The History of Pop 1955-1957

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Only You (And You Alone)
Klavier:
Buck Ram (am 1955-04-26)
Sologesang:
Tony Williams (lead singer for The Platters) (am 1955-04-26)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey) (am 1955-04-26)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 10)
recording of:
Only You (am 1955-04-26)
Texter, Verfasser(in) und Komponist(in):
Buck Ram und Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:37
2Island in the Sun
Produzent(in):
Joe Carlton
Bongos:
Noah Rodriguez (am 1957-01-27)
Conga:
Daniel Barrajanos (am 1957-01-27)
flute:
James N. DeMeo (am 1957-01-27) und Harold M. Jones (50s US flautist) (am 1957-01-27)
Gitarre:
Frantz Casséus (am 1957-01-27), Victor Messer (am 1957-01-27) und Millard Thomas (am 1957-01-27)
Kontrabass:
Norman Keenan (am 1957-01-27)
Marimba:
Joe Venuto (am 1957-01-27)
Trompete:
Joseph B. Wilder (am 1957-01-27)
Chorgesang:
Gilbert E. Adkins (am 1957-01-27), Irving D. Barnes (am 1957-01-27), Leon Bibb (am 1957-01-27), Charles Colman (am 1957-01-27), Stephen Harbachick (baritone) (am 1957-01-27), Marvin Hayes (bass-baritone) (am 1957-01-27), Herbert L. Stubbs (am 1957-01-27), Irving Burgie (am 1957-01-27), Joe N. Kenyon (am 1957-01-27), Leroy B. Thompson (am 1957-01-27), Samuel R. McCurry (am 1957-01-27), John Nielsen (am 1957-01-27), Brock Peters (am 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (am 1957-01-27), Rodester Timmons (am 1957-01-27) und William Stewart (choral vocals in Harry Belafonte recordings) (am 1957-01-27)
Sologesang:
Harry Belafonte (am 1957-01-27)
vocals:
Harry Belafonte
conductor:
Robert DeCormier (American composer and conductor) (am 1957-01-27)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1957-01-27)
recording of:
Island in the Sun (am 1957-01-27)
Verfasser(in):
Harry Belafonte und Lord Burgess
publisher:
Caribe Music Corp., Cherry Lane Music Publishing und Clara Music Publ. Corp.
Harry Belafonte3:25
3All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers2:22
4Little Things Mean a Lot
John Gary2:12
5Mi casa, su casa
recording of:
Mi Casa Su Casa
Verfasser(in):
Al Hoffman und Dick Manning (American songwriter)
Perry Como3:02
6Suddenly There’s a Valley
Gogi Grant3:00
7Don’t Let the Sun Catch You Crying
Annie Ross4:50
8Born to Be With You
recording of:
Born to Be With You
Texter und Komponist(in):
Don Robertson (“Happy Whistler” songwriter)
The Chordettes2:50
9Mr. Wonderful
cover recording of:
Mr. Wonderful
Verfasser(in):
Jerry Bock, Lawrence Holofcener und George David Weiss
Peggy Lee3:20
10Earth Angel (Will You Be Mine)
recording of:
Earth Angel (Will You Be Mine)
Verfasser(in):
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) und Dootsie Williams (band leader, record producer and record label owne)
publisher:
Dootsie Williams Music (publisher) (in 1986)
Teil von:
Back to the Future: the Musical
The Penguins2:50
11A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
Sologesang:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (am 1957-08-13)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Ella Fitzgerald & Louis Armstrong43:53
12Love Letters in the Sand
Pat Boone2:17
13The Great Pretender
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (lead singer for The Platters)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters52:40
14The Wayward Wind
recording of:
The Wayward Wind
Texter und Komponist(in):
Stan Lebowsky und Herb Newman
Gogi Grant22:58
15Ivory Tower
recording of:
Ivory Tower
Verfasser(in):
Jack Fulton (US jazz trombonist, composer & vocalist) und Lois Steele
Cathy Carr32:36
16Love Is a Many Splendored Thing
Orchester:
Jack Pleiss’ Orchestra
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1955)
recording of:
Love Is a Many‐Splendored Thing
Texter:
Paul Francis Webster
Komponist(in):
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1955 winner)
The Four Aces32:59
17In the Still of the Night
Produzent(in):
Marty Kugell
Klavier:
Curlee Glover (in 1956-02)
Kontrabass:
Doug Murray (double bassist) (in 1956-02)
Schlagzeug [drums]:
Bobby Mapp (in 1956-02)
Solo-Saxophon:
