Spice Girls Present… The Best Girl Power Album…Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Who Do You Think You Are
Produzent(in):
Absolute (UK house/garage/production/songwriting team)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1997)
Bearbeitung von:
Who Do You Think You Are von Spice Girls
Musikvideos:
Who Do You Think You Are (video) von Spice Girls
recording of:
Who Do You Think You Are
Verfasser(in):
Andy Watkins (Absolute, Bristol Baseline Productions, Cortex), Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Paul Wilson (member of “Absolute”) und Victoria Beckham (née Adams)
publisher:
19 Music, BMG Music Publishing Ltd. und Windswept Pacific Music Ltd.
Spice Girls33:43
2Professional Widow (Armand's Star Trunk Funkin' mix) (radio edit)
sonstige Unterstützung:
Johnny “D” De Mairo (US electro/breaks DJ aka "Johnny D")
drum machine-Programmierung:
Alan Friedman
Programmierung:
Alan Friedman
Mastering:
Jon Astley
Produzent(in):
Tori Amos und Ian Stanley
zusätzliche(r) Produzent(in):
Armand van Helden
Bassgitarre:
George Porter, Jr.
Gitarre:
Steve Caton
Schlagzeug:
Manu Katché
vocals:
Tori Amos
remixer:
Armand van Helden
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
gemixt für und produced for:
X-Mix Productions
recording of:
Professional Widow
Texter und Komponist(in):
Tori Amos
publisher:
Sword and Stone
Tori Amos3.153:48
3Sisters Are Doin' It for Themselves
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 1985)
recording of:
Sisters Are Doin’ It for Themselves
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics & Aretha Franklin4:15
4Ready to Go (original UK-mix)
Programmierung:
Ben Grosse (American producer and engineer), Jesus Beats, Mike Tuller und John Vitale (UK guitarist)
Produzent(in):
Republica (UK alternative rock band)
Mix:
Ben Grosse (American producer and engineer)
zusätzlich Gitarre:
Johnny Male
zusätzlich Klavier:
Dave Arch (pianist, conductor, arranger and composer)
Sologesang:
Saffron (singer of Republica)
remixer:
Ben Grosse (American producer and engineer)
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1996)
aufgenommen bei:
Milo Studios in Hoxton, Hackney, London (Greater London), England, Vereinigtes Königreich, Republica Studios (London studio for Republica) in London (Greater London), England, Vereinigtes Königreich und The Workhouse in London (Greater London), England, Vereinigtes Königreich
recording of:
Ready to Go
Verfasser(in):
Tim Dorney, Johnny Male, Saffron (singer of Republica) und Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd., Momentum Music (publisher), Momentum Music Ltd., Notting Hill Music (publisher), Notting Hill Music (UK) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Republica5:01
5Hedonism (Just Because You Feel Good)
Programmierung:
Darren Vaz und Skunk Anansie
Techniker(in):
Mr. Colson, GGGarth (Canadian music producer and engineer) und Andrew Scarth
Produzent(in):
GGGarth (Canadian music producer and engineer)
assistierende(r) Mix:
Chad Bamford und Guido South
Mix:
Joe Barresi (recording engineer, mixer, producer)
Bassgitarre:
Cass Lewis
Gitarre:
Ace (Member of Skunk Anansie)
Perkussion und Schlagzeug:
Mark Richardson (UK drummer)
Sologesang:
Skin (Skunk Anansie singer)
Saiteninstrumente arranger:
Wil Malone
aufgenommen bei:
Great Linford Manor in Milton Keynes, England, Vereinigtes Königreich
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Hedonism (Just Because You Feel Good) (uncut version) von Skunk Anansie
recording of:
Hedonism (Just Because You Feel Good)
Verfasser(in):
Len Arran und Skin (Skunk Anansie singer)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Skunk Anansie43:27
6Free Your Mind
recording of:
Free Your Mind
Verfasser(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
publisher:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing und Irving Music (BMI) (vom 1992 bis heute)
En Vogue54:10
7Lady Marmalade
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 411) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle3.33:54
8I'm Every Woman (remix edit)
remixer:
Dancin’ Danny D (British DJ, producer, remixer and A&R)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
