Rock All Stars

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Record 3 - Cat#: P3 7289 | Side 1 - Cat#: P3 72891

... and so on?


Anmerkung zuletzt geändert am 2015-01-26 23:14 UTC.

Titelliste

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112"-Vinyl: Mitch Ryder & The Detroit Wheels / Paul Revere and The Raiders
Nr.TitelKünstlerBewertungLänge
A1Jenny Take a Ride
arranger:
Bob Crewe
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
medley including a recording of:
C. C. Rider (Jerry Lee Lewis version)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Version von:
See See Rider Blues
recording of:
Jenny Take a Ride
Verfasser(in):
Bob Crewe und Enotris Johnson
Komponist(in):
Richard Wayne Penniman
medley including a recording of:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song)
Verfasser(in):
Enotris Johnson (bis 1956-10-15) und Richard Wayne Penniman (bis 1956-10-15)
publisher:
Sony/ATV Songs LLC
Mitch Ryder & The Detroit Wheels3:23
A2Sock It to Me Baby
Mitch Ryder & The Detroit Wheels3:05
A3Too Many Fishes in the Sea / Three Little Fishes
Mitch Ryder & The Detroit Wheels2:55
A4Little Latin Lupe Lu
Mitch Ryder & The Detroit Wheels3:07
A5Devil With a Blue Dress On / Good Golly Miss Molly
Mitch Ryder & The Detroit Wheels3:05
B1Kicks
recording of:
Kicks
Texter:
Cynthia Weil
Komponist(in):
Barry Mann
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Paul Revere and the Raiders2:26
B2Him or Me - What’s It Gonna Be?Paul Revere and the Raiders2:43
B3Hungry
recording of:
Hungry
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Paul Revere and the Raiders2:58
B4Good Thing
recording of:
Good Thing
Verfasser(in):
Mark A. Lindsay und Terrance Paul Melcher
Paul Revere and the Raiders3:04
B5Indian ReservationPaul Revere and the Raiders2:53
212"-Vinyl: Tommy James & The Shondells / Gary Puckett & The Union Gap
Nr.TitelKünstlerBewertungLänge
A1Hanky Panky
recording of:
Hanky Panky
Verfasser(in):
Jeff Barry und Ellie Greenwich
publisher:
Alley Music Corp., T. M. Music (publisher) und Trio Music Co., Inc.
Tommy James & the Shondells2:54
A2Crystal Blue Persuasion
recording of:
Crystal Blue Persuasion
Verfasser(in):
Eddie Gray (guitarist for Tommy James & The Shondells), Tommy James (American musician, singer, songwriter and record producer) und Mike Vale (Bassist of Tommy James and the Shondells)
publisher:
EMI Longitude Music
Tommy James & the Shondells4.54:02
A3Mony, Mony
recording of:
Mony Mony
Verfasser(in):
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry und Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Planetary Nom (London) Ltd.
Tommy James & the Shondells2:49
A4I Think We’re Alone Now
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tommy James & the Shondells52:07
A5Crimson & Clover
recording of:
Crimson and Clover
Verfasser(in):
Tommy James (American musician, singer, songwriter and record producer) und Pete Lucia Jr.
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) und Big Seven Music Corp. (in 1987)
Tommy James & the Shondells4:54
B1Young Girl
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
Texter und Komponist(in):
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:15
B2Over You
Gary Puckett & the Union Gap2:23
B3Lady Willpower
Gary Puckett & the Union Gap2:39
B4This Girl Is a Woman Now
Gary Puckett & the Union Gap3:10
B5Woman, Woman
Gary Puckett & the Union Gap3:17
312"-Vinyl: The Monkees / The 5th Dimension
Nr.TitelKünstlerBewertungLänge
A1I’m a Believer
recorded in:
New York, New York, Vereinigte Staaten (von 1966-10-15 bis 1966-10-23)
Produzent(in):
Jeff Barry
Akustikgitarre:
Neil Diamond (von 1966-10-15 bis 1966-10-23)
Bass:
Dick Romoff (von 1966-10-15 bis 1966-10-23)
Gitarre:
Al Gorgoni (von 1966-10-15 bis 1966-10-23) und Sal Ditroia (von 1966-10-15 bis 1966-10-23)
Klavier und Tamburin:
Jeff Barry (von 1966-10-15 bis 1966-10-23)
Orgel:
Artie Butler (von 1966-10-15 bis 1966-10-23)
Schlagzeug:
Buddy Salzman (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang:
Davy Jones (The Monkees member) (von 1966-10-15 bis 1966-10-23) und Peter Tork (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang und Sologesang:
Micky Dolenz (von 1966-10-15 bis 1966-10-23)
arranger:
Jeff Barry
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1966) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 341)
cover recording of:
I’m a Believer (von 1966-10-15 bis 1966-10-23)
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
recording of:
I’m a Believer
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
The Monkees4.652:46
A2Pleasant Valley Sunday
recording of:
Pleasant Valley Sunday
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees3:15
A3A Little Bit Me, a Little Bit You
Produzent(in):
Jeff Barry
Bass:
Louis Mauro (am 1967-01-21) und James Tyrrell (am 1967-01-21)
Gitarre:
Al Gorgoni (am 1967-01-21), Hugh McCracken (am 1967-01-21) und Don Thomas (US guitarist, singer songwriter) (am 1967-01-21)
Klavier:
Stan Free (am 1967-01-21)
Orgel:
Artie Butler (am 1967-01-21)
Schlagzeug:
