Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Promotion
1.16Competition: Identify the Nine Symphonies4:43Franz Schubert / Ludwig van Beethoven / Felix Mendelssohn / Antonín Dvořák / Hector Berlioz / Robert Schumann / Camille Saint‐Saëns / Jean Sibelius / Pyotr Ilyich TchaikovskyThe New SopranosBerlioz, Donizetti, Ravel, Elgar, Brahms, Bach; Measha Brueggergosman, Nicole Cabell, Kate Royal, Richard Hickox, Julia Fischer, Christian TetzlaffAlbum + Compilation
Gramophone (magazine)GCD0807

Relationships

engineer:Arthur Kendy (from 1959-03-20 until 1959-03-21)
Raymond Moor (engineer, 1957–1995) (from 1959-03-20 until 1959-03-21)
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1989-03, in 1991-01)
Bob Whitney (engineer) (in 1992-02)
organ:George Cook (organist) (on 1952-11-15)
piano:Joseph Kahn (Pianist with The NBC Symphony Orchestra) (on 1952-11-15)
choir vocals:Royal Liverpool Philharmonic Choir (in 1991-01)
orchestra:NBC Symphony Orchestra (on 1952-11-15)
The Cleveland Orchestra (from 1959-03-20 until 1959-03-21)
Hallé Orchestra (in 1976-06)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979, in 1981-10)
London Classical Players (in 1989-03)
Royal Liverpool Philharmonic Orchestra (in 1991-01)
Russian National Orchestra (in 1991-03)
Whirlpool Productions (in 1992-02)
conductor:Arturo Toscanini (conductor) (on 1952-11-15)
George Szell (conductor, pianist, composer) (from 1959-03-20 until 1959-03-21)
James Loughran (in 1976-06)
Riccardo Muti (conductor) (in 1979)
Simon Rattle (conductor) (in 1981-10)
Roger Norrington (conductor) (in 1989-03)
Sir Charles Mackerras (Australian conductor) (in 1991-01)
Mikhail Pletnev (pianist & conductor) (in 1991-03)
Franz Welser‐Möst (conductor) (in 1992-02)
recorded at:Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1952-11-15)
Severance Hall in Cleveland, Ohio, United States (from 1959-03-20 until 1959-03-21)
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (in 1976-06)
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-03)
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (in 1991-01)
Blackheath Halls in London (Greater London), England, United Kingdom (in 1991-03, in 1992-02)
recording of:1. Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto (in 1989-03: partial)
2. Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (in 1991-01: partial)
3. Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto (in 1992-02: partial)
4. Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco) (from 1959-03-20 until 1959-03-21: partial)
5. Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (in 1976-06: partial)
6. Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft (in 1979: partial)
7. Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro (on 1952-11-15: partial)
8. Symphony no. 5 in E-flat major, op. 82: III. Allegro molto (in 1981-10: partial)
9. Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace (in 1991-03: partial)

Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro

composer:Camille Saint‐Saëns (composer) (in 1886)
publisher:Éditions Durand (1947–present)
part of:Symphony no. 3 in C minor “avec orgue”, op. 78 (order: 2)
parts:Symphony no. 3 in C minor “Organ Symphony”, op. 78: II. (a) Allegro moderato - Presto - Allegro moderato -
Symphony no. 3 in C minor “Organ Symphony”, op. 78: II. (b) Maestoso - Più allegro - Molto allegro
is the basis for:If I Had Words
arrangements:Finale from Symphony no. 3 "Organ Symphony" (for band, Slocum)

Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco)

composer:Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
referred to in medleys:Hooked on America
Quodlibet for Small Orchestra: Allegro (3rd movement) (order: 20)
“Unbegun” Symphony: Andante—Allegro (order: 24)
later versions:Sinfonía N.° 9, op. 95 “Nuevo mundo”: IV. Allegro con fuoco / II. Largo
part of:Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”) (movement) (order: 4)
is the basis for:第四惑星「迷菓星」のテーマ(お菓子な世界) (Parodius)
arrangements:New World Symphony, mvt. IV (arranged for piano by Nacar)
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (catch-all for arrangements)
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (arr. Dvorak for piano 4 hands)
The New World Symphony: Finale (for band, Leidzén)

Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat

composer:Hector Berlioz (French composer) (in 1830)
part of:Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties (order: 5)
is the basis for:The Shining (Theme)
arrangements:Symphonie fantastique (catch-all for arrangements)
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (arr. Jean‐François Heisser for two pianos)
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (arr. Arthur Lavandier for chamber orchestra and wind ensemble)
Symphonie fantastique, S. 470: V. Songe d’une nuit de sabbat (for piano solo, Liszt)
幻想交響曲第5楽章「サバトの夜の宴」より
quotes music from:Dies Irae (plainchant)

Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft

composer:Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische” (movement) (order: 5)
orchestrations:Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft (reorchestrated by Mahler)

Symphony no. 5 in E-flat major, op. 82: III. Allegro molto

composer:Jean Sibelius (Finnish composer) (from 1915 until 1919)
part of:Symphony no. 5 in E-flat major, op. 82 (movement) (order: 3)

Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto

composer:Franz Schubert (composer) (in 1822)
part of:Symphony no. 8 in B minor, D. 759 “Unfinished” (movement) (order: 2)
arrangements:Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto (for piano duet, Hüttenbrenner)
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto (for piano, Reinecke)

Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)

composer:Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:Friedrich Schiller (German poet and playwright)
referred to in medleys:Bismarck Peace: Germany: Ode to Joy (Sid Meier’s Civilization V)
“Unbegun” Symphony: Andante—Allegro (order: 7)
Quodlibet for Small Orchestra: Adagio (order: 10)
later versions:March from A Clockwork Orange (Beethoven: Ninth Symphony: Fourth Movement, abridged)
地球交響曲-合唱- (Hanjuku Hero 4: The 7 Hanjuku Heroes)
part of:Symphony no. 9 in D minor, op. 125 “Choral” (movement) (order: 4)
is the basis for:A Beethoven Lullaby (Air on Ode to Joy)
A Last Illusion
Alle Menschen san ma zwider
Beethoven’s New 9th
Bismarck War: Germany: Ode to Joy (Sid Meier’s Civilization V)
Come on Europe!
Difficult to Cure (Beethoven’s Ninth)
Eurohoofdpijn
Euroopa hümn
I’m There
Joyful Joyful, We Adore Thee (Ode to Joy set to text by Henry van Dyke)
Ode an die Freude (Ode to Joy)
On the Fritz (Electronic derivative of Beethoven's 9th)
Overture
Symphony no. 9 in D minor “Ode to Joy” (excerpt) (Stan LePard adaptation)
The Anthem of Europe (unknown English version)
Toccata on “Hymn to Joy”
What Is Eternal
ברכה לעמק יזרעאל
שיר של אחוה
そのまま黙って燃えてくれ~天におわす神
はっぴーにゅーいやぁ~ (ゴシックは魔法乙女)
好き好き好き好き好き好き好き好き好き
arrangements:Get up !!!
Symphony No. 9 in D Minor, Op. 125 "Choral Symphony": IV. Finale, Extract (Arrangement for solo piano by Jerry Lanning)
Symphony no. 9 in D minor, op. 125 “Choral”, S. 464 no. 9: IV. Presto – Allegro assai “Ode to Joy” (for piano, Liszt)
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto - Allegro assai (arranged by Mahler for large orchestra)
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (arr. Kalkbrenner for piano, soloists and choir) (translated)
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (for piano four hands, Jean-Henri Ravina)
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (arr. Wagner for piano, soloists and choir)
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (catch‐all for unknown arrangements)
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto allegro assai – Allegro molto – Andante maestoso – Allegro energico (for violin and piano, Hans Sitt)
Symphony no. 9 in D minor, op. 125, S. 657 “Choral”: IV. Finale. Presto (for two pianos, Liszt)
Symphony no. 9 in D minor, op. 125, S. 657 “Choral”: IV. Finale. Presto (for violin and piano, arr. Scott‐Burt)
music quoted in:Memory (Dead Winter Dead intro)
quotes lyrics from:An die Freude

Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace

composer:Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:Symphony no. 6 in B minor, op. 74 “Pathétique” (movement) (order: 3)
arrangements:Scherzo from Symphony no. 6 "Pathetique" ( (arr. Samuel Feinberg, piano)
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace (arr. Walter Niemann for piano)

Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto

composer:Felix Mendelssohn (composer) (in 1833)
part of:Symphony no. 4 in A major, op. 90 “Italian” (order: 4)
has revision:Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Allegro di molto (1834 revision, uncommon)
arrangements:Saltarello - Presto from Symphony no. 4 "Italian" (for 16 player pianos, Lehrman)