Classic FM: Babies

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Music for Sleeping
#TitleArtistRatingLength
1Wiegenlied (Lullaby), Op. 49 No. 4
harp:
Marisa Robles (Spanish harpist)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:31
2Cantata No.156 – Sinfonia
producer:
Anna Barry (classical producer)
cello:
Julian Lloyd Webber (cellist) (in 1992-02)
piano:
John Lenehan (classical pianist) (in 1992-02)
arranger:
Julian Lloyd Webber (cellist)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (in 1992-02)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements) (in 1992-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
Johann Sebastian Bach2:51
3Gymnopedie No.1
sound engineer:
Simon Eadon (classical music engineer) (in 1983-05)
producer:
Michael Haas (classical music producer)
piano:
Pascal Rogé (pianist) (in 1983-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-05)
edit of:
3 Gymnopédies by Pascal Rogé (pianist)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (in 1983-05)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:08
4Cavalleria rusticana: Intermezzo
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: Intermezzo (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:28
5The Carnival of the Animals: The Swan
cello:
Christopher van Kampen (British cellist) (in 1980-03)
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:46
6Piano Concerto No. 20 in D minor, K. 466: II. Romanze
piano:
Mitsuko Uchida (pianist) (in 1985-10)
orchestra:
English Chamber Orchestra (in 1985-10)
conductor:
Jeffrey Tate (conductor) (in 1985-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze (in 1985-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart10:12
7Lisa Lan
vocals:
Katherine Jenkins (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Nicholas Dodd (conductor)
[unknown]4:03
8Henry V Suite: Touch Her Soft Lips & Part
orchestra:
Bournemouth Symphony Orchestra
conductor:
Andrew Litton (conductor)
recording of:
Suite from Henry V: IV. Touch her soft lips and part (for orchestra, Mathieson)
orchestrator:
Muir Mathieson (in 1963)
composer:
William Walton (British composer and conductor) (from 1943 until 1944)
part of:
Henry V Suite (for orchestra, Mathieson)
Sir William Walton2:11
9Rinaldo: Lascia ch’io pianga
soprano vocals:
Elin Manahan Thomas (soprano)
orchestra:
The Sixteen Orchestra (UK choir)
conductor:
Harry Christophers (conductor)
phonographic copyright (℗) by:
Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2007)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel5:15
10Romance No. 2 in F major, Op. 50
producer:
Sieuwert Verster
editor:
Eva Blankespoor, Dick van Schuppen and Sieuwert Verster
violin:
Thomas Zehetmair (violinist and conductor) (in 1997-11)
orchestra:
Orchestra of the 18th Century (Orchestra of the Eighteenth Century) (in 1997-11)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1997-11)
balance engineer:
Henk Jansen and Dick van Schuppen
recorded at:
Muziekcentrum Enschede in Enschede, Overijssel, Netherlands, Kingdom of the Netherlands (in 1997-11) and Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1997-11)
live recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile) (in 1997-11)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile) (in 1997-11)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Ludwig van Beethoven7:34
11Cantique de Jean Racine, Op. 11
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (from 1996-07-01 until 1996-07-05)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
dedicated to:
César Franck (Belgian‐born French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 11)
Gabriel Fauré5:34
12Nocturne in E‐flat major, Op. 9 No. 2
piano:
Jean‐Yves Thibaudet (pianist) (from 1999-02-21 until 1999-02-24)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1999-02-21 until 1999-02-24)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (from 1999-02-21 until 1999-02-24)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3) and Classic 100: Piano (2004) (number: 18)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin3:51
13Variations on the St Anthony Chorale – Theme
orchestra:
The Cleveland Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
edit of:
Variations on a Theme by Haydn, op. 56a by The Cleveland Orchestra, Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Thema. Chorale St. Antoni. Andante
composer:
Johannes Brahms (German composer) (in 1873)
is based on:
Divertimento in B-flat major, Hob. II:46: II. Chorale St. Antoni
orchestration of:
Variations on a Theme by Joseph Haydn, op. 56b: Chorale St. Antoni. Andante
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms1:54
14Pie Jesu
John Brunning4:36
15Concerto in D minor for 2 violins – 2nd mvt
producer:
Mark Buecker (engineer of classical recordings)
violin:
Volkhard Steude (from 2000-08 until 2005-08) and Akiko Suwanai (violinist) (in 2005-08)
orchestra:
Chamber Orchestra of Europe (in 2005-08)
balance engineer:
Philip Siney (sound engineer) (in 2005-08)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 2005-08)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 2005-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:34
