
Ivie Anderson
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1932-02-02)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington & His Orchestra3:11
2Echoes of Harlem
recording of:
Echoes of Harlem
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Orchestra3:02
3Moten Swing
Bennie Moten’s Kansas City Orchestra3:26
4St. Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong & His Orchestra3:03
5Ain’t Misbehavin’
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Louis Armstrong & His Orchestra3:15
6For Dancers Only
recording of:
For Dancers Only
writer:
Sy Oliver, Don Raye and Vic Schoen
Jimmie Lunceford and His Orchestra2:40
7King Porter Stomp
recording of:
King Porter Stomp
composer:
Jelly Roll Morton
Benny Goodman and His Orchestra3:12
8Rose Room
The Benny Goodman Sextet2:50
9Sing, Sing, Sing (With a Swing)
recording of:
Sing, Sing, Sing (With a Swing)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Benny Goodman and His Orchestra58:41
10Jumpin’ at the Woodside
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1960-06-09)
double bass:
Eddie Jones (US jazz double bassist) (on 1960-06-09)
drums (drum set):
Sonny Payne (on 1960-06-09)
guitar:
Freddie Green (on 1960-06-09)
piano:
Count Basie (pianist) (on 1960-06-09)
reeds:
Marshall Royal (on 1960-06-09)
tenor saxophone:
Frank Foster (saxophonist) (on 1960-06-09) and Billy Mitchell (US jazz saxophonist) (on 1960-06-09)
trombone:
Henry Coker (jazz trombonist) (on 1960-06-09), Al Grey (trombone) (on 1960-06-09) and Benny Powell (jazz trombonist) (on 1960-06-09)
trumpet:
Sonny Cohn (on 1960-06-09), Thad Jones (American jazz trumpeter) (on 1960-06-09), Joe Newman (US jazz trumpeter) (on 1960-06-09) and Snooky Young (on 1960-06-09)
woodwind:
Frank Wess (on 1960-06-09)
recording of:
Jumpin’ at the Woodside (original instrumental) (on 1960-06-09)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Count Basie & His Orchestra3:11
11Sent for You Yesterday and Here You Come Today
Count Basie & His Orchestra2:59
12Lester Leaps In
recorded in:
New York, New York, United States (on 1939-09-05)
recording of:
Lester Leaps In (on 1939-09-05)
composer:
Lester Young (saxophonist) (in 1939)
Count Basie and the Kansas City 73:16
13Oh, Lady Be Good
recorded in:
Chicago, Illinois, United States (on 1936-11-09)
producer:
John Hammond (producer)
clarinet:
Lester Young (saxophonist)
double bass and double bass [string bass]:
Walter Page (on 1936-11-09)
drums (drum set):
Jo Jones (US jazz drummer) (on 1936-11-09)
piano:
Count Basie (pianist) (on 1936-11-09)
tenor saxophone:
Lester Young (saxophonist) (on 1936-11-09)
trumpet:
Carl "Tatti" Smith (trumpeter) (on 1936-11-09)
instrumental recording of:
Oh, Lady Be Good! (on 1936-11-09)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Jones‐Smith Incorporated3:09
14Without Your Love
clarinet:
Edmond Hall (American jazz clarinetist, bandleader) (on 1937-06-15)
double bass:
Walter Page (on 1937-06-15)
drums (drum set):
Jo Jones (US jazz drummer) (on 1937-06-15)
guitar:
Freddie Green (on 1937-06-15)
piano:
James Sherman (pianist, arranger and songwriter) (on 1937-06-15)
tenor saxophone:
Lester Young (saxophonist) (on 1937-06-15)
trumpet:
Buck Clayton (on 1937-06-15)
vocals:
Billie Holiday (on 1937-06-15)
recording of:
Without Your Love (1930s jazz/blues song) (on 1937-06-15)
composer:
Johnny Lange and Fred Stryker
Billie Holiday42:55
15Strange Fruit
producer:
Milt Gabler
alto saxophone and saxophone:
Tab Smith (on 1939-04-20)
double bass:
John Williams (jazz bassist) (on 1939-04-20)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-04-20)
guitar:
Jimmy McLin (on 1939-04-20)
