Legendary Pop & Rock Groups

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1(If Paradise Is) Half as Nice
registrazione di:
(If Paradise Is) Half as Nice
paroliere:
Jack Fishman
compositore:
Lucio Battisti
si basa su:
Il paradiso della vita
Amen Corner43:00
2Jingle Jungle
registrazione di:
Jingle Jangle
autore:
Jeff Barry e Andy Kim (pop singer & songwriter)
The Archies32:44
3Ma
registrazione di:
Ma
autore:
Norman Whitfield
editore:
Stone Diamond Music Corporation
Rare Earth5:25
4Pleasant Valley Sunday
produttore:
Chip Douglas
basso :
Chip Douglas
batteria e percussione :
Eddie Hoh
chitarra acustica :
Bill Chadwick
chitarra elettrica :
Michael Nesmith
pianoforte :
Peter Tork
voce di accompagnamento:
Davy Jones (The Monkees member) e Michael Nesmith
voce principale:
Micky Dolenz
registrata presso:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, Stati Uniti (dal 1967-06-10 al 1967-06-13)
registrazione di:
Pleasant Valley Sunday (dal 1967-06-10 al 1967-06-13)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.353:09
5Paloma Blanca
registrazione di:
Paloma blanca
paroliere e compositore:
Hans Bouwens
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) e EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (nel 1975)
George Baker Selection32:47
6Valleri
produttore:
The Monkees
basso e basso elettrico :
Joe Osborn (American bass guitar player, session musician and songwriter) (dal 1967-12-26 al 1967-12-28)
batteria :
Billy Lewis (dal 1967-12-26 al 1967-12-28) e Billy Lewis (drummer) (dal 1967-12-26 al 1967-12-28)
chitarra :
Gerry McGee (dal 1967-12-26 al 1967-12-28) e Louie Shelton (dal 1967-12-26 al 1967-12-28)
sassofono :
Jim Horn (saxophonist, hornist, flutist and oboist) (dal 1967-12-26 al 1967-12-28) e Jay Migliori (dal 1967-12-26 al 1967-12-28)
tamburello :
Billy Lewis (dal 1967-12-26 al 1967-12-28)
tromba :
Oliver Mitchell (trumpeter) (dal 1967-12-26 al 1967-12-28) e Roy V. Caton (trumpet player) (dal 1967-12-26 al 1967-12-28)
trombone :
Lew McCreary (dal 1967-12-26 al 1967-12-28)
voce principale:
Davy Jones (The Monkees member) (dal 1967-12-26 al 1967-12-28)
arrangiatore corno :
Don McGinnis
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1967-12-26 al 1967-12-28)
registrazione di:
Valleri (dal 1967-12-26 al 1967-12-28)
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
editore:
Piccadilly Music Corporation e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees52:21
7Don’t Let Me Be Missunderstood
diritti fonografici (℗) detenuti da:
Casablanca (label that Tommy Mottola founded circa 2003, part of UMG) (nel 1977)
registrazione cover di:
Don’t Let Me Be Misunderstood
autore:
Bennie Benjamin, Gloria Caldwell, Sol Marcus e Horace Ott
editore:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) e Unichappell Music, Inc. (nel 1981)
Santa Esmeralda3:25
8Reach Out I’ll Be There
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (nel 1966)
voce di accompagnamento:
The Andantes (nel 1966), Marlene Barrow (nel 1966), Renaldo Benson (nel 1966), Louvain Demps (nel 1966), Abdul “Duke” Fakir (nel 1966), Jackie Hicks (nel 1966) e Lawrence Payton (nel 1966)
voce principale:
Levi Stubbs (nel 1966)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 78) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 206)
registrazione di:
Reach Out, I’ll Be There (nel 1966)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops43:00
9That’ll Be the Day
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 2)
registrazione di:
That’ll Be the Day
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
The Crickets with Buddy Holly2:17
10Little Honda
registrazione cover di:
Little Honda
autore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc.
