Essential: Easy Listening

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Love Me Tender
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
Jon Dodson (von 1956-08-24 bis 1956-09-04, am 1956-09-01), Charles Prescott (von 1956-08-24 bis 1956-09-04, am 1956-09-01) und Rad Robinson (von 1956-08-24 bis 1956-09-04, am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 437)
recording of:
Love Me Tender (von 1956-08-24 bis 1956-09-04)
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
Elvis Presley42:44
2Almost There
recording of:
Almost There (from "I'd Rather Be Rich")
Texter:
Jerry Keller
Komponist(in):
Gloria Adele Shain
publisher:
September Music Corp.
Andy Williams2:58
3Everlasting Love
Love Affair2:57
4Oh! Carol
phonographisches Urheberrecht (℗) von:
BMG Music
recording of:
Oh! Carol (in 1959)
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Universal Music Careers
übersetzte Version von:
Karel (Oh Carol)
Neil Sedaka32:16
5Move Over Darling
Doris Day2:22
6Sunny
cover recording of:
Sunny
Texter und Komponist(in):
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
José Feliciano3:32
7Devil Woman
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
recording of:
Devil Woman
Texter und Komponist(in):
Martin Robinson
Marty Robbins42:52
8I Believe
cover recording of:
I Believe
Verfasser(in):
Ervin Drake (Songwriter), Irvin Graham, Jimmy Shirl (Songwriter) und Al Stillman
publisher:
Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company und TRO Essex Music Ltd.
Frankie Laine2:08
9She Wears Red Feathers
Guy Mitchell3:08
10Half as Much
recorded in:
New York, New York, Vereinigte Staaten (am 1951-08-23)
Produzent(in):
Al Ham und Mitch Miller
vocals:
Rosemary Clooney (am 1951-08-23)
conductor:
Percy Faith (am 1951-08-23)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
cover recording of:
Half as Much (am 1951-08-23)
Texter und Komponist(in):
Curley Williams (in 1951)
publisher:
Fred Rose Music, Inc. (in 1951) und Acuff-Rose Publications, Inc. (BMI) (am 1951-10-17)
Rosemary Clooney32:48
11The End of the World
Techniker(in):
Bill Porter (engineer)
Produzent(in):
Chet Atkins
vocals:
Skeeter Davis
recording of:
The End of the World (in 1962)
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:38
12San Francisco (Be Sure to Wear Flowers in Your Hair)
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.752:59
13Harmony
Ray Conniff2:43
14Cupid
cover recording of:
Cupid
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
Johnny Nash2.53:25
15Because I Love You
Georgie Fame2:52
16An Affair to Remember (Our Love Affair)
recording of:
An Affair to Remember (Our Love Affair)
Texter:
Harold Adamson und Leo McCarey
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
EMI Feist Catalog Inc.
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 2)
Vic Damone with Percy Faith & His Orchestra2:48
17A Shot in the Dark
recording of:
A Shot in the Dark
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
Henry Mancini2:33
18Take Five
Interpret(in):
Carmen McRae
recording of:
Take Five (song version)
Texter:
Dave Brubeck und Iola Brubeck
Komponist(in):
Paul Desmond
Version von:
Take Five (original instrumental version)
Carmen McRae with The Dave Brubeck Quartet2:16
19What Kind of Fool Am I
Anthony Newley3:11
20Blue Bayou
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1961-11-15)
Produzent(in):
Fred Foster
Gitarre:
Fred Carter, Jr. (am 1961-11-15), Wayne Moss (am 1961-11-15) und Joe Tanner (producer, arranger and songwriter of Roy Orbison and others) (am 1961-11-15)
Kontrabass [bass]:
Bob Moore (U.S. bassist and bandleader) (am 1961-11-15)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1961-11-15)
Schlagzeug [drums]:
John Greubel (US drummer) (am 1961-11-15)
vocals:
Roy Orbison (am 1961-11-15)
phonographisches Urheberrecht (℗) von:
Monument Records (company credits for Monument; do NOT use as release label) (in 1974)
recording of:
Blue Bayou (am 1961-11-15)
Texter:
Joe Melson (in 1963) und Roy Orbison (in 1963)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
Roy Orbison42:27
2▼CD
