| ... le is út - Get Thee Gone! | At Ensemble | | | 9:40 | strumento (come “schalmei”) |
| "Wach auf Keterlin" (Es Taget vor dem Walde) | Capella Antiqua Bambergensis | | | 2:43 | strumento (come “bass”) |
| (a) Cowhorn: Ballade “De moi doloureus”; (b) Medieval Cornett: Das Nachthorn; (c) Slide trumpet: Geisslerlied “Maria muoter reinû maît”; (d) Ensemble (medieval cornett, slide trumpet, alto shawm, tabor): Der Trumpet | Early Music Consort of London, David Munrow | | | 3:37 | strumento |
| 3 Black Crows | Blackmore’s Night | | 3.35 | 3:43 | strumento |
| 9. Recercardas ottava - primera - segunda | Regina Kabis, Jutta Haaf, Albrecht Haaf, Bernd Maier, Fritz Mühlhölzl, Marlies Ortlieb, Linda Pelchat, Ekkehard Weber | | | 4:48 | strumento |
| 16th Century Greensleeves | Blackmore’s Night | | | 5:48 | strumento |
| 25 Years | Blackmore’s Night | | 4.65 | 4:56 | strumento |
| A dieu comant amouretes | Olivier Féraud & Xavier Terrasa | | | 1:17 | strumento |
| A que serven todo-los celestiaes (C. 114) | The Renaissance Players | | | 7:42 | strumento (come “treble shawm”) |
| A Sailor's Life/One More Day | The Albion Band | | | 8:35 | strumento |
| Adieu mes amours | Piffaro, The Renaissance Band | | | 1:26 | strumento, strumento (come “alto shawn”) |
| Ai vis lo lop | In Extremo | | 4.65 | 4:03 | strumento |
| Aidû | Eluveitie | | 3.35 | 3:10 | strumento (come “bass shalm”) |
| Albrecht mirs schwer | Ludwig Senfl | | | 2:43 | strumento (come “2 shawms”) |
| Ali & Fatima | Polo Hofer und die Schmetterband | | | 4:01 | strumento |
| All for One | Blackmore’s Night | | | 6:44 | strumento |
| All for One | Blackmore’s Night | | 3.65 | 5:36 | strumento |
| All the Fun of the Fayre | Blackmore’s Night | | 4.5 | 3:55 | strumento |
| All the Fun of the Fayre | Blackmore’s Night | | | 4:07 | strumento |
| Alla battaglia | Wim Becu, Willem Bremer, Norbert Kunst, Bart Quartier, Charles Toet | | | 4:50 | strumento (come “alto shawn”), strumento (come “bass shawn”) |
| Amor né tossa | Alena Dantcheva, Gianluca Ferrarini, La Fonte Musica, Michele Pasotti | | | 9:23 | strumento |
| Amour partes | Piffaro, The Renaissance Band | | | 2:19 | strumento (come “alto shawm”), strumento (come “soprano shawm”) |
| Anchor che col partire (Cipriano di Rore) | Elsa Frank, Jérémie Papasergio, Bernhard Stilz, Johanne Maitre & Stéphane Tamby | | | 3:30 | strumento |
| AnDro | Eluveitie | | 4.65 | 3:41 | strumento (come “bass shalm”) |
| Angelus ad virginem | Ensemble Unicorn | | | 1:55 | strumento |
| Apor Lazar Tancz | Xavier Terrasa, Jean-Lou Descamps, Thierry Gomar | | | 1:34 | strumento |
| Aquestas noites | BraAgas | | | 2:48 | strumento (come “shawms”), strumento |
| Augen zu | Saltatio Mortis | | | 6:21 | strumento |
| Augen zu | Saltatio Mortis | | | 4:49 | strumento |
| Aus tiefer Not schrei ich zu dir | Sixt Dietrich | | | 2:22 | strumento (come “alto shawm”) |
| Ave Maria | In Extremo | | | 5:27 | strumento |
| Ave Tigris Regia | Judith Fitzhenry | | | 2:36 | strumento |
| Aver non poderia (C. 403) | The Renaissance Players | | | 7:44 | strumento (come “treble shawm”) |
| Bacche benevenias | Nachtwindheim | | | 4:05 | strumento |
| Back Street Slide | Richard & Linda Thompson | | | 4:28 | strumento |
| Ballade: Mes esperis se combat | Early Music Consort of London, David Munrow | | | 3:37 | strumento |
| Ballet des Amazones / La Rosette / La Bourée / Courante | Michael Praetorius | | | 5:56 | strumento |
| Barbara Allen | Blackmore’s Night | | | 5:27 | strumento |
| Barbara Allen | Blackmore’s Night | | 3 | 3:40 | strumento |
| Beata progenies | Ensemble Unicorn | | | 3:01 | strumento |
| Beati immaticuli | Johann Walter | | | 2:49 | strumento (come “alto shawm”) |
| Believe in Me | Blackmore’s Night | | 4 | 4:26 | strumento |
| Benché lontan | Francesca Cassinari, Alena Dantcheva, Gianluca Ferrarini, La Fonte Musica, Michele Pasotti | | | 5:30 | strumento |
| Biance flour | Early Music Consort of London | | | 1:57 | strumento |
| Black Night | Blackmore’s Night | | | 2:18 | strumento |
| Bog se rodi va Betleme | Ensemble Oni Wytars | | | 3:57 | strumento |
| Bransle de chevaux (arr. Piffaro) | Piffaro, The Renaissance Band | | | 2:30 | strumento (come “tenor shawm”) |
| Call It Love | Blackmore’s Night | | 4 | 2:54 | strumento |