piano:
Sonny White (on 1939-04-20)
tenor saxophone:
Kenneth Hollon (on 1939-04-20) and Stan Payne (on 1939-04-20)
trumpet:
Frankie Newton (on 1939-04-20)
vocals:
Billie Holiday (on 1939-04-20)
recorded at:
Brunswick World Broadcasting Studio in New York, New York, United States (on 1939-04-20)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 1), CBC Music: 10 Songs That Have Changed the World, National Recording Registry (a list of sound recordings that are “culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States”) (number: 1939, inducted: 2002) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 21)
recording of:
Strange Fruit (on 1939-04-20)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday43:15
16God Bless the Child
alto saxophone:
Lester Boone (on 1941-05-09), Ernie Powell (on 1941-05-09) and Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1941-05-09)
double bass:
Grachan Moncur II (bassist) (on 1941-05-09)
drums (drum set):
Herbert Cowans (jazz drummer) (on 1941-05-09)
guitar:
Paul Chapman (US jazz guitar player and singer) (on 1941-05-09)
piano:
Eddie Heywood (on 1941-05-09)
trumpet:
Roy Eldridge (on 1941-05-09)
vocals:
Billie Holiday (on 1941-05-09)
recording of:
God Bless the Child (on 1941-05-09)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday feat. Eddie Heywood and His Orchestra2:57
17Three Little Words
Art Tatum2:27
18Rebecca
Pete Johnson and Big Joe Turner2:44
19Harlem Congo
recorded in:
New York, New York, United States (on 1937-11-01)
alto saxophone:
Chauncey Haughton (on 1937-11-01) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1937-11-01, on 1937-11-10)
alto saxophone and clarinet and clarinet:
Chauncey Haughton (on 1937-11-01)
double bass:
Beverly Peer (on 1937-11-01)
double bass [bass]:
Beverly Peer (on 1937-11-10)
drums (drum set):
Chick Webb (on 1937-11-01, on 1937-11-10)
guitar:
Bobby Johnson (US guitarist) (on 1937-11-01, on 1937-11-10)
piano:
Tommy Fulford (on 1937-11-01, on 1937-11-10)
reeds:
Chauncey Haughton (on 1937-11-01, on 1937-11-10) and Teddy McRae (on 1937-11-10)
tenor saxophone:
Wayman Carver (on 1937-11-01), Teddy McRae (on 1937-11-01) and Elmer Williams (on 1937-11-01)
trombone:
Nat Story (on 1937-11-01, on 1937-11-10) and Sandy Williams (American jazz trombonist) (on 1937-11-01, on 1937-11-10)
trumpet:
Mario Bauzá (on 1937-11-01, on 1937-11-10), Taft Jordan (on 1937-11-01, on 1937-11-10) and Bobby Stark (on 1937-11-01, on 1937-11-10)
woodwind:
Wayman Carver (on 1937-11-01, on 1937-11-10)
conductor:
Chick Webb (on 1937-11-01)
arranger:
Charlie Dixon (Jazz banjoist) (on 1937-11-01)
recording of:
Harlem Congo (on 1937-11-01)
composer:
Harry White (jazz trombonist)
recording of:
Harlem Congo (on 1937-11-10)
composer:
Harry White (jazz trombonist)
Chick Webb and His Orchestra3:18
20A‐Tisket A‐Tasket
performer:
Ella Fitzgerald (American jazz singer)
recording of:
A‐Tisket, A‐Tasket
lyricist:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) and Van Alexander (aka Al Feldman)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13188)
Chick Webb and His Orchestra feat. Ella Fitzgerald2:40
21Shine
recording of:
Shine
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (in 1910)
Django Reinhardt2:59
22Dear Old Southland
recorded in:
New York, New York, United States (on 1937-04-14)
double bass:
Jimmy Jones (Jazz bassist *NOT the pianist*) (on 1937-04-14)
drums (drum set):
Wilbert Kirk (on 1937-04-14)
guitar:
Jimmy Miller (Jazz guitar player) (on 1937-04-14)
piano:
Erskine Butterfield (on 1937-04-14)
soprano saxophone:
Sidney Bechet (on 1937-04-14)
tenor saxophone:
Jerome Pasquall (on 1937-04-14) and Gil White (on 1937-04-14)
