Faust

~ Release by Gounod; Sutherland, Corelli, Ghiaurov, London Symphony Orchestra, Richard Bonynge (see all versions of this release, 3 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Faust : Introduction
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : No. 1 Introduction (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust
Charles Gounod5:10
2Faust : Acte I. « Rien ! … En vain j’interroge »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte I. « Ah ! Paresseuse fille ! » (Chœur, Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte I
recording of:
Faust : Acte I. No. 2 Scène et chœur « Rien ! En vain j’interroge » (Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte I
Charles Gounod7:44
3Faust : Acte I. « Mais ce Dieu, que peut‐il pour moi ? »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte I. « À moi les plaisirs » … « Ô merveille » (Faust, Méphistophélès) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte I
recording of:
Faust : Acte I. No. 3 Récit « Mais ce Dieu, que peut-il pour moi ? » (Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte I
recording of:
Faust : Acte I. No. 4 Duo « Me voici ! » (Méphistophélès, Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte I
Charles Gounod9:44
4Faust : Acte II. « Vin ou bière, bière ou vin »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
baritone vocals [Wagner]:
Raymond Myers (from 1966-06 until 1966-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte II. No. 5 Chœur « Vin ou bière » (Chœur, Wagner) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles Gounod4:48
5Faust : Acte II. « O sainte médaille »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
baritone vocals [Valentin]:
Robert Massard (baritone) (from 1966-06 until 1966-07)
baritone vocals [Wagner]:
Raymond Myers (from 1966-06 until 1966-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
mezzo-soprano vocals [Siébel]:
Margreta Elkins (mezzo-soprano) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte II. No. 6 Scène et récit « Ô sainte médaille » (Valentin, Wagner, Siébel, Chœur) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles Gounod1:45
6Faust : Acte II. « Avant de quitter ces lieux »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
baritone vocals [Valentin]:
Robert Massard (baritone) (from 1966-06 until 1966-07)
baritone vocals [Wagner]:
Raymond Myers (from 1966-06 until 1966-07)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte II. « Avant de quitter ces lieux » … « Allons, amis » (Valentin, Wagner, Chœur) (Valentin’s Aria) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
recording of:
Faust : Acte II. « Pardon ! » … « Hein ? » (Méphistophélès, Wagner) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles Gounod4:27
7Faust : Acte II. « Le veau d’or est toujours debout »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte II. No. 7 « Le veau d’or est toujours debout » (Méphistophélès, Chœur) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles Gounod1:57
8Faust : Acte II. « Merci de ta chanson ! »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
baritone vocals [Valentin]:
Robert Massard (baritone) (from 1966-06 until 1966-07)
baritone vocals [Wagner]:
Raymond Myers (from 1966-06 until 1966-07)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
mezzo-soprano vocals [Siébel]:
Margreta Elkins (mezzo-soprano) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte II. « De l’enfer qui vient émousser nos armes » (Chœur, Valentin) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
recording of:
Faust : Acte II. No. 8 Récit et choral des épées « Merci de ta chanson ! » (Chœur, Valentin, Wagner, Méphistophélès, Siébel) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles Gounod6:05
9Faust : Acte II. « Attendons ! lci même » … « Ainsi que la brise légère »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
mezzo-soprano vocals [Siébel]:
Margreta Elkins (mezzo-soprano) (from 1966-06 until 1966-07)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte II. « Ne permettrez-vous pas ma belle demoiselle » (Faust, Marguerite, Siebel, Méphistophélès, Chœur) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
additional librettist:
Michel Carré (librettist)
librettist:
Jules Barbier
part of:
Faust : Acte II
partial recording of:
Faust : Acte II. « Nous nous retrouverons, mes amis ! » (Méphistophélès, Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
recording of:
Faust : Acte II. No. 9 Valse et chœur « Ainsi que la brise légère … » (Chœur, Méphistophélès, Faust, Siebel) (Valse de Faust, Waltz; Faust-Walzer) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles Gounod7:30
10Faust : Acte III. « Faites‐lui mes aveux »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
mezzo-soprano vocals [Siébel]:
Margreta Elkins (mezzo-soprano) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte III. Couplets « Faites-lui mes aveux » (Siébel) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
additional librettist:
Michel Carré (librettist)
librettist:
Jules Barbier
part of:
Faust : Acte III
recording of:
Faust : Acte III. No. 10 Entr’acte (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte III
Charles Gounod4:07
