The Late ’50s: The Top Ten Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Rock Around the Clock
E-Gitarre:
Danny Cedrone (am 1954-04-12)
Gitarre:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
vocals:
Bill Haley (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:14
2The Naughty Lady of Shady Lane
recording of:
The Naughty Lady of Shady Lane
Verfasser(in):
Roy Bennett (US songwriter) und Sid Tepper
The Ames Brothers with Hugo Winterhalter and His Orchestra2:51
3Sincerely
vocals:
The McGuire Sisters
Orchester:
Dick Jacobs & His Orchestra
cover recording of:
Sincerely
Verfasser(in):
Alan Freed (American disc jockey) (bis 1954-10) und Harvey Fuqua (bis 1954-10)
publisher:
Alan Freed Music, Arc Music (U.S. rock & blues publisher), Irving Music (BMI), Quazical Music, Regent Music Corp. (BMI) und ロックンロール ミュージック (Rock ’n’ Roll Music)
The McGuire Sisters3:00
4Sixteen Tons
Akustikgitarre:
Bobby Gibbons (am 1955-09-20)
Bassklarinette:
Darol Rice (am 1955-09-20)
Fingerschnippen und Sologesang:
Tennessee Ernie Ford (am 1955-09-20)
Klarinette:
Red Mandel (am 1955-09-20)
Kontrabass [bass]:
Rolly Bundock (am 1955-09-20)
Posaune:
George Bruns (am 1955-09-20)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1955-09-20)
Trompete:
Charlie Parlato (am 1955-09-20)
conductor:
Jack Fascinato (am 1955-09-20)
arranger:
Jack Fascinato
phonographisches Urheberrecht (℗) von:
Bacci Bros Records (in 2010) und Lucky Vintage (in 2014)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-20)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 12)
cover recording of:
Sixteen Tons (am 1955-09-20)
Texter und Komponist(in):
Merle Travis
publisher:
American Music, Inc. und Campbell Connelly & Co. Ltd.
adaptations:
16 Tons
Tennessee Ernie Ford4.652:37
5Autumn Leaves
Roger Williams3:02
6The Ballad of Davy Crockett
recording of:
The Ballad of Davy Crockett
Texter:
Tom Blackburn
Komponist(in):
George Bruns
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
Bill Hayes2:26
7Only You
recording of:
Only You
Texter, Verfasser(in) und Komponist(in):
Buck Ram und Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:39
8Love Is a Many Splendored Thing
Orchester:
Jack Pleiss’ Orchestra
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1955)
recording of:
Love Is a Many‐Splendored Thing
Texter:
Paul Francis Webster
Komponist(in):
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1955 winner)
The Four Aces32:59
9Cherry Pink and Apple Blossom White
Solo-Trompete:
Billy Regis
recording of:
Cherry Pink and Apple Blossom White (1951 song, version of “Cerisier rose et pommier blanc”) (in 1955)
Komponist(in):
Louiguy (French composer Louis Guglielmi)
Übersetzer:
Mack David (American lyricist and songwriter)
basiert auf:
Cerisier rose et pommier blanc (1950 song)
Pérez Prado & His Orchestra3:01
10Unchained Melody
recording of:
Unchained Melody (in 1955)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
Les Baxter and His Orchestra42:34
11The Wayward Wind
recording of:
The Wayward Wind
Texter und Komponist(in):
Stan Lebowsky und Herb Newman
Gogi Grant23:00
12Lisbon Antigua
recording of:
Lisbon Antigua (Nelson Riddle arrangement)
Arrangement von:
Lisboa antiga
Nelson Riddle and His Orchestra2:38
13Rock and Roll Waltz
Orchester:
Hugo Winterhalter’s Orchestra and Chorus
Interpret(in):
Hugo Winterhalter (Hugo Winterhaller)
recording of:
Rock and Roll Waltz (1955 song)
Texter:
Roy Alfred (Tin Pan Alley lyricist and composer)
Komponist(in):
Shorty Allen (jazz musician and songwriter)
publisher:
SBK United Partnership Ltd.
