The Best of 1980–1990, Volume 10

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1I Want It All
Bassgitarre-Programmierung:
Brian Zellis
Programmierung:
Brian Zellis
assistierende(r) Techniker(in):
Andrew Bradfield, John Brough, Angelique Cooper, Claude Frider, Andy Mason (UK producer/engineer) und Justin Shirley‐Smith
Techniker(in):
Kris Fredriksson und David Richards (Swiss-based producer and engineer)
Produzent(in):
Queen (UK rock group) und David Richards (Swiss-based producer and engineer)
Akustikgitarre und E-Gitarre:
Brian May (Queen guitarist)
Bassgitarre:
John Deacon
Gast-Keyboard:
David Richards (Swiss-based producer and engineer)
Schlagzeug:
Roger Taylor (Queen drummer)
Synthesizer:
Freddie Mercury
Hintergrundgesang:
Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
Sologesang:
Brian May (Queen guitarist) und Freddie Mercury
arranger:
Queen (UK rock group) und David Richards (Swiss-based producer and engineer)
phonographisches Urheberrecht (℗) von:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1989, in 2011) und Raincloud Productions Ltd. (in 1989)
aufgenommen bei:
Mountain Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1988-01 bis 1989-01), Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1988-01 bis 1989-01) und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1988-01 bis 1989-01)
Bearbeitung von:
I Want It All (album version) von Queen (UK rock group)
recording of:
I Want It All
Verfasser(in):
John Deacon, Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.854:01
2Let’s Stay Together
drum machine-Programmierung:
Martyn Ware
Sampler-Programmierung:
Greg Walsh (producer and engineer)
Techniker(in):
Walter Samuel (engineer) und Greg Walsh (producer and engineer)
Produzent(in):
Greg Walsh (producer and engineer) und Martyn Ware
Gitarre:
Ray Russell (guitar, composer, producer)
Klavier und Synthesizer:
Nick Plytas
Perkussion:
Frank Ricotti (percussionist)
Saxophon:
Gary Barnacle
Hintergrundgesang:
Glenn Gregory und Martyn Ware
Sologesang:
Tina Turner
arranger:
Greg Walsh (producer and engineer) und Martyn Ware
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und CBS Studios (London, 1967 - 1972) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Tina Turner3.85:18
3It Must Have Been Love
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:19
4Ship of Fools
Techniker(in):
David Jacob
Koproduzent(in):
David Jacob
Produzent(in):
Stephen Hague
recording of:
Ship of Fools
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
Erasure4:00
5I Won’t Let You Down
recording of:
I Won’t Let You Down
Verfasser(in):
Jim Diamond (Scottish singer/songwriter/guitarist) und Tony Hymas
Ph.D.44:08
6Sadeness, Part 1
phonographisches Urheberrecht (℗) von:
Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries) (in 1990)
recording of:
Sadeness, Part 1
Texter:
Michael Cretu (Romanian-born German musician, composer and record producer), Curly M.C., David Fairstein, F. Gregorian und Frank Peterson
Komponist(in):
Michael Cretu (Romanian-born German musician, composer and record producer), Curly M.C., David Fairstein und Frank Peterson
publisher:
Manuskript (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
Principles of Lust
Teil von:
Principles of Lust
Enigma4.84:15
7Love Is a Stranger
Techniker(in):
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) und R. Crash
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics) und Adam Williams
phonographisches Urheberrecht (℗) von:
RCA Ltd. (UK arm of RCA) (in 1982) und BMG Records (UK) Limited (1987–1996) (in 1991)
recording of:
Love Is a Stranger
Texter und Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Arnakata Music Ltd, Logo Songs Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Eurythmics33:44
8Hold Me Now
recording engineer, Techniker(in) und Mix:
Phil Thornalley
Schlagzeug-Programmierung:
Tom Bailey (Thompson Twins)
Produzent(in):
Tom Bailey (Thompson Twins) und Alex Sadkin
Conga und Synthesizer [Prophet V]:
Joe Leeway
Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
Tom Bailey (Thompson Twins)
Marimba, Perkussion, Schlagzeug und xylophone:
Alannah Currie
Hintergrundgesang:
Alannah Currie und Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographisches Urheberrecht (℗) von:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
Musikvideos:
Hold Me Now von Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
Verfasser(in):
Alannah Joy Currie, Joseph Martin Leeway und Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) und Point Music Ltd.
Thompson Twins4.54:44
9Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:48
10Modern Girl
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1984)
recording of:
Modern Girl
Verfasser(in):
Sarah Durkee und Paul Jacobs (American composer)
publisher:
Morrison Leahy Music Ltd.
