Titanic: Music From the Motion Picture (collector’s anniversary edition)

~ Release by James Horner (see all versions of this release, 33 available)

Annotation

℗ «1997 Paramount Pictures. Under exclusive license to Sony Music Entertainment.»
℗ «1997 Sony Music Entertainment (Canada) Inc.»
℗ «1998 Paramount Pictures. Under exclusive license to Sony Music Entertainment.»
℗ «1998 Sony Music Entertainment (Canada) Inc.»
℗ «2012 Paramount Pictures. Under exclusive license to Sony Music Entertainment/Compilation»
℗ «2012 Sony Music Entertainment. Originally Recorded 1914, 1938 Sony Music Entertainment / Originally Released 1925, 1927, 1929, 1932, 1933, 1936, 1937, 1940, 1946 Sony Music Entertainment»

Note: ""2-03"" "Alexander's Ragtime Band" - I Salonisti (2:31) and ""3-10"" Alexander's Ragtime Band - I Salonisti (2:28) are two different versions of the same song. ""2-03"" has the piano playing the melody and a violin playing the harmony. ""3-10"" is piano only.

Annotation last modified on 2020-01-24 00:44 UTC.

Tracklist

1▶Digital Media: Titanic Original Motion Picture Soundtrack (Remastered)
2▼Digital Media: (Back To Titanic) (Remastered)
#TitleArtistRatingLength
1Titanic Suite
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
choir vocals:
Choristers of King’s College, Cambridge
vocals:
Sissel
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Stephen Cleobury (organist, conductor)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Titanic Incidental Music
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner19:05
2An Irish Party in Third Class (includes “John Ryan’s Polka” and “Blarney Pilgrim”)
producer:
Randy Gerston
mixer:
Bill Drescher (Producer and sound engineer) and Randy Gerston
arranger:
Gaelic Storm
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
medley including a recording of:
Ryan’s Polka (Irish polka)
composer:
[traditional] (special purpose artist)
medley including a recording of:
The Blarney Pilgrim
composer:
[traditional] (special purpose artist)
Gaelic Storm3:48
3Alexander’s Ragtime Band
producer:
John Altman
mixer:
Bill Drescher (Producer and sound engineer) and Randy Gerston
cello, double bass [bass], piano and violin:
I Salonisti
arranger:
John Altman
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
instrumental recording of:
Alexander’s Ragtime Band
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
I Salonisti2:31
4The Portrait
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
solo piano:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
The Portrait
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner4:43
5Jack Dawson’s Luck (includes “Humours of Caledon”, “The Red-Haired Lass”, “The Boys on the Hilltop” & “The Bucks of Oranmore”)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Jack Dawson’s Luck
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
medley of:
Humours of Caledon
medley of:
The Red Haired Lass
medley of:
The Boys on the Hilltop
medley of:
The Bucks of Oranmore (reel)
James Horner5:39
6A Building Panic (album suite)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
A Building Panic
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner8:09
7Nearer My God to Thee
producer:
Lorenz Hasler (Swiss violinist)
mixer:
Bill Drescher (Producer and sound engineer) and Randy Gerston
cello, double bass [bass], piano and violin:
I Salonisti
spoken vocals:
Jonathan Evans‐Jones (violinist)
arranger:
Jonathan Evans‐Jones (violinist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
instrumental recording of:
Nearer, My God, to Thee (Bethany)
lyricist:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
composer:
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) and Skyhill Music (in 1971)
part of:
Roud Folk Song Index (number: 28881)
I Salonisti2:50
8Come Josephine, in My Flying Machine
engineer:
Ray Pyle
producer:
Randy Gerston
spoken vocals:
Ioan Gruffudd and Kate Winslet
vocals:
Máire Brennan (formerly known as Máire Brennan)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recording of:
Come Josephine, in My Flying Machine
lyricist:
Alfred Bryan (US songwriter)
composer:
Fred Fisher
publisher:
Bienstock Publishing Co. (ASCAP affiliated) and Shapiro & Bernstein Co., Inc.
James Horner3:33
9Lament (includes “A Spailpín a Rún”)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
conductor:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Lament
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
is based on:
A spailpín a rún
James Horner4:36
10A Shore Never Reached
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
A Shore Never Reached
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner4:27
11My Heart Will Go On (dialogue mix) (includes “Titanic” film dialogue)
producer:
Walter Afanasieff and James Horner (American score composer)
spoken vocals:
Leonardo DiCaprio and Kate Winslet
vocals:
Céline Dion
phonographic copyright (℗) by:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
Céline Dion4:43
12Nearer My God to Thee
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
engineer:
Steve Hardy (engineer)
editor:
Jim Henrikson
violin:
Eileen Ivers
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
instrumental recording of:
Nearer, My God, to Thee (Bethany)
lyricist:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
composer:
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) and Skyhill Music (in 1971)
part of:
Roud Folk Song Index (number: 28881)
James Horner2:23
13Epilogue – The Deep and Timeless Sea
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Jon Bailey (engineer) and Jake Jackson (recording engineer)
editor:
Jim Henrikson
choir vocals:
Choristers of King’s College, Cambridge
vocals:
Sissel
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Stephen Cleobury (organist, conductor)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Epilogue - The Deep and Timeless Sea
composer:
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner12:37
3▶Digital Media: Gentlemen, It Has Been A Privilege Playing With You Tonight
4▶Digital Media: (Popular Music From The Titanic Era)