Best Classics 100

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

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1CD: Uplifting Classics
2CD: Relaxing Classics
Nr.TitelKünstlerBewertungLänge
1Suite for Orchestra No. 3 in D major: Air on the G string (Academy of St Martin in the Fields, Sir Neville Marriner)
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:35
2Orfeo ed Erudice: Dance of the Blessed Spirits (New Philharmonia Orchestra, Riccardo Muti)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Komponist(in):
Christoph Willibald Gluck (composer)
Teil von:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Teil von:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck2:16
3Canon and Gigue for 3 Violins and Basso Continuo in D Major: Canon (Academy of St Martin in the Fields, Sir Neville Marriner)
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel5:02
4Clarinet Concerto in A major, K. 622: II. Adagio (Sächsische Staatskapelle Dresden, Hans Vonk)
Bassettklarinette:
Sabine Meyer (clarinetist) (von 1990-06-06 bis 1990-06-08)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (von 1990-06-06 bis 1990-06-08)
conductor:
Hans Vonk (conductor) (von 1990-06-06 bis 1990-06-08)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1990)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1990-06-06 bis 1990-06-08)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Konzert für Klarinette und Orchester A-Dur, KV 622: II. Adagio) (von 1990-06-06 bis 1990-06-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1791-09-28 bis 1791-10-07)
Teil von:
Concerto for Clarinet in A major, K. 622 (Konzert für Klarinette und Orchester A-Dur, KV 622)
Wolfgang Amadeus Mozart6:39
5Goldberg Variations, BWV 988: Aria (trs. Craig Leon, Julia Thornton (harp))
Harfe:
Julia Thornton
arranger:
Craig Leon (musician, arranger, composer and producer)
recording of:
Goldberg-Variationen, BWV 988: Aria (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1841)
Arrangement von:
Goldberg-Variationen, BWV 988: Aria (opening)
Teil von:
Goldberg-Variationen, BWV 988 (catch-all for arrangements)
Johann Sebastian Bach2:10
6Adagio for Organ and Strings in G minor (Academy of St Martin in the Fields, Sir Neville Marriner)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
teilweise recording of:
Adagio for Strings and Organ in G minor
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni5:53
7Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (Dame Moura Lympany)
Klavier:
Dame Moura Lympany (British pianist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
teilweise recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Ludwig van Beethoven3:58
8Concerto in C, K. 299 for flute, harp and orchestra: II. Andantino (Berliner Philharmonic, James Galway (Flute), Herbert von Karajan)Wolfgang Amadeus Mozart4:01
9Concerto for Violin in E minor, Op. 64: II. Andante (Philharmonia Orchestra, Yehudi Menuhin)
Geige / Violine:
Yehudi Menuhin (violinist)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Efrem Kurtz (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
teilweise recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (von 1838 bis 1844-09-16)
überarbeitet von:
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1845)
Teil von:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn4:31
10Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": II. Andante (Halle Orchestra, Stephen Hough (piano), Bryden Thomson)
Klavier:
Stephen Hough (pianist) (in 1987-05)
Orchester:
Hallé Orchestra (in 1987-05)
conductor:
Bryden Thomson (conductor) (in 1987-05)
aufgenommen bei:
Free Trade Hall in Manchester, Greater Manchester, England, Vereinigtes Königreich (in 1987-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1987-05)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:48
11Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo (Oslo Philharmonic Orchestra, Mariss Jansons)
Orchester:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
teilweise recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák4:47
12Violin Concerto No. 1 in G minor, Op. 26: II. Adagio (Philharmonia Orchestra, Yehudi Menuhin)
Geige / Violine:
Yehudi Menuhin (violinist)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
teilweise recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: II. Adagio)
Komponist(in):
Max Bruch (composer and conductor) (von 1866 bis 1867)
Teil von:
Violin Concerto no. 1 in G minor, op. 26
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: II. Adagio)
Komponist(in):
Max Bruch (composer and conductor) (von 1866 bis 1867)
Teil von:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch4:26
13Variations on an Original Theme, Op. 36 'Enigma": Variation 9, Nimrod (London Symphony Orchestra, Sir Adrian Boult)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Symphony Orchestra (von 1970-08-04 bis 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (von 1970-08-04 bis 1970-08-06)
Tonmeister(in):
Michael Gray (UK classical recording engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) und Warner Classics (in 2002)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-04 bis 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (von 1970-08-04 bis 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Augustus J. Jaeger
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:58
14Concierto de Aranjuez for Guitar: II. Adagio (City of Birmingham Symphony Orchestra, Julian Bream (Guitar), Sir Simon Rattle)
Gitarre und klassiche Gitarre:
Julian Bream
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
teilweise recording of:
Concierto de Aranjuez: II. Adagio
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Teil von:
Concierto de Aranjuez
Joaquín Rodrigo54:48
15The Lark Ascending: conclusion (City of Birmingham Symphony Orchestra, Nigel Kennedy (Violin), Sir Simon Rattle)
Geige / Violine:
Nigel Kennedy (violinist)
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
teilweise recording of:
The Lark Ascending (for violin and orchestra)
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1914)
Premiere bei:
[concert] (1921-06-14)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1921-06-14)
Arrangement von:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams6:54
16Symphony No. 5 in C-sharp minor: IV. Adagietto (New Philharmonia Orchestra, Sir John Barbirolli)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
teilweise recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
Komponist(in):
Gustav Mahler (composer) (von 1901 bis 1902)
Teil von:
Symphony no. 5 (5. Sinfonie)
Gustav Mahler3:09
17Rhapsody on a Theme of Paganini, Variation 18 (City of Birmingham Orchestra, Cecile Ousset (piano), Sir Simon Rattle)
Produzent(in):
John Fraser (UK producer) (von 1984-05-03 bis 1984-05-04)
Klavier:
Cécile Ousset (French pianist) (von 1984-05-03 bis 1984-05-04)
Orchester:
City of Birmingham Symphony Orchestra (von 1984-05-03 bis 1984-05-04)
conductor:
Simon Rattle (conductor) (von 1984-05-03 bis 1984-05-04)
Tonmeister(in):
Michael Sheady (engineer) (von 1984-05-03 bis 1984-05-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
aufgenommen bei:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, Vereinigtes Königreich (von 1984-05-03 bis 1984-05-04)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (von 1984-05-03 bis 1984-05-04)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1934-07-03 bis 1934-08-18)
Teil von:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Васильевич Рахманинов2:57
3CD: Vocal Classics
4CD: Golden Classics
5CD: Favourite Classics
6CD: Spiritual Classics

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Veröffentlichung

umgeschriebene/übersetzte Tracklisten:ベスト・クラシック100
ASIN:JP: B0007TFC8O [Info]

Veröffentlichungsgruppe

Teil von:100 Best (EMI Classics) (Reihenfolge: 1)