Back to Titanic

~ Veröffentlichung von James Horner (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Titanic Suite
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Editing:
Jim Henrikson
Chorgesang:
Choristers of King’s College, Cambridge
vocals:
Sissel
Orchester:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Stephen Cleobury (organist, conductor)
Orchestrator(in):
James Horner (American score composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Titanic Incidental Music
Komponist(in):
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner19:05
2An Irish Party in Third Class
Produzent(in):
Randy Gerston
Mix:
Bill Drescher (Producer and sound engineer) und Randy Gerston
arranger:
Gaelic Storm
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
medley including a recording of:
Ryan’s Polka (Irish polka)
Komponist(in):
[traditional] (special purpose artist)
medley including a recording of:
The Blarney Pilgrim
Komponist(in):
[traditional] (special purpose artist)
Gaelic Storm3:49
3Alexander's Ragtime Band
Produzent(in):
John Altman
Mix:
Bill Drescher (Producer and sound engineer) und Randy Gerston
Cello, Kontrabass [bass], Klavier und Geige / Violine:
I Salonisti
arranger:
John Altman
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
instrumental recording of:
Alexander’s Ragtime Band
Texter und Komponist(in):
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
I Salonisti2:31
4The Portrait
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Editing:
Jim Henrikson
Solo-Klavier:
James Horner (American score composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
The Portrait
Komponist(in):
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner4:43
5Jack Dawson's Luck
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Editing:
Jim Henrikson
conductor:
James Horner (American score composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Jack Dawson’s Luck
Komponist(in):
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
Medley von:
Humours of Caledon
Medley von:
The Red Haired Lass
Medley von:
The Boys on the Hilltop
Medley von:
The Bucks of Oranmore (reel)
James Horner5:39
6A Building Panic
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Editing:
Jim Henrikson
conductor:
James Horner (American score composer)
Orchestrator(in):
James Horner (American score composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
A Building Panic
Komponist(in):
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner8:09
7Nearer My God to Thee
Produzent(in):
Lorenz Hasler (Swiss violinist)
Mix:
Bill Drescher (Producer and sound engineer) und Randy Gerston
Cello, Kontrabass [bass], Klavier und Geige / Violine:
I Salonisti
Sprecher:
Jonathan Evans‐Jones (violinist)
arranger:
Jonathan Evans‐Jones (violinist)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
instrumental recording of:
Nearer, My God, to Thee (Bethany)
Texter:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
Komponist(in):
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) und Skyhill Music (in 1971)
Teil von:
Roud Folk Song Index (Nummer: 28881)
I Salonisti2:50
8Come Josephine, in My Flying Machine
Techniker(in):
Ray Pyle
Produzent(in):
Randy Gerston
Sprecher:
Ioan Gruffudd und Kate Winslet
vocals:
Máire Brennan (formerly known as Máire Brennan)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recording of:
Come Josephine, in My Flying Machine
Texter:
Alfred Bryan (US songwriter)
Komponist(in):
Fred Fisher
publisher:
Bienstock Publishing Co. (ASCAP affiliated) und Shapiro & Bernstein Co., Inc.
Máire Brennan3:33
9Lament
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Editing:
Jim Henrikson
conductor:
James Horner (American score composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Lament
Komponist(in):
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
basiert auf:
A spailpín a rún
James Horner4:36
10A Shore Never Reached
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Editing:
Jim Henrikson
Orchester:
London Symphony Orchestra
conductor:
James Horner (American score composer)
Orchestrator(in):
James Horner (American score composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
A Shore Never Reached
Komponist(in):
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner4:27
11My Heart Will Go On
Produzent(in):
Walter Afanasieff und James Horner (American score composer)
Sprecher:
Leonardo DiCaprio und Kate Winslet
vocals:
Céline Dion
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1997 winner)
Teil von:
Titanic
Céline Dion4:43
12Nearer My God to Thee
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Techniker(in):
Steve Hardy (engineer)
Editing:
Jim Henrikson
Geige / Violine:
Eileen Ivers
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
instrumental recording of:
Nearer, My God, to Thee (Bethany)
Texter:
Sarah Flower Adams (English poet, and notably lyricist of the hymn "Nearer, My God, to Thee") (in 1841)
Komponist(in):
Lowell Mason (in 1856)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) und Skyhill Music (in 1971)
Teil von:
Roud Folk Song Index (Nummer: 28881)
Eileen Ivers2:22
13Epilogue - The Deep and Timeless Sea
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Jon Bailey (engineer) und Jake Jackson (recording engineer)
Editing:
Jim Henrikson
Chorgesang:
Choristers of King’s College, Cambridge
vocals:
Sissel
Orchester:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Stephen Cleobury (organist, conductor)
Orchestrator(in):
James Horner (American score composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Epilogue - The Deep and Timeless Sea
Komponist(in):
James Horner (American score composer)
publisher:
TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
James Horner12:38