Now Yearbook 1978

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Mr. Blue Sky
recording of:
Mr. Blue Sky
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Concerto for a Rainy Day
Electric Light Orchestra3:42
2Baker Street
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
Gitarre [lead guitar]:
Hugh Burns (in 1977)
Gitarre [rhythm guitar]:
Nigel Jenkins (in 1977)
Keyboard:
Tommy Eyre (in 1977)
Perkussion:
Glen LeFleur (in 1977)
Saxophon:
Raphael Ravenscroft (in 1977)
Schlagzeug:
Henry Spinetti (in 1977)
Sologesang:
Gerry Rafferty (in 1977)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
Bearbeitung von:
Baker Street von Gerry Rafferty
recording of:
Baker Street (in 1977)
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:09
3Da Ya Think I’m Sexy?
Techniker(in):
Andy Johns
Produzent(in):
Tom Dowd
Mix:
Tom Dowd und Andy Johns
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) und WEA Records B.V. (in 1978)
Musikvideos:
Da Ya Think I'm Sexy? von Rod Stewart
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 301)
recording of:
Da Ya Think I’m Sexy?
Verfasser(in):
Carmine Appice, Duane Hitchings und Rod Stewart
publisher:
Control (German electronic), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Version von:
Taj Mahal
Rod Stewart4.25:29
4Take a Chance on Me
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Akustikgitarre:
Björn Ulvaeus (am 1977-08-15)
Bassgitarre:
Rutger Gunnarsson (am 1977-08-15, am 1977-08-17, am 1977-10-24)
E-Gitarre [lead guitar]:
Lasse Wellander (am 1977-08-15)
Keyboard:
Benny Andersson (ABBA) (am 1977-08-15)
Schlagzeug und Tamburin:
Roger Palm (am 1977-08-17)
Schlagzeug und Tamburin:
Roger Palm (am 1977-08-15)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1977, in 1986) und Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1978)
aufgenommen bei:
Marcus Music Ab in Stockholm, Stockholms län (Stockholm county), Schweden (am 1977-08-15, am 1977-08-17) und Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (am 1977-10-24)
mixed at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1977-11-01)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 32)
recording of:
Take a Chance on Me (in 1977)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group und Universal/Union Songs Musikförlag AB
Teil von:
Mamma Mia! (1999 musical)
ABBA4.154:07
5Rivers of Babylon
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett, Frank Farian und Liz Mitchell
cover recording of:
Rivers of Babylon (Boney M. version)
Texter:
Brent Dowe und Trevor McNaughton
Komponist(in):
Brent Dowe, Frank Farian, Trevor McNaughton und George Reyam
publisher:
Blue Mountain Music und FAR Music (publisher for Frank Farian)
basiert auf:
Rivers of Babylon
Boney M.44:16
6Dreadlock Holiday
Techniker(in):
Keith Bessey, Eric Stewart und Tony Spath
Produzent(in):
Graham Gouldman und Eric Stewart
Mix:
Eric Stewart
Agogô, Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Bassgitarre, cabasa und Hintergrundgesang und Sologesang:
Graham Gouldman
E-Gitarre:
Rick Fenn und Graham Gouldman
Hybrid-Piano und Maracas / Rumba-Rasseln:
Eric Stewart
Orgel:
Rick Fenn und Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
arranger:
10cc
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (not for release label use!) (in 1978)
aufgenommen bei und mixed at:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
Dreadlock Holiday von 10cc
recording of:
Dreadlock Holiday
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Man-Ken Music Ltd.