Kay Starr with Hugo Winterhalter and His Orchestra and Chorus2:59
14Memories Are Made of This
Produzent(in):
Lee Gillette
Hintergrundgesang:
The Easy Riders (in 1955)
vocals:
Dean Martin (American singer/actor) (in 1955)
Orchester:
Dick Stabile and His Orchestra (in 1955)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (am 1955-10-28)
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
Dean Martin with The Easy Riders52:18
15Moonglow and Theme From “Picnic”
instrumental recording of:
Moonglow and Theme from "Picnic"
Texter:
Eddie DeLange
Komponist(in):
George Duning, Will Hudson und Irving Mills
Medley von:
Moonglow
Medley von:
Love Theme (from the 1955 film "Picnic")
Morris Stoloff and The Columbia Pictures Orchestra3:50
16Singing the Blues
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 37)
cover recording of:
Singing the Blues
Texter und Komponist(in):
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) und Acuff-Rose Music Limited (UK)
Guy Mitchell2:29
17The Poor People of Paris
instrumental cover recording of:
The Poor People of Paris (English adaption of "La Goualante du pauvre Jean") (in 1956-01)
Texter:
René Gustave Rouzaud (lyricist)
Komponist(in):
Marguerite Monnot
Übersetzer:
Jack Lawrence (US songwriter)
Version von:
La Goualante du pauvre Jean
Les Baxter and His Orchestra2:26
18I Almost Lost My Mind
recording of:
I Almost Lost My Mind
Texter und Komponist(in):
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
Hill and Range (publisher) und St. Louis Music Corp.
Pat Boone2:37
2▼CD
Nr.TitelKünstlerBewertungLänge
1Green Door
recording of:
Green Door
Texter:
Marvin Moore (songwriter, best known for “Four Walls” and “The Green Door”)
Komponist(in):
Bob Davie
Jim Lowe2:15
2Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. und Williamson Music Company
Elvis Presley and The Jordanaires3.82:04
3Chances Are
leitende(r) Produzent(in):
Michael Berniker und Jerry Shulman
Produzent(in):
Al Ham und Mitch Miller
vocals:
Johnny Mathis (US pop/soul singer) (in 1957)
Orchester:
Ray Conniff and His Orchestra
phonographisches Urheberrecht (℗) von:
Jon Mat Records, Inc. (in 1957)
Teil von:
Grammy Hall of Fame (Nummer: 1998)
recording of:
Chances Are (in 1957)
Texter:
Al Stillman
Komponist(in):
Robert Allen (US songwriter/arranger/pianist)
publisher:
Kitty Anne Music Co., Inc. (beendet), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis with Ray Conniff and His Orchestra3:04
4Butterfly
vocals:
Andy Williams (US pop/jazz vocalist)
conductor:
Archie Bleyer
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
cover recording of:
Butterfly
Verfasser(in):
Bernie Lowe und Kal Mann
publisher:
Mayland‐Presley
Andy Williams2:22
5Diana
vocals:
Paul Anka (Canadian singer, songwriter and actor)
conductor:
Don Costa (US pop music arranger & producer)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 26)
recording of:
Diana (am 1957-05-20)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (beendet), Epa Publishing und Warner Chappell Music (publisher as Warner/Chappell Music)
Paul Anka4.752:29
6Round and Round
recording of:
Round and Round
Verfasser(in):
Joe Shapiro (US songwriter) (in 1956) und Lou Stallman (Songwriter and producer active since the 1950s) (in 1956)
Perry Como with Mitchell Ayres and His Orchestra & The Ray Charles Singers2:34
7Honeycomb
cover recording of:
Honeycomb (in 1957)
Texter und Komponist(in):
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1954)
Jimmie Rodgers42:18
8That’ll Be the Day
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Niki Sullivan (am 1957-02-25), Gary Tollett (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets4.62:19
9Wake Up Little Suzie
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 21) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 311)
recording of:
Wake Up Little Susie (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:02
10Love Letters in the Sand
Produzent(in):
Randy Wood (producer)
Bass:
Larry Breen (am 1956-11-24)
Gitarre:
Barney Kessel (am 1956-11-24) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-11-24)