Meat Loaf44:25
11Rock ’n’ Roll Gypsy (Rock ’n’ Roll Outlaw)
cover recording of:
Rock ’n’ Roll Outlaw
Verfasser(in):
Angry Anderson, Mick Cocks, Geordie Leach, Dallas “Digger” Royall und Peter Wells (Rose Tattoo guitarist)
publisher:
Rivus Music (publisher) (in 1981)
Helen Schneider5:22
12This Is Not a Love Song
Produzent(in) und Mix:
Martin Atkins (UK drummer) und John Lydon (Johnny Rotten of the Sex Pistols)
arranger:
Martin Atkins (UK drummer) und John Lydon (Johnny Rotten of the Sex Pistols)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
This Is Not a Love Song
Verfasser(in):
Martin Atkins (UK drummer), Keith Levene und John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing und Warner/Chappell Music Ltd. (1996–2019)
Version von:
Love Song
Public Image Ltd.44:13
13Living by Numbers
Produzent(in):
Tony Mansfield (producer & songwriter)
phonographisches Urheberrecht (℗) von:
GTO Records Ltd. (holding company - file no releases here!) (in 1980) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
aufgenommen bei:
TMC Studios (Recording studio, active in the 1970s and 80s in Tooting, London) in Tooting, Wandsworth, London (Greater London), England, Vereinigtes Königreich (von 1979 bis 1980-03)
recording of:
Living by Numbers (von 1979 bis 1980-03)
Texter und Komponist(in):
Tony Mansfield (producer & songwriter)
publisher:
April Music Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
New Musik53:31
14Cloudbusting
assistierende(r) Techniker(in):
Pearse Dunne
Techniker(in):
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench und Nigel Walker (UK producer/engineer/guitarist)
Produzent(in):
Kate Bush
Mix:
Brian Tench
Saiteninstrumente:
The Medici Sextet
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) und Charlie Morgan (British drummer and percussionist)
Hintergrundgesang:
Brian Bath, John Carder Bush, Paddy Bush und Del Palmer
vocals:
Kate Bush
Saiteninstrumente arranger:
Dave Lawson (UK keyboardist & composer)
phonographisches Urheberrecht (℗) von:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) und Noble & Brite Ltd (in 2018)
aufgenommen bei:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, Vereinigtes Königreich
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Cloudbusting
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Kate Bush45:11
15Live It Up
recording of:
Live It Up
Texter und Komponist(in):
Greedy Smith (Australian musician and songwriter with Mental As Anything)
publisher:
Syray Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mental as Anything4:09
16Baby I Love Your Way
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 97)
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
recording of:
Baby, I Love Your Way / Freebird
Texter und Komponist(in):
Allen Collins, Peter Frampton und Ronnie Van Zant
publisher:
Anidraks Music (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Duchess Music Corporation (BMI-affiliated), Hustler Inc. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Medley von:
Baby, I Love Your Way
Medley von:
Free Bird
Will to Power44:09
17Sunshine Reggae
recording of:
Sunshine Reggae
Texter und Komponist(in):
John Guldberg und Tim Stahl
Laid Back3.354:16
18Gimme Hope Jo’anna
Techniker(in):
Glen Johansen (singer-songwriter, producer, engineer)
Produzent(in):
Eddy Grant
aufgenommen bei:
Blue Wave Studios in Barbados
recording of:
Gimme Hope Jo’anna
Texter und Komponist(in):
Eddy Grant
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greenheart Music, Intersong (publisher) und Warner/Chappell (Warner/Chappell Music, Inc.)
basiert auf:
Apunta't al Cepitu
Eddy Grant4.53:47
2▼CD
Nr.TitelKünstlerBewertungLänge
1Word Up
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
Musikvideos:
Word Up! von Cameo (American soul-influenced funk group)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 70) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 81)
recording of:
Word Up!
Verfasser(in):
Larry Blackmon und Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:21
2Last Night a DJ Saved My Life
recording of:
Last Night a D.J. Saved My Life
Texter und Komponist(in):
Mike Cleveland (80's dance)
publisher:
Windswept Pacific Music Ltd.