10cc4.654:28
7No More Fighting
Althea & Donna3:38
8Macarthur Park
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 7)
cover recording of:
MacArthur Park
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Canopy Music, Global Musikverlage (Global Musik GmbH & Co. KG), Universal Music (plain logo: “Universal Music”) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Donna Summer53:56
9I’m Every Woman
Techniker(in):
James Douglass (engineer)
Produzent(in):
Arif Mardin
Hintergrundgesang:
Will Lee (US jazz/rock bassist) (in 1978) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (in 1978)
Hintergrundgesang und Sologesang:
Chaka Khan (in 1978)
Blechblasinstrumente arranger, Holzblasinstrumente arranger und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 4)
recording of:
I’m Every Woman (in 1978)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:10
10If I Can’t Have You
Produzent(in):
Freddie Perren
Bass:
Scott Edwards (bassist)
Gitarre:
Bob Bowles
Keyboard und Synthesizer:
Freddie Perren
Klavier:
Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) und Freddie Perren
Schlagzeug:
James Gadson (American drummer)
Hintergrundgesang [additional background vocals] und Sologesang:
Yvonne Elliman
Hintergrundgesang [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters und Maxine Waters
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 19) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 343)
recording of:
If I Can’t Have You
geschrieben in:
Frankreich
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.252:57
11Everybody Dance
Produzent(in):
Bernard Edwards (American bassist and record producer), Kenny Lehman und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer), Kenny Lehman und Nile Rodgers
recording of:
Everybody Dance
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Chic3:25
12Native New Yorker
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 404)
recording of:
Native New Yorker
Verfasser(in):
Sandy Linzer und Denny Randell
publisher:
Featherbed Music, Linz Music (US work publisher), Three Wise Boys Music LLC, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Odyssey2.53:26
13Wishing on a Star
recording of:
Wishing on a Star
Texter und Komponist(in):
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce54:53
14Three Times a Lady
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
Sologesang:
Lionel Richie
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 10)
recording of:
Three Times a Lady
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.653:37
15Dancing in the City
Marshall Hain3:47
16Substitute
Clout3:24
17It’s a Heartache
Bonnie Tyler3:19
18If You Can’t Give Me Love
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980) und RAK Records Ltd. (in 1978)
produced for:
Chinnichap (production company and publisher)
recording of:
If You Can’t Give Me Love (in 1980)
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap (production company and publisher), Chinnichap Ltd. (production company), RAK Publishing Ltd. und Universal Music–MGB Songs
Suzi Quatro4.53:53
19With a Little Luck
recorded in:
Amerikanische Jungferninseln, Vereinigte Staaten (von 1977-05-10 bis 1977-05-12)
recording engineer:
Geoff Emerick (British recording engineer) (von 1977-05-10 bis 1977-11)
assistierende(r) Techniker(in):
Pete Henderson (engineer) und Mark Vigars (engineer)
Techniker(in):
Steve Churchyard
Produzent(in):
Paul McCartney (The Beatles)
Bass, Hybrid-Piano, Synthesizer und Sologesang:
Paul McCartney (The Beatles) (von 1977-05-10 bis 1977-11)
Hintergrundgesang:
Denny Laine (von 1977-05-10 bis 1977-11), Linda McCartney (von 1977-05-10 bis 1977-11) und Paul McCartney (The Beatles) (von 1977-05-10 bis 1977-11)
Interpret(in):
Wings (Paul McCartney’s band)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1977-11)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 18)
recording of:
With a Little Luck (von 1977-05-10 bis 1977-11)
geschrieben in:
Scotland, Vereinigtes Königreich
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
McCartney Music
Wings33:13
20The Man With the Child in His Eyes
Techniker(in):
Jon Kelly (engineer at Air London Studios)
leitende(r) Produzent(in):
David Gilmour (Pink Floyd)
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Klavier, Hintergrundgesang und Sologesang:
Kate Bush (in 1975-06)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978) und EMI France (in 1995)
aufgenommen bei:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (von 1977-07 bis 1977-08)
recording of:
The Man With the Child in His Eyes (in 1975-06)
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush
arranger:
Stefan Lievestro (Dutch jazz bassist)
Premiere bei:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, vom 1978 bis heute) und Kate Bush Music Ltd.
Kate Bush3.652:39
2▼CD
Nr.TitelKünstlerBewertungLänge
1Rat Trap
recording of:
Rat Trap
Texter und Komponist(in):
Bob Geldof
publisher:
Sewer Fire Hits Ltd
The Boomtown Rats4:48
2Teenage Kicks
The Undertones2:29
3Ever Fallen in Love (With Someone You Shouldn’t’ve)?
