The Greatest Hits

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 2 available)

Annotation

This release is from the US subsidiary of Intersound. It is actually labelled "Reference Gold by Intersound"

Annotation last modified on 2013-05-16 11:31 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Eine kleine Nachmusik — Allegro
orchestra:
Vienna Chamber Orchestra
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:23
2Piano Concerto No.21 — Andante (“Elvira Madigan” Theme)
instruments:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Hubert Kraus (conductor) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
35:38
3Overture to The Marriage of Figaro
orchestra:
Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Philharmonia Slovanica Orchester (Alfred Scholz pseudonym)
conductor:
Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Laurence Gordon Siegel (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
44:19
4Clarinet Concerto — Adagio
clarinet:
Jozé Ostrac (clarinettist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Joze Ostrack
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
7:26
5Symphony No.35, “Haffner” — Allegro con spirito
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: I. Allegro con spirito
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”
5:55
6Horn Concerto No.2 — Rondo
French horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym) and K. Sreter (an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Kamil Streter (an Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
4:05
7Piano Concerto No.20 — Romance
piano:
Angela Giulini (fictitious pianist created by Alfred Scholz) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
8:45
8Symphony No.31, “Paris” — Allegro assai
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symphony no. 31 in D major, K. 300a/297 "Paris": I. Allegro assai
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Symphony no. 31 in D major, K. 300a/297 "Paris"
7:41
9Overture to The Clemency of Titus
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), National Symphony Orchestra Olsztyn (probably a fake artist by Alfred Scholz) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Igor Gogol (conductor, probably a pseudonym for Alfred Scholz), Anton Nanut (conductor), Kurt Redel (German flautist and conductor) and Alfred Scholz
recording of:
La clemenza di Tito, K. 621: Ouverture
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
La clemenza di Tito, K. 621
4:42
10Highlights from “Coronation” Mass — Kyrie
choir vocals:
Mozarteum Chor Salzburg
orchestra:
Camerata Academica of Salzburg (Austrian chamber orchestra) and Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Ernst Hinreiner (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: I. Kyrie (Mass in C, K. 317 "Coronation Mass": I. Kyrie)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
2:42
11Highlights from “Coronation” Mass — Gloria
choir vocals:
Mozarteum Chor Salzburg
orchestra:
Camerata Academica of Salzburg (Austrian chamber orchestra) and Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Ernst Hinreiner (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: II. Gloria (Mass in C, K. 317 "Coronation Mass": II. Gloria)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
4:59
12Highlights from “Coronation” Mass — Benedictus
choir vocals:
Mozarteum Chor Salzburg
orchestra:
Camerata Academica of Salzburg (Austrian chamber orchestra) and Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Ernst Hinreiner (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: V. Benedictus (Mass in C, K. 317 "Coronation Mass": V. Benedictus)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
3:45
13Highlights from “Coronation” Mass — Agnus Dei
choir vocals:
Mozarteum Chor Salzburg
orchestra:
Camerata Academica of Salzburg (Austrian chamber orchestra) and Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Ernst Hinreiner (conductor)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei (Mass in C, K. 317 "Coronation Mass": VI. Agnus Dei)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
6:31
2▼CD
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1Symphony No.40 — Molto allegro
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
7:03
2Overture to The Magic Flute
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), London Philharmonic Orchestra (Alfred Scholz pseudonym), Mozart Festival Orchestra (an Alfred Scholz pseudonym), South German Philharmonic Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
7:24
3Violin Concerto No.3 — Allegro
violin:
Dalibor Brázda
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
recording of:
Violin Concerto no. 3: Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1775)
9:26
4Divertimento No.1 — Allegro
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
recording of:
Divertimento no. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113
3:50
5Clarinet Concerto — Allegro
clarinet:
Jozé Ostrac (clarinettist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Joze Ostrack
recording of:
Concerto for Clarinet in A major, K. 622: I. Allegro (Concerto for Clarinet and Orchestra in A major, K. 622: I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
11:59
6Rondo Alla Turca
piano:
Silvia Čápová (pianist) and Hélène Gàl (pianist, an Alfred Scholz pseudonym)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
3:31
7Overture to Don Giovanni
baritone vocals:
Richard Haan (baritone) and Jozef Špaček (operatic bass)
choir vocals:
Bratislava Opera Chorus (Alfred Scholz related)
soprano vocals:
Božena Berkyová (soprano)
orchestra:
Opera Orchestra Bratislava
conductor:
Oliver von Dohnányi (conductor)
recording of:
Don Giovanni: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
6:36
8Symphony No.39 — Finale: Allegro
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
recording of:
Symphony no. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-06-26)
part of:
Symphony no. 39 for Orchestra in E-flat major, K. 543
8:19
9Overture to The Aduction From the Seraglio
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
5:38
10Symphony No.41, “Jupiter” — Molto allegro
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
8:44