trombone:
Chester Burrill (on 1937-04-14) and Chauncey Haughton (on 1937-04-14)
trumpet:
Clarence Brereton (on 1937-04-14), Wendell Culley (jazz trumpeter) (on 1937-04-14) and Demas Dean (trumpeter) (on 1937-04-14)
violin:
Oscar Madera (on 1937-04-14)
lead vocals:
Noble Sissle (on 1937-04-14)
vocals:
Noble Sissle (on 1937-04-14)
performer:
Sidney Bechet
part of:
Master Records, Inc. (by matrix number) (number: M-400)
recording of:
Dear Old Southland (jazz standard)
lyricist:
Henry Creamer (Lyricist) (in 1921)
composer:
Turner Layton (in 1921)
publisher:
Mills Music
Noble Sissle and His Orchestra feat. Sidney Bechet2:35
3▼CD
#TitleArtistRatingLength
1Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Coleman Hawkins3:04
2Cotton Tail
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-05-04)
alto saxophone:
Otto Hardwick (on 1940-05-04) and Johnny Hodges (on 1940-05-04)
alto saxophone [as]:
Johnny Hodges (on 1940-05-04) and Otto Hardwicke (on 1940-05-04)
alto saxophone and clarinet:
Johnny Hodges (on 1940-05-04)
alto saxophone, baritone saxophone and clarinet, baritone saxophone and baritone saxophone [bars]:
Harry Carney (on 1940-05-04)
clarinet:
Harry Carney and Barney Bigard (on 1940-05-04)
clarinet [cl] and clarinet and tenor saxophone:
Barney Bigard (on 1940-05-04)
cornet and cornet [c]:
Rex Stewart (on 1940-05-04)
double bass, double bass [b] and double bass [bass]:
Jimmy Blanton (on 1940-05-04)
drums (drum set) and drums (drum set) [d]:
Sonny Greer (on 1940-05-04)
guitar and guitar [g]:
Fred Guy (on 1940-05-04)
piano and piano [p]:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1940-05-04)
reeds:
Barney Bigard (on 1940-05-04), Harry Carney (on 1940-05-04), Otto Hardwick (on 1940-05-04) and Johnny Hodges (on 1940-05-04)
tenor saxophone:
Ben Webster (on 1940-05-04)
tenor saxophone [ts]:
Barney Bigard (on 1940-05-04) and Ben Webster (on 1940-05-04)
trombone:
Lawrence Brown (jazz trombonist) (on 1940-05-04), Joe "Tricky Sam" Nanton (on 1940-05-04) and Juan Tizol (on 1940-05-04)
trombone [tb]:
Lawrence Brown (jazz trombonist) (on 1940-05-04) and Joe "Tricky Sam" Nanton (on 1940-05-04)
trumpet:
Wallace Jones (on 1940-05-04), Rex Stewart (on 1940-05-04) and Cootie Williams (on 1940-05-04)
trumpet [t]:
Wallace Jones (on 1940-05-04) and Cootie Williams (on 1940-05-04)
valve trombone and valve trombone [vtb]:
Juan Tizol (on 1940-05-04)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Ben Webster
recording of:
Cotton Tail (on 1940-05-04)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Orchestra3:15
3Take the “A” Train
alto saxophone:
Otto Hardwick and Johnny Hodges
baritone saxophone:
Harry Carney
cornet:
Rex Stewart
double bass:
Jimmy Blanton
drums (drum set):
Sonny Greer
guitar:
Fred Guy
tenor saxophone:
Barney Bigard and Ben Webster
trombone:
Lawrence Brown (jazz trombonist) and Joe "Tricky Sam" Nanton
trumpet:
Wallace Jones and Ray Nance
valve trombone:
Juan Tizol
recording of:
Take the “A” Train (original instrumental version) (on 1941-02-15)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington & His Orchestra2:58
4Begin the Beguine
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Claude Bowen (on 1938-07-24), John Best (jazz trumpeter) (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
recorded at and engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
instrumental recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Artie Shaw33:16
5In the Mood
instrumental recording of:
In the Mood (on 1939-08-01)
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
The Glenn Miller Orchestra3.753:37
6Well, Git It!