The Hondells1:57
11Ferry Cross the Mersey
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
registrazione di:
Ferry Cross the Mersey
paroliere e compositore:
Gerry Marsden
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Gerry & the Pacemakers2:21
12Let Your Love Flow
produttore:
Phil Gernhard (songwriter and producer) (nel 1975-10) e Tony Scotti (nel 1975-10)
batteria :
Dennis St. John (nel 1975-10)
chitarra :
David Bellamy (Bellamy Brothers) (nel 1975-10), Howard Bellamy (Bellamy Brothers) (nel 1975-10), Richard Bennett (American guitarist) (nel 1975-10) e Doug Rhone (American guitarist, songwriter, touring and studio musician) (nel 1975-10)
chitarra basso :
Emory Gordy (nel 1975-10)
percussione :
King Errison (conguero) (nel 1975-10)
sintetizzatore :
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (nel 1975-10)
voce principale:
David Bellamy (Bellamy Brothers) (nel 1975-10) e Howard Bellamy (Bellamy Brothers) (nel 1975-10)
diritti fonografici (℗) detenuti da:
Curb Records (nel 1975) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1976)
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti (nel 1975-10)
registrazione di:
Let Your Love Flow (nel 1975-10)
paroliere e compositore:
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (nel 1975)
The Bellamy Brothers3.653:16
13ABC
produttore:
The Corporation (Motown songwriters)
basso elettrico :
Wilton Felder (nel 1970-01) e Bob West (US session bassist, producer & songwriter) (nel 1970-01)
batteria :
Gene Pello (nel 1970-01)
chitarra :
Don Peake (nel 1970-01), Louis Shelton (nel 1970-01) e David T. Walker (nel 1970-01)
tastiera :
Freddie Perren (nel 1970-01)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Marlon Jackson (nel 1970-01) e Tito Jackson (nel 1970-01)
voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”) (nel 1970-01)
voce principale:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1970-01) e Tito Jackson (nel 1970-01)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1970)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1970-01)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 174)
registrazione di:
ABC (nel 1970-01)
autore:
Berry Gordy, Fonce Mizell, Freddie Perren e Deke Richards (American songwriter and record producer)
compositore:
Erik Huber (audio engineer, producer, composer)
editore:
Jobete Music Co., Inc. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
parte di:
MJ: The Musical
The Jackson 54.12:53
14Charlie Brown
registrazione di:
Charlie Brown
autore:
Jerry Leiber e Mike Stoller
editore:
Sony/ATV Songs LLC
The Coasters2:18
15Pretty Flamingo
registrazione di:
Pretty Flamingo
paroliere e compositore:
Mark Barkan
editore:
Campbell Connelly (Australia) P/L e Campbell Connelly & Co. Ltd.
Manfred Mann’s Earth Band2:34
16One Bad Apple
registrazione di:
One Bad Apple
paroliere e compositore:
George Jackson (US soul songwriter/vocalist)
The Osmonds2:45
17Come On Let’s Go
registrazione di:
Come On, Let’s Go
paroliere e compositore:
Ritchie Valens
editore:
Tro-Essex Music Ltd.
The McCoys2:41
18Silence Is Golden
produttore:
Mike Smith (60’s & 70’s UK Producer)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1967) e CBS Records (manufacturer/distributor, not for release label use!) (nel 1967)
registrazione cover di:
Silence Is Golden
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. e Windswept Pacific Music Ltd.
The Tremeloes3.653:09
19Fox on the Run
tecnico:
Peter Coleman (British engineer & producer)
produttore:
Sweet (UK glam rock band)
arrangiatore:
Sweet (UK glam rock band)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973, nel 1974, nel 1975) e Chinebridge Ltd. (The Sweet) (nel 1974)
registrata presso:
Kingsway Studios in Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Fox on the Run
autore:
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) e Mick Tucker (drummer for The Sweet)
editore:
Maxwood Music Ltd., Sweet Publishing Ltd. e Warner Chappell Music (publisher as Warner/Chappell Music)
The Sweet4.553:26
20You’re My Soul and Inspiration
registrazione cover di:
(You’re My) Soul and Inspiration
autore:
Barry Mann e Cynthia Weil
editore:
Screen Gems–Columbia Music, Inc.