Klarinette:
Ryland Weston (am 1956-11-24)
Klavier:
Milt Rogers (bandleader, arranger and composer) (am 1956-11-24)
Saxophon:
Babe Russin (am 1956-11-24) und Justin Gordon (am 1956-11-24)
Schlagzeug:
Dick Shanahan (am 1956-11-24)
Vibraphon:
Bernie Mattinson (am 1956-11-24)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-11-24)
vocals:
Pat Boone (am 1956-11-24)
conductor:
Billy Vaughn (am 1956-11-24)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-11-24)
cover recording of:
Love Letters in the Sand (am 1956-11-24)
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone2:16
11Tammy
Debbie Reynolds2:45
12Jailhouse Rock
E-Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-04-30)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-04-30)
Schlagzeug:
D.J. Fontana (am 1957-04-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1957-04-30)
zusätzlich vocals:
The Jordanaires (southern gospel group) (am 1957-04-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957) und BMG Music (in 1957)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 67) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 216)
recording of:
Jailhouse Rock (am 1957-04-30)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley3.552:30
13It’s All in the Game
conductor:
Leroy Holmes
arranger:
Leroy Holmes
cover recording of:
It’s All in the Game
Texter:
Carl Sigman (in 1951)
Komponist(in):
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
basiert auf:
Melody in A major (instrumental)
Tommy Edwards42:40
14It’s Only Make Believe
recording of:
It’s Only Make Believe
Verfasser(in):
Jack Nance (in 1958) und Conway Twitty (in 1958)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty2:15
15Tequila
recording of:
Tequila
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
The Champs4.32:14
16Nel blu dipinto di blu (Volare)
recorded in:
Italien
vocals:
Domenico Modugno
phonographisches Urheberrecht (℗) von:
Warner Music Italia S.r.l. (not for release label use! Italian branch of Warner Music International) (in 1958)
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1959 winner), Italy in the Eurovision Song Contest (Italien beim Eurovision Song Contest) (Nummer: 1958) und Winners of the Sanremo Music Festival (Nummer: 1958)
recording of:
Nel blu dipinto di blu (Volare) (in 1958)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
publisher:
Curci und EMI Robbins Catalog Inc. (ASCAP)
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1959 winner)
Domenico Modugno43:39
17Don’t
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-09-05 bis 1957-09-07)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-09-05 bis 1957-09-07) und Elvis Presley (“The King of Rock and Roll”) (von 1957-09-05 bis 1957-09-07)
Klavier:
Dudley Brooks (von 1957-09-05 bis 1957-09-07)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
Schlagzeug:
D.J. Fontana (, von 1957-09-05 bis 1957-09-07)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (von 1957-09-05 bis 1957-09-07) und Millie Kirkham (von 1957-09-05 bis 1957-09-07)
zusätzlich Hintergrundgesang und zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1957, in 1958), BMG Entertainment (in 1958), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1958) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-09-05 bis 1957-09-07)
cover recording of:
Don’t (von 1957-09-05 bis 1957-09-07)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
Elvis Presley and The Jordanaires32:51
18All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers2:21
19Witch Doctor
recording of:
Witch Doctor
Texter und Komponist(in):
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks)
publisher:
Armen Bagdasarian und Bourne Music Ltd.
David Seville2:20
3▼CD
Nr.TitelKünstlerBewertungLänge
1The Purple People Eater
phonographisches Urheberrecht (℗) von:
Bear Family Records (vom 1997 bis heute)
recording of:
The Purple People Eater (in 1958)
Texter und Komponist(in):
Sheb Wooley
publisher:
Channel Music Co. und Peter Maurice Music Co. Ltd.