recording of:
Well, Git It!
writer:
Sy Oliver
Tommy Dorsey3:04
7Solitude
alto saxophone:
Lester Boone (on 1941-05-09), Ernie Powell (on 1941-05-09) and Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1941-05-09)
clarinet and tenor saxophone:
Ernie Powell (on 1941-05-09)
double bass:
Grachan Moncur (bassist) (on 1941-05-09)
drums (drum set):
Herbert Cowens (jazz drummer) (on 1941-05-09)
guitar:
Paul Chapman (US jazz guitar player and singer) (on 1941-05-09)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (on 1941-05-09) and Eddie Heywood (on 1941-05-09)
trumpet:
Roy Eldridge (on 1941-05-09)
lead vocals:
Billie Holiday (on 1941-05-09)
vocals:
Billie Holiday (on 1941-05-09)
orchestra:
Billie Holiday and Her Orchestra (on 1941-05-09)
recording of:
(In My) Solitude (on 1941-05-09)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
Billie Holiday feat. Eddie Heywood and His Orchestra3:16
8Drum Boogie
Gene Krupa3:09
9Salt Peanuts
recording of:
Salt Peanuts
composer:
Kenny Clarke and Dizzy Gillespie
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Dizzy Gillespie3:15
10Groovin’ High
recording of:
Groovin’ High
composer:
Dizzy Gillespie, Frank Paparelli and Charlie Parker (aka “Bird”, jazz alto saxophonist)
Dizzy Gillespie2:43
11Ko‐Ko
recording of:
Ko Ko (on 1945-11-26)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1945)
publisher:
Atlantic Music/BMI (BMI)
Charlie Parker2:56
12Scrapple From the Apple
recording engineer:
Doug Hawkins (sound engineer) (on 1947-11-04)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1947-11-04)
double bass:
Tommy Potter (on 1947-11-04)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-11-04)
piano:
Duke Jordan (on 1947-11-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1947-11-04)
orchestra:
Original Charlie Parker Quintet (on 1947-11-04)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-04)
recording of:
Scrapple From the Apple (on 1947-11-04)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
translator:
Harrie Geelen
part of:
The Real Book (compilation of jazz standards, Volume I)
Charlie Parker3:00
13Embraceable You
instrumental recording of:
Embraceable You (on 1946-10-28)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Charlie Parker3:46
14Get Happy
Bud Powell2:53
15Epistrophy
double bass:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02)
recording of:
Epistrophy (on 1947-07-02)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
Thelonious Monk3:09
16Straight, No Chaser
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Straight, No Chaser (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music
Thelonious Monk2:57
17Manteca
recording of:
Manteca
composer:
Walter “Gil” Fuller (jazz composer & arranger), Dizzy Gillespie and Chano Pozo
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Twenty-Eighth Street Music
Dizzy Gillespie3:09
18Moon Dreams
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1950-03-09)
baritone saxophone:
Gerry Mulligan (on 1950-03-09)
double bass:
Al McKibbon (double bassist) (on 1950-03-09)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1950-03-09)
French horn:
Gunther Schuller (US horn player, conductor, composer) (on 1950-03-09)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1950-03-09)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1950-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-03-09)
tuba:
Bill Barber (Jazz tuba player) (on 1950-03-09)
arranger:
Gil Evans (Canadian–American jazz pianist and composer)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
engineered at:
WOR Studios in New York, New York, United States (on 1950-03-09)
recording of:
Moon Dreams (on 1950-03-09)
composer:
Chummy MacGregor and Johnny Mercer
Miles Davis43:20
19Just Friends
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
Just Friends (on 1949-11-30)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
Charlie Parker3:33
20Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
Louis Armstrong3:07
21They Can’t Take That Away From Me
double bass:
Joe Benjamin (US jazz bassist) (on 1957-02-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1957-02-14)