16Stargazer
Patrick Thomas Hawes3:11
2▼CD: Music for Playtime
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1Carnival of the Animals: Finale
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:51
2The Marriage of Figaro: Overture
engineer and balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
producer:
Christopher Raeburn (producer) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1981-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart3:52
3Swan Lake: Dance of the Swans
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes (in 1988-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский1:31
4Piano Sonata No. 11 in A major, K. 300i/331: III. Rondo alla Turca
engineer:
Arthur Lilley (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1981)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1980-02)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:29
5A Midsummer Night’s Dream: Scherzo
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:34
6Coronation March
orchestra:
London Symphony Orchestra (in 1971-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-05)
recording of:
Le Prophète: Acte IV No. 24 Marche du sacre (La Marche du couronnement) (in 1971-05)
composer:
Giacomo Meyerbeer (composer) (until 1849-04-16)
part of:
Le Prophète: Acte IV
Giacomo Meyerbeer3:19
7La Gioconda: Dance of the Hours
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
La Gioconda: Atto III, scena 2. Danza delle ore
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
included in:
Fantasia (Disney soundtrack)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli9:29
8Flight of the Bumblebee
clarinet:
Emma Johnson (UK clarinettist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Julian Reynolds
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Nikolai Rimsky-Korsakov1:21
9Petite Suite – Ballet
producer:
Michael Bremner (producer/engineer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1961-02-22 until 1961-02-24)
conductor:
Ernest Ansermet (conductor) (from 1961-02-22 until 1961-02-24)
balance engineer:
Roy Wallace (recording engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1961-02-22 until 1961-02-24)
recording of:
Petite Suite, L. 65, CD 71b : IV. Ballet (for orchestra) (from 1961-02-22 until 1961-02-24)
orchestrator:
Henri Büsser (French composer, organist, conductor) (in 1907)
composer:
Claude Debussy (French composer) (from 1888 until 1889)
orchestration of:
Petite Suite, L. 65, CD 71a : IV. Ballet (for piano 4-hands)
part of:
Petite Suite, L. 65, CD 71b (for orchestra)
Claude Debussy3:17
10Piano Quintet in A major “Trout” 4th movement
engineer:
Simon Eadon (classical music engineer)
producer:
Michael Haas (classical music producer)
cello:
Clemens Hagen (cellist) (from 1983-12-05 until 1983-12-06)
double bass:
Alois Posch (double bass player) (from 1983-12-05 until 1983-12-06)
piano:
András Schiff (pianist) (from 1983-12-05 until 1983-12-06)
viola:
Veronika Hagen (violist) (from 1983-12-05 until 1983-12-06)
violin:
Lukas Hagen (violinist) (from 1983-12-05 until 1983-12-06)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1985)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1983-12-05 until 1983-12-06)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto (from 1983-12-05 until 1983-12-06)
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert8:13
11English Folksongs Suite – 3rd movement
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:50
12Concerto for 2 Violins in A major 3rd movement
violin:
Pina Carmirelli (violinist) and Pasquale Pellegrino (violinist)
orchestra:
I Musici
Antonio Vivaldi2:37
13Orchestral Suite No.2 in B minor – Badinerie
flute:
William Bennett (flautist) (in 1978-01)
orchestra:
Academy of St Martin in the Fields (in 1978-01)
conductor:
Neville Marriner (conductor) (in 1978-01)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:30
14Waltz in E‐flat major, Op. 18 “Grande Valse Brillante”
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-10)
recording of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante” (in 1983-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1833)
dedicated to:
Laura Harsford
part of:
Works of Fryderyk Chopin by opus number (number: op. 18)
Frédéric Chopin4:47
15Hoedown (from Rodeo)
producer:
James Mallinson (producer)
orchestra:
Detroit Symphony Orchestra (from 1981-05-11 until 1981-05-13)
conductor:
Antal Doráti (conductor) (from 1981-05-11 until 1981-05-13)
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1982)
recorded at:
United Artists' Auditorium in Detroit, Michigan, United States (from 1981-05-11 until 1981-05-13)
recording of:
Rodeo: IV. Hoedown (from 1981-05-11 until 1981-05-13)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte’s Retreat
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland3:37
16Gold and Silver Waltz
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
Wiener Philharmoniker (Vienna Philharmonic)
recording of:
Gold und Silber-Walzer, op. 79
composer:
Franz Lehár (composer)
Franz Lehár8:52

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ASIN:UK: B000T6JJIE [info]