Bearbeitung von:
I’m Every Woman (remix version by Dancin’ Danny D) von Chaka Khan
recording of:
I’m Every Woman
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan53:27
9Give Me a Little More Time
recording of:
Give Me a Little More Time (in 1996)
Verfasser(in):
Andrew Dean, Ben Barson, Louise Gabrielle Bobb (British singer-songwriter) und Ben Wolff
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Perfect Songs (UK publisher, affiliated with BMI), PolyGram Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Workin an a Steamin Music Ltd, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Gabrielle2.54:00
10Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha and the Vandellas3.552:37
11Slow Hand
recording of:
Slow Hand
Texter:
John Bettis
Komponist(in):
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music, Inc. (US publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Pointer Sisters3:36
12What's Love Got to Do With It
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Tina Turner3:19
13Woman
sonstige Unterstützung:
Booga Bear (Aufgabe: sequenced by), Tony Cousins (mastering engineer) (Aufgabe: cut by), Johnny Dollar (UK producer & songwriter) (Aufgabe: sequenced by; Aufgabe: cut by) und Crispin Murray (Aufgabe: additional digital noodling)
Programmierung:
Johnny Dollar (UK producer & songwriter)
Techniker(in):
Chris Dibble (engineer) und Johnny Dollar (UK producer & songwriter)
Produzent(in) und Mix:
Booga Bear und Johnny Dollar (UK producer & songwriter)
zusätzliche(r) Produzent(in):
Dave Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Wil Malone
assistierende(r) Mix:
Tristin "Nine Iron" Norwell und Lee Phillips (Engineer)
Editing:
Tony Cousins (mastering engineer) und Johnny Dollar (UK producer & songwriter)
andere Instrumente [beats]:
Booga Bear, Johnny Dollar (UK producer & songwriter) und Mickey P
Instrumente:
Johnny Dollar (UK producer & songwriter)
Waldhorn:
Jeff Bryant (horn player) und Mike Butler (engineer)
Saiteninstrumente arranger:
Johnny Dollar (UK producer & songwriter), Wil Malone, The Session Orchestra und Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Circa Records Ltd. (not an imprint; for ©/℗ rights use only) (in 1996)
engineered at:
Coin Record in Málaga, Málaga (Province of Málaga), Andalucía (Andalusien), Spanien, CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich, Eastcote in London (Greater London), England, Vereinigtes Königreich, El Curtiju in San Pedro, Albacete (Provinz Albacete), Castilla-La Mancha (Kastilien-La Mancha), Spanien, Mayfair (England) in London (Greater London), England, Vereinigtes Königreich, Power Play in New York, New York, Vereinigte Staaten, Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Soundtrade in Solna City, Stockholms län (Stockholm county), Schweden und Westside in London (Greater London), England, Vereinigtes Königreich
edited at:
Metropolis Mastering in London (Greater London), England, Vereinigtes Königreich
recording of:
Woman
Verfasser(in):
Neneh Cherry, Cameron McVey und Jonathan Sharp (UK producer aka Jonny Dollar)
publisher:
EMI Music (do not use as release label! this is a music publisher)
Neneh Cherry4.354:27
14Superwoman
recording of:
Superwoman
Verfasser(in):
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) und Daryl Simmons
publisher:
Green Skirt Music (publisher), Hip Trip (publisher) und Kear Music (publisher)
Karyn White4:03
15Nur geträumt
Produzent(in):
Stani “Silence” Djukanovic und Paralyzer (German producer Arn Schlürmann)
cover recording of:
Nur geträumt
Texter:
Rolf Brendel und Nena Kerner (the person, performing solo since 1987)
Komponist(in):
Uwe Fahrenkrog-Petersen
publisher:
EMI Songs Musikverlag GmbH
Blümchen3:44
16If You Love Me
phonographisches Urheberrecht (℗) von:
MJJ Music (vom 1994 bis heute)
recording of:
If You Love Me
Texter:
Gordon Chambers (American singer-songwriter, and producer) und Nichole Gilbert
Komponist(in):
Dave "Jam" Hall (producer a.k.a. Jam)
publisher:
Brown Girl Music, Orisha Music, Paisley Park, Stone Jam Publishing Inc., The Night Rainbow Music (publisher) und WC Music Corp.