11Faust : Acte III. « C’est ici ? Suivez‐moi ! »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
mezzo-soprano vocals [Siébel]:
Margreta Elkins (mezzo-soprano) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte III. « Attendez-moi là, cher docteur ! » (Méphistophélès, Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte III
recording of:
Faust : Acte III. No. 11 Scène et récit « C’est ici ? » (Faust, Méphistophélès, Siébel) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte III
Charles Gounod1:58
12Faust : Acte III. « Quel trouble inconnu » … « Salut ! Demeure chaste et pure »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) (in 1966-07)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07, in 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07, in 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07, in 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07, in 1966-07)
balance engineer:
James Lock (James Locke, engineer) (in 1966-07), Gordon Parry (engineer) (in 1966-07) and Kenneth Wilkinson (engineer) (in 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07, in 1966-07)
recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer) (in 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
recording of:
Faust : Acte III. No. 13 Scène « Alerte ! la voilà ! » (Méphistophélès, Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte III
recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust) (in 1966-07)
composer:
Charles Gounod (French composer) (in 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles Gounod6:43
13Faust : Acte III. « Je voudrais bien savoir » … « Il était un roi de Thulé »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte III. Scène « Je voudrais bien savoir » … No. 14a « Il était un roi de Thulé » (Marguerite) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles Gounod7:31
14Faust : Acte III. « Ah ! je ris de me voir si belle »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte III. « Un bouquet ! … Ô Dieu ! que de bijoux ! » … No. 14b « Ah ! Je ris ! » (Marguerite) (Air des bijoux / Jewel Song) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles Gounod3:52
2CD
#TitleArtistRatingLength
1Faust : Acte III. « Seigneur Dieu, que vois‐je ? »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
contralto vocals [Marthe]:
Monica Sinclair (Operatic contralto) (from 1966-06 until 1966-07)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte III. « Dame Marthe Schwerlein, s’il vous plaît ? » (Méphistophélès, Marthe, Marguerite, Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte III
recording of:
Faust : Acte III. No. 15 Scène « Seigneur Dieu, que vois-je ! » (Marthe, Marguerite) (scène du jardin) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte III
recording of:
Faust : Acte III. No. 16 Quatuor « Prenez mon bras un moment ! » … « Eh quoi ! Toujours seule ? » (Faust, Marguerite, Méphistophélès, Marthe) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte III
recording of:
Faust : Acte III. No. 17 « Du courage, je veux tout lui dire » (Siébel, Marthe, Méphistophèlès) … « Il était temps ! » (Méphistophélès) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte III
Charles Gounod12:19
2Faust : Acte III. « Il se fait tard ! » … « Laisse‐moi »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte III. No. 18 « Il se fait tard ! » … « Ô nuit d’amour » (Marguerite, Faust) (Duo d’amour) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles Gounod4:07
3Faust : Acte III. « O nuit d’amour ! Ciel radieux ! »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte III. « Tenez ! Elle ouvre sa fenêtre ! » … « Il m’aime ! » (Méphistophélès, Marguerite, Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte III
recording of:
Faust : Acte III. No. 18 « Il se fait tard ! » … « Ô nuit d’amour » (Marguerite, Faust) (Duo d’amour) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles Gounod9:07
4Faust : Acte IV. Entracte … « Elles ne sont plus là ! »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
partial recording of:
Faust : Acte IV. No. 19 « Elles ne sont plus là ! » (Marguerite, Chœur) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
recording of:
Faust : Acte IV. Prélude (Orchestre) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
Charles Gounod2:16
5Faust : Acte IV. « Elles se cachaient ! » … « Il ne revient pas ! »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
partial recording of:
Faust : Acte IV. No. 19 « Elles ne sont plus là ! » (Marguerite, Chœur) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
Charles Gounod4:58
6Faust : Acte IV. « Marguerite ! Siebel ! Encor des pleurs ! »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
mezzo-soprano vocals [Siébel]:
Margreta Elkins (mezzo-soprano) (from 1966-06 until 1966-07)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte IV. No. 20 Scène et récit « Marguerite ! » … « Siebel ! » (Siebel, Marguerite) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
Charles Gounod6:17
7Faust : Acte IV. « Marthe ! Dieu soit loué ! » … « Déposons les armes »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
baritone vocals [Valentin]:
Robert Massard (baritone) (from 1966-06 until 1966-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
mezzo-soprano vocals [Siébel]:
Margreta Elkins (mezzo-soprano) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
partial recording of:
Faust : Acte IV. No. 22 Chœur des soldats « Déposons les armes ! » (Chœur, Valentin, Siebel) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
additional librettist:
Michel Carré (librettist)
librettist:
Jules Barbier
part of:
Faust : Acte IV
Charles Gounod7:19
8Faust : Acte IV. « Qu’attendez‐vous encore ? »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte IV. « Qu’attendez vous encore ? » (Méphistophélès, Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
additional librettist:
Michel Carré (librettist)
librettist:
Jules Barbier
part of:
Faust : Acte IV
Charles Gounod3:35
9Faust : Acte IV. « Que voulez‐vous, messieurs ? »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
baritone vocals [Valentin]:
Robert Massard (baritone) (from 1966-06 until 1966-07)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte IV. No. 25 Trio du duel « Que voulez-vous, messieurs ? » (Valentin, Méphistophélès, Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
Charles Gounod4:07
10Faust : Acte IV. « Par ici ! Par ici, mes amis ! »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
baritone vocals [Valentin]:
Robert Massard (baritone) (from 1966-06 until 1966-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
contralto vocals [Marthe]:
Monica Sinclair (Operatic contralto) (from 1966-06 until 1966-07)
mezzo-soprano vocals [Siébel]:
Margreta Elkins (mezzo-soprano) (from 1966-06 until 1966-07)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte IV. No. 26. Ensemble « Par ici, par ici, mes amis ! » … « Ce qui doit arriver » (Marthe, Chœur, Valentin, Marguerite, Siebel) (Mort de Valentin) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
Charles Gounod6:13
11Faust : Acte IV. « Seigneur, daignez permettre »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte IV. No. 21 Scène de l’église “Seigneur, daignez permettre…” (Marguerite, Méphistophélès, Chœur) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
Charles Gounod9:36
3CD
#TitleArtistRatingLength
1Faust : Acte V. « Dans les bruyères »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte V. No. 27 Chœur des feux follets « Dans les bruyères » … « Arrête ! » (Chœur, Faust, Méphistophélès) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
Charles Gounod3:20
2Faust : Acte V. « Jusqu’aux premiers feux du matin »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte V. No. 28 Scène et chœur « Jusqu’aux premiers feux du matin » … No. 29 Chant bachique « Doux nectar » (Méphistophélès, Chœur, Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
Charles Gounod3:15
3Faust : Acte V. Ballet
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte V. Ballet (La Nuit de Walpurgis) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
Charles Gounod19:18
4Faust : Acte V. Introduction. « Va‐t’en ! Le jour va luire »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte V. Intermezzo (Orchestre) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
recording of:
Faust : Acte V. No. 30 Scène de la prison « Va-t’en ! » (Faust, Méphistophélès) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
Charles Gounod7:54
5Faust : Acte V. « Ah! c’est la voix » … « Oui, c’est moi »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
partial recording of:
Faust : Acte V. « Marguerite » … « Ah ! C’est la voix du bien‐aimé » … « Oui, c’est, moi, je t’aime ! » … « Attends ! voici la rue » (Marguerite, Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
Charles Gounod3:08
6Faust : Acte V. « Attends ! voici la rue »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
partial recording of:
Faust : Acte V. « Marguerite » … « Ah ! C’est la voix du bien‐aimé » … « Oui, c’est, moi, je t’aime ! » … « Attends ! voici la rue » (Marguerite, Faust) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
Charles Gounod4:41
7Faust : Acte V. « Alerte ! alerte ! ou vous êtes perdus ! » … « Anges purs »
engineer:
James Lock (James Locke, engineer), Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
bass vocals [Méphistophélès]:
Nicolaï Ghiaurov (operatic bass) (from 1966-06 until 1966-07)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06 until 1966-07)
soprano vocals [Marguerite]:
Joan Sutherland (soprano) (from 1966-06 until 1966-07)
tenor vocals [Faust]:
Franco Corelli (tenor) (from 1966-06 until 1966-07)
orchestra:
London Symphony Orchestra (from 1966-06 until 1966-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-06 until 1966-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06 until 1966-07)
recording of:
Faust : Acte V. No. 31 « Alerte, alerte » … « Anges purs » (Méphistophélès, Marguerite, Faust, Chœur) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte V
recording of:
Faust : Acte V. No. 32 Apothéose « Sauvée » … « Christ est ressuscité » (Chœur) (from 1966-06 until 1966-07)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
Charles Gounod5:28

Credits

Release

manufactured in:Germany
printed in:Germany
rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
part of:Grand Opera (Decca Classics / London Records reissue series) (order: 14)
Discogs:https://www.discogs.com/release/11802062 [info]