Indeep3.655:41
3New York New York
Produzent(in):
J. Chase und Sylvia Robinson
recording of:
New York, New York
Verfasser(in):
Edward Fletcher, Reggie Griffin, Melvin Glover (Melvin Glover aka Melle Mel) und Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five7:22
4Rockit
recorded in:
Vereinigte Staaten (in 1983)
recording engineer:
Martin Bisi (in 1983)
Produzent(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Material (group and producer team led by Bill Laswell)
Mix:
Dave Jerden
Bass:
Bill Laswell (US bass guitarist and record producer) (in 1983)
Keyboard:
Michael Beinhorn (in 1983) und Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1983)
Interpret(in):
DXT (US 80s hip hop, aka Grandmixer D.ST) (in 1983)
aufgenommen bei:
OAO Studio in Brooklyn, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Rockit von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
recording of:
Rockit (in 1983)
Verfasser(in):
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Bill Laswell (US bass guitarist and record producer)
publisher:
Ensign Music Corporation
Herbie Hancock45:26
5The Race
Produzent(in):
Yello (Swiss electronica duo)
recording of:
The Race
Texter:
Dieter Meier (member of Yello)
Komponist(in):
Boris Blank
publisher:
Bavaria Sonor Musikverlag, Datasound AG, Warner Bros. Music (publisher; do NOT use as release label) und Warner Chappell
Yello3.653:19
6Miami Vice Theme
recording of:
Miami Vice Theme
Komponist(in):
Jan Hammer
Jan Hammer3.52:28
7Another Life
recording of:
Another Life
Texter:
Barbara Addoms und Mamared
Komponist(in):
Luciano Ninzatti und Stefano Pulga
Kano3:47
8Das Omen, Teil 1
Techniker(in):
Tommy Schmitt
Produzent(in):
Mike Staab
zusätzlich Keyboard [keyboards]:
Mario Habelt
aufgenommen bei und mixed at:
Cream Studios (Frankfurt (Main))
recording of:
Das Omen, Part 1
Texter:
Michael Krautter und Mike Staab
Komponist(in):
Michael Krautter
Mysterious Art6:59
9Why?
Produzent(in):
Mike Thorne (UK producer & keyboardist)
recording of:
Why?
Komponist(in):
Steve Bronski, Jimmy Somerville und Larry Steinbachek
Bronski Beat3.254:04
10Catch Me I’m Falling
recording of:
Catch Me I’m Falling
Verfasser(in):
David Sterry und Richard Zatorski
publisher:
Warner Chappell und Wheatley Music Pty Ltd.
Real Life4:01
11Two Tribes
produced in:
London (Greater London), England, Vereinigtes Königreich (in 1984-03)
Techniker(in):
Steve Lipson
Produzent(in):
Trevor Horn
vocals:
Holly Johnson und Paul Rutherford (member of Frankie Goes to Hollywood)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
Two Tribes (in 1983)
geschrieben in:
Liverpool, Merseyside, England, Vereinigtes Königreich (von 1982 bis 1983)
Texter und Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood3.653:56
12High Energy
phonographisches Urheberrecht (℗) von:
Record Shack (in 1984)
recording of:
High Energy
Verfasser(in):
Ian Levine (Hi-NRG music songwriter and producer) und Fiachra Trench
publisher:
EMI Tunes Ltd und Filmtracks Picture
Evelyn Thomas33:41
13Somebody’s Watching Me
Produzent(in):
Curtis Anthony Nolen und Rockwell (R & B – “Somebody’s Watching Me”)
Gast vocals:
Michael Jackson (“King of Pop”)
Hintergrundgesang:
Jermaine Jackson (soul/pop singer, of Jackson 5)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 20)
recording of:
Somebody’s Watching Me
Texter und Komponist(in):
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:47
14Buffalo Stance
Programmierung und Techniker(in):
Mark Saunders (UK record producer)
Produzent(in) und Mix:
Tim Simenon
Sologesang:
Neneh Cherry
arranger:
Booga Bear, Neneh Cherry, Mark Saunders (UK record producer) und Tim Simenon
phonographisches Urheberrecht (℗) von:
Circa Records Ltd. (not an imprint; for ©/℗ rights use only) (in 1988)
aufgenommen bei:
Hot nights Ltd in London (Greater London), England, Vereinigtes Königreich
mixed at:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 14), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 238) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 412)
recording of:
Buffalo Stance
Verfasser(in):
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) und Phil Ramacon (soul/R&B/reggae songwriter)
basiert auf:
Looking Good Diving With The Wild Bunch
Neneh Cherry45:44
15No Doubt About It
recording of:
No Doubt About It
Verfasser(in):
Mike Burns (songwriter Michael Gerard Burns), Steve Glen und David Most
publisher:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.54:28
16Good Life (Unity remix)
recording of:
Good Life
Verfasser(in):
Paris Grey, Roy Holmon, Jackson, Ann Saunderson und Kevin Saunderson
publisher:
Drive On Music und Virgin Songs
Inner City7:01

Nennungen

Veröffentlichungsgruppe

Teil von:The Best of 1980–1990 (Nummer: 10) (Reihenfolge: 10)