The Very Best of Louis Armstrong

~ Pubblicazione di Louis Armstrong (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloValutazioneDurata
1Hello Dolly!
registrata a:
New York, Stati Uniti (il 1963-12-03)
produttore:
Mickey Kapp
banjo e chitarra :
Anthony Gottuso (Tony Gottuso, guitar) (il 1963-12-03)
basso :
Arvell Shaw (il 1963-12-03)
batteria :
Danny Barcelona (il 1963-12-03)
clarinetto :
Joe Darensbourg (il 1963-12-03)
contrabbasso :
Arvell Shaw
pianoforte :
Billy Kyle (il 1963-12-03)
tromba :
Louis Armstrong
trombone :
Trummy Young (il 1963-12-03)
voce:
Louis Armstrong
voce principale:
Louis Armstrong (il 1963-12-03)
diritti fonografici (℗) detenuti da:
Verve Music Group (now known as Verve Label Group; not for release label use!) (nel 2000)
registrazione cover di:
Hello, Dolly! (il 1963-12-03)
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
registrazione dal vivo di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
registrazione dal vivo cover di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
registrazione di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
42:27
2What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
42:19
3Jeepers Creepers
registrazione di:
Jeepers Creepers
paroliere:
Johnny Mercer (nel 1938)
autore:
Richard A. Whiting
compositore:
Harry Warren (US composer and lyricist) (nel 1938)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
The 11th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1938 nominee)
2:45
4King of the Zulus
raccolta di:
Introduction di Louis Armstrong e King of the Zulus di Louis Armstrong
registrazione di:
King of the Zulus
compositore:
Lil Hardin Armstrong
4:41
5Cabaret
tecnico:
Eddie Brackett (il 1967-08-16) e Bob Simpson (US jazz engineer/producer) (il 1967-08-16)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Danny Barcelona (il 1967-08-16)
chitarra :
Art Ryerson (il 1967-08-16)
clarinetto :
Joe Muranyi (il 1967-08-16)
contrabbasso :
Buddy Catlett (il 1967-08-16)
pianoforte :
Marty Napoleon (il 1967-08-16)
tromba e voce principale:
Louis Armstrong (il 1967-08-16)
trombone :
Tyree Glenn (il 1967-08-16)
registrazione di:
Cabaret (title song from the Kander & Ebb musical) (il 1967-08-16)
paroliere:
Fred Ebb (lyricist)
compositore:
John Kander (composer)
editore:
Carlin Music Corp.
parte di:
Cabaret (musical)
32:45
6Let’s Call the Whole Thing Off
registrazione di:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
versione tradotta di:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
parte di:
Shall We Dance (1937 film soundtrack)
4:13
7Alexander’s Ragtime Band
registrata a:
New York, New York, Stati Uniti (il 1937-07-07)
ance :
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (il 1937-07-07), Bingie Madison (il 1937-07-07) e Albert Nicholas (il 1937-07-07)
batteria :
Paul Barbarin (jazz drummer from New Orleans) (il 1937-07-07)
chitarra :
Lee Blair (il 1937-07-07)
contrabbasso :
George "Pops" Foster (il 1937-07-07)
pianoforte :
Luis Russell (il 1937-07-07)
sassofono contralto :
Pete Clark (Jazz altoist born around 1910) (il 1937-07-07)
tromba :
Henry “Red” Allen (jazz musician) (il 1937-07-07), Louis Armstrong (il 1937-07-07), Louis Bacon (il 1937-07-07) e Shelton "Scad" Hemphill (il 1937-07-07)
trombone :
J.C. Higginbotham (il 1937-07-07), George Matthews (trombone) (il 1937-07-07) e George Washington (jazz trombonist) (il 1937-07-07)
voce:
Louis Armstrong (il 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (il 1937-07-07)
registrazione di:
Alexander’s Ragtime Band (il 1937-07-07)
paroliere e compositore:
Irving Berlin (nel 1911)
editore:
Williamson Music, Inc.
2:36
8I Gotta Right to Sing the Blues
tromba :
Louis Armstrong
voce:
Louis Armstrong
registrazione di:
I Gotta Right to Sing the Blues
paroliere:
Ted Koehler (nel 1932)
compositore:
Harold Arlen (nel 1932)
editore:
Warner Bros., Inc. (not for release label use!)