Vinny Mazzetta (in 1956-02)
vocals:
Al Denby (in 1956-02), Jim Freeman (American singer and songwriter) (in 1956-02), Ed Martin (in 1956-02), Nat Mosley (in 1956-02) und Fred Parris (in 1956-02)
phonographisches Urheberrecht (℗) von:
Standard Records (in 1956)
aufgenommen bei:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Vereinigte Staaten (in 1956-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 170)
recording of:
In the Still of the Night (Five Satins doo-wop song) (in 1956)
Texter und Komponist(in):
Fred Parris
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Llee Corp. (LLEE Corporation) (in 1956)
Five Satins4.53:04
18When I Fall in Love
vocals:
Nat King Cole (am 1956-12-28)
conductor:
Gordon Jenkins (am 1956-12-28)
arranger:
Gordon Jenkins
cover recording of:
When I Fall in Love (am 1956-12-28)
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
When I Fall in Love
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole1.53:11
19Around the World (In Eighty Days)
vocals:
Bing Crosby
recording of:
Around the World (Around the World in 80 Days) (am 1956-10-03)
Texter:
Harold Adamson und Stella Unger
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
Teil von:
Around the World in 80 Days (1956 film soundtrack, main theme)
Bing Crosby2:56
20Tammy
Debbie Reynolds3:06
21April Love
conductor:
Billy Vaughn
phonographisches Urheberrecht (℗) von:
Geffen Records. (in 1957)
recording of:
April Love (am 1957-09-15)
Texter:
Paul Francis Webster
Komponist(in):
Sammy Fain
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Leo Feist, Inc.
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 2)
Pat Boone2:43
22The Banana Boat Song (Day-O)
Gitarre:
Millard Thomas
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte)
zusätzlicher Texter:
William Attaway (in 1955) und Irving Burgie (in 1955)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) und Reservoir Media Music
Version von:
Day‐O (The Banana Boat Song) (original folk song)
Harry Belafonte3:06
23Buona Sera, Signorina
Louis Prima2:55
2▼CD
Nr.TitelKünstlerBewertungLänge
1Rock Around the Clock
E-Gitarre:
Danny Cedrone (am 1954-04-12)
Gitarre:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
vocals:
Bill Haley (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & the Comets42:14
2See You Later, Alligator
Bill Haley & the Comets2:46
3Blue Suede Shoes
Gitarre:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) und Jay Perkins (in 1955-12)
Kontrabass:
Clayton Perkins (in 1955-12)
Schlagzeug:
W.S. Holland (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1955, vom 1956 bis heute)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 5) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 95)
recording of:
Blue Suede Shoes (in 1955-12)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:17
4Be Bop a Lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:36
5Great Balls of Fire
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis1:54
6That’ll Be the Day
recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly2:17
7Honeycomb
cover recording of:
Honeycomb (in 1957)
Texter und Komponist(in):
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1954)
Jimmie Rodgers42:17
8The Fool
cover recording of:
The Fool
Texter und Komponist(in):
Naomi Ford
publisher:
Mother Texas Music
recording of:
The Fool
Texter und Komponist(in):
Naomi Ford
publisher:
Mother Texas Music
Sanford Clark2:45
9Butterfly
vocals:
Andy Williams (US pop/jazz vocalist)
conductor:
Archie Bleyer
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
cover recording of:
Butterfly
Verfasser(in):
Bernie Lowe und Kal Mann
publisher:
Mayland‐Presley
Andy Williams2:22
10I’m Walkin’
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1956-1968) in New Orleans, Louisiana, Vereinigte Staaten (am 1957-01-03)
recording of:
I’m Walkin’ (am 1957-01-03)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. und Rolf Budde Musikverlag (aka Budde Music)
Fats Domino42:14
11Hearts of Stone
The Charms2:35
12Melodie d’amour
Interpret(in):
Hugo Winterhalter (Hugo Winterhaller)
The Ames Brothers2:39
13Everybody Loves My Baby