Herb Lovelle (am 1967-01-21)
Tamburin:
Thomas Cerone (am 1967-01-21)
Sologesang:
Davy Jones (The Monkees member) (am 1967-01-21)
arranger:
Jeff Barry
recording of:
A Little Bit Me, a Little Bit You (am 1967-01-21)
Texter und Komponist(in):
Neil Diamond
The Monkees4.52:49
A4Dayream Believer
recording of:
Daydream Believer
Texter und Komponist(in):
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees2:47
A5Last Train to Clarksville
recording of:
Last Train to Clarksville
Verfasser(in):
Tommy Boyce (US songwriter of Boyce and Hart) und Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees2:46
B1Aquarius / Let the Sunshine In
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
Ann McClelland
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman, Bob Alcivar und Bones Howe
vocals arranger:
Bob Alcivar
phonographisches Urheberrecht (℗) von:
Arista (American label owned by Sony Music Entertainment) (in 1969)
Musikvideos:
Age of Aquarius / Let the Sunshine In von The 5th Dimension (1960’s group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 435)
medley including a recording of:
Aquarius (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. und United Artist Music Publishing
Teil von:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
Verfasser(in):
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) und Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar und Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. und United Artists Music Co., Inc.
Medley von:
Aquarius (from “Hair”)
Medley von:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB und United Artists Music Co., Inc.
The 5th Dimension4.154:49
B2Stoned Soul Picnic
Sound-Engineering und Techniker(in):
Bones Howe
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone und Perkussion:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, LaMont McLemore, Marilyn McCoo und Ron Townson
cover recording of:
Stoned Soul Picnic
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The 5th Dimension3:26
B3Wedding Bell Blues
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
Ann McClelland
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman, Bob Alcivar und Bones Howe
vocals arranger:
Bob Alcivar
cover recording of:
Wedding Bell Blues
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The 5th Dimension32:44
B4Sweet Blindness
Sound-Engineering und Techniker(in):
Bones Howe
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone und Perkussion:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, LaMont McLemore, Marilyn McCoo und Ron Townson
cover recording of:
Sweet Blindness
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The 5th Dimension3:26
B5Up, Up and Away
Techniker(in):
“Bones” Howe
Produzent(in):
Johnny Rivers und Marc Gordon (soul songwriter, producer, and manager)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Marty Paich
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
aufgenommen bei:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Up, Up and Away
Texter und Komponist(in):
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
The 5th Dimension2.52:39
412"-Vinyl: The Lovin’ Spoonful / Creedence Clearwater Revival
Nr.TitelKünstlerBewertungLänge
A1Daydream
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) und Kama Sutra (in 1966)
recording of:
Daydream (in 1966-02)
Texter und Komponist(in):
John B. Sebastian
publisher:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.752:20
A2Summer in the City
zusätzlich Hybrid-Piano:
Artie Schroeck
Sologesang:
John Sebastian
conductor:
Michael Kamen (American score composer)
phonographisches Urheberrecht (℗) von:
Buddah Records (revived/renamed in 1998 as Buddha Records) (in 1966), Kama Sutra (in 1966), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1966) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 393)
recording of:
Summer in the City
Verfasser(in):
Steve Boone, John Sebastian und Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music (publisher) und Trio Music Co., Inc.
The Lovin’ Spoonful4.82:40
A3Did You Ever Have to Make Up Your Mind
The Lovin’ Spoonful1:59
A4Nashville Cats
recording of:
Nashville Cats
Texter und Komponist(in):
John Sebastian
The Lovin’ Spoonful2:37
A5Do You Believe in Magic?
The Lovin’ Spoonful2:05
B1Proud Mary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook (in 1968)
Gitarre:
John Fogerty (in 1968) und Tom Fogerty (in 1968)
Schlagzeug:
Doug Clifford (in 1968)
vocals:
John Fogerty (in 1968)
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1969) und Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 152) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 155)
recording of:
Proud Mary (in 1968)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (am 1968-12-27) und Jondora Musikverlag (publisher) (in 1970)
Creedence Clearwater Revival4.33:08
B2Fortunate Son
recording engineer und Mix:
Russ Gary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
Hintergrundgesang:
Doug Clifford, Stu Cook und Tom Fogerty
Sologesang:
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten und Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (am 1971-09-01)
mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 99) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 227)
recording of:
Fortunate Son (in 1969-08)
Texter und Komponist(in):
John Fogerty
publisher:
Cody River Music Company, Jondora Music und Prestige Music ltd.
Creedence Clearwater Revival4.452:19
B3Bad Moon Rising
Produzent(in):
John Fogerty
Akustikgitarre und Sologesang:
John Fogerty
Bassgitarre:
Stu Cook (in 1969-03)
Gitarre:
John Fogerty (in 1969-03) und Tom Fogerty (in 1969-03)
Schlagzeug:
Doug Clifford (in 1969-03)
vocals:
John Fogerty (in 1969-03)
Interpret(in):
Creedence Clearwater Revival
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1969), Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 356)
recording of:
Bad Moon Rising (in 1969-03)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music und Warner/Chappell Music Australia Pty. Ltd.
Creedence Clearwater Revival4.32:20
B4Down on the Corner
recording engineer und Mix:
Russ Gary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
Hintergrundgesang:
Doug Clifford, Stu Cook und Tom Fogerty
Sologesang:
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
aufgenommen bei und mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
Down on the Corner (in 1969-08)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Concord Music Group (formed in 2004 with the merger of Concord Records and Fantasy Records) und Jondora Music
Creedence Clearwater Revival4.452:40
B5Green River
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook (von 1969-03 bis 1969-06)
Gitarre:
John Fogerty (von 1969-03 bis 1969-06) und Tom Fogerty (von 1969-03 bis 1969-06)
Schlagzeug:
Doug Clifford (von 1969-03 bis 1969-06)
vocals:
John Fogerty (von 1969-03 bis 1969-06)
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1969) und Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recording of:
Green River (von 1969-03 bis 1969-06)
Texter und Komponist(in):
John Fogerty
publisher:
Cody River Music Company, Jondora Music und Prestige Music ltd.
Creedence Clearwater Revival4.42:30
512"-Vinyl: The Byrds / Three Dog Night
Nr.TitelKünstlerBewertungLänge
A1Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-01-20)
Produzent(in):
Terry Melcher
Bassgitarre:
Chris Hillman (am 1965-01-20)
Gitarre:
David Crosby (am 1965-01-20)
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds) (am 1965-01-20)
Tamburin:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20)
zwölfsaitige Gitarre:
Jim McGuinn (am 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20), David Crosby (am 1965-01-20), Chris Hillman (am 1965-01-20) und Jim McGuinn (am 1965-01-20)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (am 1965-01-20)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
The Byrds4.152:19
A2Turn! Turn! Turn! (To Everything There Is a Season)
Produzent(in):
Terry Melcher
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 95)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Pete Seeger (in 1959)
publisher:
Melody Trails und TRO Essex Music Ltd.
The Byrds4.853:43
A3My Back Pages
cover recording of:
My Back Pages
Texter und Komponist(in):
Bob Dylan (in 1964)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
The Byrds3:09
A4Eight Miles High
recording of:
Eight Miles High
Verfasser(in):
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby und Roger McGuinn
publisher:
Gene Clark Music, Reservoir One America, Tickson Music Co. und TRO Essex Music Ltd.
The Byrds3:35
A5So You Want to Be a Rock ’n’ Roll Star
Produzent(in):
Gary Usher
Akustikgitarre:
Vern Gosdin (Country singer and songwriter) (am 1966-11-28)
E-Gitarre:
Clarence White (US bluegrass and country-rock guitarist) (am 1966-11-28)
Horn:
Hugh Masekela (am 1966-11-28)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967)
recording of:
So You Want to Be a Rock ’n’ Roll Star (am 1966-11-28)
Verfasser(in):
Chris Hillman und Roger McGuinn
publisher:
Tickson Music Co.
The Byrds4.252:06
B1Mama Told Me (Not to Come)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 11)
cover recording of:
Mama Told Me (Not to Come)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. und Warner/Chappell North America
Three Dog Night4.653:18
B2One
cover recording of:
One
Texter und Komponist(in):
Harry Nilsson (US singer-songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) und Warner/Chappell Music Australia Pty. Ltd.
Three Dog Night4.753:02
B3Eli’s Coming
recording of:
Eli’s Comin’
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc. und Tuna Fish Music, Inc.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Three Dog Night52:41
B4Easy to Be Hard
recording of:
Easy to Be Hard
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
Teil von:
Hair (1967 musical)
Three Dog Night4.653:12
B5The Show Must Go On
recording of:
The Show Must Go On
Texter:
Leo Sayer
Komponist(in):
David Courtney (songwriter, singer and producer)
Three Dog Night4.53:28