3:56
9You Can’t Lose a Broken Heart
registrazione di:
You Can’t Lose a Broken Heart
paroliere:
Flournoy E. Miller
compositore:
James P. Johnson
3:15
10East of the Sun (and West of the Moon)
3:18
11Stormy Weather
tromba :
Louis Armstrong
voce:
Louis Armstrong
registrazione di:
Stormy Weather
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. e The Songwriters Guild
4:17
12C’est si bon (live)
registrazione dal vivo di:
C’est si bon (It's So Good, English version)
paroliere:
André Hornez (nel 1947)
compositore:
Henri Betti (songwriter and pianist) (nel 1947)
traduttore:
Jerry Seelen (screenwriter, lyricist. songwriter) (nel 1949)
editore:
Éditions Beuscher Arpège
versione tradotta di:
C’est si bon (original French version)
2:23
13Let’s Do It (Let’s Fall in Love)
8:49
14La Vie en rose
orchestra:
Sy Oliver’s Orchestra (il 1950-06-26)
registrazione cover di:
La Vie en rose (English translation) (il 1950-06-26)
paroliere:
Édith Piaf
compositore:
Louiguy (French composer Louis Guglielmi)
traduttore:
Mack David (American lyricist and songwriter)
editore:
Éditions Beuscher Arpège
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
versione tradotta di:
La Vie en rose (French original)
43:26
15We’ll Be Together Again
tromba :
Louis Armstrong
voce:
Louis Armstrong
registrazione di:
We’ll Be Together Again
paroliere:
Frankie Laine
compositore:
Carl T. Fischer (Native American jazz pianist and composer)
editore:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:06
16Makin’ Whoopee
tecnico:
Val Valentin (nel 1957)
produttore:
Norman Granz (nel 1957)
batteria :
Louie Bellson (nel 1957)
chitarra :
Herb Ellis (jazz guitarist) (nel 1957)
contrabbasso :
Ray Brown (jazz bassist) (nel 1957)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1957)
tromba :
Louis Armstrong (nel 1957)
voce:
Louis Armstrong (nel 1957)
registrazione cover di:
Makin’ Whoopee! (nel 1957)
paroliere:
Gus Kahn
compositore:
Walter Donaldson
traduttore:
Harrie Geelen
editore:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. e WB Music Corp. (1929–2019)
3:59
17Summertime
registrazione di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
4:58
18Top Hat, White Tie, and Tails
registrazione di:
Top Hat, White Tie and Tails (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
parte di:
Top Hat (1935 film)
4:11
19Basin Street Blues (live)
registrazione dal vivo di:
Basin Street Blues
paroliere e compositore:
Spencer Williams (US jazz composer, pianist & singer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
5:15
20I’m in the Mood for Love
registrata a:
New York, New York, Stati Uniti (il 1935-10-03)
ance :
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (il 1935-10-03), Henry “Moon” Jones (swing era reeds) (il 1935-10-03) e Bingie Madison (il 1935-10-03)
basso :
George "Pops" Foster (il 1935-10-03)
batteria :
Paul Barbarin (jazz drummer from New Orleans) (il 1935-10-03)
chitarra :
Lee Blair (il 1935-10-03)
pianoforte :
Luis Russell (il 1935-10-03)
sassofono tenore :
Greely Walton (il 1935-10-03)
tromba :
Gus Aiken (il 1935-10-03), Louis Armstrong (il 1935-10-03), Louis Bacon (il 1935-10-03) e Leonard "Ham" Davis (American jazz trumpeter) (il 1935-10-03)
trombone :
Jimmy Archey (il 1935-10-03) e Harry White (jazz trombonist) (il 1935-10-03)
voce:
Louis Armstrong (il 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (il 1935-10-03)
registrazione di:
I’m in the Mood for Love (il 1935-10-03)
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (nel 1935, nel 1963) e EMI Music Publishing Ltd. (PRS‐affiliated) (nel 2016)
43:08
2▼CD
#TitoloValutazioneDurata
1When the Saints Go Marchin’ In
registrata a:
New York, New York, Stati Uniti (il 1938-05-13)
batteria :
Paul Barbarin (jazz drummer from New Orleans) (il 1938-05-13)
chitarra :
Lee Blair (il 1938-05-13)
contrabbasso :
George "Pops" Foster (il 1938-05-13)
pianoforte :
Luis Russell (il 1938-05-13)
sassofono contralto :
Rupert Cole (swing era jazz clarinetist and saxophonist) (il 1938-05-13) e Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (il 1938-05-13)
sassofono tenore :
Bingie Madison (il 1938-05-13)
tromba :
Louis Armstrong (il 1938-05-13) e Shelton "Scad" Hemphill (il 1938-05-13)
trombone :
J.C. Higginbotham (il 1938-05-13)
voce:
Louis Armstrong (il 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (il 1938-05-13)
registrazione di:
When the Saints Go Marching In (Louis Armstrong’s version) (il 1938-05-13)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Louis Armstrong
versione di:
When the Saints Go Marching In
?:??
