| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Street Life | Randy Crawford | | 4:46 |
| 2 | We Are Family | Sister Sledge | | 3:26 |
| 3 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- Produzent(in):
- Val Garay
- E-Gitarre:
- Waddy Wachtel (in 1981-01)
- Sologesang:
- Kim Carnes (in 1981-01)
- phonographisches Urheberrecht (℗) von:
- Capitol Records, LLC , Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981) und EMI–Manhattan Records (in 1981)
- aufgenommen bei:
- Record One in Sherman Oaks, Los Angeles, California , Vereinigte Staaten (in 1981-01)
- Teil von:
- Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (Nummer: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- Verfasser(in):
- Jackie DeShannon und Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:40 |
| 4 | Upside Down | Diana Ross | 4 | 3:36 |
| 5 | Flashdance... What a Feeling | Irene Cara | | 4:31 |
| 6 | The Shoop Shoop Song (It's in His Kiss) | Cher | 3.2 | 2:49 |
| 7 | Woman to Woman | Beverley Craven | | 4:08 |
| 8 | Hot Stuff | Donna Summer | 3 | 3:50 |
| 9 | I Love to Love | Tina Charles | | 3:01 |
| 10 | Heart of Glass | Blondie | | 3:45 |
| 11 | It's Raining Men | The Weather Girls | 3.55 | 3:30 |
| 12 | Love Is a Battlefield- assistierende(r) Techniker(in):
- Dave Hernandez
- Produzent(in) und Mix:
- Pete Coleman und Neil Giraldo
- assistierende(r) Mix:
- Murray Dvorkin und Bino Espinoza
- Bassgitarre:
- Roger Capps und Donnie Nossov
- Gitarre und Mundharmonika:
- Neil Giraldo
- Keyboard:
- Charles Giordano
- Perkussion:
- Charles Giordano , Neil Giraldo und Myron Grombacher
- Schlagzeug:
- Myron Grombacher
- Sologesang:
- Pat Benatar
- mixed at:
- Soundcastle in Santa Monica, California , Vereinigte Staaten und The Complex Studios in Los Angeles, California , Vereinigte Staaten
- Teil von:
- VH1: 100 Greatest Songs of the 80’s (Nummer: 30)
- recording of:
- Love Is a Battlefield
- Verfasser(in):
- Mike Chapman und Holly Knight
- publisher:
- BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control , EMI Music Publishing Ltd. , Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. , Zomba Music Publishers Ltd. und Zomba Music Publishing Ltd.
| Pat Benatar | 3.65 | 5:21 |
| 13 | Stop | Sam Brown | 4 | 4:01 |
| 14 | Save the Best for Last- Produzent(in):
- Keith Thomas
- arranger:
- Keith Thomas
- zusätzlich arranger:
- Vanessa Williams
- recording of:
- Save the Best for Last
- Verfasser(in):
- Phil Galdston, Jon Lind und Wendy Waldman
- publisher:
- Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. , Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. und Universal PolyGram International Publishing, Inc.
| Vanessa Williams | 3.35 | 3:38 |
| 15 | Puppet on a String | Sandie Shaw | | 2:21 |
| 16 | I Love the Nightlife | Alicia Bridges | 5 | 3:06 |
| 17 | My Guy | Mary Wells | | 3:17 |