Nr.TitelKünstlerBewertungLänge
1If I Ruled the World
cover recording of:
If I Ruled the World (Pickwick)
Texter:
Leslie Bricusse
Komponist(in):
Cyril Ornadel
publisher:
Delfont Music
Teil von:
Pickwick
Tony Bennett3:02
2For the Good Times
cover recording of:
For the Good Times
Texter und Komponist(in):
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. und Universal Music Careers (in 1968)
Perry Como3:40
3Sway (Quien será)
recording of:
Sway
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
Perez Prado featuring Rosemary Clooney2:39
4From Russia With Love
John Barry2:38
5Because You’re Mine
Mario Lanza3:30
6Theme From “A Summer Place”
recording of:
Theme from “A Summer Place” (original instrumental version)
Komponist(in):
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Percy Faith2:27
7You Are My Destiny
Paul Anka2:28
8Young Girl
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
Texter und Komponist(in):
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:12
9Scarborough Fair
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
vocals:
Art Garfunkel und Paul Simon (of Simon & Garfunkel)
arranger:
Art Garfunkel und Paul Simon (of Simon & Garfunkel)
recording of:
Scarborough Fair / Canticle (am 1966-07-26)
Texter und vorher zugeschrieben zu:
Simon & Garfunkel
Verfasser(in):
[traditional] (special purpose artist), Art Garfunkel und Paul Simon (of Simon & Garfunkel)
publisher:
Fanfare (publisher), Pattern Music Ltd (publisher) und Paul Simon Music
Version von:
Scarborough Fair
Version von:
The Side of a Hill
Simon & Garfunkel4.23:10
10Everybody’s Talkin’
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
früheste Veröffentlichung:
Everybody’s Talkin’ von Nilsson (US singer-songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 51)
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Harry Nilsson3.92:42
11Longer
Techniker(in):
Jeff Guercio und Marty Lewis (engineer)
Produzent(in):
Dan Fogelberg, Marty Lewis (engineer) und Norbert Putnam
Mix:
Marty Lewis (engineer)
Akustikgitarre:
Dan Fogelberg
Harfe:
Gayle Levant (American studio musician, harpist)
Solo-Flügelhorn:
Jerry Hey
vocals:
Dan Fogelberg
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) und Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1980)
mixed at:
Quadrafonic Sound Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Longer
Texter und Komponist(in):
Dan Fogelberg
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Hickory Grove Music
Dan Fogelberg3.153:13
12Hold Me Now
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1987) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987)
Teil von:
Ireland in the Eurovision Song Contest (Irland beim Eurovision Song Contest) (Nummer: 1987) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1987)
recording of:
Hold Me Now (in 1987)
publisher:
Johnny Logan
Komponist(in):
Johnny Logan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Warner Chappell Music (publisher as Warner/Chappell Music)
Johnny Logan43:04
13Behind Closed Doors
recording of:
Behind Closed Doors
Texter und Komponist(in):
Kenny O’Dell
publisher:
House of Gold Music, Inc.
Charlie Rich2:56
14(Something Inside) So Strong
Michael Ball4:12
15Annie’s Song
James Galway3:06
16I’m Your Puppet
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1966)
cover recording of:
I’m Your Puppet
Verfasser(in):
Spooner Oldham und Dan Penn (songwriter, soul singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (1996–2019), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Australia Pty. Ltd.
James & Bobby Purify3:01
17Cry
recording of:
Cry
Texter und Komponist(in):
Churchill Kohlman
Johnnie Ray3:04
18Roses Are Red (My Love)
Bobby Vinton2:38
19Every Day Hurts
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1979) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1979)
recording of:
Every Day Hurts
Verfasser(in):
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter), John Stimpson und Paul Young (Sad Café, Mike + The Mechanics)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und St. Anne’s Music Ltd.