2Let’s Fall in Love
?:??
3Gee, Baby, Ain’t I Good to You?
registrazione di:
Gee, Baby Ain’t I Good to You
paroliere:
Andy Razaf
compositore:
Don Redman
editore:
Michael H. Goldsen Inc. e Razaf Music
parte di:
The Real Book (compilation of jazz standards, Volume I)
?:??
4Don’t Fence Me In (live)
registrazione dal vivo di:
Don’t Fence Me In
paroliere:
Robert Fletcher (US poet) (nel 1934) e Cole Porter (composer) (nel 1934)
compositore:
Cole Porter (composer) (nel 1934)
editore:
Warner Bros., Inc. (not for release label use!)
?:??
5Stars Fell on Alabama
esecutore:
Ella Fitzgerald (American jazz singer)
registrazione cover di:
Stars Fell on Alabama
paroliere:
Mitchell Parish
compositore:
Frank S. Perkins e Mark Roswell (jazz musician)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) e Mills Music
?:??
6Georgia Bo Bo
?:??
7She’s the Daughter of a Planter From Havana
registrata a:
New York, New York, Stati Uniti (il 1937-07-07)
ance :
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (il 1937-07-07), Bingie Madison (il 1937-07-07) e Albert Nicholas (il 1937-07-07)
batteria :
Paul Barbarin (jazz drummer from New Orleans) (il 1937-07-07)
chitarra :
Lee Blair (il 1937-07-07)
contrabbasso :
George "Pops" Foster (il 1937-07-07)
pianoforte :
Luis Russell (il 1937-07-07)
sassofono contralto :
Pete Clark (Jazz altoist born around 1910) (il 1937-07-07)
tromba :
Henry “Red” Allen (jazz musician) (il 1937-07-07), Louis Armstrong (il 1937-07-07), Louis Bacon (il 1937-07-07) e Shelton "Scad" Hemphill (il 1937-07-07)
trombone :
J.C. Higginbotham (il 1937-07-07), George Matthews (trombone) (il 1937-07-07) e George Washington (jazz trombonist) (il 1937-07-07)
voce:
Louis Armstrong (il 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (il 1937-07-07)
registrazione di:
She's the Daughter of a Planter From Havana (il 1937-07-07)
?:??
8(I’ll Be Glad When You’re Dead) You Rascal You
registrazione cover di:
I’ll Be Glad When You’re Dead, You Rascal You
paroliere e compositore:
Sam Theard
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
9Just One of Those Things
registrazione di:
Just One of Those Things
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
?:??
10Baby, It’s Cold Outside (live)
registrazione dal vivo cover di:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
The 22nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1949 winner)
?:??
11Tenderly
registrazione di:
Tenderly
paroliere:
Jack Lawrence (US songwriter) (nel 1946)
compositore:
Walter Gross (American composer) (nel 1946)
editore:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music e Range Road Music
?:??
12When You’re Smiling (The Whole World Smiles with You)
?:??
13Pretty Little Missy
registrazione di:
Pretty Little Missy
autore:
Louis Armstrong e Billy Kyle
?:??