Sheb Wooley3.52:15
2Poor Little Fool
Ricky Nelson2:33
3At the Hop
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 28)
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Danny & the Juniors3.52:31
4The Battle of New Orleans
Produzent(in):
Don Law
aufgenommen bei:
Bradley Studios (Hillsboro Village location, circa 1952-1954) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
The Battle of New Orleans (am 1959-01-27)
Texter und Komponist(in):
Jimmy Driftwood (in 1936)
publisher:
Warden Music Company Inc.
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1960 winner)
basiert auf:
The 8th of January
Johnny Horton4.752:32
5A Big Hunk o’ Love
recording of:
A Big Hunk o’ Love
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Sid Wyche
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music Inc., Minder Music Ltd., R&H Music, Rachel’s Own Music, Regent Music (BMI) und Williamson Music Company
Elvis Presley and The Jordanaires2:16
6Kansas City
cover recording of:
Kansas City (aka “K.C. Loving”)
Texter:
Jerry Leiber (in 1952)
Komponist(in):
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co. Ltd. und Sony/ATV Songs LLC
Wilbert Harrison2:30
7Stagger Lee
recording of:
Stagger Lee (Lloyd Price version)
Verfasser(in):
Harold Logan und Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) und Travis Music Co.
Version von:
Stagger Lee (“Stackolee” etc., traditional)
Lloyd Price2:25
8Come Softly to Me
arranger:
Bonnie Guitar
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1959)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 14)
recording of:
Come Softly to Me
Verfasser(in):
Gretchen Christopher, Barbara Ellis und Gary Troxel
publisher:
Chappell Morris, EMI Unart Catalog Inc. und Unart Music Corp. (in 1958, in 1959)
The Fleetwoods32:26
9Mack the Knife
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun und Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 40) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:09
10Venus
vocals:
Frankie Avalon (American actor, singer)
conductor und chorus master:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Chancellor Records Inc. (in 1959)
recording of:
Venus
Texter und Komponist(in):
Ed Marshall
publisher:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:23
11Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, Frankreich (am 1958-09-24)
Produzent(in):
Buck Ram
Sologesang:
Tony Williams (lead singer for The Platters)
Interpret(in):
The Platters
cover recording of:
Smoke Gets in Your Eyes (am 1958-09-24)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
The Platters3.752:40
12Lonely Boy
recording of:
Lonely Boy
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Epa Publishing
Paul Anka2:38
1316 Candles
recording of:
16 Candles
Verfasser(in):
Luther Dixon und Allyson R. Khent
publisher:
January Music Corp., Little A Music, Mijac Music und Unichappell Music, Inc.
The Crests3.52:53
14Dream Lover
Bobby Darin2:31
15Return to Me (Ritorna a me)
Produzent(in):
Lee Gillette
conductor:
Gus Levene
cover recording of:
Return to Me
Verfasser(in):
Daniel DiMinno (American composer, lyricist, author) und Carmen Lombardo
publisher:
Southern Music Publ. Co. Ltd. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Arrangement von:
Return to Me (Regresa a mí)
Dean Martin52:25
16All Shook Up
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-12 bis 1957-01-13)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-12 bis 1957-01-13) und Elvis Presley (“The King of Rock and Roll”) (von 1957-01-12 bis 1957-01-13)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1957-01-12 bis 1957-01-13)
Schlagzeug:
D.J. Fontana (von 1957-01-12 bis 1957-01-13)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) und The Jordanaires (southern gospel group) (von 1957-01-12 bis 1957-01-13)
remixer:
Dennis Ferrante
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-01-12 bis 1957-01-13) und Bloch Arena in Honolulu, Hawaii, Vereinigte Staaten (am 1961-03-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 353)
cover recording of:
All Shook Up (am 1957-01-12)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) und Shalimar Music Corp.
