Classical Chillout 2

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Any Other Name (from American Beauty)
recording engineer:
Dennis Sands (American sound engineer)
assistant engineer:
Tom Hardisty (film score engineer) and David Marquette
producer:
Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) and Thomas Newman (American score composer)
mixer:
Tom Hardisty (film score engineer) and Dennis Sands (American sound engineer)
assistant editor:
Jordan Corngold
editor:
Bill Bernstein
performer:
Nikolaj Bloch and Sally Herbert (violinist, composer, and conductor)
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999, in 2000)
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Any Other Name
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
publisher:
Cherry Lane Music and Cherry Lane Music Publishing Company Inc.
part of:
American Beauty (1999)
Thomas Newman3.44:09
2Vision
Hildegard von Bingen3:40
3Song of Tears
vocals:
Miriam Stockley
recording of:
Cantus - "Song of Tears"
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
part of:
Adiemus II: Cantata Mundi
Adiemus5:57
4Xerxes (Largo)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel2:23
5Hedwig's Theme (Harry Potter Prologue)
recording of:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
part of:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
John Williams4:54
6Sheep May Safely Graze
producer:
John Fraser (UK producer)
organ:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:37
7Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso
piano:
Walter Gieseking (classical pianist 1895-1956)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven5:24
8Cavatina (from The Deer Hunter)
guitar:
Manuel Barrueco (guitarist) and Steve Morse (American guitarist)
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
Stanley Myers3:18
9Eddie (from Wonderland)
Michael Nyman4:00
10Espiritu (Thomas Otten)
vocals:
Thomas Otten (French countertenor)
Frédéric Momont3:19
11Cinema Paradiso Love Theme
Andrea Morricone3:02
12Calming the Sea
Adams, Dale & Reynolds6:51
13Pie Jesu
producer:
Simon Woods (producer)
choir vocals:
Choir of King’s College, Cambridge (from 1997-07-15 until 1997-07-18)
treble vocals:
Edward Saklatvala (tenor)
orchestra:
City of London Sinfonia (chamber orchestra) (from 1997-07-15 until 1997-07-18)
conductor:
Stephen Cleobury (organist, conductor) (from 1997-07-15 until 1997-07-18)
chorus master:
Stephen Cleobury (organist, conductor)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (from 1997-07-15 until 1997-07-18)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1997-07-15 until 1997-07-18)
recording of:
Requiem: III. Pie Jesu (from 1997-07-15 until 1997-07-18)
composer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1985)
publisher:
Oxford University Press
part of:
Requiem
John Rutter3:35
14Goldberg Variations
recording engineer:
Daniel Michel (recording engineer)
producer:
Alain Lanceron
piano:
Maria Tipo (pianist) (from 1986-06-26 until 1986-06-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1986-06-26 until 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1986-06-26 until 1986-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:05
15Agnus Dei
choir vocals:
Winchester Cathedral Choir
conductor:
David Hill (British organist and conductor)
recording of:
Agnus Dei (arr. Samuel Barber for chorus)
lyricist:
[anonymous] (special purpose artist)
composer:
Samuel Barber (American composer) (in 1936)
arranger:
Samuel Barber (American composer) (in 1967)
part of:
Works of Samuel Barber by opus number (number: op. 11)
arrangement of:
Adagio for Strings
Samuel Barber7:49
16Moonlight Sonata No. 14 in C-sharp minor, Op. 27 No. 2
piano:
Dame Moura Lympany (British pianist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
partial recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven3:59
17Canzonetta Sull'Aria - Marriage of Figaro
soprano vocals:
Felicity Lott (soprano) and Gianna Rolandi (American soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:04
2▼CD
#TitleArtistRatingLength
1Time to Say Goodbye
violin:
David Abel (violinist/violist)
orchestra:
orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
instrumental recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”)
additional lyricist:
Frank Peterson
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar Music MV and Sugar S.r.l. (company credits only; do NOT use as release label)
translated version of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
Francesco Sartori4:00
2Aquarium
Camille Saint‐Saëns2:35
3Barcarolle
choir vocals:
René Duclos Chorus (from 1964-09-01 until 1965-05-27)
contralto vocals [une voix] and mezzo-soprano vocals [Nicklausse]:
Jeannine Collard (mezzo-soprano / contralto) (from 1964-09-01 until 1965-05-27)
soprano vocals [Giulietta]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1964-09-01 until 1965-05-27)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-09-01 until 1965-05-27)
conductor:
André Cluytens (Belgian-born French conductor) (from 1964-09-01 until 1965-05-27)