Techniker(in):
Doug Bennett (producer, engineer) und Martin Rushent
Produzent(in) und Mix:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1989)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
Texter und Komponist(in):
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.42:42
4Hong Kong Garden
Siouxsie and the Banshees2:54
5Top of the Pops
The Rezillos2:56
6Hanging On the Telephone
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
cover recording of:
Hanging On the Telephone (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) und Rare Blue Music Inc (in 1978)
Blondie4.32:22
7(I Don’t Want to Go to) Chelsea
recording of:
(I Don’t Want to Go to) Chelsea
Texter und Komponist(in):
Declan Patrick MacManus
Elvis Costello & The Attractions43:10
8(White Man) In Hammersmith Palais
recording of:
(White Man) In Hammersmith Palais
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
The Clash4:01
9Down in the Tube Station at Midnight
recording of:
Down in the Tube Station at Midnight
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd. und Stylist Music Ltd.
The Jam4:00
10What a Waste
recording of:
What a Waste
Texter:
Ian Dury
Komponist(in):
Charley Charles (UK drummer), Mick Gallagher (UK hammond organ player), Chaz Jankel (English musician and songwriter), Rod Melvin, John Turnbull und Norman Watt-Roy
Ian Dury & the Blockheads3:25
11Because the Night
recording of:
Because the Night
publisher:
Bruce Springsteen und Bruce Springsteen (in 1975)
Texter:
Patti Smith (in 1977) und Bruce Springsteen (in 1977)
Komponist(in):
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith3:23
12My Best Friend’s Girl
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer), Jay Faires und Tricia Holloway
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978, in 1979)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
My Best Friend’s Girl (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd und Lido Music (not for release label use!) (in 1978)
The Cars4.353:43
13Airport
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1978)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 19)
recording of:
Airport
Verfasser(in):
Andy McMaster
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Island Music Ltd. (vom 1978 bis heute)
The Motors3.354:39
145.7.0.5
recording of:
5.7.0.5.
Texter:
Lol Mason
Komponist(in):
Steve Broughton (drummer, with Edgar Broughton Band & Mike Oldfield)
City Boy3:13
15Love Is Like Oxygen
Sweet3:45
16Part‐Time Love
Techniker(in) und Mix:
Phil Dunne, Stuart Epps und Clive Franks
Produzent(in):
Clive Franks und Elton John (English singer, songwriter, pianist, and composer)
Bassgitarre:
Clive Franks
Conga und Tamburin:
Ray Cooper (percussionist)
E-Gitarre:
Tim Renwick
Gitarre [lead guitar]:
Davey Johnstone
Klavier:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Steve Holly
Hintergrundgesang:
Davey Johnstone, Gary Osborne, Stevie Lange (backing vocalist/studio singer, aka Stevie Lange), Joanne Stone, Chris Thompson (vocalist with Manfred Mann’s Earth Band) und Vicky Brown (English pop, rock & contemporary classical singer)
vocals:
Elton John (English singer, songwriter, pianist, and composer)
Saiteninstrumente arranger:
Paul Buckmaster
recording of:
Part Time Love
Texter:
Gary Osborne
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John33:14
17Movin’ Out (Anthony’s Song)
Techniker(in):
Jim Boyer (producer/engineer) und Phil Ramone
Produzent(in):
Phil Ramone
E-Bass:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1977)
Klavier und Sologesang:
Billy Joel (American singer-songwriter and pianist) (in 1977)
Saxophon:
Richie Cannata (in 1977)
Schlagzeug:
Liberty DeVitto (US drummer) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1977)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Movin’ Out (Anthony’s Song) (in 1977)
Texter und Komponist(in):
Billy Joel (American singer-songwriter and pianist)
publisher:
April Music Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Joelsongs (vom 1977 bis heute), CBS Songs Ltd. (in 1977) und Impulsive Music (in 1977)
Billy Joel4.43:31
18Who Are You
The Who3:28
19Cold as Ice
recording of:
Cold as Ice
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (bis 2014-12-31), Yamaha Music Publishing (bis 2017-03-31), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner3:20
20Life’s Been Good
Joe Walsh4:45
21(Don’t Fear) The Reaper
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976)
recording of:
(Don’t Fear) The Reaper
Texter und Komponist(in):
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult3:49
22Forever Autumn
Justin Hayward4:32
3▼CD
Nr.TitelKünstlerBewertungLänge
1Le Freak
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak (in 1978)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:36
2Boogie Oogie Oogie
A Taste of Honey2:18