Elvis Presley and The Jordanaires3.651:59
17Juke Box Baby
recording of:
Juke Box Baby
Verfasser(in):
Joe Sherman und Noel Sherman
Perry Como with Mitchell Ayres and His Orchestra & The Ray Charles Singers2:21
18Kisses Sweeter Than Wine
cover recording of:
Kisses Sweeter Than Wine
Texter:
Paul Campbell (songwriting pseudonym used by The Weavers)
Komponist(in):
Joel Newman
Jimmie Rodgers42:22
19Don’t Forbid Me
Produzent(in):
Randy Wood (producer)
Gitarre:
Barney Kessel (am 1956-11-10) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-11-10)
Klavier:
Milt Rogers (bandleader, arranger and composer) (am 1956-11-10)
Kontrabass:
Larry Breen (am 1956-11-10)
Schlagzeug:
Irv Kluger (am 1956-11-10)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-11-10)
vocals:
Pat Boone (am 1956-11-10)
conductor:
Billy Vaughn (am 1956-11-10)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-11-10)
cover recording of:
Don’t Forbid Me (am 1956-11-10)
Texter und Komponist(in):
Chas. Singleton (composer/lyricist)
publisher:
Roosevelt Music Co., Inc.
Pat Boone2:20
20Whole Lotta Shakin’ Goin’ On
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records) (in 1957)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-02-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1957-02-05)
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:53
4▼CD
Nr.TitelKünstlerBewertungLänge
1I’m in Love Again
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 6)
recording of:
I’m in Love Again (am 1955-10-15)
Verfasser(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino52:03
2Lonesome Town
Ricky Nelson2:16
3Johnny B. Goode
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.22:42
4Dance With Me Henry
Georgia Gibbs12:20
5A Tear Fell
cover recording of:
A Tear Fell (1956 song)
Verfasser(in):
Dorian Burton (New York-based singer, songwriter and producer) und Eugene Randolph
Teresa Brewer with Dick Jacobs & His Orchestra2:37
6Broken Hearted Melody
vocals:
Sarah Vaughan (am 1958-01-08)
recording of:
Broken-Hearted Melody (am 1958-01-08)
Texter:
Hal David
Komponist(in):
Sherman Edwards
Sarah Vaughan42:25
7Ivory Tower
Gale Storm2:46
8Sugartime
recording of:
Sugartime
Komponist(in):
Odis Echols und Charlie Phillips
The McGuire Sisters2:34
9Allegheny Moon
Patti Page2:54
10Lollipop
Produzent(in):
Archie Bleyer
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1958)
cover recording of:
Lollipop
Verfasser(in):
Julius Dixson und Beverly Ross
publisher:
Anglo-Pic Music Co. Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Chordettes42:12
11Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.253:22
12Hearts of Stone
vocals:
The Fontane Sisters
Orchester:
Billy Vaughn and His Orchestra
cover recording of:
Hearts of Stone
Verfasser(in):
Rudy Jackson (1950s-60s R&B vocalist) und Eddie Ray (US record company executive, producer & songwriter)
publisher:
Regent Music (BMI)
The Fontane Sisters2:07
13Who’s Sorry Now
vocals:
Connie Francis (American former actress and chart-topping singer)
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1958)
cover recording of:
Who’s Sorry Now? (1923 song)
Texter:
Bert Kalmar (in 1923) und Harry Ruby (in 1923)
Komponist(in):
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (am 1923-03-07) und Mills Music Corporation (in 1929)
Connie Francis42:19
14A Teenager in Love
Interpret(in):
Dion & The Belmonts
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 7)
recording of:
A Teenager in Love (in 1959)
Texter:
Doc Pomus
Komponist(in):
Mort Shuman (US singer, pianist & songwriter)
cover recording of:
A Teenager in Love
Texter:
Doc Pomus
Komponist(in):
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts4.52:36
15The Stroll
recording of:
The Stroll
Verfasser(in):
Nancy Lee (US 1950/60s songwriter & singer) und Clyde Otis (American songwriter and record producer)
publisher:
Vogue Music
The Diamonds2:30
16Twenty‐Six Miles (Santa Catalina)
The Four Preps2:28
17Oh Boy
The Crickets2:09
18See You Later Alligator
Bill Haley & His Comets2:45

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ASIN:US: B000QCM9G0 [Info]