Brownstone53:41
17Back & Forth
recording engineer und Techniker(in):
Peter Mokran
Produzent(in):
R. Kelly
Mix:
R. Kelly und Peter Mokran
sonstiger Gesang [rap [ad-libs]]:
R. Kelly
vocals:
Aaliyah (American R&B singer)
phonographisches Urheberrecht (℗) von:
Blackground Enterprises (label for early Aaliyah releases until 1998, later renamed Blackground Entertainment) (in 1994), Zomba Recording LLC (in 1994) und Blackground Records (fka Blackground Entertainment, renamed since 2000) (in 1996)
aufgenommen bei und engineered at:
Chicago Recording Company in Chicago, Illinois, Vereinigte Staaten
mixed at:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Vereinigte Staaten
Musikvideos:
Back & Forth von Aaliyah (American R&B singer)
recording of:
Back & Forth
Texter und Komponist(in):
R. Kelly
publisher:
R. Kelly Publishing Inc., Rubber Band Music, Universal Music–Z Songs und Zomba Songs Inc.
Aaliyah4.353:49
18Freak Like Me (radio edit)
recording engineer und Mix:
Jamie Staub
Produzent(in):
Mass Order
Bass und Synthesizer [gangsta lead]:
Mark Valentine
drum machine und Keyboard:
Loren Hill
Gitarre:
Kevin Veney
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1994) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
produced for:
Double Lady Productions
aufgenommen bei und mixed at:
Green Street Recording in SoHo, New York, New York, Vereinigte Staaten
Bearbeitung von:
Freak Like Me von Adina Howard
a cappella versions:
Freak Like Me (a cappella) von Adina Howard
instrumental versions:
Freak Like Me (instrumental) von Adina Howard
recording of:
Freak Like Me (Adina Howard)
Texter:
Eugene Hanes, Loren Hill und Marc Valentine
Komponist(in):
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) und Gary “Mudbone” Cooper
publisher:
Notting Dale Songs, Inc., Rubber Band Music und Universal Music Corp. (USA, affiliated with ASCAP)
basiert auf:
I’d Rather Be With You
Adina Howard44:03
19Let's Talk About Sex
Produzent(in):
Hurby Luv Bug und The Invincibles (Production Team)
Hintergrundgesang:
Alpha, Omega (US rapper) und Hurby Luv Bug
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990) und Next Plateau Records Inc. (in 1991)
recording of:
Let’s Talk About Sex
Texter und Komponist(in):
Fingerprints
publisher:
Next Plateau Music Inc. und Sons of K-oss Music
Salt‐N‐Pepa33:30
2▼CD
Nr.TitelKünstlerBewertungLänge
1Wannabe
Assistent recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
Programmierung und Produzent(in):
Richard Stannard und Matt Rowe
Mix:
Mark “Spike” Stent (producer, engineer)
Keyboard:
Richard Stannard und Matt Rowe
Herausgeber:
SSO
Musikvideos:
Wannabe (video) von Spice Girls
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 36)
recording of:
Wannabe
Verfasser(in):
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe und Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. und Windswept Pacific Music Ltd.
Spice Girls3.852:52
2(Hey Now) Girls Just Want to Have Fun
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
recording of:
Hey Now (Girls Just Want to Have Fun)
Texter und Komponist(in):
Robert Hazard
zusätzlicher Texter:
Lolly Vegas
publisher:
Sony Tunes, Inc. (beendet), EMI Blackwood Music Inc. und Novalene Music
Version von:
Girls Just Want to Have Fun
Cyndi Lauper33:52
3Shy Guy
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
recording of:
Shy Guy
Verfasser(in):
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) und Andy Marvel
publisher:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music und World of Andy Music
Diana King2.253:39
4Ur Life
Techniker(in):
Raver’s Nature
recording of:
Ur Life
Verfasser(in):
Marusha Gleiss
publisher:
BMG Ufa (not for release label use! this is a music publisher) und Low Spirit Music
Marusha5:56
5Du liebst mich nicht
drum machine [beats] und Sampler [samples]:
Moses Pelham (German rapper, singer and producer)
Keyboard [keyboards and programmings]:
Martin Haas
vocals:
Emel Aykanat (Turkish-Swiss singer Emel Aykanat) und Sabrina Setlur
recording of:
Du liebst mich nicht
Texter:
Sabrina Setlur
Komponist(in):
Martin Haas und Moses Pelham (German rapper, singer and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sabrina Setlur5:39
6Right Here
recording of:
Right Here
Verfasser(in):
John Bettis, Brian Alexander Morgan und Steve Porcaro
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
SWV3:29
7We Are Family
remixer:
Sure Is Pure
recording of:
We Are Family
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge23:57
8Heart of Glass
assistierende(r) Techniker(in):
Grey Russell
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison
Gitarre:
Frank Infante und Chris Stein
Keyboard:
Jimmy Destri
Schlagzeug:
Clem Burke
vocals:
Deborah Harry
