One for My Baby: Selections From the Great American Songbook

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Oh, What a Beautiful Morning
recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Peggy Lee2:54
2Cheek to Cheek
recorded in:
New York, New York, United States (on 1935-06-26)
vocals:
Fred Astaire (on 1935-06-26)
orchestra:
Leo Reisman and His Orchestra (on 1935-06-26)
recording of:
Cheek to Cheek (from “Top Hat”) (on 1935-06-26)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Fred Astaire with Leo Reisman & His Orchestra3:20
3Blue Moon
recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Mel Tormé3:44
4My Heart Belongs to Daddy
orchestra:
Henri René & His Orchestra (on 1953-10-12)
cover recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Eartha Kitt with Henri René & His Orchestra3:02
5The Way You Look Tonight
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Doris Day with Frank De Vol and His Orchestra3:27
6That Old Black Magic
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-08-25)
drums (drum set):
Paul Ferrara (on 1958-08-25)
guitar:
Bobby Roberts (1950-60s guitarist, The Witnesses) (on 1958-08-25)
piano:
Willie McCumber Jr. (on 1958-08-25)
tenor saxophone:
Sam Butera (on 1958-08-25)
trombone:
Lou Sino (on 1958-08-25)
trumpet:
Louis Prima (on 1958-08-25)
vocals:
Louis Prima (on 1958-08-25) and Keely Smith (on 1958-08-25)
orchestra:
The Witnesses (on 1958-08-25)
recorded at:
Sahara Theater in Winchester, Nevada, United States (on 1958-08-25)
live cover recording of:
That Old Black Magic (on 1958-08-25)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Louis Prima & Keely Smith42:58
7Blue Skies
recorded in:
Hollywood, Los Angeles, California, United States (on 1958-03-18)
engineer:
Val Valentin (on 1958-03-18)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1958-03-18)
conductor:
Paul Weston (on 1958-03-18)
performer:
Paul Weston and His Orchestra (on 1958-03-18)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-03-18)
cover recording of:
Blue Skies (on 1958-03-18)
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ella Fitzgerald53:46
8Georgia on My Mind
cover recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Ray Charles3:40
9I Get Along Without You Very Well (Except Sometimes)
recording engineer:
Ray Hall (engineer)
piano:
Nina Simone (on 1968-09-16)
lead vocals:
Nina Simone
vocals:
Nina Simone (on 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-09-16)
cover recording of:
I Get Along Without You Very Well (on 1968-09-16)
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
recording of:
I Get Along Without You Very Well
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nina Simone34:53
10One for My Baby (And One More for the Road)
producer:
Voyle Gilmore
bassoon:
Don Christlieb (on 1958-06-25) and Norman Herzberg (bassoon) (on 1958-06-25)
cello:
James Arkatov (American cellist and photographer) (on 1958-06-25), Armand Kaproff (on 1958-06-25), Joseph Saxon (on 1958-06-25) and Eleanor Slatkin (US cellist, b. Aller) (on 1958-06-25)
clarinet:
Gus Bivona (on 1958-06-25), Sal Franzella (on 1958-06-25), Chuck Gentry (on 1958-06-25) and Morris Bercov (on 1958-06-25)
double bass:
Joe Comfort (on 1958-06-25) and Eddie Gilbert (on 1958-06-25)
drums (drum set) and percussion:
Frank Flynn (on 1958-06-25) and Bill Richmond (on 1958-06-25)
flute:
Arthur Gleghorn (on 1958-06-25) and Harry Klee (on 1958-06-25)
French horn:
James Decker (French hornist) (on 1958-06-25), James McGee (on 1958-06-25) and George Price (on 1958-06-25)
guitar:
Al Hendrickson (on 1958-06-25) and Al Viola (on 1958-06-25)
harp:
Kathryn Julye (on 1958-06-25)
oboe:
Arnold Koblentz (Oboe player) (on 1958-06-25) and Champ Webb (on 1958-06-25)
piano:
Bill Miller (pianist) (on 1958-06-25)
trombone:
Milt Bernhart (on 1958-06-25), Russell Brown (Swing trombonist) (on 1958-06-25), Ray Sims (on 1958-06-25) and Tommy Pederson (on 1958-06-25)
trumpet:
Cappy Lewis (on 1958-06-25)
viola:
Alvin Dinkin (on 1958-06-25), Stanley Harris (US big band viola player) (on 1958-06-25), Paul Robyn (on 1958-06-25) and Dave Sterkin (on 1958-06-25)
violin:
Israel Baker (American violinist) (on 1958-06-25), Victor Bay (on 1958-06-25), Alex Beller (on 1958-06-25), Arnold Belnick (on 1958-06-25), Daniel Karpilowsky (on 1958-06-25), Emo Neufeld (on 1958-06-25), Ben Gill (on 1958-06-25), Paul Shure (on 1958-06-25), Felix Slatkin (on 1958-06-25), Marshall Sosson (on 1958-06-25), Victor Amo (on 1958-06-25) and Gerald Vinci (American violinist and strings conductor) (on 1958-06-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-06-25)
orchestra:
The Nelson Riddle Orchestra (on 1958-06-25)
conductor:
Nelson Riddle (on 1958-06-26)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-06-25)
cover recording of:
One for My Baby (and One More for the Road) (on 1958-06-26)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Frank Sinatra34:26
11It Don't Mean a Thing (If it Ain't Got That Swing)
recording engineer:
Ray Hall (engineer) (on 1961-04-03)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-03)
double bass:
Mort Herbert (on 1961-04-03)
drums (drum set):
Danny Barcelona (on 1961-04-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-03)
trombone:
Trummy Young (on 1961-04-03)
trumpet:
Louis Armstrong (on 1961-04-03)
vocals:
Louis Armstrong (on 1961-04-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-03)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1961-04-03)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong with The Duke Ellington Orchestra44:00
12The Man I Love
conductor:
Benny Carter
cover recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
Sarah Vaughan4:05
13Lazy River
producer:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun and Jerry Wexler
recording of:
Lazy River
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
Bobby Darin2:35
14I Get a Kick Out of You
alto saxophone:
Benny Carter (on 1954-08-25)
double bass:
John Simmons (bassist) (on 1954-08-25)
drums (drum set):
Larry Bunker (on 1954-08-25)
electric guitar:
Barney Kessel (on 1954-08-25)
piano:
Jimmy Rowles (on 1954-08-25)
trumpet:
Harry “Sweets” Edison (on 1954-09-25)
vocals:
Billie Holiday (on 1954-08-25)
recording of:
I Get a Kick Out of You (on 1955-08-25)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Billie Holiday5:42
15Someone to Watch Over Me
bass:
Ray Brown (jazz bassist)
drums (drum set):
Ed Thigpen
piano:
Blossom Dearie
vocals:
Blossom Dearie
recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Blossom Dearie6:00
16I'll Be Seeing You
producer:
Jimmy Hilliard
conductor:
Gordon Jenkins
arranger:
Gordon Jenkins
recording of:
I’ll Be Seeing You
lyricist:
Irving Kahal (in 1938)
composer:
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music and Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Jimmy Durante3:11

Credits

Release

ASIN:US: B0032649E2 [info]