Your Hundred Best Tunes, Volume 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1The Arrival of the Queen of Sheba
Produzent(in):
Michael Bremner (producer/engineer) (in 1965-04)
Orchester:
The Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1965-04)
conductor:
Sir Neville Marriner (conductor) (in 1965-04)
Tonmeister(in):
Kenneth Wilkinson (engineer) (in 1965-04)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1965-04)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1965-04)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft und Public Domain (refers to works that are in the public domain)
Teil von:
Solomon, HWV 67: Act III
Georg Friedrich Händel3:21
2Ave Maria
Techniker(in):
Kenneth Wilkinson (engineer)
Produzent(in):
Ray Minshull (record producer) (in 1965-05)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1965-05)
Soprangesang:
Joan Sutherland (soprano) (in 1965-05)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1965-05)
Tonmeister(in):
Kenneth Wilkinson (engineer) (in 1965-05)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1965-05)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements) (in 1965-05)
Komponist(in):
Franz Schubert (composer) (in 1825)
Arrangement von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert4:59
3Jesu, Joy of Man's Desiring
Produzent(in):
Harley Usill
Orgel:
Peter White (English organist) (in 1958-10)
Chorgesang:
Choir of St John’s College, Cambridge (in 1958-10)
conductor:
George Guest (organist and conductor) (in 1958-10)
chorus master:
George Guest (organist and conductor)
aufgenommen bei:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1958-10)
recording of:
Jesu, Joy of Man’s Desiring (in 1958-10)
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach7:34
4Canon in D major
Produzent(in):
James Mallinson (producer) (in 1977-10)
Orchester:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor) (in 1977-10)
Tonmeister(in):
John Dunkerley (engineer) (in 1977-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1977-10)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (in 1977-10)
Komponist(in):
Johann Pachelbel (composer)
Arrangement von:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Johann Pachelbel4:41
5The Lords Prayer
Orgel:
Martin Neary (English organist and choral conductor)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Tenor-Gesang:
Stuart Burrows (tenor)
conductor:
Wyn Morris (conductor)
recording of:
The Lord’s Prayer
Texter:
[traditional] (special purpose artist)
Komponist(in):
Albert Hay Malotte (composer) (in 1935)
Albert Hay Malotte3:07
6Eine kleine Nachtmusik, K. 525: 1st Movement
Orchester:
Academy of St Martin in the Fields (in 1970-10)
conductor:
Neville Marriner (conductor) (in 1970-10)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1970-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro) (in 1970-10)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:56
7Violin Concerto in E minor, op. 64: II. Andante
Techniker(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist) (in 1957-01) und James Walker (ballet/opera conductor, classical recordings producer for Decca) (in 1957-01)
Geige / Violine:
Ruggiero Ricci (violinist) (in 1957-01)
Orchester:
London Symphony Orchestra (in 1957-01)
conductor:
Piero Gamba (conductor and pianist) (in 1957-01)
Tonmeister(in):
Cyril Windebank (in 1957-01) und Kenneth Wilkinson (engineer) (in 1957-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1957-01)
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante) (in 1957-01)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (von 1838 bis 1844-09-16)
überarbeitet von:
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1845)
Teil von:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn7:51
8One Fine Day
Produzent(in):
Christopher Raeburn (producer) und James Walker (ballet/opera conductor, classical recordings producer for Decca)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
Interpret(in):
Renata Tebaldi (soprano)
Tonmeister(in):
Kenneth Wilkinson (engineer) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:56
9Dance of the Sugar Plum Fairy
Orchester:
Wiener Philharmoniker (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1961-09)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy) (in 1961-09)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский7:41
10Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato
recording engineer:
Philip Wade (engineer) (in 1973-01)
Techniker(in):
Kenneth Wilkinson (engineer) (in 1973-01)
Produzent(in):
Michael Woolcock (producer) (in 1973-01)
Klavier:
Radu Lupu (Romanian concert pianist) (in 1973-01)
Orchester:
London Symphony Orchestra (in 1973-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1973-01)
Tonmeister(in):
Philip Wade (engineer) (in 1973-01) und Kenneth Wilkinson (engineer) (in 1973-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1973-01)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato (in 1973-01)
Komponist(in):
Edvard Grieg (composer) (in 1868)
Teil von:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg10:35
11Chorus of the Hebrew Slaves
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist) (in 1965-09)
Chorgesang:
Konzertvereinigung Wiener Staatsopernchor (Chor der Wiener Staatsoper) (in 1965-10)
Orchester:
Wiener Opernorchester (Vienna State Opera Orchestra) (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
chorus master:
Roberto Benaglio (conductor)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1965-10)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1965-10)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1841)
Librettist:
Temistocle Solera
Teil von:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:52
12Pomp and Circumstance March no. 1 in D major
Techniker(in):
John Dunkerley (engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
James Mallinson (producer) und Christopher Raeburn (producer)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1977-02-07, am 1977-02-18, am 1977-03-18, am 1977-04-04)
conductor:
Sir Georg Solti (conductor) (am 1977-02-07, am 1977-02-18, am 1977-03-18, am 1977-04-04)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1977-02-07, am 1977-02-18, am 1977-03-18, am 1977-04-04)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (von 1977-02-07 bis 1977-04-04)
Premiere in:
Liverpool, Merseyside, England, Vereinigtes Königreich (am 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
Teil von:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:36

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ASIN:UK: B000027BC7 [Info]