Sad Café44:05
20Coat of Many Colours
recording of:
Coat of Many Colors
Texter und Komponist(in):
Dolly Parton
publisher:
Velvet Apple Music
Dolly Parton3:04
3▼CD
Nr.TitelKünstlerBewertungLänge
1To Love Somebody
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Klavier und Sologesang:
Nina Simone (in 1967)
Schlagzeug:
Don Alias (in 1967)
conductor:
Jimmy Wisner
arranger:
Jimmy Wisner
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-12-20)
cover recording of:
To Love Somebody (am 1967-12-20)
geschrieben in:
New York, New York, Vereinigte Staaten (in 1967)
Verfasser(in):
Barry Gibb (in 1967) und Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
Teil von:
50/50
Nina Simone42:40
2That Ole Devil Called Love
vocals:
Alison Moyet
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
Musikvideos:
That Ole Devil Called Love von Alison Moyet
cover recording of:
That Ole Devil Called Love
Texter:
Doris Fisher (in 1944)
Komponist(in):
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:05
3Every Time You Go Away
cover recording of:
Everytime You Go Away
Texter und Komponist(in):
Daryl Hall
publisher:
Bright Music Ltd. (publisher), Hot Cha Music Co., Intersong Music Ltd., Six Continents Music Publishing, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Everytime You Go Away
Texter und Komponist(in):
Daryl Hall
publisher:
Bright Music Ltd. (publisher), Hot Cha Music Co., Intersong Music Ltd., Six Continents Music Publishing, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Young3:48
4How ’Bout Us
Produzent(in):
Leo Graham (producer / composer / lyricist)
Solo-alto saxophone:
Ken Soderbloom
arranger:
James Mack (Composer, arranger, conductor)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
Bearbeitung von:
How ’Bout Us von Champaign
cover recording of:
How ’bout Us
Texter und Komponist(in):
Dana Walden
publisher:
April Music, Irving Music (BMI) und Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
Texter und Komponist(in):
Dana Walden
publisher:
April Music, Irving Music (BMI) und Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign43:22
5Always and Forever
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
GTO Records (in 1976)
recording of:
Always and Forever
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave33:37
6Don’t Leave Me This Way
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Interpret(in):
Teddy Pendergrass
Bearbeitung von:
Don’t Leave Me This Way von Harold Melvin & The Blue Notes
recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes4.53:53
7Everyday People
Bassgitarre:
Larry Graham (US bassist & singer) (in 1968)
Gitarre:
Freddie Stone (in 1968)
Gitarre und Keyboard:
Sly Stone (in 1968)
Keyboard:
Rose Stone (in 1968)
Saxophon:
Jerry Martini (in 1968)
Schlagzeug:
Greg Errico (in 1968)
Trompete:
Cynthia Robinson (in 1968)
vocals:
Larry Graham (US bassist & singer) (in 1968), Jerry Martini (in 1968), Freddie Stone (in 1968), Rose Stone (in 1968) und Sly Stone (in 1968)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 109), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 145) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 293)
recording of:
Everyday People (in 1968)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.152:21
8Woman in Love
vocals:
Sheila Ferguson, Valerie Holiday und Helen Scott
Bearbeitung von:
Woman in Love (Ferguson, Holiday, Scott) von The Three Degrees
cover recording of:
A Woman in Love (Twiggy song popularized by The Three Degrees)
Verfasser(in):
Dominic Bugatti und Frank Musker
publisher:
Chappell & Co., Inc. (USA), Pendulum Music (publisher), Sea Shanty Music (publisher) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Three Degrees34:12
9I Only Have Eyes for You
recording engineer:
Brooks Arthur
Koproduzent(in):
Art Garfunkel
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
E-Gitarre, Klavier und Schlagzeug:
Andrew Gold
Hybrid-Piano:
Nicky Hopkins (pianist and organist)
Hintergrundgesang:
Stephen Bishop (American singer-songwriter)
Sologesang:
Art Garfunkel
conductor:
Del Newman (British conductor, orchestrator, arranger)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
Art Garfunkel23:37
10Perfect Day
recording of:
Perfect Day
Texter und Komponist(in):
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. und Screen Gems–EMI Music Ltd.
Lou Reed3:41
11Me and Mrs. Jones
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:46
12Hurt
The Manhattans3:02
13January, February
Produzent(in):
Alan Tarney
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980) und Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980)
recording of:
January, February
Texter und Komponist(in):
Alan Tarney
publisher:
ATV Music Ltd. (in 1980)
Barbara Dickson3:45
14My Oh My
Sad Café3:56
15Lily Was Here
Gast-Saxophon:
Candy Dulfer
recording of:
Lily Was Here
Komponist(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd. und Eligible Music Ltd.
David A. Stewart & Candy Dulfer4:08
16A Love Worth Waiting For
Shakin’ Stevens3:21
17Arms of Mary
Produzent(in):
Howard Albert und Ron Albert
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
recording of:
Arms of Mary (in 1976)
Texter und Komponist(in):
Iain Sutherland (Sutherland Brothers)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Island Music Ltd., Skerry Rock Ltd. und Smash Brothers Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Sutherland Brothers & Quiver52:37
18Under the Bridges of Paris
Eartha Kitt2:41
19Harvest for the World
recording of:
Harvest for the World
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. und EMI Songs Ltd.
The Isley Brothers2:08
20Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Bill Withers4.52:04