| Cantiga No. 77 "Da que Deus mamou" | Xavier Terrasa & Thierry Gomar | | | 1:35 | strumento (come “clari”) |
| Canzone dei Zampognari | Regina Kabis, Jutta Haaf, Albrecht Haaf, Bernd Maier, Fritz Mühlhölzl, Marlies Ortlieb, Linda Pelchat, Ekkehard Weber | | | 2:13 | strumento |
| Captus Est | In Extremo | | | 4:06 | strumento |
| Cara mie donna | Early Music Consort of London | | | 3:57 | strumento |
| Carmen a 5 | Convivium Musicum / Ensemble Villanella | | | 1:17 | strumento (come “2 shawms”) |
| Carmina moralia et divina: Dic, Christi veritas - Bulla fulminante (CB 131 et 131a) | Clemencic Consort, René Clemencic | | | 7:56 | strumento (come “chalémie”) |
| Carmina moralia et divina: Nomen a solempnibus II (CB 52) | Clemencic Consort, René Clemencic | | | 3:21 | strumento (come “chalémie”) |
| Cartouche | Blackmore’s Night | | | 4:14 | strumento |
| Cartouche | Blackmore’s Night | | 3.65 | 3:45 | strumento |
| Celluloid Heroes | Blackmore’s Night | | 4 | 5:28 | strumento |
| Chançonetta tedescha I [London, brit. Mus. Add. 29987] | Studio der frühen Musik, Thomas Binkley | | | 1:52 | strumento |
| Chançonetta tedescha II [London, brit. Mus. Add. 29987] | Studio der frühen Musik, Thomas Binkley | | | 1:16 | strumento |
| Chanson: À vous, douce debonaire | Early Music Consort of London, David Munrow | | | 2:00 | strumento |
| Chon brachi assai | Early Music Consort of London | | | 3:25 | strumento |
| Christmas Eve | Blackmore’s Night | | 5 | 4:20 | strumento |
| Ciaramella | Francesca Cassinari, Alena Dantcheva, Elena Carzaniga, Gianluca Ferrarini, La Fonte Musica, Michele Pasotti | | | 4:54 | strumento |
| Como Poden | In Extremo | | 4 | 3:22 | strumento |
| Como somos per conssello (C. 119) | The Renaissance Players | | | 10:07 | strumento |
| Con dolce brama | Early Music Consort of London | | | 1:53 | strumento |
| D. Martini Lutheri Symbolum | Musica Antiqua Wien | | | 2:23 | strumento (come “alto shawm”) |
| Da que Deus | Nachtwindheim | | | 4:00 | strumento |
| Da que Deus mamou (C. 77) | The Renaissance Players | | | 4:21 | strumento |
| Dà, dà, a chi avaregia | Early Music Consort of London | | | 3:46 | strumento |
| Dance of the Darkness | Blackmore’s Night | | 4.5 | 3:35 | strumento |
| Dance of the Darkness | Blackmore’s Night | | | 3:47 | strumento |
| Dance: J'aloie l'autrier | Thibaut de Champagne | | | 1:32 | strumento |
| Dance: La Septime estampie Real | Early Music Consort of London, David Munrow | | | ?:?? | strumento |
| Dandelion Wine | Blackmore’s Night | | | 6:07 | strumento |
| Dandelion Wine | Blackmore’s Night | | 3.65 | 5:39 | strumento |
| Danse | The Dufay Collective | | | 2:31 | strumento |
| Darkness | Blackmore’s Night | | | 3:30 | strumento |
| Darkness | Blackmore’s Night | | 3.5 | 3:21 | strumento |
| Das erst Kapitel des hohenliedes Salomonis | Leonhard Lechner | | | 1:56 | strumento (come “alto shawm”) |
| Das ist der Tag | Letzte Instanz | | 4 | 4:22 | strumento |
| Das Spiel | Letzte Instanz | | 5 | 4:56 | strumento |
| Das Spiel beginnt | Letzte Instanz | | 4 | 3:07 | strumento |
| De! Dinmi tu | Early Music Consort of London | | | 2:49 | strumento |
| Der Galgen | In Extremo | | 4 | 3:33 | strumento |
| Der getreue Music-Meister: 25. Carillon à 2 Chalumeaux ou Flûte à bec ou trav. avec la Basse in F major | Frithjof Fest, Otto Steinkopf | | | 1:39 | strumento |
| Der Hauff auff | Henrician Consort | | | 0:55 | strumento |
| Der kuninc Rodolp | Studio der frühen Musik, Thomas Binkley | | | 5:31 | strumento |
| Des Bänkers neue Kleider | Saltatio Mortis | | | 5:23 | strumento |
| Des Bänkers neue Kleider | Saltatio Mortis | | | 4:19 | strumento |
| Diamonds and Rust | Blackmore’s Night | | 4.35 | 4:54 | strumento |
| Diamons and Rust | Blackmore’s Night | | | 4:47 | strumento |
| Difficult to Cure | Blackmore’s Night | | | 1:38 | strumento |
| Dinaresade | Ensemble Oni Wytars | | | 13:50 | strumento |
| Ding Dong Merrily on High | Blackmore’s Night | | 5 | 3:16 | strumento |
| Donna'l tuo partimento | Early Music Consort of London | | | 1:40 | strumento |
| Dracula ja Zombie laps | Hortus Musicus, Andres Mustonen | | | 14:27 | strumento |
| Dreams of Dead Names | Lustmord | | | 2:37 | strumento |
| Ductia VIII | Jon Banks, John Rowlands-Pritchard, Michelene Wandor | | | 2:07 | strumento |