piano:
John Malachi (on 1957-02-14)
vocals:
Sarah Vaughan (on 1957-02-14)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1957-02-14)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Sarah Vaughan2:43
22Walkin’ Shoes
performer:
Gerry Mulligan
recording of:
Walkin’ Shoes
composer:
Gerry Mulligan
Chet Baker feat. Gerry Mulligan2.453:13
23Fine and Mellow
recording of:
Fine and Mellow
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday8:01
4▼CD
#TitleArtistRatingLength
1Doodlin’
double bass [bass]:
Doug Watkins (on 1954-11-13)
drums (drum set):
Art Blakey (on 1954-11-13)
piano:
Horace Silver (on 1954-11-13)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1954-11-13)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1954-11-13)
recording of:
Doodlin’ (original instrumental version) (on 1954-11-13)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
Horace Silver & The Jazz Messengers6:47
2I Get a Kick Out of You
Clifford Brown & Max Roach7:42
3St. Thomas
recording engineer:
Rudy van Gelder (on 1956-06-22)
double bass:
Doug Watkins (on 1956-06-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-06-22)
piano:
Tommy Flanagan (on 1956-06-22)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-06-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-06-22)
recording of:
St. Thomas (on 1956-06-22)
composer:
Sonny Rollins (American saxophonist)
publisher:
Prestige Music Co. (US, affiliated with BMI)
instrumental recording of:
St. Thomas
composer:
Sonny Rollins (American saxophonist)
publisher:
Prestige Music Co. (US, affiliated with BMI)
Sonny Rollins46:45
4Django
recorded in:
New York, New York, United States (on 1954-12-23)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
bass and double bass:
Percy Heath (on 1954-12-23)
drums (drum set):
Kenny Clarke (on 1954-12-23)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1954-12-23)
vibraphone:
Milt Jackson (on 1954-12-23)
recording of:
Django (on 1954-12-23)
composer:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1954)
publisher:
MJQ Music, Inc.
The Modern Jazz Quartet7:06
5Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, Volume I)
The Dave Brubeck Quartet4.355:26
6So What
recorded in:
New York, New York, United States (on 1959-03-02)
recording engineer:
Fred Plaut (on 1959-03-02)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
So What (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis Sextet4.259:23
7Giant Steps
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, Volume I)
John Coltrane3.354:47
8Rick Kick Shaw
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
recording of:
Rick Kick Shaw (on 1956-09-14)
composer:
Cecil Taylor
Cecil Taylor6:06
9Chronology
recorded in:
Los Angeles, California, United States (on 1959-05-22)
alto saxophone:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer) (on 1959-05-22)
cornet:
Don Cherry (jazz trumpeter) (on 1959-05-22)
double bass:
Charlie Haden (American jazz bassist) (on 1959-05-22)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1959-05-22)
recording of:
Chronology (on 1959-05-22)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
Ornette Coleman6:07
10Original Faubus Fables
recording of:
Original Faubus Fables (Fables of Faubus with lyrics)
lyricist and composer:
Charles Mingus
version of:
Fables of Faubus (instrumental version)
Charles Mingus9:16
11Acknowledgment
recording engineer:
Rudy van Gelder (on 1964-12-09)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Jimmy Garrison (on 1964-12-09)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-12-09)
piano:
McCoy Tyner (jazz pianist) (on 1964-12-09)
tenor saxophone:
John Coltrane (on 1964-12-09)
vocals:
John Coltrane (in 1964-12)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2002)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-12-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 315)
recording of:
A Love Supreme, Part 1: Acknowledgement (on 1964-12-09)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
A Love Supreme (entire suite)
John Coltrane Quartet7:47
5▼CD
#TitleArtistRatingLength
1Hello, Dolly!