The Righteous Brothers3:22
21Look What They’ve Done to My Song Ma
registrazione cover di:
What Have They Done to My Song, Ma?
paroliere e compositore:
Melanie (US singer‐songwriter Melanie Safka)
The New Seekers3:16
22Fire
produttore:
Richard Perry (producer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1996)
registrazione cover di:
Fire
paroliere e compositore:
Bruce Springsteen (nel 1977-05)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Pointer Sisters4.353:26
23Louie Louie
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 3), New York Post: 100 Greatest Covers (2007) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 55), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 156) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 169)
registrazione cover di:
Louie Louie (nel 1963)
paroliere e compositore:
Richard Berry (US singer/songwriter, composed “Louie Louie”)
editore:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Windswept Pacific Music Ltd. e World Wide Music
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Kingsmen3.82:44
24Soldier Boy
registrazione di:
Soldier Boy (nel 1962)
autore:
Luther Dixon, Bob Elgin, Florence Greenberg e Kay Rogers
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles2:41
25Apache
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1960)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Apache
compositore:
Jerry Lordan
editore:
Francis, Day & Hunter Ltd.
The Shadows4.652:52
2▼CD
#TitoloArtistaValutazioneDurata
1Bend Me, Shape Me
registrazione di:
Bend Me, Shape Me
autore:
Scott English e Larry Weiss (American singer-songwriter)
editore:
Ebony Musikverlag, Helios Music Company e シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
The American Breed2:13
2Rhythm of the Rain
registrazione di:
Rhythm of the Rain
paroliere e compositore:
John Gummoe
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Cascades2:26
3Hold Tight
registrazione di:
Hold Tight
paroliere:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
compositore:
Alan Blaikley e Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich2:50
4We’ve Gotta Get Out of This Place
registrazione di:
We Gotta Get Out of This Place
autore:
Barry Mann e Cynthia Weil
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Francis, Day & Hunter (publisher) (nel 1979) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Animals3:14
5Time of the Season
registrazione di:
Time of the Season
paroliere e compositore:
Rod Argent
editore:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. e Mainstay Music, Inc. (nel 1968)
Zombies3:31
6My Prayer
registrata a:
New York, New York, Stati Uniti (nel 1956-04)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1956)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 20)
registrazione cover di:
My Prayer (nel 1956-04)
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Georges Boulanger (Romani-Romanian violinist, conductor, composer)
editore:
J. Albert & Son Pty. Ltd., Peter Maurice Music, Skidmore Music Co., Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Avant de mourir
The Platters42:44
7It’s the Same Old Song
registrazione di:
It’s the Same Old Song
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs Australia
Four Tops2:48
8Don’t Through Your Love Away
registrazione di:
Don’t Throw Your Love Away
autore:
Billy Jackson (US soul/disco producer & songwriter)
compositore:
Jimmy Wisner
The Searchers2:16
9Babylon Sisters
registrata a:
Stati Uniti (dal 1978 al 1980)
tecnico esecutivo:
Roger Nichols (US mastering, recording engineer and producer)
produttore:
Gary Katz
tecnico di missaggio:
Elliot Scheiner (dal 1978 al 1980)
batteria :
Bernard Purdie (dal 1978 al 1980)
chitarra :
Steve Khan (dal 1978 al 1980)
chitarra basso :
Chuck Rainey (American bassist) (dal 1978 al 1980)
clarinetto basso :
George Marge (dal 1978 al 1980) e Walter Kane (US woodwind player) (dal 1978 al 1980)
clavinet e pianoforte elettrico :
Don Grolnick (dal 1978 al 1980)
flicorno soprano e tromba :
Randy Brecker (dal 1978 al 1980)
percussione :
Crusher Bennett (dal 1978 al 1980)
sassofono contralto, clarinetto e sassofono tenore :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (dal 1978 al 1980)
voce di accompagnamento:
Patti Austin (dal 1978 al 1980), Diva Gray (dal 1978 al 1980), Gordon Grody (dal 1978 al 1980), Lani Groves (dal 1978 al 1980), Leslie Miller (dal 1978 al 1980) e Toni Wine (dal 1978 al 1980)
voce principale:
Donald Fagen (dal 1978 al 1980)
arrangiatore ottoni [horns] :
Rob Mounsey (dal 1978 al 1980)
arrangiatore:
Steely Dan (group founded by Walter Becker and Donald Fagen)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1980) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980)
registrazione di:
Babylon Sisters (dal 1978 al 1980)
paroliere e compositore:
Walter Becker e Donald Fagen
editore:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing Ltd. (UK), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Freejunket Music (nel 1980) e Zeon Music (nel 1980)
Steely Dan55:51
10Gimme Some Lovin
produttore:
Chris Blackwell (Island Records) e Jimmy Miller (producer for Rolling Stones/Nirvana etc)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 244)
registrazione di:
Gimme Some Lovin’
autore:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) e Steve Winwood
editore:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) e Island Music Ltd. (dal 1966 al ????)