14Lazy River
registrazione di:
Lazy River (il 1956-12-10)
paroliere:
Hoagy Carmichael
compositore:
Sidney Arodin e Hoagy Carmichael
?:??
15Oh Bess, Oh Where’s My Bess
?:??
16Blueberry Hill
voce principale:
Louis Armstrong (il 1949-09-06)
orchestra:
Gordon Jenkins’ Orchestra and Choir (il 1949-09-06)
direttore d'orchestra:
Gordon Jenkins (il 1949-09-06)
arrangiatore:
Gordon Jenkins
registrazione cover di:
Blueberry Hill (il 1949-09-06)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
?:??
17Dream a Little Dream
registrata a:
Las Vegas, Nevada, Stati Uniti (il 1968-07-23)
tecnico:
Eddie Brackett (il 1968-07-23) e Bob Simpson (US jazz engineer/producer) (il 1968-07-23)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Danny Barcelona (il 1968-07-23)
chitarra :
Art Ryerson (il 1968-07-23)
clarinetto :
Joe Muranyi (il 1968-07-23)
contrabbasso :
Buddy Catlett (il 1968-07-23)
pianoforte :
Marty Napoleon (il 1968-07-23)
tromba e voce principale:
Louis Armstrong (il 1968-07-23)
trombone :
Tyree Glenn (il 1968-07-23)
registrazione di:
Dream a Little Dream of Me (il 1968-07-23)
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) e ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, Volume I)
4?:??
18Gone Fishin’
registrata a:
Los Angeles, California, Stati Uniti (il 1951-04-27)
batteria :
Nick Fatool (il 1951-04-27)
chitarra :
Perry Botkin (il 1951-04-27)
contrabbasso :
Phil Stephens (bass and tuba player) (il 1951-04-27)
pianoforte :
Buddy Cole (il 1951-04-27) e Mel Henke (il 1951-04-27)
sassofono :
Warren Baker (il 1951-04-27), Matty Matlock (il 1951-04-27), Irving “Babe” Russin (il 1951-04-27) e Philip Shuken (il 1951-04-27)
tromba :
Ziggy Elman (il 1951-04-27), Bobby Guy (il 1951-04-27) e Red Nichols (il 1951-04-27)
trombone :
Bill Atkinson (il 1951-04-27), Wendell Mayhew (il 1951-04-27) e Dick Taylor (jazz trombonist) (il 1951-04-27)
voce principale:
Louis Armstrong (il 1951-04-27) e Bing Crosby (il 1951-04-27)
orchestra e esecutore:
John Scott Trotter and His Orchestra (il 1951-04-27)
direttore d'orchestra:
John Scott Trotter (il 1951-04-27)
arrangiatore:
John Scott Trotter (il 1951-04-27)
diritti fonografici (℗) detenuti da:
MCA Music Ltd. (nel 1951)
registrazione di:
Gone Fishin’ (il 1951-04-27)
autore:
Charles Kenny (songwriter, violinist) e Nick Kenny
editore:
Bourne Co. (not for release label use, this is a music publisher) e EMI Feist Catalog Inc.
?:??
19They Can’t Take That Away From Me
registrazione di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
?:??
20Ain’t Misbehavin’
registrata a:
New York, New York, Stati Uniti (il 1938-06-24)
batteria :
Sam Weiss (US jazz drummer) (il 1938-06-24)
chitarra :
Dave Barbour (il 1938-06-24)
clarinetto :
Sid Stoneburn (il 1938-06-24)
contrabbasso :
Haig Stephens (il 1938-06-24)
pianoforte :
Nat Jaffe (il 1938-06-24)
tromba :
Louis Armstrong (il 1938-06-24), Bob Cusumano (il 1938-06-24) e Johnny McGee (il 1938-06-24)
trombone a pistoni :
Al Philburn (il 1938-06-24)
voce:
Louis Armstrong (il 1938-06-24)
voce principale:
Louis Armstrong (il 1938-06-24)
orchestra:
Louis Armstrong & His Orchestra (il 1938-06-24)
registrazione di:
Ain’t Misbehavin’ (il 1938-06-24)
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
3?:??

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Discogs:https://www.discogs.com/master/1053485 [info]