recorded in:
New York, United States (on 1963-12-03)
producer:
Mickey Kapp
banjo and guitar:
Anthony Gottuso (Tony Gottuso, guitar) (on 1963-12-03)
bass:
Arvell Shaw (on 1963-12-03)
clarinet:
Joe Darensbourg (on 1963-12-03)
double bass:
Arvell Shaw
drums (drum set):
Danny Barcelona (on 1963-12-03)
piano:
Billy Kyle (on 1963-12-03)
trombone:
Trummy Young (on 1963-12-03)
trumpet:
Louis Armstrong
lead vocals:
Louis Armstrong (on 1963-12-03)
vocals:
Louis Armstrong
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (on 1963-12-03)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
Louis Armstrong42:25
2Desafinado
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Norman Granz and Creed Taylor
bass and guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
bass guitar:
Gene “Joe” Byrd (jazz lyrical bassist)
double bass:
Keter Betts (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
Desafinado (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Stan Getz & Charlie Byrd45:51
3In a Sentimental Mood
recording engineer:
Rudy van Gelder (on 1962-09-26)
producer:
Bob Thiele (producer & songwriter) (on 1962-09-26)
double bass:
Aaron Bell (jazz double bassist) (on 1962-09-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-09-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-09-26)
tenor saxophone:
John Coltrane (on 1962-09-26)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1997)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-09-26)
instrumental recording of:
In a Sentimental Mood (on 1962-09-26)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
Duke Ellington & John Coltrane4:16
4Tourist Point of View
recording of:
Tourist Point of View
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington & His Orchestra5:09
5E.S.P.
double bass:
Ron Carter (US jazz double-bassist) (on 1965-01-20)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-01-20)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-01-20)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1965-01-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1965-01-20)
recorded at:
Columbia Studio ‘D’ in Hollywood, Los Angeles, California, United States (on 1965-01-20)
recording of:
E.S.P. (on 1965-01-20)
composer:
Wayne Shorter (US jazz saxophonist and composer)
Miles Davis Quintet5:30
6Spanish Key (single version)
recording of:
Spanish Key
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis2:51
7Birdland
assistant engineer:
Jerry Hudgins and Brian Risner
engineer:
Ron Malo
assistant producer:
Wayne Shorter (US jazz saxophonist and composer)
co-producer:
Jaco Pastorius
producer:
Jaco Pastorius, Wayne Shorter (US jazz saxophonist and composer) and Joe Zawinul (jazz and fusion keyboard player)
analog synthesizer [Arp 2600]:
Joe Zawinul (jazz and fusion keyboard player)
analog synthesizer [Oberheim Polyphonic], grand piano [acoustic piano] and melodica:
Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)
drums (drum set):
Alex Acuña (from 1976 until 1977)
electric bass guitar [bass] and mandocello:
Jaco Pastorius (from 1976 until 1977)
soprano saxophone and tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 1976 until 1977)
tambourine:
Manolo Badrena (from 1976 until 1977)
vocals:
Jaco Pastorius (from 1976 until 1977) and Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)
orchestrator:
Joe Zawinul (jazz and fusion keyboard player)
recorded at:
Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (from 1976 until 1977)
recording of:
Birdland (instrumental) (from 1976 until 1977)
composer:
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Mulatto Music, Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Weather Report55:58
8Mister Magic
engineer:
Rudy van Gelder (in 1974-11)
producer:
Creed Taylor
alto saxophone and soprano saxophone:
Grover Washington, Jr. (in 1974-11)
baritone saxophone:
Phil Bodner (Woodwind player) (in 1974-11)
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1974-11)
bass trombone:
Tony Studd (in 1974-11)
cello:
Charles McCracken (cellist) (in 1974-11) and Alan Shulman (cellist and composer) (in 1974-11)
drums (drum set):
Harvey Mason (jazz drummer) (in 1974-11)
electric piano and piano:
Bob James (US jazz keyboardist, arranger and producer) (in 1974-11)
flugelhorn and trumpet:
Jon Faddis (in 1974-11) and Marvin Stamm (in 1974-11)
guitar:
Eric Gale (in 1974-11)
percussion:
Ralph MacDonald (in 1974-11)
tenor saxophone:
Jerry Dodgion (in 1974-11) and Grover Washington, Jr. (in 1974-11)
trombone:
Wayne Andre (in 1974-11)
viola:
Al Brown (viola) (in 1974-11) and Manny Vardi (in 1974-11)
violin:
Max Ellen (in 1974-11), Paul Gershman (in 1974-11), Harry Glickman (in 1974-11), Harold Kohon (in 1974-11), Harry Lookofsky (in 1974-11), Joe Malin (in 1974-11), David Nadien (in 1974-11) and Matthew Raimondi (in 1974-11)
conductor:
Bob James (US jazz keyboardist, arranger and producer) (in 1974-11)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1974-11)
recording of:
Mister Magic (Mr. Magic) (in 1974-11)
composer:
Ralph MacDonald and William Salter
Grover Washington, Jr.9:02
9Rockit
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
recording of:
Rockit
writer:
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Bill Laswell (US bass guitarist and record producer)
publisher:
Ensign Music Corporation
Herbie Hancock3:57
10Un ange en danger
engineer:
Philippe Cerboneschi
producer:
Jimmy Jay (french hip hop) and Pigale Boom Bass
double bass:
Ron Carter (US jazz double-bassist)
vocals:
MC Solaar
recorded at:
Studio Plus XXX (Closed in 2008, then bought by Talk Over) in Paris, Île-de-France, France
recording of:
Un ange en danger
writer:
Ron Carter (US jazz double-bassist) and Claude M'Barali
MC Solaar & Ron Carter3:51
11Tanya
recording of:
Tanya
composer:
Donald Byrd (American jazz trumpeter)
Dexter Gordon7:26
12Soon All Will Know
assistant engineer:
Dennis Ferrante
engineer:
Tim Geelan
producer:
Steve Epstein (pedal steel)
double bass [bass]:
Robert Leslie Hurst III (jazz bassist composer) (from 1986-05-29 until 1986-09-25)
drums (drum set):
Jeff "Tain" Watts (jazz drummer) (from 1986-05-29 until 1986-09-25)
piano:
Marcus Roberts ("J Master") (American jazz pianist) (from 1986-05-29 until 1986-09-25)
trumpet:
Wynton Marsalis (from 1986-05-29 until 1986-09-25)
arranger:
Wynton Marsalis
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1986-05-29 until 1986-09-25)
recording of:
Soon All Will Know (from 1986-05-29 until 1986-09-25)
composer:
Wynton Marsalis
Wynton Marsalis3:37
13Death Letter
engineer and mixer:
Danny Kopelson
producer:
Craig Street
acoustic guitar:
Brandon Ross
banjo and electric guitar:
Kevin Breit
bass:
Mark Anthony Peterson
drums (drum set) and percussion:
Dougie Bowne
mouth harp and percussion:
Cyro Baptista (percussionist)
vocals:
Cassandra Wilson
arranger:
Brandon Ross and Cassandra Wilson
edited at:
Sear Sound in New York, New York, United States
cover recording of:
Death Letter
lyricist and composer:
Son House
publisher:
Sondick Music
Cassandra Wilson54:14
14Take the “A” Train
recording of:
Take the “A” Train (original instrumental version) (on 1992-10-10)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
Lincoln Center Jazz Orchestra5:35