3More Than a Woman
vocals:
Tavares (US R&B, funk and soul music)
cover recording of:
More Than a Woman (in 1997)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
Tavares33:28
4I Love the Nightlife (Disco ’Round)
Produzent(in):
Mastermix Music Limited
recording of:
I Love the Nightlife
Verfasser(in):
Alicia Bridges und Susan Hutcheson
publisher:
Lowery Music Co. Inc., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Alicia Bridges3:20
5Instant Replay
Dan Hartman3:26
6Do It Do It Again (A far l’amore comincia tu)
Raffaella Carrà2:41
7Sorry, I’m a Lady
Baccara3:11
8Singin’ in the Rain
recording of:
Singin’ in the Rain (version 45 tours)
Verfasser(in):
Nacio Herb Brown (US songwriter)
Sheila & B. Devotion3:49
9From East to West
Voyage3:28
10I Love You
recording of:
I Love You
Verfasser(in):
Pete Bellotte (English lyricist and producer), Giorgio Moroder und Donna Summer (soul/disco diva)
Donna Summer3:19
11Givin’ Up Givin’ In
Produzent(in):
Giorgio Moroder
vocals:
Sheila Ferguson, Valerie Holiday und Helen Scott
phonographisches Urheberrecht (℗) von:
Ariola America, Inc. (in 1978)
Bearbeitung von:
Giving Up, Giving In von The Three Degrees
recording of:
Givin’ Up Givin’ In
Texter:
Pete Bellotte (English lyricist and producer)
Verfasser(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
Komponist(in):
Giorgio Moroder
publisher:
April Music und Heath Levy Music
The Three Degrees33:55
12I Can’t Stand the Rain
Eruption2:54
13Automatic Lover
Dee D. Jackson4:09
14I Lost My Heart to a Starship Trooper
Sologesang:
Sarah Brightman
recording of:
I Lost My Heart to a Starship Trooper
Verfasser(in):
Jeffrey Calvert und Geraint Hughes (production music composer)
publisher:
Coconut Airways Productions
Sarah Brightman &Hot Gossip34:19
15Galaxy of Love
Crown Heights Affair3:50
16Come Back and Finish What You Started
cover recording of:
Come Back and Finish What You Started
Verfasser(in):
Joe Cobb (Joe “Youngblood” Cobb; songwriter, producer, composer, writer) und Van McCoy
publisher:
Interior Music Corp., Van McCoy Music Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Gladys Knight & the Pips3:23
17Every 1’s a Winner
Hot Chocolate4:49
18Fantasy
recording of:
Fantasy
Verfasser(in):
Eduardo Del Barrio, Maurice White (Earth, Wind & Fire) und Verdine White
publisher:
Criga Music, EMI Songs Australia Pty. Ltd. und Saggifire Music
Earth, Wind & Fire3.53:46
19Always and Forever
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 75)
recording of:
Always and Forever
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave34:48
20Love Don’t Live Here Anymore
recording of:
Love Don’t Live Here Anymore
Texter und Komponist(in):
Miles Gregory
publisher:
Sony/ATV Ballad und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce4.53:56
4▼CD
Nr.TitelKünstlerBewertungLänge
1Denis
Techniker(in):
Rob Freeman (engineer)
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
Bassgitarre:
Frank Infante (von 1977-06 bis 1977-07) und Chris Stein (von 1977-06 bis 1977-07)
E-Gitarre [lead guitar] und Vibraphon:
Chris Stein (von 1977-06 bis 1977-07)
E-Gitarre [rhythm guitar]:
Frank Infante (von 1977-06 bis 1977-07)
Farfisa-Orgel, Flügel, Saiteninstrumente, Synthesizer [Polymoog] und Synthesizer [Roland]:
Jimmy Destri (von 1977-06 bis 1977-07)
Schlagzeug:
Clem Burke (von 1977-06 bis 1977-07)
Hintergrundgesang:
Clem Burke (von 1977-06 bis 1977-07) und Jimmy Destri (von 1977-06 bis 1977-07)
Sologesang:
Deborah Harry (von 1977-06 bis 1977-07)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (von 1977-06 bis 1977-07)
cover recording of:
Denise (von 1977-06 bis 1977-07)
Texter und Komponist(in):
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. und Taking Care of Business Music Inc. (BMI)
Blondie3.552:19
2Hopelessly Devoted to You
Techniker(in) und Mix:
David J. Holman
Produzent(in):
John Farrar
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 35)
recording of:
Hopelessly Devoted to You (Grease, 1978 film)
Texter und Komponist(in):
John Farrar
Teil von:
The 51st Academy Award for Best Original Song (Nummer: 2)
Teil von:
Grease (1978 film)
Olivia Newton‐John4.253:08
3Sandy
Produzent(in):
John Farrar
Mix:
David J. Holman
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1978) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Sandy (Grease, 1978 film)
Texter:
Scott Simon
Komponist(in):
Louis St. Louis (American songwriter, music arranger and singer)
publisher:
Ensign Music Corp. (in 1978) und Unichappell Music (in 1978)
Teil von:
Grease (1978 film)
John Travolta3.752:35
4The Boy From New York City
cover recording of:
The Boy From New York City
Verfasser(in):
George Davis (US songwriter - singer, doo-wop era) und John Taylor (songwriter & saxophone player John Isaac Taylor)
publisher:
Trio Music Company und フジパシフィックミュージック (Fujipacific Music, Inc.)