chorus master:
Jean Laforge (choral conductor) (from 1964-09-01 until 1965-05-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1965-05-26 until 1965-05-27)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur) (from 1964-09-01 until 1965-05-27)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (from 1964-09-01 until 1965-05-27)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:53
4Jean de Florette Theme
harmonica:
Toots Thielemans
orchestra:
Orchestre de Paris
conductor:
Jean‐Claude Petit
Jean-Claude Petit2:33
5La Valse d'Amélie
mixer:
Fabrice Laureau
piano:
Yann Tiersen
recording of:
La Valse d’Amélie (piano version)
composer:
Yann Tiersen
part of:
Amélie
Yann Tiersen2.752:40
6Love in Slow Motion
Mike Batt3:15
7Heart of the Volunteer
choir vocals:
Crouch End Festival Chorus
soprano vocals:
Charlotte Kinder
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Nic Raine
chorus master:
David Temple
arranger:
Glenn Aitken
cover recording of:
Heart of a Volunteer (Pearl Harbor)
composer:
Hans Zimmer (German score composer)
part of:
Pearl Harbor (2001 film soundtrack)
Hans Zimmer3:52
8Viola de Gamba: Sonata in G Minor
harpsichord:
Ton Koopman (conductor, organist and harpsichordist)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
edit of:
Viola da Gamba Sonata no. 3 in G minor, BWV 1029: II. Adagio by Jordi Savall (viol player, conductor and composer), Ton Koopman (conductor, organist and harpsichordist)
partial recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach2:34
9Nimrod
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1970-08-04 until 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:58
10Going Home - Symphony No. 9 in E minor, Op. 95 "From the New World"
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák4:42
11Sarabande in D Minor
Georg Friedrich Händel3:03
12Façades
soprano saxophone:
Simon Haram (saxophonist) and John Harle
orchestra:
London Chamber Orchestra
conductor:
Christopher Warren‐Green (violinist and conductor)
phonographic copyright (℗) by:
Erato (in 1990), Warner Classics (in 1990) and Warner Music UK Ltd. (not for release label use!) (in 1990)
recording of:
Glassworks: V. Façades
composer:
Philip Glass (US composer & pianist) (until 1981, in 1981)
part of:
Glasspieces
part of:
Glassworks
Philip Glass7:49
13Panis Angelicus
choir vocals:
Hallé Choir
orchestra:
Hallé Orchestra
conductor and chorus master:
Maurice Handford (hornist/conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck4:57
14Telephone and Rubber Band
producer:
Simon Jeffes
recorded at:
Penguin Cafe (from 1977 until 1980)
mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, United Kingdom
recording of:
Telephone and Rubber Band
composer:
Simon Jeffes
Penguin Cafe Orchestra42:32
15Piano Concerto No. 1, Op. 11
partial recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
dedicated to:
Friedrich Wilhelm Michael Kalkbrenner
part of:
Works of Fryderyk Chopin by opus number (number: op. 11) and Classic 100: Piano (2025) (number: 48)
Frédéric Chopin4:06
16The Blue Planet
George Fenton2:53
17Agnus Dei
assistant engineer:
Mat Bartram, Jake Jackson (recording engineer) and Richard Lancaster
engineer:
Dick Lewzey
producer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
trumpet:
Paul Beniston (trumpet player) (on 2000-07-24)
choir vocals:
National Youth Choir of Great Britain (on 2000-08-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 2000-07-24)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (on 2000-07-24) and Mike Brewer OBE (conductor) (on 2000-08-11)
chorus master:
Michael C. Brewer (conductor) (in 2000)
concertmaster:
Duncan Riddell (violinist)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Angel Studios in Islington, London (Greater London), England, United Kingdom
recording of:
The Armed Man: A Mass for Peace: Agnus Dei (from 2000-07-24 until 2000-08-11)
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
part of:
The Armed Man: A Mass for Peace (the complete work)
Adiemus33:39
18Flute and Harp Concerto
flute:
James Galway (flautist)
harp:
Fritz Helmis (harpist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart4:03
19Rhapsody on a Theme of Paganini
producer:
John Fraser (UK producer) (from 1984-05-03 until 1984-05-04)
piano:
Cécile Ousset (French pianist) (from 1984-05-03 until 1984-05-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-03 until 1984-05-04)
conductor:
Simon Rattle (conductor) (from 1984-05-03 until 1984-05-04)
balance engineer:
Michael Sheady (engineer) (from 1984-05-03 until 1984-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1984-05-03 until 1984-05-04)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (from 1984-05-03 until 1984-05-04)
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Васильевич Рахманинов3:01
20An Ending (Ascent)
producer:
Brian Eno and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
performer:
Brian Eno
recording of:
An Ending (Ascent)
composer:
Brian Eno
publisher:
E.G. Music Ltd. (publisher) and Upala Music Inc.
part of:
28 Days Later
Brian Eno4.454:23