Chris Barber’s Jazz Band3:17
14Maybellene
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1955-05-21)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1955-05-21)
Kontrabass:
Willie Dixon (am 1955-05-21)
Maracas / Rumba-Rasseln [possibly]:
Leonard Chess (am 1955-05-21) und Jerome Green (am 1955-05-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-05-21)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 102)
recording of:
Maybellene (am 1955-05-21)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Salee Music Company
Chuck Berry3.852:22
15Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:18
16Wake Up Little Susie
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 21) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 311)
recording of:
Wake Up Little Susie (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:04
17Stupid Cupid
recording of:
Stupid Cupid
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
Connie Francis2:15
18Mr. Sandman
Produzent(in):
Archie Bleyer
Interpret(in):
The Chordettes
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
recording of:
Mr. Sandman
Texter und Komponist(in):
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
The Chordettes4.32:24
19Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:22
20The Green Door
cover recording of:
Green Door
Texter:
Marvin Moore (songwriter, best known for “Four Walls” and “The Green Door”)
Komponist(in):
Bob Davie
Jim Lowe2:14
21Ko Ko Mo (I Love You So)
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1955) und The Ray Charles Singers (in 1955)
Interpret(in):
Mitchell Ayres and His Orchestra (in 1955)
cover recording of:
Ko Ko Mo (I Love You So)
Verfasser(in):
Forest Gene Wilson (in 1954), Eunice Levy (Member of Gene and Eunice) (in 1954) und Jake Porter (in 1954)
publisher:
Chappell/Morris Ltd. und Meridian Music Corp. (in 1954)
recording of:
Ko Ko Mo (I Love You So)
Verfasser(in):
Forest Gene Wilson (in 1954), Eunice Levy (Member of Gene and Eunice) (in 1954) und Jake Porter (in 1954)
publisher:
Chappell/Morris Ltd. und Meridian Music Corp. (in 1954)
Perry Como2:42
22Hummingbird
cover recording of:
Hummingbird
Texter:
Don Robertson (“Happy Whistler” songwriter)
Komponist(in):
Don Robertson (“Happy Whistler” songwriter) (in 1955)
Les Paul & Mary Ford2:39
23Sixteen Tons
Akustikgitarre:
Bobby Gibbons (am 1955-09-20)
Bassklarinette:
Darol Rice (am 1955-09-20)
Fingerschnippen und Sologesang:
Tennessee Ernie Ford (am 1955-09-20)
Klarinette:
Red Mandel (am 1955-09-20)
Kontrabass [bass]:
Rolly Bundock (am 1955-09-20)
Posaune:
George Bruns (am 1955-09-20)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1955-09-20)
Trompete:
Charlie Parlato (am 1955-09-20)
conductor:
Jack Fascinato (am 1955-09-20)
arranger:
Jack Fascinato
phonographisches Urheberrecht (℗) von:
Bacci Bros Records (in 2010) und Lucky Vintage (in 2014)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-20)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 12)
cover recording of:
Sixteen Tons (am 1955-09-20)
Texter und Komponist(in):
Merle Travis
publisher:
American Music, Inc. und Campbell Connelly & Co. Ltd.
adaptations:
16 Tons
Tennessee Ernie Ford4.652:37
24The Ballad of Davy Crockett
recording of:
The Ballad of Davy Crockett
Texter:
Tom Blackburn
Komponist(in):
George Bruns
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
Bill Hayes2:26
25Walkin’ After Midnight
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1957)
cover recording of:
Walkin’ After Midnight
Texter:
Don Hecht
Komponist(in):
Alan Block und Don Hecht
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
Patsy Cline4.62:36
26Cherry Pink and Apple Blossom White
Solo-Trompete:
Billy Regis
recording of:
Cherry Pink and Apple Blossom White (1951 song, version of “Cerisier rose et pommier blanc”) (in 1955)
Komponist(in):
Louiguy (French composer Louis Guglielmi)
Übersetzer:
Mack David (American lyricist and songwriter)
basiert auf:
Cerisier rose et pommier blanc (1950 song)
Pérez Prado und sein Orchester3:01

Nennungen

Veröffentlichungsgruppe

Teil von:The History of Pop (Reader’s Digest) (Nummer: 1955-1957) (Reihenfolge: 2)