Darts3:03
5Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.64:07
6Love Is in the Air
Produzent(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1977, in 1978), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (in 1978) und Volcano Entertainment III, L.L.C. (in 1998)
recording of:
Love Is in the Air (in 1978)
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
John Paul Young33:29
7Copacabana
Bearbeitung von:
Copacabana von Barry Manilow
recording of:
Copacabana (original 1978 disco/pop song)
Texter:
Jack Feldman und Bruce Sussman
Komponist(in):
Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music und Universal Music Careers
sub-publisher:
Chappell & Co Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Copacabana (1985 TV film soundtrack)
Teil von:
Foul Play (1978 film soundtrack)
Barry Manilow44:01
8Northern Lights
Renaissance3:32
9If I Had Words
Scott Fitzgerald & Yvonne Keeley3:49
10Brown Girl in the Ring
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett, Frank Farian und Liz Mitchell
recording of:
Brown Girl in the Ring (Boney M.)
Texter:
[traditional] (special purpose artist) und Frank Farian
Komponist(in):
[traditional] (special purpose artist)
arranger:
Frank Farian
publisher:
ATV Music Ltd., Far Musikverlag GmbH, Far Musikverlag GmbH und Co., KG und Hansa International
Version von:
Brown Girl in the Ring (traditional)
Boney M.2.53:06
11Figaro
Brotherhood of Man2:55
12Bad Old Days
Teil von:
United Kingdom in the Eurovision Song Contest (Vereinigtes Königreich beim Eurovision Song Contest) (Nummer: 1978)
recording of:
The Bad Old Days (Eurovision entry)
Texter und Komponist(in):
Stephanie de Sykes und Stuart Slater
Co-Co2:36
13Shooting Star
recording of:
Shooting Star
Texter und Komponist(in):
David Courtney (songwriter, singer and producer)
Dollar3:47
14Never Let Her Slip Away
recording of:
Never Let Her Slip Away
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold3:28
15Lucky Stars
Dean Friedman & Denise Marsa & Denise Marsa4:04
16Walk in Love
recording of:
Walk in Love (1976 song)
Verfasser(in):
David Batteau und John Klemmer
The Manhattan Transfer3:04
17Let’s Have a Quiet Night In
phonographisches Urheberrecht (℗) von:
David Soul (in 1976)
recording of:
Let’s Have a Quiet Night In
Texter und Komponist(in):
Tony Macaulay
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
David Soul3:41
18Don’t It Make My Brown Eyes Blue
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) und Capitol Nashville (in 1977, in 1979)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle4.42:35
19Don’t Cry Out Loud
Elkie Brooks3:46
20Oh What a Circus
David Essex3:35
21Matchstalk Men and Matchstalk Cats and Dogs
recording of:
Matchstalk Men and Matchstalk Cats and Dogs
Verfasser(in):
Brian Burke und Michael Coleman (Chicago blues guitarist)
Brian and Michael4:27
22Smurf Song
Father Abraham3:50

Nennungen

Veröffentlichungsgruppe

Teil von:Now Yearbook (UK Now subseries) (Nummer: 1978) (Reihenfolge: 7)