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978) und Chrysalis Records, Inc. (not for release label use!) (in 1979)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 2), Indie 88: Top 500 Indie Rock Songs (Nummer: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 138) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 255)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie4.33:53
9Heaven Is a Place on Earth
recording engineer:
Steve McMillan
Schlagzeug [drum]-Programmierung:
Charles Judge (American guitarist, pianist, arranger and songwriter) und Rick Nowels
assistierende(r) Techniker(in):
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble und Joe Schiff
zusätzliche(r) Techniker(in):
Stacy Baird und Robert Feist
Produzent(in):
Rick Nowels
zusätzliche(r) Produzent(in):
Robert Feist (sonstiger Gesang [vocal]) und Ellen Shipley (sonstiger Gesang [vocal])
Mix:
Shelly Yakus
Akustikgitarre [acoustic guitars]:
Rick Nowels
andere Instrumente [fairlight]:
Rhett Lawrence
Bass:
John Pierce (US session bassist)
E-Gitarre [electric guitars]:
Dan Huff, John McCurry und Rick Nowels
Gitarre [air guitar] und Sologesang:
Belinda Carlisle
Keyboard [keyboards]:
Charles Judge (American guitarist, pianist, arranger and songwriter) und Rick Nowels
Klavier [acoustic piano]:
Charles Judge (American guitarist, pianist, arranger and songwriter)
Schlagzeug [drums]:
Kenny Aronoff und Curly Smith (Jo Jo Gunne musician)
zusätzlich Gitarre:
Tim Pierce (US session guitarist)
zusätzlich Gitarre [guitars]:
Michael Landau
zusätzlich Keyboard [keyboards]:
Thomas Dolby
zusätzlich Perkussion:
Jimmy Bralower und Paulinho da Costa (Brazilian percussionist)
vocals:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips und Ellen Shipley
arranger:
Rick Nowels
phonographisches Urheberrecht (℗) von:
Artist Management Services Ltd. (in 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1987), Virgin Records Ltd (not for release label use! for company relationships only) (in 1987) und Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
aufgenommen bei:
American Recording und Ocean Way Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Hollywood Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten und Music Grinder Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 400)
recording of:
Heaven Is a Place on Earth
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (in 1987) und Shipwreck Music (publisher) (in 1987)
sub-publisher:
Fujipacific Music, Inc.
Belinda Carlisle4.153:57
10Manic Monday
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 208)
recording of:
Manic Monday
Texter und Komponist(in):
Christopher (Prince, “The Artist Formerly Known as…”)
publisher:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music) und WB Music Corp. (1929–2019)
Bangles43:04
11Alisha Rules the World
recording of:
Alisha Rules the World
Texter und Komponist(in):
Terence James Martin, Karen Poole und Shelly Poole (British singer/songwriter)
Alisha’s Attic4:07
12You're History
Musikvideos:
You're History von Shakespear's Sister
recording of:
You’re History
Verfasser(in):
Marcella Detroit, Siobhan Fahey und Richard Feldman
Shakespears Sister24:25
13Short Short Man
recording of:
Short Dick Man
Komponist(in):
Charlie Babie und Manny Mohr
publisher:
Tango Rose Music
20 Fingers3:18
14It's Raining Men
Mix:
Randy Tominaga
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 36)
recording of:
It’s Raining Men
Verfasser(in):
Paul Jabara und Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:28
15Naked Eye
Produzent(in):
Jill Cunniff, Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) und Tony Mangurian
Mix:
Jamie Candiloro, Jill Cunniff und Tony Mangurian
mixed at:
Baby Monster Studios in New York, New York, Vereinigte Staaten
Bearbeitung von:
Naked Eye von Luscious Jackson
recording of:
Naked Eye
Verfasser(in):
Jill Cunniff, Kate Schellenbach und Vivian Trimble
publisher:
EMI April Music Inc., Grand Royal Music und Luscious Jackson Music
Luscious Jackson4:08
16Extremis
Hal4:03
17Samba De Janeiro
Produzent(in):
The Bellini Brothers (Producers of Bellini, German eurodance trio)
phonographisches Urheberrecht (℗) von:
Orbit Records GmbH (in 1997)
Samples:
Celebration Suite von Airto (percussionist)
recording of:
Samba de Janeiro
Verfasser(in):
Gottfried Engels, Airto Moreira (percussionist) und Ramon Zenker
publisher:
BMG (imprint of BMG Rights Management, 2008–present), Bug Music (music publishing), Gang Go, Good Morning Music und Upright Songs
basiert auf:
Celebration Suite
Bellini3.352:48

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Veröffentlichungsgruppe

Teil von:The Best Album in the World... Ever! (Reihenfolge: 2)
Discogs:https://www.discogs.com/master/78764 [Info]