The Spencer Davis Group4.152:55
11Bird Dog
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1958)
registrazione di:
Bird Dog (nel 1958)
paroliere e compositore:
Boudleaux Bryant
editore:
Acuff-Rose Publications, Inc. (BMI) (il 1958-08-15) e House of Bryant Publications (publisher; do NOT use as release label) (nel 1978)
The Everly Brothers12:16
12You’ve Got Your Troubles
registrazione di:
You’ve Got Your Troubles
autore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Concord Sounds, Greenaway Operations and Activities Limited e Mills Music
The Fortunes3:28
13Da Doo Run Run
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale:
LaLa Brooks (nel 1963-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1963-03)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 114) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 366)
registrazione di:
Da Doo Ron Ron (nel 1963-03)
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (conclusa), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Intersong (publisher), Mother Bertha Music Inc., Trio Music Co., Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), 日本アブコ音楽出版 (ABKCO Japan Publishing), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (fino al 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Crystals52:16
14Rock and Roll Is Here to Say
registrazione di:
Rock and Roll Is Here to Stay
paroliere e compositore:
David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
Danny & the Juniors2:31
15Up Up and Away
registrazione di:
Up, Up and Away
paroliere e compositore:
Jim Webb (US songwriter, composer, producer, pianist & singer)
editore:
Johnny Rivers Music
Fifth Dimension2:38
16Reflections of My Life
registrazione di:
Reflections of My Life
autore:
Junior Campbell e Thomas McAleese
Marmalade4:14
17Wild Thing
produttore:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
batteria :
Ronnie Bond (The Troggs) (nel 1966)
chitarra elettrica :
Chris Britton (The Troggs) (nel 1966)
ocarina e voce principale:
Reg Presley (nel 1966)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 257)
registrazione cover di:
Wild Thing (nel 1966)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
registrazione di:
Wild Thing
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs4.42:40
18Mama Told Me
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 11)
registrazione cover di:
Mama Told Me (Not to Come)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. e Warner/Chappell North America
Three Dog Night4.653:18
19At the Hop
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors2:32
20Early in the Morning
tecnico:
Barry Ainsworth (engineer)
produttore:
Des Champ (UK musician, bandleader, producer & arranger) e Roger Easterby
registrazione di:
Early in the Morning
autore:
Mike Leander e Edward Seago
Vanity Fare2:45
21Peggy Sue
registrazione di:
Peggy Sue
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH, Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
The Crickets2:31
22Three Times a Lady
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
voce principale:
Lionel Richie
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1978), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1978, nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 10)
registrazione di:
Three Times a Lady
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores3.653:38
23Oh Girl
registrazione di:
Oh Girl
paroliere e compositore:
Eugene Record
editore:
Unichappell Music, Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites3:01
24Mr. Sandman
registrazione di:
Mr. Sandman
paroliere e compositore:
Pat Ballard
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
The Chordettes2:25
25Red River Rock
registrazione cover di:
Red River Rock
compositore:
Tom King (50s & 60s songwriter), Ira Mack e Fred Mendelsohn
editore:
Burlington Music Co., Ltd. e Mole Hole Music
si basa su:
Red River Valley
Johnny and the Hurricanes32:10